A Spiritual for Freedom (Oliver Barton): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{Legend}} | ||
*'''CPDL #4740:''' [{{SERVER}}/wiki/images/sheet/bart-spf.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bart-spf.mid {{mid}}] [{{SERVER}}/wiki/images/source/bart-spf.mus Finale 2003] | *'''CPDL #4740:''' [{{SERVER}}/wiki/images/sheet/bart-spf.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bart-spf.mid {{mid}}] [{{SERVER}}/wiki/images/source/bart-spf.mus Finale 2003] | ||
{{Editor|Oliver Barton|2003-04-15}} | {{Editor|Oliver Barton|2003-04-15}}{{ScoreInfo|A4|24|748}}{{Copy|Personal}}{{Edition}}Full score | ||
*'''CPDL #4741:''' [{{SERVER}}/wiki/images/sheet/bart-spc.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bart-spc.mid {{mid}}] [{{SERVER}}/wiki/images/source/bart-spc.mus Finale 2003] | *'''CPDL #4741:''' [{{SERVER}}/wiki/images/sheet/bart-spc.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bart-spc.mid {{mid}}] [{{SERVER}}/wiki/images/source/bart-spc.mus Finale 2003] | ||
{{Editor|Oliver Barton|2003-04-15}} | {{Editor|Oliver Barton|2003-04-15}}{{ScoreInfo|A4|24|748}}{{Copy|Personal}}{{Edition}}Choral Score | ||
*'''CPDL #4742:''' [{{SERVER}}/wiki/images/sheet/bart-spo.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bart-spo.mid {{mid}}] [{{SERVER}}/wiki/images/source/bart-spo.mus Finale 2003] | *'''CPDL #4742:''' [{{SERVER}}/wiki/images/sheet/bart-spo.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bart-spo.mid {{mid}}] [{{SERVER}}/wiki/images/source/bart-spo.mus Finale 2003] | ||
{{Editor|Oliver Barton|2003-04-15}} | {{Editor|Oliver Barton|2003-04-15}}{{ScoreInfo|A4|24|748}}{{Copy|Personal}}{{Edition}}Organ Score | ||
==General Information== | ==General Information== | ||
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{{Voicing|4|SATB}}<br> | {{Voicing|4|SATB}}<br> | ||
{{Genre|Sacred|Cantatas}} | |||
{{Language|English}} | {{Language|English}} | ||
'''Instruments:''' {{OrgAcc}}<br> | '''Instruments:''' {{OrgAcc}}<br> | ||
'''Published:''' | '''Published:''' | ||
'''Description:''' | '''Description:''' The Spiritual was written for a concert commemorating Amnesty International’s 40th anniversary. It uses the simplicity and heavy work rhythms of spirituals to deliver a powerful plea for freedom. All the spiritual melodies are new, the words based on fragments of existing spirituals. At the heart of the piece, a reader reads a passage from the Narrative of the Life of Frederick Douglass, an American Slave, 1845, while the choir and soloists keen. The atmosphere at the end is one of ecstatic and optimistic exhaustion after a long ride of powerful emotion. | ||
'''External websites:''' | |||
==Original text and translations== | |||
{{NoText}} | |||
{{DEFAULTSORT:Spiritual for Freedom, A (Oliver Barton)}} | |||
[[Category: | [[Category:Sheet music]] | ||
[[Category:Modern music]] | |||
[[Category:Modern music | |||
Revision as of 22:41, 9 March 2009
Music files
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File details |
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- CPDL #4740:
Finale 2003
- Editor: Oliver Barton (submitted 2003-04-15). Score information: A4, 24 pages, 748 kB Copyright: PersonalThis template name is reserved for future development (something in line with what was originally proposed by Pml).
Full score
- CPDL #4741: Finale 2003
- Editor: Oliver Barton (submitted 2003-04-15). Score information: A4, 24 pages, 748 kB Copyright: PersonalThis template name is reserved for future development (something in line with what was originally proposed by Pml).
Choral Score
- CPDL #4742: Finale 2003
- Editor: Oliver Barton (submitted 2003-04-15). Score information: A4, 24 pages, 748 kB Copyright: PersonalThis template name is reserved for future development (something in line with what was originally proposed by Pml).
Organ Score
General Information
Title: A Spiritual for Freedom
Composer: Oliver Barton
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Cantata
Language: English
Instruments: Organ
Published:
Description: The Spiritual was written for a concert commemorating Amnesty International’s 40th anniversary. It uses the simplicity and heavy work rhythms of spirituals to deliver a powerful plea for freedom. All the spiritual melodies are new, the words based on fragments of existing spirituals. At the heart of the piece, a reader reads a passage from the Narrative of the Life of Frederick Douglass, an American Slave, 1845, while the choir and soloists keen. The atmosphere at the end is one of ecstatic and optimistic exhaustion after a long ride of powerful emotion.
External websites:
Original text and translations
Text (or link to a text page) needs to be added.