https://www.cpdl.org/wiki/api.php?action=feedcontributions&user=Choralia&feedformat=atomChoralWiki - User contributions [en]2024-03-29T01:20:32ZUser contributionsMediaWiki 1.39.4https://www.cpdl.org/wiki/index.php?title=Talk:Lamentationes_Jeremiae_Prophetae_(Francesco_Durante)&diff=1793877Talk:Lamentationes Jeremiae Prophetae (Francesco Durante)2024-03-17T10:53:44Z<p>Choralia: </p>
<hr />
<div>== Jerusalem Convertere : possible errors in score #62100 ==<br />
The partition comes from a manuscript in Bayerische Staatsbibliothek, Munich, that is on imslp (thank you for this work).<br />
It seems that there are some errors in this manuscrit, at least according to versions sung on youtube and to these two manuscripts on Gallica :<br />
* https://gallica.bnf.fr/ark:/12148/btv1b100705445<br />
* https://gallica.bnf.fr/ark:/12148/btv1b8585577b/ (rest of the score here https://gallica.bnf.fr/ark:/12148/btv1b8585578r/<br />
(and also because of sometimes weird harmony).<br />
<br />
Here are what we notice (most of them detected by my choirmaster), from page 51 of the score :<br />
# bar 13 : Alto part - 3rd beat: "G" in place of "C" (Sol / Do)<br />
# bars 14-16 : Sopr part - text : only one convertere, replace "te-re con-ver-te-re" by hyphens <br />
# bars 28-30 : Alto part - text : the same<br />
# bars 33-35 : Sopr part - text : the same<br />
# bar 33 : Sopr part - 3rd beat : "A" in place of "C" (La / Do)<br />
# bars 39-40 : Sopr and Alto parts : divide the whole note of bar 39 a in two half notes, set "ver-" on the second half note, not bar 40 (S. and A.)<br />
# bars 41-42 : Sopr and Alto parts - text : "Je-ru-sa-lem" in place of the first "con-ver-te-re"<br />
# bar 44 : Alto - 3rd beat : B in place of A (Si / La) (quarter note)<br />
# bar 51 : Bass - 3rd beat : G in place of F (Sol / Fa) (quarter note)<br />
# bar 64 : Ten - 1st beat : C natural not # (Do naturel / Do #)<br />
# bar 64 : B.c. - 1st beat : C in place of D (Do / Ré)<br />
<br />
I donnot check the instrumental parts. [[User:Pr|Pr]] ([[User talk:Pr|talk]]) 18:05, 30 June 2022 (UTC)<br />
<br />
== Further checks on this work ==<br />
<br />
I had the opportunity to compare the choral parts of the edition available here at CPDL [CPDL] with a choral score (no instrumental parts) published by Philippe Caillard (catalogue number X 231) [PC], and then I checked the differences against the manuscript score available at IMSLP [IMSLP]. These are my findings.<br />
<br />
:<i><b>Incipit oratio Jeremiae prophetae</b></i><br />
<br />
Soprano, bar 77: the first two notes (dotted crotchet and quaver) are <b>C in [PC] and [IMSLP]</b>, B in [CPDL].<br />
<br />
Soprano, bar 95 and alto, bar 100: text is <b>“versa” in [PC] and [IMSLP]</b>, “versas” in [CPDL].<br />
<br />
Soprano and alto, bar 107: syllables are anticipated by one quarter in [PC], while they are placed <b>one quarter later in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 33: the last but three note (semiquaver) is <b>B natural in [PC]</b>, B flat (due to the key signature) in [CPDL]. In [IMSLP] the situation is not completely clear, as something seems canceled nearby the notes.<br />
<br />
Alto, bar 67: the second note (crotchet) is <b>A flat in [PC] and [IMSLP]</b>, E (flat) in [CPDL].<br />
<br />
Alto, bar, bar 85: <b>the word “nostrum” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Tenor, bar 61: <b>the syllable “Re” is placed on the second note (quaver, E flat) in [PC] and [IMSLP]</b>, on the first note (crotched, D) in [CPDL].<br />
<br />
Tenor, bar 67: the second note (quaver) is <b>F natural in [PC] and [IMSLP]</b>, F sharp in [CPDL]<br />
<br />
:<i><b>Recordare Domine</b></i><br />
<br />
This piece shows some additional complexity because it is repeated twice with small differences (and possibly some errors) in [CPDL] and [IMSLP], while only one instance is present in [PC].<br />
<br />
Soprano, bar 9: the third note (crotchet) <b>is D natural in [PC] and [IMSLP]</b>, F in [CPDL]. In [CPDL], when the piece is repeated, the same note is D natural.<br />
<br />
Soprano, bar 12: the last note (minim) is <b>B (flat) in [PC]</b>, D natural in [CPDL] and [IMSLP]. However, when the piece is repeated, the same note is B (flat) in [CPDL] and [IMSLP].<br />
<br />
Soprano, bar 28: the last note (minim) is <b>A flat in [PC] and [IMSLP]</b>, B (flat) in [CPDL]. In [CPDL], when the piece is repeated, the same note is A flat.<br />
<br />
Alto, bar 7 - 9: the positioning of syllables of [PC] differs from [CPDL] and [IMSLP] when the piece is performed the first time. When the piece is performed the second time, [CPDL] differs from [PC] and [IMSLP] instead (<b>the [CP] positioning has been retained at Choralia</b>).<br />
<br />
Alto, bar 45 (208): the first note (semibreve) is <b>A natural in [PC]</b>, A (flat) in [CPDL] and [IMSLP]. When the piece is performed the second time, also [CPDL] and [IMSLP] show A natural.<br />
<br />
Tenor, bar 4: the last note (crotchet) is <b>E (flat) in [PC] and [IMSLP]</b>, F in [CPDL]. In [CPDL], when the piece is repeated, the same note is E (flat).<br />
<br />
Tenor, bar 5: the first note (F) is a semibreve (followed by a minim rest) in [PC], a <b>dotted semibreve in [CPDL] and [IMSLP]</b>.<br />
<br />
Tenor, bar 7: the syllable "re" <b>is placed on the second note (C, crotchet) in [PC]</b>, while it is placed on the first note (B flat, dotted minim) in [CPDL] and [IMSLP]. When the piece is performed the second time, the same syllable is placed on the second note also in [CPDL] and [IMSLP], although the second note is B flat rather than C.<br />
<br />
Tenor, bar 18: in [PC] a syllable "mi", which is present in [CPDL] and [IMSLP], is missing on the last note. When the piece is performed the second time, the note durations are altered in [CPDL] (two semibreves rather than <b>a dotted semibreve and a minim</b>).<br />
<br />
Tenor, bar 19: the first note (D flat) <b>is a semibreve (followed by a minim rest) in [PC]</b>, a <b>dotted semibreve in [CPDL] and [IMSLP]</b>. When the piece is performed the second time, [CPDL] and [IMSLP] also show a semibreve followed by a minim rest.<br />
<br />
Tenore, bar 42: notes are <b>C (dotted semibreve), D natural (crotchet), C (crotchet)</b> in [PC] and [IMSLP], while they are C (dotted minim), D natural (crotchet), C (semibreve) in [CPDL]. When the piece is performed the second time, the note durations are C (dotted semibreve), D natural (crotchet), C (crotchet) in all three editions.<br />
<br />
Tenore, bar 42 – 45: <b>in [CPDL] and [IMSLP] the word "Domine" is repeated consistently with the note duration</b>, while in [PC] the word is not repeated.<br />
<br />
:<b><i>Patres nostri peccaverunt</i></b><br />
<br />
Soprano, bar 16: in [PC] two quavers (E, syllable "ta") are combined in a crotchet, while <b>they are divided in [CPDL] and [IMSLP]</b>.<br />
<br />
Soprano, bar 18: the last note (quaver) is E in [PC], <b>A in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 15: the first note (quaver) is <b>D in [PC]</b>, C in [CPDL] and [IMSLP].<br />
<br />
Alto, bar 33: the only note (crotchet) is B in [PC], <b>F in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 42: the first note (quaver) is <b>B in [PC]</b>, A in [CPDL] and [IMSLP].<br />
<br />
Alto, bar 52: the last note (crotchet) <b>is F in [PC] and [IMSLP]</b>, A in [CPDL].<br />
<br />
Tenor, bar 35: the last note (minim) is <b>C (sharp) in [PC] and [IMSLP]</b>, C natural in [CPDL].<br />
<br />
Tenor, bar 38: the last but four note (quaver) is A in [PC], <b>C (sharp) in [CPDL] and [IMSLP]</b>.<br />
<br />
Bass, bar 9: the first syllable is "et" in [PC], <b>"non" in [CPDL] and [IMSLP]</b>.<br />
<br />
:<b><i>In animabus nostris</i></b><br />
<br />
Soprano, bar 91: the last note (quaver) <b>is B in [PC] and [IMSLP]</b>, F (sharp) in [CPDL].<br />
<br />
Alto, bar 112: the second note (semiquaver) <b>is F (sharp) in [PC]</b>, G sharp in [CPDL], G natural in [IMSLP].<br />
<br />
Tenor, bar 91: the last note (quaver) <b>is D sharp in [PC] and [IMSLP]</b>, F natural in [CPDL].<br />
<br />
:<b><i>Jerusalem convertere</i></b><br />
<br />
Soprano, bar 14 – 15: <b>the word “convertere” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Soprano, bar 16: the third note (quaver) <b>is G in [PC] and [IMSLP]</b>, B (flat) in [CPDL].<br />
<br />
Soprano, bar 33 (518): the second note (dotted crotchet) <b>is A in [PC] and [IMSLP]</b>, C in [CPDL].<br />
<br />
Soprano, bar 33 – 34: <b>the word “convertere” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Soprano, bar 39 - 40: the syllable "ver" is placed on the second note (minim) of bar 39 in [PC], while it is placed <b>on the first note of bar 40 (crotchet) in [CPDL] and [IMSLP]</b>.<br />
<br />
Soprano, bar 41 – 42: lyrics are “Jerusalem convertere” in [PC], <b>“convertere, convertere” in [CPDL] and [IMSLP]</b>.<br />
<br />
Soprano, bar 61: the third and fourth note (quavers) are respectively B (flat) and D in [PC], <b>D and F in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 13: the last note (crotchet) is G in [PC], <b>C in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 26 – 27: <b>the word “convertere” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Alto, bar 29: the last but one note (semiquaver) <b>is C sharp in [PC] and [IMSLP]</b>, E natural in [CPDL].<br />
<br />
Alto, bar 39: two minims (both B flat) are present in [PC] and [IMSLP], and the syllable "ver" is placed on the second one in [PC] (no lyrics are present in [IMSLP], while <b>in [CPDL] the two minims are merged into a semibreve, and the syllable "ver" is placed on the first note of the next bar</b>.<br />
<br />
Alto, bar 44: the third note (crotchet) <b>is B (flat) in [PC] and [IMSLP]</b>, A in [CPDL].<br />
<br />
Tenor, bar 40: the last note (crotchet) is D in [PC], <b>B (flat) in [CPDL] and [IMSLP]</b>.<br />
<br />
Tenor, bar 51: the last note (crotchet) is G in [PC], <b>B (flat) in [CPDL] and [IMSLP]</b>.<br />
<br />
Tenor, bar 64: the first note (minim) <b>is C in [PC]</b>, C sharp in [CPDL] and [IMSLP].<br />
<br />
Bass, bar 51: the last note (crotchet) <b>is G in [PC] and [IMSLP]</b>, F in [CPDL].<br />
<br />
Bass, bar 57: the first note (dotted quaver) <b>is G in [PC]</b>, A in [CPDL] and [IMSLP].<br />
<br />
Bass, bar 60 - 61: lyrics are “Jerusalem convertere” in [PC], <b>“convertere, convertere” in [CPDL] and [IMSLP]</b>.<br />
<br />
<br />
The training aids available at [http://www.choralia.net Choralia] follow the variations <b>highlighted in bold</b> above. [[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 19:06, 16 March 2024 (UTC)</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Talk:Lamentationes_Jeremiae_Prophetae_(Francesco_Durante)&diff=1793874Talk:Lamentationes Jeremiae Prophetae (Francesco Durante)2024-03-17T10:50:54Z<p>Choralia: </p>
<hr />
<div>== Jerusalem Convertere : possible errors in score #62100 ==<br />
The partition comes from a manuscript in Bayerische Staatsbibliothek, Munich, that is on imslp (thank you for this work).<br />
It seems that there are some errors in this manuscrit, at least according to versions sung on youtube and to these two manuscripts on Gallica :<br />
* https://gallica.bnf.fr/ark:/12148/btv1b100705445<br />
* https://gallica.bnf.fr/ark:/12148/btv1b8585577b/ (rest of the score here https://gallica.bnf.fr/ark:/12148/btv1b8585578r/<br />
(and also because of sometimes weird harmony).<br />
<br />
Here are what we notice (most of them detected by my choirmaster), from page 51 of the score :<br />
# bar 13 : Alto part - 3rd beat: "G" in place of "C" (Sol / Do)<br />
# bars 14-16 : Sopr part - text : only one convertere, replace "te-re con-ver-te-re" by hyphens <br />
# bars 28-30 : Alto part - text : the same<br />
# bars 33-35 : Sopr part - text : the same<br />
# bar 33 : Sopr part - 3rd beat : "A" in place of "C" (La / Do)<br />
# bars 39-40 : Sopr and Alto parts : divide the whole note of bar 39 a in two half notes, set "ver-" on the second half note, not bar 40 (S. and A.)<br />
# bars 41-42 : Sopr and Alto parts - text : "Je-ru-sa-lem" in place of the first "con-ver-te-re"<br />
# bar 44 : Alto - 3rd beat : B in place of A (Si / La) (quarter note)<br />
# bar 51 : Bass - 3rd beat : G in place of F (Sol / Fa) (quarter note)<br />
# bar 64 : Ten - 1st beat : C natural not # (Do naturel / Do #)<br />
# bar 64 : B.c. - 1st beat : C in place of D (Do / Ré)<br />
<br />
I donnot check the instrumental parts. [[User:Pr|Pr]] ([[User talk:Pr|talk]]) 18:05, 30 June 2022 (UTC)<br />
<br />
== Further checks on this work ==<br />
<br />
I had the opportunity to compare the choral parts of the edition available here at CPDL [CPDL] with a choral score (no instrumental parts) published by Philippe Caillard (catalogue number X 231) [PC], and then I checked the differences against the manuscript score available at IMSLP [IMSLP]. These are my findings.<br />
<br />
:<i><b>Incipit oratio Jeremiae prophetae</b></i><br />
<br />
Soprano, bar 77: the first two notes (dotted crotchet and quaver) are <b>C in [PC] and [IMSLP]</b>, B in [CPDL].<br />
<br />
Soprano, bar 95 and alto, bar 100: text is <b>“versa” in [PC] and [IMSLP]</b>, “versas” in [CPDL].<br />
<br />
Soprano and alto, bar 107: syllables are anticipated by one quarter in [PC], while they are placed <b>one quarter later in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 33: the last but three note (semiquaver) is <b>B natural in [PC]</b>, B flat (due to the key signature) in [CPDL]. In [IMSLP] the situation is not completely clear, as something seems canceled nearby the notes.<br />
<br />
Alto, bar 67: the second note (crotchet) is <b>A flat in [PC] and [IMSLP]</b>, E (flat) in [CPDL].<br />
<br />
Alto, bar, bar 85: <b>the word “nostrum” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Tenor, bar 61: <b>the syllable “Re” is placed on the second note (quaver, E flat) in [PC] and [IMSLP]</b>, on the first note (crotched, D) in [CPDL].<br />
<br />
Tenor, bar 67: the second note (quaver) is <b>F natural in [PC] and [IMSLP]</b>, F sharp in [CPDL]<br />
<br />
:<i><b>Recordare Domine</b></i><br />
<br />
This piece shows some additional complexity because it is repeated twice with small differences (and possibly some errors) in [CPDL] and [IMSLP], while only one instance is present in [PC].<br />
<br />
Soprano, bar 9: the third note (crotchet) <b>is D natural in [PC] and [IMSLP]</b>, F in [CPDL]. In [CPDL], when the piece is repeated, the same note is D natural.<br />
<br />
Soprano, bar 12: the last note (minim) is <b>B (flat) in [PC]</b>, D natural in [CPDL] and [IMSLP]. However, when the piece is repeated, the same note is B (flat) in [CPDL] and [IMSLP].<br />
<br />
Soprano, bar 28: the last note (minim) is <b>A flat in [PC] and [IMSLP]</b>, B (flat) in [CPDL]. In [CPDL], when the piece is repeated, the same note is A flat.<br />
<br />
Alto, bar 7 - 9: the positioning of syllables of [PC] differs from [CPDL] and [IMSLP] when the piece is performed the first time. When the piece is performed the second time, [CPDL] differs from [PC] and [IMSLP] instead (<b>the [CP] positioning has been retained at Choralia</b>).<br />
<br />
Alto, bar 45 (208): the first note (semibreve) is <b>A natural in [PC]</b>, A (flat) in [CPDL] and [IMSLP]. When the piece is performed the second time, also [CPDL] and [IMSLP] show A natural.<br />
<br />
Tenor, bar 4: the last note (crotchet) is <b>E (flat) in [PC] and [IMSLP]</b>, F in [CPDL]. In [CPDL], when the piece is repeated, the same note is E (flat).<br />
<br />
Tenor, bar 5: the first note (F) is a semibreve (followed by a minim rest) in [PC], a <b>dotted semibreve in [CPDL] and [IMSLP]</b>.<br />
<br />
Tenor, bar 7: the syllable "re" <b>is placed on the second note (C, crotchet) in [PC]</b>, while it is placed on the first note (B flat, dotted minim) in [CPDL] and [IMSLP]. When the piece is performed the second time, the same syllable is placed on the second note also in [CPDL] and [IMSLP], although the second note is B flat rather than C.<br />
<br />
Tenor, bar 18: in [PC] a syllable "mi", which is present in [CPDL] and [IMSLP], is missing on the last note. When the piece is performed the second time, the note durations are altered in [CPDL] (two semibreves rather than <b>a dotted semibreve and a minim</b>).<br />
<br />
Tenor, bar 19: the first note (D flat) <b>is a semibreve (followed by a minim rest) in [PC]</b>, a <b>dotted semibreve in [CPDL] and [IMSLP]</b>. When the piece is performed the second time, [CPDL] and [IMSLP] also show a semibreve followed by a minim rest.<br />
<br />
Tenore, bar 42: notes are <b>C (dotted semibreve), D natural (crotchet), C (crotchet)</b> in [PC] and [IMSLP], while they are C (dotted minim), D natural (crotchet), C (semibreve) in [CPDL]. When the piece is performed the second time, the note durations are C (dotted semibreve), D natural (crotchet), C (crotchet) in all three editions.<br />
<br />
Tenore, bar 42 – 45: <b>in [CPDL] and [IMSLP] the word "Domine" is repeated consistently with the note duration</b>, while in [PC] the word is not repeated.<br />
<br />
:<b><i>Patres nostri peccaverunt</i></b><br />
<br />
Soprano, bar 16: in [PC] two quavers (E, syllable "ta") are combined in a crotchet, while <b>they are divided in [CPDL] and [IMSLP]</b>.<br />
<br />
Soprano, bar 18: the last note (quaver) is E in [PC], <b>A in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 15: the first note (quaver) is <b>D in [PC]</b>, C in [CPDL] and [IMSLP].<br />
<br />
Alto, bar 33: the only note (crotchet) is B in [PC], <b>F in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 42: the first note (quaver) is <b>B in [PC]</b>, A in [CPDL] and [IMSLP].<br />
<br />
Alto, bar 52: the last note (crotchet) <b>is F in [PC] and [IMSLP]</b>, A in [CPDL].<br />
<br />
Tenor, bar 35: the last note (minim) is <b>C (sharp) in [PC] and [IMSLP]</b>, C natural in [CPDL].<br />
<br />
Tenor, bar 38: the last but four note (quaver) is A in [PC], <b>C (sharp) in [CPDL] and [IMSLP]</b>.<br />
<br />
Bass, bar 9: the first syllable is "et" in [PC], <b>"non" in [CPDL] and [IMSLP]</b>.<br />
<br />
:<b><i>In animabus nostris</i></b><br />
<br />
Soprano, bar 91: the last note (quaver) <b>is B in [PC] and [IMSLP]</b>, F (sharp) in [CPDL].<br />
<br />
Alto, bar 112: the second note (semiquaver) <b>is F (sharp) in [PC]</b>, G sharp in [CPDL], G natural in [IMSLP].<br />
<br />
Tenor, bar 91: the last note (quaver) <b>is D sharp in [PC] and [IMSLP]</b>, F natural in [CPDL].<br />
<br />
:<b><i>Jerusalem convertere</i></b><br />
<br />
Soprano, bar 14 – 15: <b>the word “convertere” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Soprano, bar 16: the third note (quaver) <b>is G in [PC] and [IMSLP]</b>, B (flat) in [CPDL].<br />
<br />
Soprano, bar 33 (518): the second note (dotted crotchet) <b>is A in [PC] and [IMSLP]</b>, C in [CPDL].<br />
<br />
Soprano, bar 33 – 34: <b>the word “convertere” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Soprano, bar 39 - 40: the syllable "ver" is placed on the second note (minim) of bar 39 in [PC], while it is placed <b>on the first note of bar 40 (crotchet) in [CPDL] and [IMSLP]</b>.<br />
<br />
Soprano, bar 41 – 42: lyrics are “Jerusalem convertere” in [PC], <b>“convertere, convertere” in [CPDL] and [IMSLP]</b>.<br />
<br />
Soprano, bar 61: the third and fourth note (quavers) are respectively B (flat) and D in [PC], <b>D and F in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 13: the last note (crotchet) is G in [PC], <b>C in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 26 – 27: <b>the word “convertere” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Alto, bar 29: the last but one note (semiquaver) <b>is C sharp in [PC] and [IMSLP]</b>, E natural in [CPDL].<br />
<br />
Alto, bar 39: two minims (both B flat) are present in [PC], and the syllable "ver" is placed on the second one, while <b>in [CPDL] and [IMSLP] the two minims are merged into a semibreve, and the syllable "ver" is placed on the first note of the next bar</b>.<br />
<br />
Alto, bar 44: the third note (crotchet) <b>is B (flat) in [PC] and [IMSLP]</b>, A in [CPDL].<br />
<br />
Tenor, bar 40: the last note (crotchet) is D in [PC], <b>B (flat) in [CPDL] and [IMSLP]</b>.<br />
<br />
Tenor, bar 51: the last note (crotchet) is G in [PC], <b>B (flat) in [CPDL] and [IMSLP]</b>.<br />
<br />
Tenor, bar 64: the first note (minim) <b>is C in [PC]</b>, C sharp in [CPDL] and [IMSLP].<br />
<br />
Bass, bar 51: the last note (crotchet) <b>is G in [PC] and [IMSLP]</b>, F in [CPDL].<br />
<br />
Bass, bar 57: the first note (dotted quaver) <b>is G in [PC]</b>, A in [CPDL] and [IMSLP].<br />
<br />
Bass, bar 60 - 61: lyrics are “Jerusalem convertere” in [PC], <b>“convertere, convertere” in [CPDL] and [IMSLP]</b>.<br />
<br />
<br />
The training aids available at [http://www.choralia.net Choralia] follow the variations <b>highlighted in bold</b> above. [[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 19:06, 16 March 2024 (UTC)</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Talk:Lamentationes_Jeremiae_Prophetae_(Francesco_Durante)&diff=1793845Talk:Lamentationes Jeremiae Prophetae (Francesco Durante)2024-03-17T07:12:59Z<p>Choralia: </p>
<hr />
<div>== Jerusalem Convertere : possible errors in score #62100 ==<br />
The partition comes from a manuscript in Bayerische Staatsbibliothek, Munich, that is on imslp (thank you for this work).<br />
It seems that there are some errors in this manuscrit, at least according to versions sung on youtube and to these two manuscripts on Gallica :<br />
* https://gallica.bnf.fr/ark:/12148/btv1b100705445<br />
* https://gallica.bnf.fr/ark:/12148/btv1b8585577b/ (rest of the score here https://gallica.bnf.fr/ark:/12148/btv1b8585578r/<br />
(and also because of sometimes weird harmony).<br />
<br />
Here are what we notice (most of them detected by my choirmaster), from page 51 of the score :<br />
# bar 13 : Alto part - 3rd beat: "G" in place of "C" (Sol / Do)<br />
# bars 14-16 : Sopr part - text : only one convertere, replace "te-re con-ver-te-re" by hyphens <br />
# bars 28-30 : Alto part - text : the same<br />
# bars 33-35 : Sopr part - text : the same<br />
# bar 33 : Sopr part - 3rd beat : "A" in place of "C" (La / Do)<br />
# bars 39-40 : Sopr and Alto parts : divide the whole note of bar 39 a in two half notes, set "ver-" on the second half note, not bar 40 (S. and A.)<br />
# bars 41-42 : Sopr and Alto parts - text : "Je-ru-sa-lem" in place of the first "con-ver-te-re"<br />
# bar 44 : Alto - 3rd beat : B in place of A (Si / La) (quarter note)<br />
# bar 51 : Bass - 3rd beat : G in place of F (Sol / Fa) (quarter note)<br />
# bar 64 : Ten - 1st beat : C natural not # (Do naturel / Do #)<br />
# bar 64 : B.c. - 1st beat : C in place of D (Do / Ré)<br />
<br />
I donnot check the instrumental parts. [[User:Pr|Pr]] ([[User talk:Pr|talk]]) 18:05, 30 June 2022 (UTC)<br />
<br />
== Further checks on this work ==<br />
<br />
I had the opportunity to compare the choral parts of the edition available here at CPDL [CPDL] with a choral score (no instrumental parts) published by Philippe Caillard (catalogue number X 231) [PC], and then I checked the differences against the manuscript score available at IMSLP [IMSLP]. These are my findings.<br />
<br />
:<i><b>Incipit oratio Jeremiae prophetae</b></i><br />
<br />
Soprano, bar 77: the first two notes (dotted crotchet and quaver) are <b>C in [PC] and [IMSLP]</b>, B in [CPDL].<br />
<br />
Soprano, bar 95 and alto, bar 100: text is <b>“versa” in [PC] and [IMSLP]</b>, “versas” in [CPDL].<br />
<br />
Soprano and alto, bar 107: syllables are anticipated by one quarter in [PC], while they are placed <b>one quarter later in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 33: the last but three note (semiquaver) is <b>B natural in [PC]</b>, B flat (due to the key signature) in [CPDL]. In [IMSLP] the situation is not completely clear, as something seems canceled nearby the notes.<br />
<br />
Alto, bar 67: the second note (crotchet) is <b>A flat in [PC] and [IMSLP]</b>, E (flat) in [CPDL].<br />
<br />
Alto, bar, bar 85: <b>the word “nostrum” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Tenor, bar 61: <b>the syllable “Re” is placed on the second note (quaver, E flat) in [PC] and [IMSLP]</b>, on the first note (crotched, D) in [CPDL].<br />
<br />
Tenor, bar 67: the second note (quaver) is <b>F natural in [PC] and [IMSLP]</b>, F sharp in [CPDL]<br />
<br />
:<i><b>Recordare Domine</b></i><br />
<br />
This piece shows some additional complexity because it is repeated twice with small differences (and possibly some errors) in [CPDL] and [IMSLP], while only one instance is present in [PC].<br />
<br />
Soprano, bar 9: the third note (crotchet) <b>is D natural in [PC] and [IMSLP]</b>, F in [CPDL]. In [CPDL], when the piece is repeated, the same note is D natural.<br />
<br />
Soprano, bar 12: the last note (minim) is <b>B (flat) in [PC]</b>, D natural in [CPDL] and [IMSLP]. However, when the piece is repeated, the same note is B (flat) in [CPDL] and [IMSLP].<br />
<br />
Soprano, bar 28: the last note (minim) is <b>A flat in [PC] and [IMSLP]</b>, B (flat) in [CPDL]. In [CPDL], when the piece is repeated, the same note is A flat.<br />
<br />
Alto, bar 7 - 9: the positioning of syllables of [PC] differs from [CPDL] and [IMSLP] when the piece is performed the first time. When the piece is performed the second time, [CPDL] differs from [PC] and [IMSLP] instead (<b>the [CP] positioning has been retained at Choralia</b>).<br />
<br />
Alto, bar 45 (208): the first note (semibreve) is <b>A natural in [PC]</b>, A (flat) in [CPDL] and [IMSLP]. When the piece is performed the second time, also [CPDL] and [IMSLP] show A natural.<br />
<br />
Tenor, bar 4: the last note (crotchet) is <b>E (flat) in [PC] and [IMSLP]</b>, F in [CPDL]. In [CPDL], when the piece is repeated, the same note is E (flat).<br />
<br />
Tenor, bar 5: the first note (F) is a semibreve (followed by a minim rest) in [PC], a <b>dotted semibreve in [CPDL] and [IMSLP]</b>.<br />
<br />
Tenor, bar 7: the syllable "re" <b>is placed on the second note (C, crotchet) in [PC]</b>, while it is placed on the first note (B flat, dotted minim) in [CPDL] and [IMSLP]. When the piece is performed the second time, the same syllable is placed on the second note also in [CPDL] and [IMSLP], although the second note is B flat rather than C.<br />
<br />
Tenor, bar 18: in [PC] a syllable "mi", which is present in [CPDL] and [IMSLP], is missing on the last note. When the piece is performed the second time, the note durations are altered in [CPDL] (two semibreves rather than <b>a dotted semibreve and a minim</b>).<br />
<br />
Tenor, bar 19: the first note (D flat) <b>is a semibreve (followed by a minim rest) in [PC]</b>, a <b>dotted semibreve in [CPDL] and [IMSLP]</b>. When the piece is performed the second time, [CPDL] and [IMSLP] also show a semibreve followed by a minim rest.<br />
<br />
Tenore, bar 42: notes are <b>C (dotted semibreve), D natural (crotchet), C (crotchet)</b> in [PC] and [IMSLP], while they are C (dotted minim), D natural (crotchet), C (semibreve) in [CPDL]. When the piece is performed the second time, the note durations are C (dotted semibreve), D natural (crotchet), C (crotchet) in all three editions.<br />
<br />
Tenore, bar 42 – 45: <b>in [CPDL] and [IMSLP] the word "Domine" is repeated consistently with the note duration</b>, while in [PC] the word is not repeated.<br />
<br />
:<b><i>Patres nostri peccaverunt</i></b><br />
<br />
Soprano, bar 16: in [PC] two quavers (E, syllable "ta") are combined in a crotchet, while <b>they are divided in [CPDL] and [IMSLP]</b>.<br />
<br />
Soprano, bar 18: the last note (quaver) is E in [PC], <b>A in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 15: the first note (quaver) is <b>D in [PC]</b>, C in [CPDL] and [IMSLP].<br />
<br />
Alto, bar 33: the only note (crotchet) is B in [PC], <b>F in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 42: the first note (quaver) is <b>B in [PC]</b>, A in [CPDL] and [IMSLP].<br />
<br />
Alto, bar 52: the last note (crotchet) <b>is F in [PC] and [IMSLP]</b>, A in [CPDL].<br />
<br />
Tenor, bar 35: the last note (minim) is <b>C (sharp) in [PC] and [IMSLP]</b>, C natural in [CPDL].<br />
<br />
Tenor, bar 38: the last but four note (quaver) is A in [PC], <b>C (sharp) in [CPDL] and [IMSLP]</b>.<br />
<br />
Bass, bar 9: the first syllable is "et" in [PC], <b>"non" in [CPDL] and [IMSLP]</b>.<br />
<br />
:<b><i>In animabus nostris</i></b><br />
<br />
Soprano, bar 91: the last note (quaver) <b>is B in [PC] and [IMSLP]</b>, F (sharp) in [CPDL].<br />
<br />
Alto, bar 112: the second note (semiquaver) <b>is F (sharp) in [PC]</b>, G sharp in [CPDL], G natural in [IMSLP].<br />
<br />
Tenor, bar 91: the last note (quaver) <b>is D sharp in [PC] and [IMSLP]</b>, F natural in [CPDL].<br />
<br />
<br />
<br />
<i>(to be completed with the last movement - sorry, the list is quite long)</i><br />
<br />
The training aids available at [http://www.choralia.net Choralia] follow the variations <b>highlighted in bold</b> above. [[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 19:06, 16 March 2024 (UTC)</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Talk:Lamentationes_Jeremiae_Prophetae_(Francesco_Durante)&diff=1793844Talk:Lamentationes Jeremiae Prophetae (Francesco Durante)2024-03-17T06:22:49Z<p>Choralia: </p>
<hr />
<div>== Jerusalem Convertere : possible errors in score #62100 ==<br />
The partition comes from a manuscript in Bayerische Staatsbibliothek, Munich, that is on imslp (thank you for this work).<br />
It seems that there are some errors in this manuscrit, at least according to versions sung on youtube and to these two manuscripts on Gallica :<br />
* https://gallica.bnf.fr/ark:/12148/btv1b100705445<br />
* https://gallica.bnf.fr/ark:/12148/btv1b8585577b/ (rest of the score here https://gallica.bnf.fr/ark:/12148/btv1b8585578r/<br />
(and also because of sometimes weird harmony).<br />
<br />
Here are what we notice (most of them detected by my choirmaster), from page 51 of the score :<br />
# bar 13 : Alto part - 3rd beat: "G" in place of "C" (Sol / Do)<br />
# bars 14-16 : Sopr part - text : only one convertere, replace "te-re con-ver-te-re" by hyphens <br />
# bars 28-30 : Alto part - text : the same<br />
# bars 33-35 : Sopr part - text : the same<br />
# bar 33 : Sopr part - 3rd beat : "A" in place of "C" (La / Do)<br />
# bars 39-40 : Sopr and Alto parts : divide the whole note of bar 39 a in two half notes, set "ver-" on the second half note, not bar 40 (S. and A.)<br />
# bars 41-42 : Sopr and Alto parts - text : "Je-ru-sa-lem" in place of the first "con-ver-te-re"<br />
# bar 44 : Alto - 3rd beat : B in place of A (Si / La) (quarter note)<br />
# bar 51 : Bass - 3rd beat : G in place of F (Sol / Fa) (quarter note)<br />
# bar 64 : Ten - 1st beat : C natural not # (Do naturel / Do #)<br />
# bar 64 : B.c. - 1st beat : C in place of D (Do / Ré)<br />
<br />
I donnot check the instrumental parts. [[User:Pr|Pr]] ([[User talk:Pr|talk]]) 18:05, 30 June 2022 (UTC)<br />
<br />
== Further checks on this work ==<br />
<br />
I had the opportunity to compare the choral parts of the edition available here at CPDL [CPDL] with a choral score (no instrumental parts) published by Philippe Caillard (catalogue number X 231) [PC], and then I checked the differences against the manuscript score available at IMSLP [IMSLP]. These are my findings.<br />
<br />
:<i><b>Incipit oratio Jeremiae prophetae</b></i><br />
<br />
Soprano, bar 77: the first two notes (dotted crotchet and quaver) are <b>C in [PC] and [IMSLP]</b>, B in [CPDL].<br />
<br />
Soprano, bar 95 and alto, bar 100: text is <b>“versa” in [PC] and [IMSLP]</b>, “versas” in [CPDL].<br />
<br />
Soprano and alto, bar 107: syllables are anticipated by one quarter in [PC], while they are placed <b>one quarter later in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 33: the last but three note (semiquaver) is <b>B natural in [PC]</b>, B flat (due to the key signature) in [CPDL]. In [IMSLP] the situation is not completely clear, as something seems canceled nearby the notes.<br />
<br />
Alto, bar 67: the second note (crotchet) is <b>A flat in [PC] and [IMSLP]</b>, E (flat) in [CPDL].<br />
<br />
Alto, bar, bar 85: <b>the word “nostrum” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Tenor, bar 61: <b>the syllable “Re” is placed on the second note (quaver, E flat) in [PC] and [IMSLP]</b>, on the first note (crotched, D) in [CPDL].<br />
<br />
Tenor, bar 67: the second note (quaver) is <b>F natural in [PC] and [IMSLP]</b>, F sharp in [CPDL]<br />
<br />
:<i><b>Recordare Domine</b></i><br />
<br />
This piece shows some additional complexity because it is repeated twice with small differences (and possibly some errors) in [CPDL] and [IMSLP], while only one instance is present in [PC].<br />
<br />
Soprano, bar 9: the third note (crotchet) <b>is D natural in [PC] and [IMSLP]</b>, F in [CPDL]. In [CPDL], when the piece is repeated, the same note is D natural.<br />
<br />
Soprano, bar 12: the last note (minim) is <b>B (flat) in [PC]</b>, D natural in [CPDL] and [IMSLP]. However, when the piece is repeated, the same note is B (flat) in [CPDL] and [IMSLP].<br />
<br />
Soprano, bar 28: the last note (minim) is <b>A flat in [PC] and [IMSLP]</b>, B (flat) in [CPDL]. In [CPDL], when the piece is repeated, the same note is A flat.<br />
<br />
Alto, bar 7 - 9: the positioning of syllables of [PC] differs from [CPDL] and [IMSLP] when the piece is performed the first time. When the piece is performed the second time, [CPDL] differs from [PC] and [IMSLP] instead (<b>the [CP] positioning has been retained at Choralia</b>).<br />
<br />
Alto, bar 45 (208): the first note (semibreve) is <b>A natural in [PC]</b>, A (flat) in [CPDL] and [IMSLP]. When the piece is performed the second time, also [CPDL] and [IMSLP] show A natural.<br />
<br />
Tenor, bar 4: the last note (crotchet) is <b>E (flat) in [PC] and [IMSLP]</b>, F in [CPDL]. In [CPDL], when the piece is repeated, the same note is E (flat).<br />
<br />
Tenor, bar 5: the first note (F) is a semibreve (followed by a minim rest) in [PC], a <b>dotted semibreve in [CPDL] and [IMSLP]</b>.<br />
<br />
Tenor, bar 7: the syllable "re" <b>is placed on the second note (C, crotchet) in [PC]</b>, while it is placed on the first note (B flat, dotted minim) in [CPDL] and [IMSLP]. When the piece is performed the second time, the same syllable is placed on the second note also in [CPDL] and [IMSLP], although the second note is B flat rather than C.<br />
<br />
Tenor, bar 18: in [PC] a syllable "mi", which is present in [CPDL] and [IMSLP], is missing on the last note. When the piece is performed the second time, the note durations are altered in [CPDL] (two semibreves rather than <b>a dotted semibreve and a minim</b>).<br />
<br />
Tenor, bar 19: the first note (D flat) <b>is a semibreve (followed by a minim rest) in [PC]</b>, a <b>dotted semibreve in [CPDL] and [IMSLP]</b>. When the piece is performed the second time, [CPDL] and [IMSLP] also show a semibreve followed by a minim rest.<br />
<br />
Tenore, bar 42: notes are <b>C (dotted semibreve), D natural (crotchet), C (crotchet)</b> in [PC] and [IMSLP], while they are C (dotted minim), D natural (crotchet), C (semibreve) in [CPDL]. When the piece is performed the second time, the note durations are C (dotted semibreve), D natural (crotchet), C (crotchet) in all three editions.<br />
<br />
Tenore, bar 42 – 45: <b>in [CPDL] and [IMSLP] the word "Domine" is repeated consistently with the note duration</b>, while in [PC] the word is not repeated.<br />
<br />
:<b><i>Patres nostri peccaverunt</i></b><br />
<br />
Soprano, bar 16: in [PC] two quavers (E, syllable "ta") are combined in a crotchet, while <b>they are divided in [CPDL] and [IMSLP]</b>.<br />
<br />
Soprano, bar 18: the last note (quaver) is E in [PC], <b>A in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 15: the first note (quaver) is <b>D in [PC]</b>, C in [CPDL] and [IMSLP].<br />
<br />
Alto, bar 33: the only note (crotchet) is B in [PC], <b>F in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 42: the first note (quaver) is <b>B in [PC]</b>, A in [CPDL] and [IMSLP].<br />
<br />
Alto, bar 52: the last note (crotchet) <b>is F in [PC] and [IMSLP]</b>, A in [CPDL].<br />
<br />
Tenor, bar 35: the last note (minim) is <b>C (sharp) in [PC] and [IMSLP]</b>, C natural in [CPDL].<br />
<br />
Tenor, bar 38: the last but four note (quaver) is A in [PC], <b>C (sharp) in [CPDL] and [IMSLP]</b>.<br />
<br />
Bass, bar 9: the first syllable is "et" in [PC], <b>"non" in [CPDL] and [IMSLP]</b>.<br />
<br />
<br />
<i>(to be completed with the other movements - sorry, the list is quite long)</i><br />
<br />
The training aids available at [http://www.choralia.net Choralia] follow the variations <b>highlighted in bold</b> above. [[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 19:06, 16 March 2024 (UTC)</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Talk:Lamentationes_Jeremiae_Prophetae_(Francesco_Durante)&diff=1793706Talk:Lamentationes Jeremiae Prophetae (Francesco Durante)2024-03-16T19:50:30Z<p>Choralia: </p>
<hr />
<div>== Jerusalem Convertere : possible errors in score #62100 ==<br />
The partition comes from a manuscript in Bayerische Staatsbibliothek, Munich, that is on imslp (thank you for this work).<br />
It seems that there are some errors in this manuscrit, at least according to versions sung on youtube and to these two manuscripts on Gallica :<br />
* https://gallica.bnf.fr/ark:/12148/btv1b100705445<br />
* https://gallica.bnf.fr/ark:/12148/btv1b8585577b/ (rest of the score here https://gallica.bnf.fr/ark:/12148/btv1b8585578r/<br />
(and also because of sometimes weird harmony).<br />
<br />
Here are what we notice (most of them detected by my choirmaster), from page 51 of the score :<br />
# bar 13 : Alto part - 3rd beat: "G" in place of "C" (Sol / Do)<br />
# bars 14-16 : Sopr part - text : only one convertere, replace "te-re con-ver-te-re" by hyphens <br />
# bars 28-30 : Alto part - text : the same<br />
# bars 33-35 : Sopr part - text : the same<br />
# bar 33 : Sopr part - 3rd beat : "A" in place of "C" (La / Do)<br />
# bars 39-40 : Sopr and Alto parts : divide the whole note of bar 39 a in two half notes, set "ver-" on the second half note, not bar 40 (S. and A.)<br />
# bars 41-42 : Sopr and Alto parts - text : "Je-ru-sa-lem" in place of the first "con-ver-te-re"<br />
# bar 44 : Alto - 3rd beat : B in place of A (Si / La) (quarter note)<br />
# bar 51 : Bass - 3rd beat : G in place of F (Sol / Fa) (quarter note)<br />
# bar 64 : Ten - 1st beat : C natural not # (Do naturel / Do #)<br />
# bar 64 : B.c. - 1st beat : C in place of D (Do / Ré)<br />
<br />
I donnot check the instrumental parts. [[User:Pr|Pr]] ([[User talk:Pr|talk]]) 18:05, 30 June 2022 (UTC)<br />
<br />
== Further checks on this work ==<br />
<br />
I had the opportunity to compare the vocal parts of the edition available here at CPDL [CPDL] with a choral score (no instrumental parts) published by Philippe Caillard (catalogue number X 231) [PC], and then I checked the differences against the manuscript score available at IMSLP [IMSLP]. These are my findings.<br />
<br />
:<i><b>Incipit oratio Jeremiae prophetae</b></i><br />
<br />
Soprano, bar 77: the first two notes (dotted crotchet and quaver) are <b>C in [PC] and [IMSLP]</b>, B in [CPDL].<br />
<br />
Soprano, bar 95 and alto, bar 100: text is <b>“versa” in [PC] and [IMSLP]</b>, “versas” in [CPDL].<br />
<br />
Soprano and alto, bar 107: syllables are anticipated by one quarter in [PC], while they are placed <b>one quarter later in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 33: the last but three note (semiquaver) is <b>B natural in [PC]</b>, B flat (due to the key signature) in [CPDL]. In [IMSLP] the situation is not completely clear, as something seems canceled nearby the notes.<br />
<br />
Alto, bar 67: the second note (crotchet) is <b>A flat in [PC] and [IMSLP]</b>, E (flat) in [CPDL].<br />
<br />
Alto, bar, bar 85: <b>the word “nostrum” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Tenor, bar 61: <b>the syllable “Re” is placed on the second note (quaver, E flat) in [PC] and [IMSLP]</b>, on the first note (crotched, D) in [CPDL].<br />
<br />
Tenor, bar 67: the second note (quaver) is <b>F natural in [PC] and [IMSLP]</b>, F sharp in [CPDL]<br />
<br />
:<i><b>Recordare Domine</b></i><br />
<br />
This piece shows some additional complexity because it is repeated twice with small differences (and possibly some errors) in [CPDL] and [IMSLP], while only one instance is present in [PC].<br />
<br />
Soprano, bar 9: the third note (crotchet) <b>is D natural in [PC] and [IMSLP]</b>, F in [CPDL]. In [CPDL], when the piece is repeated, the same note is D natural.<br />
<br />
Soprano, bar 12: the last note (minim) is <b>B (flat) in [PC]</b>, D natural in [CPDL] and [IMSLP]. However, when the piece is repeated, the same note is B (flat) in [CPDL] and [IMSLP].<br />
<br />
Soprano, bar 28: the last note (minim) is <b>A flat in [PC] and [IMSLP]</b>, B (flat) in [CPDL]. In [CPDL], when the piece is repeated, the same note is A flat.<br />
<br />
Alto, bar 7 - 9: the positioning of syllables of [PC] differs from [CPDL] and [IMSLP] when the piece is performed the first time. When the piece is performed the second time, [CPDL] differs from [PC] and [IMSLP] instead (<b>the [CP] positioning has been retained at Choralia</b>).<br />
<br />
Alto, bar 45 (208): the first note (semibreve) is <b>A natural in [PC]</b>, A (flat) in [CPDL] and [IMSLP]. When the piece is performed the second time, also [CPDL] and [IMSLP] show A natural.<br />
<br />
Tenor, bar 4: the last note (crotchet) is <b>E (flat) in [PC] and [IMSLP]</b>, F in [CPDL]. In [CPDL], when the piece is repeated, the same note is E (flat).<br />
<br />
Tenor, bar 5: the first note (F) is a semibreve (followed by a minim rest) in [PC], a <b>dotted semibreve in [CPDL] and [IMSLP]</b>.<br />
<br />
Tenor, bar 7: the syllable "re" <b>is placed on the second note (C, crotchet) in [PC]</b>, while it is placed on the first note (B flat, dotted minim) in [CPDL] and [IMSLP]. When the piece is performed the second time, the same syllable is placed on the second note also in [CPDL] and [IMSLP], although the second note is B flat rather than C.<br />
<br />
Tenor, bar 18: in [PC] a syllable "mi", which is present in [CPDL] and [IMSLP], is missing on the last note. When the piece is performed the second time, the note durations are altered in [CPDL] (two semibreves rather than <b>a dotted semibreve and a minim</b>).<br />
<br />
Tenor, bar 19: the first note (D flat) <b>is a semibreve (followed by a minim rest) in [PC]</b>, a <b>dotted semibreve in [CPDL] and [IMSLP]</b>. When the piece is performed the second time, [CPDL] and [IMSLP] also show a semibreve followed by a minim rest.<br />
<br />
Tenore, bar 42: notes are <b>C (dotted semibreve), D natural (crotchet), C (crotchet)</b> in [PC] and [IMSLP], while they are C (dotted minim), D natural (crotchet), C (semibreve) in [CPDL]. When the piece is performed the second time, the note durations are C (dotted semibreve), D natural (crotchet), C (crotchet) in all three editions.<br />
<br />
Tenore, bar 42 – 45: <b>in [CPDL] and [IMSLP] the word "Domine" is repeated consistently with the note duration</b>, while in [PC] the word is not repeated.<br />
<br />
<br />
<br />
<i>(to be completed with the other movements - sorry, the list is quite long)</i><br />
<br />
The training aids available at [http://www.choralia.net Choralia] follow the variations <b>highlighted in bold</b> above. [[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 19:06, 16 March 2024 (UTC)</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Talk:Lamentationes_Jeremiae_Prophetae_(Francesco_Durante)&diff=1793705Talk:Lamentationes Jeremiae Prophetae (Francesco Durante)2024-03-16T19:06:23Z<p>Choralia: /* Further checks on this work */ new section</p>
<hr />
<div>== Jerusalem Convertere : possible errors in score #62100 ==<br />
The partition comes from a manuscript in Bayerische Staatsbibliothek, Munich, that is on imslp (thank you for this work).<br />
It seems that there are some errors in this manuscrit, at least according to versions sung on youtube and to these two manuscripts on Gallica :<br />
* https://gallica.bnf.fr/ark:/12148/btv1b100705445<br />
* https://gallica.bnf.fr/ark:/12148/btv1b8585577b/ (rest of the score here https://gallica.bnf.fr/ark:/12148/btv1b8585578r/<br />
(and also because of sometimes weird harmony).<br />
<br />
Here are what we notice (most of them detected by my choirmaster), from page 51 of the score :<br />
# bar 13 : Alto part - 3rd beat: "G" in place of "C" (Sol / Do)<br />
# bars 14-16 : Sopr part - text : only one convertere, replace "te-re con-ver-te-re" by hyphens <br />
# bars 28-30 : Alto part - text : the same<br />
# bars 33-35 : Sopr part - text : the same<br />
# bar 33 : Sopr part - 3rd beat : "A" in place of "C" (La / Do)<br />
# bars 39-40 : Sopr and Alto parts : divide the whole note of bar 39 a in two half notes, set "ver-" on the second half note, not bar 40 (S. and A.)<br />
# bars 41-42 : Sopr and Alto parts - text : "Je-ru-sa-lem" in place of the first "con-ver-te-re"<br />
# bar 44 : Alto - 3rd beat : B in place of A (Si / La) (quarter note)<br />
# bar 51 : Bass - 3rd beat : G in place of F (Sol / Fa) (quarter note)<br />
# bar 64 : Ten - 1st beat : C natural not # (Do naturel / Do #)<br />
# bar 64 : B.c. - 1st beat : C in place of D (Do / Ré)<br />
<br />
I donnot check the instrumental parts. [[User:Pr|Pr]] ([[User talk:Pr|talk]]) 18:05, 30 June 2022 (UTC)<br />
<br />
== Further checks on this work ==<br />
<br />
I had the opportunity to compare the vocal parts of the edition available here at CPDL [CPDL] with a choral score (no instrumental parts) published by Philippe Caillard (catalogue number X 231) [PC], and then I checked the differences against the manuscript score available at IMSLP [IMSLP]. These are my findings.<br />
<br />
:<i><b>Incipit oratio Jeremiae prophetae</b></i><br />
<br />
Soprano, bar 77: the first two notes (dotted crotchet and quaver) are <b>C in [PC] and [IMSLP]</b>, B in [CPDL].<br />
<br />
Soprano, bar 95 and alto, bar 100: text is <b>“versa” in [PC] and [IMSLP]</b>, “versas” in [CPDL].<br />
<br />
Soprano and alto, bar 107: syllables are anticipated by one quarter in [PC], while they are placed <b>one quarter later in [CPDL] and [IMSLP]</b>.<br />
<br />
Alto, bar 33: the last but three note (semiquaver) is <b>B natural in [PC]</b>, B flat (due to the key signature) in [CPDL]. In [IMSLP] the situation is not completely clear, as something seems canceled nearby the notes.<br />
<br />
Alto, bar 67: the second note (crotchet) is <b>A flat in [PC] and [IMSLP]</b>, E (flat) in [CPDL].<br />
<br />
Alto, bar, bar 85: <b>the word “nostrum” is repeated in [CPDL] and [IMSLP]</b>, not in [PC].<br />
<br />
Tenor, bar 61: <b>the syllable “Re” is placed on the second note (quaver, E flat) in [PC] and [IMSLP]</b>, on the first note (crotched, D) in [CPDL].<br />
<br />
Tenor, bar 67: the second note (quaver) is <b>F natural in [PC] and [IMSLP]</b>, F sharp in [CPDL]<br />
<br />
<br />
<i>(to be completed with the other movements - sorry, the list is quite long)</i><br />
<br />
The training aids available at [http://www.choralia.net Choralia] follow the variations <b>highlighted in bold</b> above. [[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 19:06, 16 March 2024 (UTC)</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Lamentationes_Jeremiae_Prophetae_(Francesco_Durante)&diff=1793700Lamentationes Jeremiae Prophetae (Francesco Durante)2024-03-16T18:40:50Z<p>Choralia: Added ScoreError template.</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{PostedDate| 2020-12-27}} {{CPDLno|62100}} [[Media:Durante_Lamentationes_Jeremiae_prophetae_master.pdf|{{pdf}}]] [[Media:Lamentationes_Jeremiae_prophetae_1.zip|{{Zip}}]](MIDI) [[Media:Durante_Lamentationes_Jeremiae_prophetae_master.mxl|{{XML}}]] [[Media:Lamentationes_Jeremiae_prophetae.zip|{{zip}}]] (LilyPond)<br />
{{Editor|Augustin Roche|2020-12-27}}{{ScoreInfo|A4|58|947}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Lectio III only, edited from the manuscript at IMSLP.{{ScoreError}}}}<br />
<br />
==General Information==<br />
{{Title|''Lamentationes Jeremiae Prophetae''}}<br />
{{Composer|Francesco Durante}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SATB}}<br />
{{Genre|Sacred|Cantatas|Lamentations}}<br />
{{Language|Latin}}<br />
{{Instruments|Orchestra:|2 horns & strings, bc.}}<br />
{{Pub|1|}}<br />
{{Descr| }}<br />
{{#ExtWeb:{{Choralia|filter=dr05}}<br />
{{IMSLP2|Lamentatione Jeremiae prophetae (Durante, Francesco)|ms.}}}}<br />
==Original text and translations==<br />
{{LinkText|Lamentations of Jeremiah#1st Nocturn, Holy Saturday}} Lectio III<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Missa_defunctorum_(Niccol%C3%B2_Jommelli)&diff=1793699Missa defunctorum (Niccolò Jommelli)2024-03-16T18:39:11Z<p>Choralia: Added link to new work available at Choralia</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2021-05-31}} {{CPDLno|64583}} [[Media:Jommelli-Requiem.pdf|{{pdf}}]] [[Media:Jommelli-Requiem.mid|{{mid}}]] [[Media:Jommelli-Requiem.mxl|{{XML}}]] [[Media:Jommelli-Requiem.musx|{{F14}}]]<br />
{{Editor|Wim Looyestijn|2021-05-31}}{{ScoreInfo|A4|160|1928}}{{Copy|CPDL}}<br />
:{{EdNotes| Instrumental parts are appended to the PDF.}}<br />
<br />
==General Information==<br />
{{Title|Missa defunctorum}}<br />
{{Composer|Niccolò Jommelli}}<br />
{{Lyricist|}}<br><br />
{{Voicing|4|SATB}}<br />
{{Genre|Sacred|Requiems}}<br />
{{Language|Latin}}<br />
{{Instruments|String ensemble| 2vi, va, bc}}<br />
{{Pub|1| Manuscript ca. 1756 - 80.}}<br />
{{Descr| The accompanying "Libera me' is not part of the mass, and is provided separately.}}<br />
{{#ExtWeb:{{Choralia|filter=jm01}}}}<br />
==Original text and translations==<br />
{{LinkText|Requiem}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Classical music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Lamentationes_Jeremiae_Prophetae_(Francesco_Durante)&diff=1793698Lamentationes Jeremiae Prophetae (Francesco Durante)2024-03-16T18:36:29Z<p>Choralia: Added link to new work available at Choralia</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{PostedDate| 2020-12-27}} {{CPDLno|62100}} [[Media:Durante_Lamentationes_Jeremiae_prophetae_master.pdf|{{pdf}}]] [[Media:Lamentationes_Jeremiae_prophetae_1.zip|{{Zip}}]](MIDI) [[Media:Durante_Lamentationes_Jeremiae_prophetae_master.mxl|{{XML}}]] [[Media:Lamentationes_Jeremiae_prophetae.zip|{{zip}}]] (LilyPond)<br />
{{Editor|Augustin Roche|2020-12-27}}{{ScoreInfo|A4|58|947}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Lectio III only, edited from the manuscript at IMSLP.}}<br />
<br />
==General Information==<br />
{{Title|''Lamentationes Jeremiae Prophetae''}}<br />
{{Composer|Francesco Durante}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SATB}}<br />
{{Genre|Sacred|Cantatas|Lamentations}}<br />
{{Language|Latin}}<br />
{{Instruments|Orchestra:|2 horns & strings, bc.}}<br />
{{Pub|1|}}<br />
{{Descr| }}<br />
{{#ExtWeb:{{Choralia|filter=dr05}}<br />
{{IMSLP2|Lamentatione Jeremiae prophetae (Durante, Francesco)|ms.}}}}<br />
==Original text and translations==<br />
{{LinkText|Lamentations of Jeremiah#1st Nocturn, Holy Saturday}} Lectio III<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Talk:Dixit_Dominus,_RV_594_(Antonio_Vivaldi)&diff=1793670Talk:Dixit Dominus, RV 594 (Antonio Vivaldi)2024-03-16T15:16:41Z<p>Choralia: Added details about a likely error.</p>
<hr />
<div>Tenor, choir I, measure 49: the last two notes (E, quavers) are instead both D in the Carus Verlag edition CV 40.007/03, as well as in the holograph manuscript available at [https://imslp.org/wiki/Dixit_Dominus_in_D_major%2C_RV_594_(Vivaldi%2C_Antonio) IMSLP]. The same applies to CPDL #38514. Training aids available at [http://www.choralia.net Choralia] have been corrected accordingly.</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Dixit_Dominus,_RV_594_(Antonio_Vivaldi)&diff=1793669Dixit Dominus, RV 594 (Antonio Vivaldi)2024-03-16T15:15:55Z<p>Choralia: Added ScoreError template plus various minor fixes</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
'''Complete work, choral parts'''<br />
*{{PostedDate|2016-02-09}} {{CPDLno|38514}} [[Media:Vivaldi_-_Dixit_Dominus_RV_594_(Choral_Parts).pdf|{{pdf}}]]<br />
{{Contributor|Óscar Grau|2016-02-09}}{{ScoreInfo|A4|52|7700}}{{Copy|CPDL}}<br />
:{{EdNotes|pages 2-7 in A3 portrait format, all others with margins enlarged and central image shrinked. Just a concatenation, pages not renumbered, of Claude Tallet's scores, with numerous slur orientations issues in accompaniment.}}<br />
<br />
===Separate movements===<br />
'''Dixit Dominus'''<br />
*{{PostedDate|2013-08-06}} {{CPDLno|29778}} [[Media:Dixit_01_Dixit.pdf|{{pdf}}]] [[Media:Dixit_01_Dixit.mid|{{mid}}]] [[Media:Dixit_01_Dixit.mxl|{{XML}}]] [[Media:Vivaldi Dixit RV 594.mp4|{{mp4}}]] {{ScoreInfo|A4|13|148}}<br />
{{Editor|Claude Tallet|2013-08-06}}{{Copy|CPDL}}<br />
:{{EdNotes|{{KbdVer}}{{ScoreError}}}}<br />
'''Donec ponam''' (SATB.SATB)<br />
*{{PostedDate|2013-08-06}} {{CPDLno|29777}} [[Media:Dixit_02_Donec_ponam.pdf|{{pdf}}]] [[Media:Dixit_02_Donec_ponam.mid|{{mid}}]] [[Media:Dixit_02_Donec_ponam.mxl|{{XML}}]] [[Media:Vivaldi_Dixit_02_Donec_ponam.mp4|{{mp4}}]] {{ScoreInfo|A4|14|198}}<br />
{{Editor|Claude Tallet|2013-08-06}}{{Copy|CPDL}}<br />
:{{EdNotes|{{KbdVer}}}}<br />
'''Virgam virtutis tuae''' (Solo SS)<br />
*{{PostedDate|2013-08-15}} {{CPDLno|29841}} [[Media:Virgam_virtutis_tuae_duet_Vivaldi_594.pdf|{{pdf}}]] [[Media:Virgam_virtutis_tuae_duet_Vivaldi_594.mid|{{mid}}]] [[Media:Virgam_virtutis_tuae_duet_Vivaldi_594.mxl|{{XML}}]] [[Media:Virgam_virtutis_tuae_duet_Vivaldi_594.sib|{{sib}}]] (Sibelius 4)<br />
{{Editor|Brian Marble|2013-08-15}}{{ScoreInfo|Letter|5|82}}{{Copy|CPDL}}<br />
:{{EdNotes|Transposed down whole step; piano acc. arr.}}<br />
*{{PostedDate|2013-08-06}} {{CPDLno|29776}} [[Media:Dixit_03_Virgam_virtutis_tuae.pdf|{{pdf}}]] [[Media:Dixit_03_Virgam_virtutis_tuae.mid|{{mid}}]] [[Media:Dixit_03_Virgam_virtutis_tuae.mxl|{{XML}}]] [[Media:Vivaldi_Dixit_03_Virgam.mp4|{{mp4}}]] {{ScoreInfo|A4|5|110}}<br />
{{Editor|Claude Tallet|2013-08-06}}{{Copy|CPDL}}<br />
:{{EdNotes|{{KbdVer}}}}<br />
'''Tecum principium''' (Alto Solo)<br />
*{{PostedDate|2013-08-06}} {{CPDLno|29775}} [[Media:Dixit_04_Tecum_principium.pdf|{{pdf}}]] [[Media:Dixit_04_Tecum_principium.mid|{{mid}}]] [[Media:Dixit_04_Tecum_principium.mxl|{{XML}}]][[Media:Vivaldi_Dixit_04_Tecum_principium.mp4|{{mp4}}]] {{ScoreInfo|A4|3|94}}<br />
{{Editor|Claude Tallet|2013-08-06}}{{Copy|CPDL}}<br />
:{{EdNotes|{{KbdVer}}}}<br />
'''Juravit Dominus''' (SATB.SATB)<br />
*{{PostedDate|2013-08-06}} {{CPDLno|29774}} [[Media:Dixit_05_Juravit_Dominus.pdf|{{pdf}}]] [[Media:Dixit_05_Juravit_Dominus.mid|{{mid}}]] [[Media:Dixit_05_Juravit_Dominus.mxl|{{XML}}]] [[Media:Vivaldi_Dixit_05_Juravit_Dominus.mp4|{{mp4}}]] {{ScoreInfo|A4|16|157}}<br />
{{Editor|Claude Tallet|2013-08-06}}{{Copy|CPDL}}<br />
:{{EdNotes|{{KbdVer}}}}<br />
'''Dominus a dextris''' (Solo TB)<br />
*{{PostedDate|2013-08-06}} {{CPDLno|29773}} [[Media:Dixit_06_Dominus_a_dextris.pdf|{{pdf}}]] [[Media:Dixit_06_Dominus_a_dextris.mid|{{mid}}]] [[Media:Dixit_06_Dominus_a_dextris.mxl|{{XML}}]] [[Media:Vivaldi_Dixit_06_Dominus_a_dextris.mp4|{{mp4}}]] {{ScoreInfo|A4|5|101}}<br />
{{Editor|Claude Tallet|2013-08-06}}{{Copy|CPDL}}<br />
:{{EdNotes|{{KbdVer}}}}<br />
'''Judicabit in nationibus''' (SATB.SATB)<br />
*{{PostedDate|2013-08-06}} {{CPDLno|29772}} [[Media:Dixit_07_Judicabit_in_nationibus.pdf|{{pdf}}]] [[Media:Dixit_07_Judicabit_in_nationibus.mid|{{mid}}]] [[Media:Dixit_07_Judicabit_in_nationibus.mxl|{{XML}}]] [[Media:Vivaldi_Dixit_07_Judicabit_in_nationibus.mp4|{{Mp4}}]] {{ScoreInfo|A4|17|193}}<br />
{{Editor|Claude Tallet|2013-08-06}}{{Copy|CPDL}}<br />
:{{EdNotes|{{KbdVer}}}}<br />
'''De torrente in via''' (Sop. solo)<br />
*{{PostedDate|2013-08-06}} {{CPDLno|29771}} [[Media:Dixit_08_De_torrente.pdf|{{pdf}}]] [[Media:Dixit_08_De_torrente.mid|{{mid}}]] [[Media:Dixit_08_De_torrente.mxl|{{XML}}]] [[Media:Vivaldi_Dixit_08_De_torrente_in_via.mp4|{{mp4}}]] {{ScoreInfo|A4|6|112}}<br />
{{Editor|Claude Tallet|2013-08-06}}{{Copy|CPDL}}<br />
:{{EdNotes|{{KbdVer}}}}<br />
'''Gloria Patri''' (SATB.SATB)<br />
*{{PostedDate|2013-08-06}} {{CPDLno|29770}} [[Media:Dixit_09_Gloria_Patri.pdf|{{pdf}}]] [[Media:Dixit_09_Gloria_Patri.mid|{{mid}}]] [[Media:Dixit_09_Gloria_Patri.mxl|{{XML}}]] [[Media:Vivaldi_Dixit_Dominus_09_Gloria_Patri.mp4|{{Mp4}}]] {{ScoreInfo|A4|9|109}}<br />
{{Editor|Claude Tallet|2013-08-06}}{{Copy|CPDL}}<br />
:{{EdNotes|{{KbdVer}}}}<br />
'''Sicut erat''' (SATB.SATB)<br />
*{{PostedDate|2013-08-06}} {{CPDLno|29769}} [[Media:Dixit_10_Sicut_erat.pdf|{{pdf}}]] [[Media:Dixit_10_Sicut_erat.mid|{{mid}}]] [[Media:Dixit_10_Sicut_erat.mxl|{{XML}}]] [https://youtu.be/QGd5Jq2ybrw {{Mp4}}] (YouTube) {{ScoreInfo|A4|30|313}}<br />
{{Editor|Claude Tallet|2013-08-06}}{{Copy|CPDL}}<br />
:{{EdNotes|{{KbdVer}}}}<br />
<br />
==General Information==<br />
{{Title|''Dixit Dominus, RV 594''}}<br />
{{Composer|Antonio Vivaldi}}<br />
'''Source of text:''' [[Psalm 110|Psalm 109 (Vulgate)]]<br />
<br />
{{Voicing|8|SATB.SATB}}<br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|String ensemble}}<br />
{{Pub|1|}}<br />
{{Descr|{{KbdVer}}}}<br />
{{#ExtWeb:{{Choralia|filter=vv11}}}}<br />
==Original text and translations==<br />
{{LinkText|Psalm 110}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Classical music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=User_talk:Brettvac&diff=1792275User talk:Brettvac2024-03-09T11:53:12Z<p>Choralia: Welcome!</p>
<hr />
<div>== Welcome ==<br />
Welcome to CPDL!<br />
We hope you will contribute much and well.<br />
You will probably want to read the [[Help:Contents|help pages]].<br />
Again, welcome and have fun! [[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 11:53, 9 March 2024 (UTC)</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Magnificat_Sexti_Toni_(all)_(Tom%C3%A1s_Luis_de_Victoria)&diff=1789556Magnificat Sexti Toni (all) (Tomás Luis de Victoria)2024-02-25T11:54:20Z<p>Choralia: Work page updated with new work entry</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2024-02-25}} {{CPDLno|79281}} [[Media:Victoria_Magnificat_a_12_p+st..pdf|{{pdf}}]] [[Media:Victoria_Magnificat_6._á_12_2014.mid|{{mid}}]] [[Media:Victoria_Magnificat_6._á_12_2014.musx|{{F14}}]]<br />
{{Editor|Sabine Cassola|2024-02-25}}{{ScoreInfo|A4|42|1358}}{{Copy|CPDL}}<br />
:{{EdNotes|Revised edition, portrait page orientation, including separate parts.}}<br />
<br />
*{{PostedDate|2004-10-19}} {{CPDLno|8288}} [{{website|Victoria}}/partituras.html {{net}}] PDF, MIDI & LilyPond files.<br />
{{Editor|Nancho Alvarez|2004-10-19}}{{ScoreInfo|A4|12|169}}{{Copy|Personal}}<br />
:{{EdNotes|Listed under 'Magnificats'. Full score and individual parts available as midi files.}}<br />
<br />
*{{PostedDate|2004-07-01}} {{CPDLno|7418}} [[Media:ws-vic-ma12.pdf|{{Pdf}}]] [[Media:ws-vic-ma12.mid|{{Mid}}]] [[Media:ws-vic-ma12.mxl|{{XML}}]] [[Media:ws-vic-ma12.mus|{{mus}}]] (Finale 2000)<br />
{{Editor|Sabine Cassola|2004-07-01}}{{ScoreInfo|A4|16|360}}{{Copy|CPDL}}<br />
:{{EdNotes|}}<br />
<br />
==General Information==<br />
{{Title|''Magnificat Sexti Toni''}}<br />
{{Composer|Tomás Luis de Victoria}}<br />
<br />
{{Voicing|12|SSAB.SATB.SATB, SATB.SATB.ATTB}}<br />
{{Genre|Sacred|Evening Canticles|sort=Victoria, Tomás Luis de}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|}}<br />
{{Descr|Setting of all verses}}<br />
{{#ExtWeb:}}<br />
==Original text and translations==<br />
{{LinkText|Magnificat}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Victoria_Magnificat_6._%C3%A1_12_2014.musx&diff=1789555File:Victoria Magnificat 6. á 12 2014.musx2024-02-25T11:53:23Z<p>Choralia: Tomás Luis de Victoria - Magnificat Sexti Toni - Edition by Sabine Cassola - Finale file</p>
<hr />
<div>== Summary ==<br />
Tomás Luis de Victoria - Magnificat Sexti Toni - Edition by Sabine Cassola - Finale file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Victoria_Magnificat_6._%C3%A1_12_2014.mid&diff=1789554File:Victoria Magnificat 6. á 12 2014.mid2024-02-25T11:52:58Z<p>Choralia: Tomás Luis de Victoria - Magnificat Sexti Toni - Edition by Sabine Cassola - MIDI file</p>
<hr />
<div>== Summary ==<br />
Tomás Luis de Victoria - Magnificat Sexti Toni - Edition by Sabine Cassola - MIDI file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Victoria_Magnificat_a_12_p%2Bst..pdf&diff=1789553File:Victoria Magnificat a 12 p+st..pdf2024-02-25T11:52:32Z<p>Choralia: Tomás Luis de Victoria - Magnificat Sexti Toni - Edition by Sabine Cassola - PDF file</p>
<hr />
<div>== Summary ==<br />
Tomás Luis de Victoria - Magnificat Sexti Toni - Edition by Sabine Cassola - PDF file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Alma_redemptoris_mater_(Lambert_Pietkin)&diff=1789545Alma redemptoris mater (Lambert Pietkin)2024-02-25T11:39:13Z<p>Choralia: New work page created</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2024-02-25}} {{CPDLno|79279}} [[Media:Pietkin,_L._Alma_redemptoris_a_6+bc_p+st.pdf|{{pdf}}]] [[Media:11._Pietkin,_L._Alma_redemptoris_a_6+bc.mid|{{mid}}]] [[Media:11._Pietkin,_L._Alma_redemptoris_a_6+bc.musx|{{F14}}]]<br />
{{Editor|Sabine Cassola|2024-02-25}}{{ScoreInfo|A4|13|424}}{{Copy|CPDL}}<br />
:{{EdNotes|Full score plus parts.}}<br />
<br />
==General Information==<br />
{{Title|Alma redemptoris mater}}<br />
{{Composer|Lambert Pietkin}}<br />
{{Lyricist|}}<br><br />
{{Voicing|6|SSATTB}}<br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|Basso continuo}}<br />
{{Pub|1|}}<br />
{{Descr|}}<br />
{{#ExtWeb:}}<br />
<br />
==Original text and translations==<br />
{{Text|Latin|put text here}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:11._Pietkin,_L._Alma_redemptoris_a_6%2Bbc.musx&diff=1789544File:11. Pietkin, L. Alma redemptoris a 6+bc.musx2024-02-25T11:38:46Z<p>Choralia: Lambert Pietkin - Alma redemptoris mater - Edition by Sabine Cassola - Finale file</p>
<hr />
<div>== Summary ==<br />
Lambert Pietkin - Alma redemptoris mater - Edition by Sabine Cassola - Finale file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:11._Pietkin,_L._Alma_redemptoris_a_6%2Bbc.mid&diff=1789543File:11. Pietkin, L. Alma redemptoris a 6+bc.mid2024-02-25T11:38:25Z<p>Choralia: Lambert Pietkin - Alma redemptoris mater - Edition by Sabine Cassola - MIDI file</p>
<hr />
<div>== Summary ==<br />
Lambert Pietkin - Alma redemptoris mater - Edition by Sabine Cassola - MIDI file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Pietkin,_L._Alma_redemptoris_a_6%2Bbc_p%2Bst.pdf&diff=1789542File:Pietkin, L. Alma redemptoris a 6+bc p+st.pdf2024-02-25T11:37:35Z<p>Choralia: Lambert Pietkin - Alma redemptoris mater - Edition by Sabine Cassola - PDF file</p>
<hr />
<div>== Summary ==<br />
Lambert Pietkin - Alma redemptoris mater - Edition by Sabine Cassola - PDF file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Christe_qui_lux_es/Veni_Creator_Spiritus/Tribulatio_proxima_est_(Guillaume_de_Machaut)&diff=1789541Christe qui lux es/Veni Creator Spiritus/Tribulatio proxima est (Guillaume de Machaut)2024-02-25T11:34:27Z<p>Choralia: </p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2024-02-25}} {{CPDLno|79277}} [[Media:Machaut,_G._Motette_21_Veni_Creator.._p+st..pdf|{{pdf}}]] [[Media:Machaut,_G._Motette_21_Veni_Creator..+Lig..mid|{{mid}}]] [[Media:Machaut,_G._Motette_21_Veni_Creator..+Lig..musx|{{F14}}]]<br />
{{Editor|Sabine Cassola|2024-02-25}}{{ScoreInfo|A4|15|382}}{{Copy|CPDL}}<br />
:{{EdNotes|Full score plus parts.}}<br />
<br />
==General Information==<br />
{{Title|Christe qui lux es/Veni Creator Spiritus/Tribulatio proxima est}}<br />
{{Composer|Guillaume de Machaut}}<br />
{{Lyricist|}}<br><br />
{{Voicing|4|SATT}}<br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|}}<br />
{{Descr|}}<br />
{{#ExtWeb:}}<br />
<br />
==Original text and translations==<br />
{{Text|Latin|put text here}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Medieval music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Cecilia_Virgo_(Peter_Philips)&diff=1789540Cecilia Virgo (Peter Philips)2024-02-25T11:33:27Z<p>Choralia: Work page updated with new work entry</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2024-02-25}} {{CPDLno|79278}} [[Media:Philips_Cecilia_Virgo_a_8_2014_p+st.pdf|{{pdf}}]] [[Media:Philips_Cecilia_Virgo_a_8_2014.mid|{{mid}}]] [[Media:Philips_Cecilia_Virgo_a_8_2014.musx|{{F14}}]]<br />
{{Editor|Sabine Cassola|2024-02-25}}{{ScoreInfo|A4|18|673}}{{Copy|CPDL}}<br />
:{{EdNotes|Revised edition, including also separate parts.}}<br />
<br />
*{{PostedDate|2005-09-17}} {{CPDLno|9660}} [[Media:phil-cec.pdf|{{pdf}}]] [[Media:ws-phil-cec.mid|{{Mid}}]] [[Media:ws-phil-cec.mxl|{{XML}}]] [[Media:ws-phil-cec.mus|{{mus}}]] (Finale 2000)<br />
{{Editor|Sabine Cassola|2005-09-17}}{{ScoreInfo|A4|11|284}}{{Copy|CPDL}}<br />
:{{EdNotes|Copyright (c) 1995 SMC.}}<br />
<br />
==General Information==<br />
{{Title|''Cecilia Virgo''}}<br />
{{Composer|Peter Philips}}<br />
<br />
{{Voicing|8|SATTTTBB}}<br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1613|in ''{{NoCo|Cantiones sacrae octonis vocibus}}''|no=14}}<br />
{{Descr| }}<br />
{{#ExtWeb:}}<br />
==Original text and translations==<br />
{{LinkText|Cecilia virgo}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:St. Cecilia]]<br />
[[Category:Renaissance music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Philips_Cecilia_Virgo_a_8_2014.musx&diff=1789539File:Philips Cecilia Virgo a 8 2014.musx2024-02-25T11:32:53Z<p>Choralia: Peter Philips - Cecilia Virgo - Edition by Sabine Cassola - Finale file</p>
<hr />
<div>== Summary ==<br />
Peter Philips - Cecilia Virgo - Edition by Sabine Cassola - Finale file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Philips_Cecilia_Virgo_a_8_2014.mid&diff=1789538File:Philips Cecilia Virgo a 8 2014.mid2024-02-25T11:32:30Z<p>Choralia: Peter Philips - Cecilia Virgo - Edition by Sabine Cassola - MIDI file</p>
<hr />
<div>== Summary ==<br />
Peter Philips - Cecilia Virgo - Edition by Sabine Cassola - MIDI file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Philips_Cecilia_Virgo_a_8_2014_p%2Bst.pdf&diff=1789537File:Philips Cecilia Virgo a 8 2014 p+st.pdf2024-02-25T11:31:32Z<p>Choralia: Peter Philips - Cecilia Virgo - Edition by Sabine Cassola - PDF file</p>
<hr />
<div>== Summary ==<br />
Peter Philips - Cecilia Virgo - Edition by Sabine Cassola - PDF file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Christe_qui_lux_es/Veni_Creator_Spiritus/Tribulatio_proxima_est_(Guillaume_de_Machaut)&diff=1789536Christe qui lux es/Veni Creator Spiritus/Tribulatio proxima est (Guillaume de Machaut)2024-02-25T11:27:21Z<p>Choralia: New work page created</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2024-02-25}} {{CPDLno|79277}} [[Media:Machaut,_G._Motette_21_Veni_Creator.._p+st..pdf|{{pdf}}]] [[Media:Machaut,_G._Motette_21_Veni_Creator..+Lig..mid|{{mid}}]] [[Media:Machaut,_G._Motette_21_Veni_Creator..+Lig..musx|{{F14}}]]<br />
{{Editor|Sabine Cassola|2024-02-25}}{{ScoreInfo|A4|15|382}}{{Copy|CPDL}}<br />
:{{EdNotes|Full score plus parts.}}<br />
<br />
==General Information==<br />
{{Title|Christe qui lux es/Veni Creator Spiritus/Tribulatio proxima est}}<br />
{{Composer|Guillaume de Machaut}}<br />
{{Lyricist|}}<br><br />
{{Voicing|4|SATT}}<br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|Unknown}}<br />
{{Pub|1|}}<br />
{{Descr|}}<br />
{{#ExtWeb:}}<br />
<br />
==Original text and translations==<br />
{{Text|Latin|put text here}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Medieval music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Machaut,_G._Motette_21_Veni_Creator..%2BLig..musx&diff=1789535File:Machaut, G. Motette 21 Veni Creator..+Lig..musx2024-02-25T11:26:49Z<p>Choralia: Guillaume de Machaut - Christe qui lux es/Veni Creator Spiritus/Tribulatio proxima est - Edition by Sabine Cassola - Finale file</p>
<hr />
<div>== Summary ==<br />
Guillaume de Machaut - Christe qui lux es/Veni Creator Spiritus/Tribulatio proxima est - Edition by Sabine Cassola - Finale file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Machaut,_G._Motette_21_Veni_Creator..%2BLig..mid&diff=1789534File:Machaut, G. Motette 21 Veni Creator..+Lig..mid2024-02-25T11:26:25Z<p>Choralia: Guillaume de Machaut - Christe qui lux es/Veni Creator Spiritus/Tribulatio proxima est - Edition by Sabine Cassola - MIDI file</p>
<hr />
<div>== Summary ==<br />
Guillaume de Machaut - Christe qui lux es/Veni Creator Spiritus/Tribulatio proxima est - Edition by Sabine Cassola - MIDI file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Machaut,_G._Motette_21_Veni_Creator.._p%2Bst..pdf&diff=1789533File:Machaut, G. Motette 21 Veni Creator.. p+st..pdf2024-02-25T11:25:25Z<p>Choralia: Guillaume de Machaut - Christe qui lux es/Veni Creator Spiritus/Tribulatio proxima est - Edition by Sabine Cassola - PDF file</p>
<hr />
<div>== Summary ==<br />
Guillaume de Machaut - Christe qui lux es/Veni Creator Spiritus/Tribulatio proxima est - Edition by Sabine Cassola - PDF file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Leonard_de_Hodemont&diff=1789373Leonard de Hodemont2024-02-24T17:27:06Z<p>Choralia: Added composer data</p>
<hr />
<div><!-- See {{tl|New composer}} for instructions for completing this page.--><br />
<!-- [[Image:John_Doe.jpg|thumb|John Doe]] --><!-- image must be uploaded previously --><br />
{{TOC2}}<br />
{{Aliases|}}<!-- Full names in category form, not last name first, delimited by a pipe (|) --><br />
==Life==<br />
'''Born:''' 1575<br />
<br />
'''Died:''' 1639 <br />
<br />
'''Biography'''<br />
<br />
Léonard (Collet) de Hodémont was a Belgian Baroque composer, conductor, and organist (source: Wikipedia).<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
{{#SortWorks:}}<br />
{{CheckMissing}}<br />
{{ArrangementsList}}<br />
{{Whatlinkshere}}<br />
<br />
==Publications==<br />
<br />
{{#ExtWeb:}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:1575 births]]<br />
[[Category:1639 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Baroque composers]]<br />
[[Category:Belgian composers]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Leonard_de_Hodemont&diff=1789372Leonard de Hodemont2024-02-24T17:24:12Z<p>Choralia: New composer page created</p>
<hr />
<div><!-- See {{tl|New composer}} for instructions for completing this page.--><br />
<!-- [[Image:John_Doe.jpg|thumb|John Doe]] --><!-- image must be uploaded previously --><br />
{{TOC2}}<br />
{{Aliases|}}<!-- Full names in category form, not last name first, delimited by a pipe (|) --><br />
==Life==<br />
'''Born:''' dd Month yyyy <br />
<br />
'''Died:''' dd Month yyyy <br />
<br />
'''Biography'''<br />
<br />
''add biographical data here''<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
{{#SortWorks:}}<br />
{{CheckMissing}}<br />
{{ArrangementsList}}<br />
{{Whatlinkshere}}<br />
<br />
==Publications==<br />
<br />
{{#ExtWeb:<br />
*[<url> Description]}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:Unknown deaths]]<br />
[[Category:Composers]]<br />
[[Category:Era composers]]<br />
[[Category:Nationality composers]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Salve_Regina_(Leonard_de_Hodemont)&diff=1789371Salve Regina (Leonard de Hodemont)2024-02-24T17:24:12Z<p>Choralia: New work page created</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2024-02-24}} {{CPDLno|79272}} [[Media:Hodemont,_L._Salve_Regina_a_8+bc_p+st.pdf|{{pdf}}]] [[Media:3._Hodemont,_L._Salve_Regina_a_8+bc.mid|{{mid}}]] [[Media:3._Hodemont,_L._Salve_Regina_a_8+bc.musx|{{F14}}]]<br />
{{Editor|Sabine Cassola|2024-02-24}}{{ScoreInfo|A4|36|945}}{{Copy|CPDL}}<br />
:{{EdNotes|Full score plus parts.}}<br />
<br />
==General Information==<br />
{{Title|Salve Regina}}<br />
{{Composer|Leonard de Hodemont}}<br />
{{Lyricist|}}<br><br />
{{Voicing|8|SATB.SATB}}<br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|Basso continuo}}<br />
{{Pub|1|}}<br />
{{Descr|}}<br />
{{#ExtWeb:}}<br />
<br />
==Original text and translations==<br />
{{Text|Latin|put text here}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:3._Hodemont,_L._Salve_Regina_a_8%2Bbc.musx&diff=1789370File:3. Hodemont, L. Salve Regina a 8+bc.musx2024-02-24T17:23:49Z<p>Choralia: Leonard de Hodemont - Salve Regina - Edition by Sabine Cassola - Finale file</p>
<hr />
<div>== Summary ==<br />
Leonard de Hodemont - Salve Regina - Edition by Sabine Cassola - Finale file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:3._Hodemont,_L._Salve_Regina_a_8%2Bbc.mid&diff=1789369File:3. Hodemont, L. Salve Regina a 8+bc.mid2024-02-24T17:23:27Z<p>Choralia: Leonard de Hodemont - Salve Regina - Edition by Sabine Cassola - MIDI file</p>
<hr />
<div>== Summary ==<br />
Leonard de Hodemont - Salve Regina - Edition by Sabine Cassola - MIDI file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Hodemont,_L._Salve_Regina_a_8%2Bbc_p%2Bst.pdf&diff=1789368File:Hodemont, L. Salve Regina a 8+bc p+st.pdf2024-02-24T17:22:31Z<p>Choralia: Leonard de Hodemont - Salve Regina - Edition by Sabine Cassola - PDF file</p>
<hr />
<div>== Summary ==<br />
Leonard de Hodemont - Salve Regina - Edition by Sabine Cassola - PDF file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Calami_sonum_ferentes_(Cipriano_de_Rore)&diff=1789364Calami sonum ferentes (Cipriano de Rore)2024-02-24T17:07:50Z<p>Choralia: Work page updated with new work entry</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2024-02-24}} {{CPDLno|79271}} [[Media:De_Rore,_C._Calami_sonum_a_4_2014_p+st.pdf|{{pdf}}]] [[Media:Rore,_C._Calami_sonum_a_4_2014.mid|{{mid}}]] [[Media:Rore,_C._Calami_sonum_a_4_2014.musx|{{F14}}]]<br />
{{Editor|Sabine Cassola|2024-02-24}}{{ScoreInfo|A4|9|362}}{{Copy|CPDL}}<br />
:{{EdNotes|Full score plus parts.}}<br />
<br />
*{{PostedDate|2017-01-26}} {{CPDLno|42816}} [[Media:Calami_sonum_ferentes_Rore.pdf|{{pdf}}]] [[Media:Calami_sonum_ferentes_Rore.mid|{{mid}}]] [[Media:Calami_sonum_ferentes_Rore.mxl|{{XML}}]] [[Media:Calami_sonum_ferentes_Rore.capx|{{Capx}}]]<br />
{{Editor|James Gibb|2017-01-26}}{{ScoreInfo|A4|5|63}}{{Copy|CPDL}}<br />
:{{EdNotes|Reformatting of #13111, with corrections.}}<br />
<br />
*{{PostedDate|2013-10-29}} {{CPDLno|30459}} [[Media:Rore_Calami.pdf|{{pdf}}]] [[Media:Rore_Calami.mid|{{mid}}]] [[Media:Rore_Calami.mxl|{{XML}}]] [[Media:Rore_Calami.capx|{{Capx}}]]<br />
{{Editor|Gerd Eichler|2013-10-29}}{{ScoreInfo|A4|3|81}}{{Copy|CPDL}}<br />
:{{EdNotes|Mensurstrich layout, original note values and key signature. Musica ficta clearly marked.}}<br />
<br />
*{{PostedDate|2013-10-28}} {{CPDLno|30448}} [[Media:De_Rore-_Calami_sonum.pdf|{{pdf}}]] [[Media:De_Rore-_Calami_sonum.MID|{{mid}}]] [[Media:De_Rore-_Calami_sonum.mxl|{{XML}}]] [[Media:De_Rore-_Calami_sonum.MUS|{{mus}}]] (Finale 2008)<br />
{{Editor|André Vierendeels|2013-10-28}}{{ScoreInfo|A4|5|124}}{{Copy|CPDL}}<br />
:{{EdNotes|}}<br />
<br />
*{{PostedDate|2006-11-17}} {{CPDLno|13111}} [[Media:270.pdf|{{pdf}}]] [[Media:br-270.mid|{{mid}}]] [[Media:br-270.mxl|{{XML}}]] [[Media:br-270.nwc|{{NWC}}]]<br />
{{Editor|Brian Russell|2006-11-17}}{{ScoreInfo|A4|4|48}}{{Copy|CPDL}}<br />
:{{EdNotes|{{NWCV}}}}<br />
{{ScoreError}}<br />
*{{PostedDate|2006-06-25}} {{CPDLno|11931}} [[Media:CalamiSonumFerentes.pdf|{{pdf}}]] [[Media:CalamiSonumFerentes.midi|{{mid}}]] [[Media:CalamiSonumFerentes.ly|{{ly}}]]<br />
{{Editor|Harald Wellmann|2006-06-25}}{{ScoreInfo|A4|5|73}}{{Copy|Personal}}<br />
:{{EdNotes|}}<br />
{{ScoreError|Error in wording: "Nec qui strepente" → "Nec constrepente"}}<br />
==General Information==<br />
{{Title|''Calami sonum ferentes''}}<br />
{{Composer|Cipriano de Rore}}<br />
<br />
{{Voicing|4|BBBB, TTTB}}<br />
{{Genre|Secular|Madrigals}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1555|in ''{{NoComp|Le quatoirsiesme livre a 4 parties|Orlando di Lasso}}''|no=25}}<br />
{{Pub|2|1561|in ''[[Di Cipriano et Annibale madregali a 4 voci]]''|no=19}}<br />
{{Descr|Madrigal probably deploring the absence of Alfonso d'Ercole from the Ferrara court in 1552 - 1554, given the line <i>recessu principis</i>.<br> The time change from duple meter to triple meter doesn't happen at the same time. The last brevis note in the Tenor part in duple meter overlaps with the triple meter notes of the other parts. The use of the proportion between duple and triple of 3:2 is essential (2 semibreves of duple meter = 3 semibreves in triple meter, If you start with a tempo of 60/min for a semibreve, you need to switch to 90/min in the triple meter).}}<br />
{{#ExtWeb:}}<br />
<br />
==Original text and translations==<br />
{{top}}{{Text|Latin|<br />
Calami sonum ferentes Siculo levem numero<br />
non pellunt gemitus pectore ab imo nimium graves:<br />
nec constrepente sunt ab Aufido revulsi.<br />
Musa quae nemus incolis Sirmionis amoenum,<br />
reddita qua lenis, Lesbia dura fuit;<br />
me adi recessu principis mei tristem.<br />
Musa deliciae tui Catulli<br />
dulce tristibus his tuum iunge carmen avenis.<br />
<br />
(Giovanni Battista Pigna [1530-75])}}<br />
{{mdl|4}}<br />
{{Translation|English|<br />
The pipes that carry the sound of the light Sicilian song<br />
Can't drive away the heavy weeping that comes from the depths of my breast;<br />
Nor that song that comes from roaring Aufidus.<br />
But you, o muse, who haunt the lovely woods of Sirmio,<br />
You who were the more kind, as Lesbia was hard<br />
Come to me, sorrowful with the departure of my prince.<br />
Muse, the delight of your Catullus,<br />
lend your sweet song to these sad oaten pipes.}}<br />
{{mdl|4}}<br />
{{Translation|German|<br />
Die Schalmeien mit ihrem leichten Klang nach sizilianischer Art<br />
können das Seufzen aus der Tiefe meiner Brust nicht vertreiben,<br />
ebensowenig wie das Rauschen des Flusses Aufidus.<br />
O Muse, die du den lieblichen Wald von Sirmio bewohnst,<br />
die du so freundlich warst wie Lesbia hart,<br />
komm zu mir, traurig über die Abreise meines Prinzen.<br />
O Muse, Freude deines Catull,<br />
spiel dein süßes Lied zusammen mit diesen traurigen Schalmeien.}}<br />
{{mdl|4}}<br />
{{Translation|Dutch|<br />
De rieten, die zoals in Siciliaanse melodieën<br />
Op lichte wijze klinken, verjagen niet<br />
De diepe zuchten van mijn hart, en al evenmin<br />
Heeft de kabbelende Aufidus ze laten verdwijnen.<br />
<br />
Muze,<br />
Die in de bossen van Sirmio verblijft,<br />
Waar ’t wrede hart van Lesbia zachter werd<br />
<br />
Kom me bezoeken,<br />
Want de afwezigheid<br />
Van mijn “princeps” bedroeft me zeer.<br />
<br />
Muze,<br />
Vreugde van Catullus<br />
Voeg uw zachte gezangen<br />
Bij de trieste klanken van deze herderspijpen.}}<br />
{{btm}}<br />
<i>source: CIPRIANO DE RORE (1516-1565), ''Opera omnia'', edited by Bernhard Meier in 8 volumes.</i><br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Rore,_C._Calami_sonum_a_4_2014.musx&diff=1789363File:Rore, C. Calami sonum a 4 2014.musx2024-02-24T17:07:25Z<p>Choralia: Cipriano de Rore - Calami sonum ferentes - Edition by Sabine Cassola - Finale file</p>
<hr />
<div>== Summary ==<br />
Cipriano de Rore - Calami sonum ferentes - Edition by Sabine Cassola - Finale file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Rore,_C._Calami_sonum_a_4_2014.mid&diff=1789361File:Rore, C. Calami sonum a 4 2014.mid2024-02-24T17:07:00Z<p>Choralia: Cipriano de Rore - Calami sonum ferentes - Edition by Sabine Cassola - MIDI file</p>
<hr />
<div>== Summary ==<br />
Cipriano de Rore - Calami sonum ferentes - Edition by Sabine Cassola - MIDI file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:De_Rore,_C._Calami_sonum_a_4_2014_p%2Bst.pdf&diff=1789360File:De Rore, C. Calami sonum a 4 2014 p+st.pdf2024-02-24T17:06:36Z<p>Choralia: Cipriano de Rore - Calami sonum ferentes - Edition by Sabine Cassola - PDF file</p>
<hr />
<div>== Summary ==<br />
Cipriano de Rore - Calami sonum ferentes - Edition by Sabine Cassola - PDF file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Confitebor_tibi_a_8_(Francesco_Cavalli)&diff=1789356Confitebor tibi a 8 (Francesco Cavalli)2024-02-24T17:01:08Z<p>Choralia: Work page updated with new work entry</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2024-02-24}} {{CPDLno|79270}} [[Media:Cavalli_Confitebor_a_8_p+st.pdf|{{pdf}}]] [[Media:Cavalli_Confitebor_a_8_.mid|{{mid}}]] [[Media:Cavalli_Confitebor_a_8_.mus|{{mus}}]]<br />
{{Editor|Sabine Cassola|2024-02-24}}{{ScoreInfo|A4|31|688}}{{Copy|CPDL}}<br />
:{{EdNotes|Revised edition, including also separate parts.}}<br />
<br />
*{{PostedDate|2017-06-10}} {{CPDLno|44929}} [[Media:Cavalli_Confitebor.pdf|{{pdf}}]] [[Media:Cavalli_Confitebor.mid|{{mid}}]] [[Media:Cavalli_Confitebor.mxl|{{XML}}]] [[Media:Cavalli_Confitebor.musx|{{F14}}]] (Finale 2014)<br />
{{Editor|Wim Looyestijn|2017-06-10}}{{ScoreInfo|A4|53|388}}{{Copy|CPDL}}<br />
:{{EdNotes|PDF contains full score and instrumental parts. Musiche Sacre 1656. Corrected version (2022-06-10) with input from Walter Heeroma.}}<br />
<br />
*{{PostedDate|2004-10-13}} {{CPDLno|8074}} [[Media:ws-cava-con.pdf|{{Pdf}}]] [[Media:ws-cava-con.mid|{{Mid}}]] [[Media:ws-cava-con.mxl|{{XML}}]] [[Media:ws-cava-con.mus|{{mus}}]] (Finale 2000)<br />
{{Editor|Sabine Cassola|2004-10-13}}{{ScoreInfo|A4|17|244}}{{Copy|CPDL}}<br />
:{{EdNotes|Psalm 110, from 'Vesperi 1675'.}}<br />
<br />
==General Information==<br />
{{Title|''Confitebor tibi a 8''}}<br />
{{Composer|Francesco Cavalli}}<br />
<br />
{{Voicing|8|SATB.SATB}}<br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|Basso continuo| , 2 violins, violoncino}}<br />
{{Pub|1|1656|in ''{{NoCo|Musiche sacre}}''|no=3}}<br />
{{Descr| }}<br />
{{#ExtWeb:}}<br />
==Original text and translations==<br />
{{LinkText|Psalm 111}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Cavalli_Confitebor_a_8_.mus&diff=1789355File:Cavalli Confitebor a 8 .mus2024-02-24T17:00:31Z<p>Choralia: F. Cavalli - Confitebor tibi a 8 - Edition by Sabine Cassola - Finale file</p>
<hr />
<div>== Summary ==<br />
F. Cavalli - Confitebor tibi a 8 - Edition by Sabine Cassola - Finale file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Cavalli_Confitebor_a_8_.mid&diff=1789354File:Cavalli Confitebor a 8 .mid2024-02-24T17:00:02Z<p>Choralia: F. Cavalli - Confitebor tibi a 8 - Edition by Sabine Cassola - MIDI file</p>
<hr />
<div>== Summary ==<br />
F. Cavalli - Confitebor tibi a 8 - Edition by Sabine Cassola - MIDI file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Cavalli_Confitebor_a_8_p%2Bst.pdf&diff=1789352File:Cavalli Confitebor a 8 p+st.pdf2024-02-24T16:59:35Z<p>Choralia: F. Cavalli - Confitebor tibi a 8 - Edition by Sabine Cassola - PDF file</p>
<hr />
<div>== Summary ==<br />
F. Cavalli - Confitebor tibi a 8 - Edition by Sabine Cassola - PDF file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=De_ore_prudentis_(Guglielmo_Arnone)&diff=1789349De ore prudentis (Guglielmo Arnone)2024-02-24T16:53:52Z<p>Choralia: New work page created</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2024-02-24}} {{CPDLno|79269}} [[Media:Arnone,_G._De_ore_prudentis-Gaudens_a_8_p+st.pdf|{{pdf}}]] [[Media:Arnone,_G._De_ore-Gaudens_a_8.mid|{{mid}}]] [[Media:Arnone,_G._De_ore-Gaudens_a_8.musx|{{F14}}]]<br />
{{Editor|Sabine Cassola|2024-02-24}}{{ScoreInfo|A4|30|723}}{{Copy|CPDL}}<br />
:{{EdNotes|Full score plus parts}}<br />
<br />
==General Information==<br />
{{Title|De ore prudentis}}<br />
{{Composer|Guglielmo Arnone}}<br />
{{Lyricist|}}<br><br />
{{Voicing|8|SSAATTBB}}<br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|}}<br />
{{Descr|}}<br />
{{#ExtWeb:}}<br />
<br />
==Original text and translations==<br />
{{Text|Latin|put text here}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Arnone,_G._De_ore-Gaudens_a_8.musx&diff=1789348File:Arnone, G. De ore-Gaudens a 8.musx2024-02-24T16:53:14Z<p>Choralia: G. Arnone - De ore prudentis - Edition by Sabine Cassola - Finale file</p>
<hr />
<div>== Summary ==<br />
G. Arnone - De ore prudentis - Edition by Sabine Cassola - Finale file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Arnone,_G._De_ore-Gaudens_a_8.mid&diff=1789346File:Arnone, G. De ore-Gaudens a 8.mid2024-02-24T16:51:39Z<p>Choralia: G. Arnone - De ore prudentis - Edition by Sabine Cassola - MIDI file</p>
<hr />
<div>== Summary ==<br />
G. Arnone - De ore prudentis - Edition by Sabine Cassola - MIDI file</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=File:Arnone,_G._De_ore_prudentis-Gaudens_a_8_p%2Bst.pdf&diff=1789344File:Arnone, G. De ore prudentis-Gaudens a 8 p+st.pdf2024-02-24T16:50:04Z<p>Choralia: G. Arnone - De ore prudentis - Edition by Sabine Cassola</p>
<hr />
<div>== Summary ==<br />
G. Arnone - De ore prudentis - Edition by Sabine Cassola</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Alles,_was_ihr_tut_(Dietrich_Buxtehude)&diff=1787519Alles, was ihr tut (Dietrich Buxtehude)2024-02-14T15:43:15Z<p>Choralia: Updated link to Choralia</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2004-01-31}} {{CPDLno|6634}} [[Media:ws-bux-all2.pdf|{{Pdf}}]] [[Media:ws-bux-all2.mid|{{Mid}}]] [[Media:ws-bux-all2.mxl|{{XML}}]] [[Media:ws-bux-all2.mus|{{mus}}]] (Finale 2000)<br />
{{Editor|Sabine Cassola|2004-01-31}}{{ScoreInfo|A4|28|728}}{{Copy|CPDL}}<br />
:{{EdNotes|full score.}}<br />
<br />
*{{PostedDate|2001-10-01}} {{CPDLno|3026}} [{{website|kantor}}choir_orchestra/cantata/buxtehude/alles_was_ihr_tut/ {{net}}]<br />
{{Editor|Helmut Kickton|2001-10-01}}{{ScoreInfo|A4|22|492}}{{Copy|Personal}}<br />
:{{EdNotes|8 movements, full score, scores and parts available in PDF.}}<br />
<br />
==General Information==<br />
{{Title|''Alles, was ihr tut''}}<br />
{{Composer|Dietrich Buxtehude}}<br />
<br />
{{Voicing|4|SATB}}<br />
{{Genre|Sacred|Cantatas}}<br />
{{Language|German}}<br />
{{Instruments|strings, continuo}}<br />
{{Pub|1|}}<br />
{{Descr| }}<br />
{{#ExtWeb:{{Choralia|filter=alles+buxwv4}}}}<br />
==Original text and translations==<br />
{|width=100%<br />
|<br />
{{Text|German|<br />
''Chor''<br />
''(Kol. 3, 17) ''<br />
Alles, was ihr tut mit Worten oder mit Werken,<br />
das tut alles im Namen Jesu,<br />
und danket Gott und dem Vater durch ihn.<br />
''Aria ''<br />
''(anonym)''<br />
Dir, dir Höchster, dir alleine,<br />
alles, Alleshöchster, dir,<br />
Sinnen, Kräfte und Begier<br />
ich nur aufzuopfern meine,<br />
Alles sei nach aller Pflicht<br />
nur zu deinem Preis gericht.<br />
Helft mir spielen, jauchzen, singen,<br />
hebt die Herzen himmelan,<br />
jubele, was jubeln kann,<br />
lasst all’ Instrumenten klingen.<br />
Alles sei nach aller Pflicht<br />
nur zu deinem Preis gericht.<br />
Vater, hilf uns Jesu willen,<br />
lass das Loben löblich sein<br />
und zum Himmel dringen ein,<br />
unser Wünschen zu erfüllen,<br />
dass dein Herz nach Vaterspflicht<br />
sei zu unserm Heil gericht.<br />
''Arioso ''<br />
''(Ps. 37, 4)''<br />
Habe deine Lust am Herrn,<br />
der wird dir geben,<br />
was dein Herz wünscht.<br />
''Choral ''<br />
''(Georg Niege) ''<br />
Gott will ich lassen raten,<br />
denn er all’ Ding vermag,<br />
er segne meine Taten,<br />
mein Vornehmen und mein Sach’,<br />
den ich’s ihm heimgestellt,<br />
mein’ Leib, mein’ Seel, mein Leben,<br />
und was er mir sonst geben:<br />
er mach’s, wie’s ihm gefällt.<br />
Darauf so sprech ich Amen,<br />
und zweifle nicht daran,<br />
Gott wird uns all’ zusammen<br />
ihm wohlgefallen lan.<br />
Drauf streck’ ich auf mein Hand,<br />
greif an das Werk mit Freuden,<br />
dazu mich Gott bescheiden<br />
in mein’m Beruf und Stand.<br />
''Chor''<br />
''(Kol. 3, 17)''<br />
Alles, was ihr tut mit Worten oder mit Werken,<br />
das tut alles im Namen Jesu,<br />
und danket Gott und dem Vater durch ihn.<br />
}}<br />
|<br />
{{Translation|English|<br />
''Chorus ''<br />
''(Co. 3.17)''<br />
Whatsoever ye do in word or deed,<br />
do all in the name of the Lord Jesus,<br />
giving thanks to God and the Father by him.<br />
''Aria ''<br />
''(Anonymous)''<br />
To thee, most high, and to thee solely,<br />
All things, all highest, for thy sake,<br />
Will, mind, strength, I undertake<br />
To sacrifice unto thee wholly,<br />
In all duty all my ways<br />
Be directed to thy praise.<br />
Help me play, exult and sing,<br />
Lift my heart to heavenward,<br />
Whate’er rejoices, join our laud,<br />
Let all instruments ring out,<br />
In all duty all our ways<br />
Be directed to His praise.<br />
For Jesu’s sake, Lord, help us still,<br />
May our praise praiseworthy be,<br />
Penetrate to heaven and thee<br />
Our desiring to fulfill;<br />
In father’s duty that thy heart<br />
Our salvation may impart.<br />
''Arioso''<br />
''(Ps. 37.4) ''<br />
Delight thyself also in the Lord;<br />
and he shall give thee<br />
the desires of thine heart.<br />
''Choral ''<br />
''(Georg Niege) ''<br />
To God I leave direction<br />
For He can do all things.<br />
May He bless all my actions<br />
My works and my dealings;<br />
For to Him I release<br />
My body, soul and breath<br />
And all else He bestoweth<br />
To do with as He please.<br />
Amen to that I tender<br />
And doubt not that God’s might<br />
Each one of us shall render<br />
Well pleasing in His sight.<br />
So I stretch forth my hand<br />
And take up with elation<br />
The work that in my station<br />
I do by His command.<br />
''Chorus ''<br />
''(Co. 3.17) ''<br />
Whatsoever ye do in word or deed,<br />
do all in the name of the Lord Jesus,<br />
giving thanks to God and the Father by Him.<br />
}}<br />
|}<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Ihr_werdet_weinen_und_heulen,_BWV_103_(Johann_Sebastian_Bach)&diff=1787518Ihr werdet weinen und heulen, BWV 103 (Johann Sebastian Bach)2024-02-14T15:40:03Z<p>Choralia: Added link to new work available at Choralia</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2017-03-15}} {{CPDLno|43563}} [{{website|pandolfo}}bach-js-cantata-bwv103/ {{net}}]<br />
{{Contributor|Paolo Pandolfo|2017-03-15}}{{ScoreInfo|A4|34|7955}}{{Copy|CPDL}}<br />
:{{EdNotes|{{Todt}}}}<br />
<br />
==General Information==<br />
{{Title|''Ihr werdet weinen und heulen''}}<br />
{{Composer|Johann Sebastian Bach}}<br />
{{Lyricist|Christiana Mariana von Ziegler}}<br />
<br />
{{Voicing|4|SATB}}<br />
{{Genre|Sacred|Cantatas}}<br />
{{Language|German}}<br />
{{Instruments|Orchestra:| recorder (''flauto piccolo''), 2 oboes d'amore, trumpet, strings, continuo}}<br />
{{Pub|1|1876|in ''[[Bach-Gesellschaft Ausgabe]]''|vol=Band 23}}<br />
{{Opus|BWV|0103|mvt=6}}<br />
{{Descr|First performed 22 April 1725, {{Cat|Easter 3|''Jubilate''}}}}<br />
{{#ExtWeb:{{Choralia|filter=bh95}}<br />
*{{IMSLP2|Ihr werdet weinen und heulen, BWV 103 (Bach, Johann Sebastian)|''Ihr werdet weinen und heulen''}}<br />
*{{WikipediaLink|Ihr werdet weinen und heulen, BWV 103|BWV 103}}<br />
*[http://www.cs.ualberta.ca/~wfb/cantatas/103.html German libretto at U. Alberta].}}<br />
==Original text and translations==<br />
{{ExtText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]</div>Choraliahttps://www.cpdl.org/wiki/index.php?title=Oster-Oratorium,_BWV_249_(Johann_Sebastian_Bach)&diff=1787517Oster-Oratorium, BWV 249 (Johann Sebastian Bach)2024-02-14T15:38:02Z<p>Choralia: Updated link to Choralia</p>
<hr />
<div>{{TOC2}}<br />
==Music files==<br />
{{#Legend:}}<br />
===Choral parts===<br />
<br />
===Separate movements===<br />
<br />
====III. Kommt, eilet====<br />
*{{PostedDate|2015-03-28}} {{CPDLno|34917}} [[Media:JSBach_BWV249_03.pdf|{{pdf}}]] [[Media:JSBach_BWV249_03.mxl|{{XML}}]]<br />
{{Editor|Björn Ehnberg|2015-03-28}}{{ScoreInfo|A4|5|87}}{{Copy|CPDL}}<br />
:{{EdNotes|Vocal parts only.}}<br />
<br />
====IX. Saget mir geschwinde====<br />
*{{PostedDate|2009-07-22}} {{CPDLno|19834}} [[Media:Bach_saget.pdf|{{pdf}}]] [[Media:Bach_saget.mid|{{mid}}]] [[Media:Bach_saget.mxl|{{XML}}]] [[Media:Bach_saget.sib|{{sib}}]] (Sibelius 4)<br />
{{Editor|John K. Patterson|2009-07-22}}{{ScoreInfo|Letter|7|110}}{{Copy|CPDL}}<br />
:{{EdNotes|for {{vcat|Solo Alto}}.}}<br />
<br />
==General information==<br />
'''Title:''' ''Oster-Oratorium (Easter Oratorio), BWV 249 "Oratorium Festo Paschali"<br><br />
{{Composer|Johann Sebastian Bach}}<br />
{{Lyricist|Picander| (?)}}<br />
<br />
{{Voicing|4|SATB}}<br />
{{Genre|Sacred|Cantatas|Oratorios}}<br />
{{Language|German}}<br />
{{Instruments|Tromba I-III, Timpani, Flauto traverso I/II, Oboe I/II, Violino I/II, Viola, Continuo}}<br />
{{Pub|1|1874|in ''[[Bach-Gesellschaft Ausgabe]]''|vol=Band 21.3}}<br />
{{Opus|BWV|0249|mvt=11}}<br />
{{Descr|Osteroratorium / Easter Oratorio. first performed 1725.}}<br />
{{#ExtWeb:{{Choralia|filter=bwv249}}<br />
*[[wikipedia:Easter_Oratorio|Wikipedia article]]<br />
*[{{website|bach}}/Vocal/BWV249.htm Overview] from The Bach Cantatas<br />
*[http://www.bach.org/bwv249.php Overview] from Bach.org<br />
* [http://www.bach-digital.de/receive/BachDigitalSource_source_00000852 Autograph score] at Bach-digital.de<br />
* {{IMSLP2|id=Easter Oratorio, BWV 249 (Bach, Johann Sebastian)|cname=Easter Oratorio}}<br />
*[http://www.emmanuelmusic.org/notes_translations/translations_cantata/t_bwv249.htm German text and English translation] Emmanuel Music, Boston}}<br />
==Original text and translations==<br />
{{Text|German|<br />
Cantata BWV 249:<br />
Oratorium Festo Pascali<br />
<br />
3 - Coro, Duetto (T & B)<br />
Kommt, eilet und laufet, ihr flüchtigen Füße,<br />
Erreichet die Höhle, die Jesum bedeckt!<br />
Lachen und Scherzen<br />
Begleitet die Herzen,<br />
Denn unser Heil ist auferweckt.<br />
<br />
4 - Recitativo (Maria Magdalena [A], Maria Jacobi [S], Petrus [T], Johannes [B])<br />
Maria Magdalena<br />
O kalter Männer Sinn!<br />
Wo ist die Liebe hin,<br />
Die ihr dem Heiland schuldig seid?<br />
<br />
Maria Jacobi<br />
Ein schwaches Weib muß euch beschämen!<br />
<br />
Petrus<br />
Ach, ein betrübtes Grämen<br />
<br />
Johannes<br />
Und banges Herzeleid<br />
<br />
Petrus, Johannes<br />
Hat mit gesalzen Tränen<br />
Und wehmutsvollem Sehnen<br />
Ihm eine Salbung zugedacht.<br />
<br />
Maria Jacobi, Maria Magdalena<br />
Die ihr, wie wir, umsonst gemacht.<br />
<br />
5 - Aria (S)<br />
Seele, deine Spezereien<br />
Sollen nicht mehr Myrrhen sein.<br />
Denn allein<br />
Mit Lorbeerkranze prangen,<br />
Stillt dein ängstliches Verlangen.<br />
<br />
6 - Recitativo (Petrus [T], Johannes [B], Maria Magdalena [A])<br />
Petrus<br />
Hier ist die Gruft<br />
<br />
Johannes<br />
Und hier der Stein,<br />
Der solche zugedeckt.<br />
Wo aber wird mein Heiland sein?<br />
<br />
Maria Magdalena<br />
Er ist vom Tode auferweckt!<br />
Wir trafen einen Engel an,<br />
Der hat uns solches kundgetan.<br />
<br />
Petrus<br />
Hier seh ich mit Vergnügen<br />
Das Schweißtuch abgewickelt liegen.<br />
<br />
7 - Aria (T)<br />
Sanfte soll mein Todeskummer,<br />
Nur ein Schlummer,<br />
Jesu, durch dein Schweißtuch sein.<br />
Ja, das wird mich dort erfrischen<br />
Und die Zähren meiner Pein<br />
Von den Wangen tröstlich wischen.<br />
<br />
8 - Recitativo & duetto (S, A)<br />
Indessen seufzen wir<br />
Mit brennender Begier:<br />
<br />
Ach, könnt es doch nur bald geschehen,<br />
Den Heiland selbst zu sehen!<br />
<br />
9 - Aria (A)<br />
Saget, saget mir geschwinde,<br />
Saget, wo ich Jesum finde,<br />
Welchen meine Seele liebt!<br />
Komm doch, komm, umfasse mich;<br />
Denn mein Herz ist ohne dich<br />
Ganz verwaiset und betrübt.<br />
<br />
10 - Recitativo (B)<br />
Wir sind erfreut,<br />
Daß unser Jesus wieder lebt,<br />
Und unser Herz,<br />
So erst in Traurigkeit zerflossen und geschwebt,<br />
Vergißt den Schmerz<br />
Und sinnt auf Freudenlieder;<br />
Denn unser Heiland lebet wieder.<br />
<br />
11 - Coro<br />
Preis und Dank<br />
Bleibe, Herr, dein Lobgesang.<br />
Höll und Teufel sind bezwungen,<br />
Ihre Pforten sind zerstört.<br />
Jauchzet, ihr erlösten Zungen,<br />
Daß man es im Himmel hört.<br />
Eröffnet, ihr Himmel, die prächtigen Bogen,<br />
Der Löwe von Juda kommt siegend gezogen!<br />
}}<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]</div>Choralia