About the maypole (Thomas Morley): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{PostedDate|2011-07-18}} {{CPDLno|23919}} [[Media:About_the_maypole Morley.pdf|{{pdf}}]] [[Media:About_the_maypole Morley.mid|{{mid}}]] [[Media:About_the_maypole Morley.mxl|{{XML}}]] [[Media:About_the_maypole Morley.capx|{{Capx}}]] | |||
{{Editor|James Gibb|2011-07-18}}{{ScoreInfo|A4|5|91}}{{Copy|CPDL}} | |||
:{{EdNotes|A reformatting of #14986, with corrections. Revised files uploaded 13/02/18.}} | |||
*{{ | *{{PostedDate|2007-09-13}} {{CPDLno|14986}} [[Media:br-365.pdf|{{pdf}}]] [[Media:br-365.mid|{{mid}}]] [[Media:br-365.mxl|{{XML}}]] [[Media:br-365.nwc|{{NWC}}]] | ||
{{Editor|Brian Russell|2007-09-13}}{{ScoreInfo|Letter|6|75}}{{Copy|CPDL}} | {{Editor|Brian Russell|2007-09-13}}{{ScoreInfo|Letter|6|75}}{{Copy|CPDL}} | ||
: | :{{EdNotes|On external site, listed alphabetically under "Ballets". {{ScoreError}}}} | ||
==General Information== | ==General Information== | ||
{{Title|''About the maypole''}} | |||
{{Composer|Thomas Morley}} | {{Composer|Thomas Morley}} | ||
{{Voicing|5|SSATB, SSTTB, SSAAB}} | {{Voicing|5|SSATB, SSTTB, SSAAB}} | ||
{{Genre|Secular|Madrigals}} | {{Genre|Secular|Madrigals}} | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
''' | {{Pub|1|1595|in ''{{NoCo|First Book of Ballets}}''|no=11}} | ||
{{Descr|The range of the alto and tenor parts is identical, d-a'.}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{Text|English | {{Text|English| | ||
About the maypole new, | |||
About the maypole new, | With glee and merriment, | ||
With glee and merriment, | While as the bagpipe tooted it, | ||
While as the bagpipe tooted it, | Thirsis and Cloris | ||
Thirsis and Cloris | Fine together footed it | ||
Fine together footed | |||
Fa la la la la. | Fa la la la la. | ||
And to the wanton instrument, | |||
They went to and fro, both, | |||
And finely flaunted it | |||
And then they met again | |||
And thus they chanted it | |||
Fa la la la la. | Fa la la la la. | ||
The shepherds and the Nymphs | |||
Them round enclosed had, | |||
Wond'ring with what facility | |||
About they turned them | |||
In such strange agility | |||
Fa la la la la. | Fa la la la la. | ||
And still when they unloosed had, | |||
With words full of delight, both, | |||
They gently kissed them, | |||
And thus sweetly to sing | |||
They never missed them | |||
Fa la la la la.}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Latest revision as of 03:47, 4 April 2022
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Capella | |
Noteworthy | |
Score Error | |
File details | |
Help |
- Editor: James Gibb (submitted 2011-07-18). Score information: A4, 5 pages, 91 kB Copyright: CPDL
- Edition notes: A reformatting of #14986, with corrections. Revised files uploaded 13/02/18.
- Editor: Brian Russell (submitted 2007-09-13). Score information: Letter, 6 pages, 75 kB Copyright: CPDL
- Edition notes: On external site, listed alphabetically under "Ballets".
- Possible error(s) identified. See the discussion page for full description.
General Information
Title: About the maypole
Composer: Thomas Morley
Number of voices: 5vv Voicings: SSATB, SSTTB or SSAAB
Genre: Secular, Madrigal
Language: English
Instruments: A cappella
First published: 1595 in First Book of Ballets, no. 11
Description: The range of the alto and tenor parts is identical, d-a'.
External websites:
Original text and translations
English text
About the maypole new,
With glee and merriment,
While as the bagpipe tooted it,
Thirsis and Cloris
Fine together footed it
Fa la la la la.
And to the wanton instrument,
They went to and fro, both,
And finely flaunted it
And then they met again
And thus they chanted it
Fa la la la la.
The shepherds and the Nymphs
Them round enclosed had,
Wond'ring with what facility
About they turned them
In such strange agility
Fa la la la la.
And still when they unloosed had,
With words full of delight, both,
They gently kissed them,
And thus sweetly to sing
They never missed them
Fa la la la la.