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| <noinclude>This is a subpage of [[Anonymous]], please check there for any changes made here.</noinclude><includeonly> | | <noinclude>This is a subpage of [[Anonymous]], please check there for any changes made here.</noinclude><includeonly> |
| ''The alphabetized list has been moved to subpages which can be accessed from the "edit" links to the side of each letter.'' | | ''The alphabetized list has been moved to subpages which can be accessed from the "edit" links to the side of each letter or number.'' |
| {{compactTOC}} | | {{compactTOC}} |
| ===A=== | | ===A=== |
| *{{NoCo|Aan den Nacht}} | | *{{NoCo|Aan den Nacht}} |
| *{{NoCo|A bente y siete de março}} ([[Cancionero de Medinaceli]], 16c) {{LLink|Cançionero Medinaceli A bente y siete de março.pdf|Cançionero Medinaceli A bente y siete de março.mid|media=Cançionero Medinaceli A bente y siete de março.mus|type=Finale 2000}} | | *{{NoCo|A bente y siete de março}} ([[Cancionero de Medinaceli]], 16c) |
| *{{NoCo|A Dieu dame}} ([[Susato]], 1555) ( [{{filepath:Anonymous-A_Dieu_dame.pdf}} {{pdf}}] [{{filepath:Anonymous-A_Dieu_dame.MID}} {{mid}}] [{{filepath:Anonymous-A_Dieu_dame.MUS}} Finale 2008] ) | | *{{NoCo|A Dieu dame}} ([[Susato]], 1555) |
| *{{NoCo|A Fiddler and a Fuddler, a Catch}} (''The Catch Club or Merry Companions '', 1730's) {{LLink|Musikcatch.pdf|Musikcatch.midi|Musikcatch.ly|LilyPond}} | | *{{NoCo|A la guerra}} (Codice 2241 Basevi, Firenze) |
| *{{NoCo|A la guerra}} (Codice 2241 Basevi, Firenze){{LLinkW|anon-ala.pdf}} ( [{{filepath:Anon-ala.mid}} {{mid}}] ) | | *{{NoCo|A la villa voy}} ([[Cancioneiro de Elvas]]) |
| *{{NoCo|A la villa voy}} ([[Cancioneiro de Elvas]]) ( [{{filepath:a_la_villa_voy.pdf}} {{pdf}}] [{{website|corounlmidi}}ALaVillaVoy.mid {{extmid}}] ) | | *{{NoCo|A los maytines era}} (Cancionero de la Colombina, 1480){ |
| *{{NoCo|A los maytines era}} (Cancionero de la Colombina, 1480){{Link|www.gallarda.es {{net}}}} | | *{{NoCo|A Madre do que livrou dos}} ([[Cantigas de Santa Maria]], 13c) |
| | *{{NoCo|A solis ortus cardine}} ([[Trent codices]]) |
| | *{{NoCo|Acabarseam mis plazeres}} |
| | *{{NoComp|Ach Gott, erhör mein Seufzen und Wehklagen, BWV 254|Johann Sebastian Bach}} |
| | *{{NoComp|Ach Gott und Herr|Johann Hermann Schein}} |
| | *{{NoComp|Ach Gott und Herr, wie gross und schwer (Chorale), BWV 255|Johann Sebastian Bach}} |
| | *{{NoCo|Ach Gott, wie manches Herzeleid}} (Weyse collection, late 17c?) |
| | *''[[Ach lieben Christen seid getrost, BWV 256 (Johann Sebastian Bach)|Ach lieben Christen seid getrost]]'' |
| | *{{NoCo|Ad cenam agni providi}} ([[Trent codices]]) |
| | *{{NoCo|Adie mis amors}} |
| | *{{NoCo|Adoramus te Domine}} (Codex Montecassino, 16c?) |
| | *{{NoCo|Adoramus te, Christe}} (19c?) |
| | *{{NoCo|Adoramus te, Christe}} |
| | *{{NoCo|Adoramus (in Es)}} |
| | *{{NoCo|Adoro te devote}} |
| | *{{NoCo|Aetas Carmen Melodiae}} |
| | *{{NoCo|Afraid, alas, and why so suddenly?}} ([[Fayrfax Manuscript]], c.1500) |
| | *{{NoCo|Agnus Christus}} |
| | *{{NoCo|Agnus Dei (Old Hall Manuscript)}} |
| | *{{NoCo|Agnus Dei}} |
| | *{{NoCo|Agwillare habeth standiff}} |
| | *{{NoCo|Ah, for wings to soar}} (19c?) |
| | *{{NoCo|¡Ah Pelayo, que desmayo!}} ([[Cancionero de Upsala]], 1556; attr. [[Juan Aldomar]]) |
| | *{{NoCo|Aimer et Plaire}} |
| | *{{NoCo|Ak, nāc, ak, nāc, Emanuel}} (Latvian trans. ''Veni, veni, Emmanuel'') |
| | *{{NoCo|Al alba venid}} ([[Cancionero de Palacio]]) |
| | *{{NoCo|Al Paraclito divino}} (Hymn-tune) |
| | *{{NoCo|Alburquerque}} ([[Cancionero de Palacio]]) |
| | *{{NoCo|Alça la ninya}} |
| | *{{NoCo|All people that on earth do dwell|All people that on earth do dwell}} (formerly attrib. Tallis) |
| | *{{NoCo|Alle Dei Filius}} [[Trent codices]]) |
| | *{{NoCo|Alle psallite cum luya}} ([[Montpellier codex]] c. 1300 |
| | *{{NoCo|Allegez moy}} (''Le Livre VIIième des Chansons'', P. Matthys 1644) |
| | *{{NoCo|Allein Gott in der Höh sei Ehr}} |
| | *{{NoCo|Allein Gott in der Höh sei Ehr (KB 1872)}} |
| | *{{NoComp|Allein zu dir, Herr Jesu Christ (Chorale), BWV 261|Johann Sebastian Bach}} |
| | *{{NoCo|Alleluia}} |
| | *{{NoCo|Alleluia, the bridegroom cometh}} |
| | *{{NoCo|Alleluya: A nywe werke}} (''Selden Carol Book'', 15c) |
| | *{{NoCo|Alleluia Anna Mater}} (Annaberg choirbooks, c1500) |
| | *{{NoCo|Alleluja in B}} |
| | *{{NoCo|Alleluia in resurrectione}} |
| | *{{NoCo|Alta Reyna soberana}} ([[Cancionero de Upsala]], 1556) |
| *{{NoCo|Although soft sleep}} | | *{{NoCo|Although soft sleep}} |
| *{{NoCo|A Madre do que livrou dos}} ([[Cantigas de Santa Maria]], 13c) {{LLinkW|cant-ama.pdf|cant-ama.mid|cant-ama.mus|Finale 2000}} | | *{{NoCo|Alleluia Sancta Dei Genitrix}} (Annaberg choirbooks, c. 1500) |
| *{{NoCo|A solis ortus cardine}} ([[Trent codices]]) ( [{{filepath:Anonymous-A_solis_ortus_cardine.pdf}} {{pdf}}] [{{filepath:Anonymous-A_solis_ortus_cardine.mid}} {{mid}}] [{{filepath:Anonymous-A_solis_ortus_cardine-XML.zip}} MusicXML] ) | | *{{NoCo|Alleluia - Tu es Petrus}} |
| *{{NoCo|Acabarseam mis plazeres}} ( [http://www.solovoces.com/download.php?view.460 {{pdf}}] ) | | *{{NoCo|Alta Trinita beata}} ("15c", but harmonized in much later style) |
| *{{NoCo|Ach Gott, wie manches Herzeleid}} (Weyse collection, late 17c?) ( [http://www.nova-cantica-essen.de/notenarchiv/diverses/index.php#Ach_Gott_wie_manches_Herzeleid {{net}}] ) | | *{{NoCo|Alta estava la penya}} |
| *{{NoCo|Ad cenam agni providi}} ([[Trent codices]]) ( [{{filepath:Anonymous-Ad_cenam_agni_providi.pdf}} {{pdf}}] [{{filepath:Anonymous-Ad_cenam_agni_providi.mid}} {{mid}}] [{{filepath:Anonymous-Ad_cenam_agni_providi-XML.zip}} MusicXML] ) | | *{{NoCo|Amarilli mijn schoone}} |
| *{{NoCo|Adie mis amors}} ( [{{filepath:Anonymous-Adieu.pdf}} {{pdf}}] [{{filepath:Anonymous-Adieu.mid}} {{mid}}] [{{filepath:Anonymous-Adieu-XML.zip}} MusicXML] ) | | *{{NoCo|Amavit eum Dominus}} |
| *{{NoCo|Adoramus te Domine}} (Codex Montecassino, 16c?) {{LLink|Montecassino Ms-Adoramus te Domine.pdf|Montecassino Ms-Adoramus te Domine.MID|media=Montecassino Ms-Adoramus te Domine.mus|type=Finale 2006}} | | *{{NoCo|Amid the silence}} (Polish carol "Wsrod nocnej ciszy") |
| *{{NoCo|Adoramus te, Christe}} (19c?){{LnkWeb|Olivieri}} | | *{{NoCo|Amor che deggio far}} |
| *{{NoCo|Adoramus te, Christe}} ( [{{filepath:Anonimo-Adoramus_te_Christe.pdf}} {{pdf}}] [{{filepath:Anonimo-Adoramus_te_Christe.mid}} {{mid}}] [{{filepath:Anonimo-Adoramus_te_Christe.enc}} Encore] ) | | *{{NoCo|Amor potest - Ad amorem}} ([[Montpellier Codex]], 13c) |
| *{{NoCo|Adoramus (in Es)}} {{LLink|ADORAMUS.pdf|ADORAMUS.mid|media=ADORAMUS.enc|type=Encore}} | | *{{NoCo|Amor quando m'invia}} |
| *{{NoCo|Adoro te devote}} (19c?) ( [{{website|cantoral}} {{net}}] ) | | *{{NoCo|Amor que me cautivas}} (=[[Belle qui tiens ma vie (Thoinot Arbeau)]]) |
| *{{NoCo|Aetas Carmen Melodiae}} ([[Piae Cantiones (1582)]]){{LLink|Anon-aetas carmen_melodiae.pdf|Anon-aetas carmen_melodiae.mid}} | | *{{NoCo|Amour parfaict}} (Hermann Finck's ''Practica Musica'') |
| *{{NoCo|Afraid, alas, and why so suddenly?}} ([[Fayrfax Manuscript]], c.1500) ( [{{filepath:Afraid,_alas,_and_why_so_suddenly?_(Anonymous).pdf}} {{pdf}}] [{{filepath:Afraid,_alas,_and_why_so_suddenly_(Anonymous).mid}} {{mid}}] ) | | *{{NoCo|Amour se veult}} |
| *{{NoCo|Agincourt Carol}} (Selden Carol Book, 15c) {{editions|4}} | | *{{NoCo|Andarán siempre mis ojos}} ([[Cancionero de Upsala]], 1556) |
| *{{NoCo|Agnus Christus}} ( [{{filepath:Anon-Agnus_Christus.pdf}} {{pdf}}] [{{filepath:Anon-Agnus_Christus.mid}} {{mid}}] ) | | *{{NoCo|Angelorum Gloriae}} |
| *{{NoCo|Agnus Dei (Old Hall Manuscript)}} ( [{{filepath:AgnusDeiOldHallManuscript.pdf}} {{pdf}}] [{{filepath:Agnus_DeiOldHallManuscript.mid}} {{mid}}] ) | | *{{NoCo|Les Anges dans nos campagnes}} |
| *{{NoCo|Agnus Dei}} ( [{{filepath:Agnus_dei_polonice.pdf}} {{pdf}}] [{{filepath:Agnus_dei_polonice.mid}} {{mid}}] ) | | *{{NoCo|Angels from the realms of glory|Angels from the realms of glory (New Park)}} |
| *{{NoCo|Agwillare habeth standiff}} ( [{{filepath:Anonymous-Agwillare_habeth_standiff.pdf}} {{pdf}}] [[Trent codices]], mid15c)[{{filepath:Anonymous-Agwillare_habeth_standiff.mid}} {{mid}}] [{{filepath:Anonymous-Agwillare_habeth_standiff-XML.zip}} MusicXML] ) | | *{{NoCo|Angels from the realms of glory (Iris)|Angels from the realms of glory (Iris)}} |
| *{{NoCo|Ah, for wings to soar}} (19c?){{Link|www.adrianoseccomusic.it {{net}}}} | | *{{NoCo|Angelus ad Virginem}} (13c) |
| *{{NoCo|¡Ah Pelayo, que desmayo!}} ([[Cancionero de Upsala]], 1556; attr. [[Juan Aldomar]]) ( [http://www.gallarda.es {{net}}] )
| | *{{NoCo|Anima Christi}} (1507) |
| *{{NoCo|Aimer et Plaire}} (Taube notebook, 1767) {{editions|2}}
| | *{{NoCo|Annue Christe}} |
| *{{NoCo|Ak, nāc, ak, nāc, Emanuel}} (Latvian trans. ''Veni, veni, Emmanuel''){{Link|www.catholic.lv/majori/scores/Ak,nacEmanuel.pdf {{extpdf}}|www.catholic.lv/majori/scores/Ak,nacEmanuel.mid {{extmid}}|www.catholic.lv/majori/scores/Ak,nacEmanuel.enc Encore}}
| | *{{NoCo|Aquella buena mujer}} ([[Cancionero de Palacio]], 15c) |
| *{{NoCo|Al alba venid}} ([[Cancionero de Palacio]]){{LnkWeb|SoloVoces}}
| | *{{NoCo|Aquella fuerça grande}} ([[Cancionero de Medinaceli]], 16c) |
| *{{NoCo|Al Paraclito divino}} (Hymn-tune) {{LnkWeb|Cantoral}}
| | *{{NoCo|Aquella voluntad}} |
| *{{NoCo|Alburquerque}} ([[Cancionero de Palacio]]){{LnkWeb|SoloVoces}}
| | *{{NoCo|As ever I saw}} |
| *{{NoCo|All people that on earth do dwell|All people that on earth do dwell}} (formerly attrib. Tallis){{LLinkW|tall-all.pdf|tall-all.mid|tall-all.sib|Sibelius 2}}
| | *{{NoCo|As Jacob with travel was weary one day}} |
| *{{NoCo|Alle Dei Filius}} [[Trent codices]]) {{LLink|Alle_Dei_filius.pdf|Alle_Dei_filius.mid|Alle_Dei_filius-XML.zip|MusicXML}}
| | *{{NoCo|Asperges me Domine}} ([[Trent codices]], 15c) |
| *{{NoCo|Alle psallite cum luya}} ([[Montpellier codex]] c.1300 {{editions|3}}
| | *{{NoCo|Asperges me (Gyffard Partbooks, 2nd setting)}} |
| *{{NoCo|Allegez moy}} (''Le Livre VIIième des Chansons'', P.Matthys 1644) {{LLink|Anon-alle.pdf|Anon-alle.MID|Anon-alle.MUS|Finale 2008}}
| | *{{NoCo|Assit herus}} |
| *{{NoCo|Allein Gott in der Höh sei Ehr (full score)}} {{LLinkW|kick-all.pdf}}
| | *{{NoCo|Assumpta est Maria - Beata est}} Denmark KB 1872, c1560 |
| *{{NoCo|Allein Gott in der Höh sei Ehr (KB 1872)}} ( [{{filepath:Anonymous-Allein_Gott.pdf}} {{pdf}}] [{{filepath:Anonymous-Allein_Gott.mid}} {{mid}}] [{{filepath:Anonymous-Allein_Gott-XML.zip}} MusicXML] )
| | *{{NoCo|At the cross her station keeping}} |
| *{{NoCo|Alleluia}}{{LnkWeb|Olivieri}}
| | *{{NoComp|Auf auf mein Herz, BWV 268|Johann Sebastian Bach}} |
| *{{NoCo|Alleluya: A nywe werke}} (''Selden Carol Book'', 15c) {{LnkWeb|Maucamedus}}
| | *{{NoCo|Aurea luce}} [[Trent 89]] |
| *{{NoCo|Alleluia Anna Mater}} (Annaberg choirbooks, c1500) ( [http://www.capella-de-la-torre.de/fileadmin/media/noten/Annaberg_505_Anna_Mater.pdf {{extpdf}}] )
| | *''[[Aus meines Herzens Grunde, BWV 269 (Johann Sebastian Bach)|Aus meines Herzens Grunde]]'' |
| *{{NoCo|Alleluja in B}} {{Link|www.catholic.lv/majori/scores/Alleluja%20in%20B.pdf {{extpdf}}|www.catholic.lv/majori/scores/Alleluja%20in%20B.mid {{extmid}}|www.catholic.lv/majori/scores/Alleluja%20in%20B.enc Encore}}
| | *{{NoCo|L'autre jour - Au tens pascour - In seculum}} [[Bamberg Codex]] 13c |
| *{{NoCo|Alleluia in resurrectione}} ( [{{filepath:Anonimo-Alleluia in resurrectione.pdf}} {{pdf}}] [{{filepath:Anonimo-Alleluia in resurrectione.mid}} {{mid}}] [{{filepath:Anonimo-Alleluia in resurrectione.enc}} Encore] )
| | *{{NoCo|Ave Jhesu Christe}} ([[Trent codices]]) |
| *{{NoCo|Alleluia in resurrectione}} {{editions|n}}
| | *{{NoCo|Ave Maria}}Trium vocum cantiones---Nürnberg---J.Petreius---1541 |
| *{{NoCo|Alta Reyna soberana}} ([[Cancionero de Upsala]], 1556)
| | *{{NoCo|Ave Maria 3-part|Ave Maria a 3}} |
| *{{NoCo|Alleluia Sancta Dei Genitrix}} (Annaberg choirbooks, c.1500) ( [http://www.capella-de-la-torre.de/fileadmin/media/noten/mater_matris/Annaberg_Alleluia_Sancta_Dei_genitrix.pdf {{extpdf}}] )
| | *{{NoCo|Ave maris stella I}} ? 19c? |
| *{{NoCo|Alleluia - Tu es Petrus}} ( [{{filepath:Anonymous-Alleluia_Petrus.pdf}} {{pdf}}] [{{filepath:Anonymous-Alleluia_Petrus.mid}} {{mid}}] [{{filepath:Anonymous-Alleluia_Petrus-XML.zip}} MusicXML] )
| | *{{NoCo|Ave maris stella II}} equal vv conductus? |
| *{{NoCo|Alta Trinita beata}} {{editions|3}} ("15c", but harmonized in much later style)
| | *{{NoCo|Ave maris stella III}} ([[Trent codices|Trent 91]], 1470's) |
| *{{NoCo|Amarilli mijn schoone}} ( [{{filepath:Anonymous-Amarilli_mijn_schoone.pdf}} {{pdf}}] [{{filepath:Anonymous-Amarilli_mijn_schoone.MID}} {{mid}}] [{{filepath:Anonymous-Amarilli_mijn_schoone.MUS}} Finale 2008] )
| | *{{NoCo|Ave maris stella IV}} ([[Trent codices|Trent 88]], 1460's) |
| *{{NoCo|Amavit eum Dominus}} ( [{{filepath:Anonymous-Amavit_eum.pdf}} {{pdf}}] [{{filepath:Anonymous-Amavit_eum.mid}} {{mid}}] [{{filepath:Anonymous-Amavit_eum-XML.zip}} MusicXML] )
| | *{{NoCo|Ave maris stella V}} ([[Trent codices|Trent 89]]) |
| *{{NoCo|Amid the silence}} (Polish carol "Wsrod nocnej ciszy") {{LnkWeb|XmasSongbook}}
| | *{{NoCo|Ave maris stella VI}} ([[Trent codices|Trent 89]]) |
| *{{NoCo|Amor che deggio far}} ( [{{filepath:Anonymous-Amor_che_deggio_far.pdf}} {{pdf}}] [{{filepath:Anonymous-Amor_che_deggio_far.MID}} {{mid}}] [{{filepath:Anonymous-Amor_che_deggio_far.MUS}} Finale 2008] )
| | *{{NoCo|Ave mundi spes/Gotes namen fahren wir a 8}} (Codex Tridentinus, c. 1480) |
| *{{NoCo|Amor potest - Ad amorem}} ([[Montpellier Codex]], 13c) {{LnkWeb|Maucamedus}}
| | *{{NoCo|Ave preclara (tr91)}} |
| *{{NoCo|Amor quando m'invia}} ( [{{filepath:Anonymous-Amor_quando.pdf}} {{pdf}}] [{{filepath:Anonymous-Amor_quando.MID}} {{mid}}] [{{filepath:Anonymous-Amor_quando.MUS}} Finale 2008] )
| | *{{NoCo|Ave preclara (tr93)}} |
| *{{NoCo|Amor que me cautivas}} (=[[Belle qui tiens ma vie (Thoinot Arbeau)]]){{Link|www.upv.es/coro/victoria/mas_partituras.html#dieciseis {{net}}}}
| |
| *{{NoCo|Amour se veult}} ( [{{filepath:Anonymous-Amour_se_veult.pdf}} {{pdf}}] [{{filepath:Anonymous-Amour_se_veult.MID}} {{mid}}] [{{filepath:Anonymous-Amour_se_veult.MUS}} Finale 2008] )
| |
| *{{NoCo|Andarán siempre mis ojos}} ([[Cancionero de Upsala]], 1556) {{LnkWeb|SoloVoces}}
| |
| *{{NoCo|Angelorum Gloriae}} {{Link|www.cipoo.net/music_a.html {{net}}}}{{Broken}}
| |
| *{{NoCo|Angels from the realms of glory|Angels from the realms of glory (New Park)}} {{editions|2}}
| |
| *{{NoCo|Angels from the realms of glory (Iris)|Angels from the realms of glory (Iris)}} ( [{{website|mather}}/cd/index.shtml?50.txt {{net}}] )
| |
| *{{NoCo|Angelus ad Virginem}} (13c) {{editions|4}}
| |
| *{{NoCo|Anima Christi}} (1507) {{LLink|AnimaChristi-Anon.pdf|AnimaChristi-Anon.mid }}
| |
| *{{NoCo|Annue Christe}} ( [{{filepath:Anonymous-Annue_Christe.pdf}} {{pdf}}] [{{filepath:Anonymous-Annue_Christe.mid}} {{mid}}] [{{filepath:Anonymous-Annue_Christe-XML.zip}} MusicXML] )
| |
| *{{NoCo|Aquella buena mujer}} ([[Cancionero de Palacio]], 15c) {{LnkWeb|SoloVoces}}
| |
| *{{NoCo|Aquella fuerça grande}} ([[Cancionero de Medinaceli]], 16c) {{LLink|Aquella Fuerza Grande.pdf|Aquella Fuerza Grande.MID}}
| |
| *{{NoCo|Asperges me Domine}} ([[Trent codices]], 15c) {{LLink|Anonymous-Asperges_me_Domine.pdf}} [{{filepath:Anonymous-Asperges_me_Domine-MID.zip}} {{mid}}] {{LLink|||Anonymous-Asperges_me_Domine-XML.zip|MusicXML}}
| |
| *{{NoCo|Assit herus}} ( [{{filepath:Anonymous-Assit_herus.pdf}} {{pdf}}] [{{filepath:Anonymous-Assit_herus-MID.zip}} {{mid}}] [{{filepath:Anonymous-Assit_herus-XML.zip}} MusicXML] )
| |
| *{{NoCo|Assumpta est Maria - Beata est}} ( [{{filepath:Anonymous-Assumpta-Beata.pdf}} {{pdf}}] [{{filepath:Anonymous-Assumpta-Beata.mid}} {{mid}}] [{{filepath:Anonymous-Assumpta-Beata-XML.zip}} MusicXML] )
| |
| *{{NoCo|Aurea luce}} ( [{{filepath:Anonymous-Aurea_luce.pdf}} {{pdf}}] [{{filepath:Anonymous-Aurea_luce.mid}} {{mid}}] [{{filepath:Anonymous-Aurea_luce-XML.zip}} MusicXML] )
| |
| *{{NoCo|Ave Jhesu Christe}} ([[Trent codices]]) ( [{{filepath:Anonymous-Ave_Jhesu_Christe.pdf}} {{pdf}}] [{{filepath:Anonymous-Ave_Jhesu_Christe.mid}} {{mid}}] [{{filepath:Anonymous-Ave_Jhesu_Christe-XML.zip}} MusicXML] )
| |
| *{{NoCo|Ave Maria}} {{Link|www.mhoessl.de/html/4-stimmig.html#Orchester {{net}}}}
| |
| *{{NoCo|Ave Maria 3-part|Ave Maria a 3}} {{Link|www.mhoessl.de/html/3-stimmig.html {{net}}}}
| |
| *{{NoCo|Ave maris stella I}}{{LnkWeb|Olivieri}}
| |
| *{{NoCo|Ave maris stella II}} {{LLink|Anon Ave.pdf|Anon Ave.mid|media=Anon Ave.nwc|type=NoteWorthy Composer}}
| |
| *{{NoCo|Ave maris stella III}} ([[Trent codices]], 1470's) {{LLink|Anonymous_Ave_maris_stella.pdf|Anonymous_Ave_maris_stella.mid|Anonymous_Ave_maris_stella-XML.zip|MusicXML}}
| |
| *{{NoCo|Ave maris stella IV}} ([[Trent codices]]) ( [{{filepath:Anonymous-Ave_maris_stella.pdf}} {{pdf}}] [{{filepath:Anonymous-Ave_maris_stella.mid}} {{mid}}] [{{filepath:Anonymous-Ave_maris_stella-XML.zip}} MusicXML] )
| |
| *{{NoCo|Ave maris stella V}} ( [{{filepath:Anonymous-Ave_maris_stella-V.pdf}} {{pdf}}] [{{filepath:Anonymous-Ave_maris_stella-V.mid}} {{mid}}] [{{filepath:Anonymous-Ave_maris_stella-V-XML.zip}} MusicXML] )
| |
| *{{NoCo|Ave maris stella VI}} ( [{{filepath:Anonimo-Ave_maris_VI.pdf}} {{pdf}}] [{{filepath:Anonimo-Ave_maris_VI.mid}} {{mid}}] [{{filepath:Anonimo-Ave_maris_VI-XML.zip}} MusicXML] )
| |
| *{{NoCo|Ave mundi spes/Gotes namen fahren wir a 8}} (Codex Tridentinus, c. 1480) ( [{{filepath:Cod.Trid._In_Gottes_Namen_a_8.pdf}} {{pdf}}] [{{filepath:Cod.Trid._In_Gottes_Namen_a_8.mid}} {{mid}}] [{{filepath:Cod.Trid._In_Gottes_Namen_a_8.mus}} Finale 2006] )
| |
| *{{NoCo|Ave preclara (tr91)}} ( [{{filepath:Anonymous-Ave_preclara-91.pdf}} {{pdf}}] [{{filepath:Anonymous-Ave_preclara-91-MID.zip}} {{mid}}] [{{filepath:Anonymous-Ave_preclara-91-XML.zip}} MusicXML] )
| |
| *{{NoCo|Ave preclara (tr93)}} ( [{{filepath:Anonymous-Ave_preclara.pdf}} {{pdf}}] [{{filepath:Anonymous-Ave_preclara.mid}} {{mid}}] [{{filepath:Anonymous-Ave_preclara-XML.zip}} MusicXML] )
| |
| *'''Ave Regina Caelorum''' | | *'''Ave Regina Caelorum''' |
| **{{NoCo|Ave Regina cælorum}} ([[Trent codices]]) ( [{{filepath:Anonymous-Ave_Regina_celorum.pdf}} {{pdf}}] [{{filepath:Anonymous-Ave_regina_celorum-MID.zip}} {{mid}}] [{{filepath:Anonymous-Ave_regina_celorum-XML.zip}} MusicXML] ) | | **{{NoCo|Ave Regina cælorum}} ([[Trent codices]]) |
| **{{NoCo|Ave Regina celorum}} ([[Trent codices]], 1470's) {{LLink|Ave_Regina_celorum.pdf}} [{{filepath:Ave_Regina_celorum-MIDI.zip}} {{mid}}] {{LLink|||Ave_Regina_celorum-XML.zip|MusicXML}} | | **{{NoCo|Ave Regina celorum}} ([[Trent codices]], 1470's) |
| **{{NoCo|Gloria-Ave Regina coelorum}} ([[Trent codices]]) | | **{{NoCo|Gloria-Ave Regina coelorum}} ([[Trent codices]]) |
| **{{NoCo|Ave Regina coelorum}} ([[Musica colonial archive]]) ( [{{filepath:Anonimo-Ave_Regina_coelorum.pdf}} {{pdf}}] [{{filepath:Anonimo-Ave_Regina_coelorum.mid}} {{mid}}] [{{filepath:Anonimo-Ave_Regina_coelorum.enc}} Encore] ) | | **{{NoCo|Ave Regina coelorum}} ([[Musica Colonial Archive]]) |
| *{{NoCo|Ave vivens hostia}} ( [{{filepath:Anonymous-Ave_vivens.pdf}} {{pdf}}] [{{filepath:Anonymous-Ave_vivens-MID.zip}} {{mid}}] [{{filepath:Anonymous-Ave_vivens-XML.zip}} MusicXML] ) | | *{{NoCo|Ave vivens hostia}} [[Trent codices|Trent 89]] |
| *{{NoCo|Ay de le noble vile de Pris}} ([[Cancionero de Palacio]], 15c) {{LnkWeb|SoloVoces}} | | *{{NoCo|Ay de le noble vile de Pris}} ([[Cancionero de Palacio]], 15c) |
| *{{NoCo|¡Ay de mi, sin ventura!}} ( [http://www.solovoces.com/download.php?view.472 {{pdf}}] ) | | *{{NoCo|Ay de mi}} qu'en tierr'agena ([[Cancionero de Uppsala]], 1556) |
| *{{NoCo|Ay luna que reluces!}} ([[Cancionero de Upsala]], 1556) {{editions|n}} | | *{{NoCo|¡Ay de mi, sin ventura!}} [[Cancionero de Belém]], c1560-1580 |
| *{{NoCo|Ay, Santa Maria}} ([[Cancionero de Palacio]], c. 1500) {{editions|3}} | | *{{NoCo|Ay luna que reluces!}} ([[Cancionero de Upsala]], 1556) |
| | *{{NoCo|Ay, Santa Maria}} [[Cancionero de Palacio]] c1460 |
|
| |
|
| ===B=== | | ===B=== |
| *{{NoCo|Beata viscera - Corsican chant}} {{LLink|Beata viscera.pdf}} | | *{{NoCo|Beata viscera - Corsican chant}} |
| *{{NoCo|Beatam me dicent}} ( [{{filepath:Anonymous-Beatam_me.pdf}} {{pdf}}] [{{filepath:Anonymous-Beatam_me.mid}} {{mid}}] [{{filepath:Anonymous-Beatam_me-XML.zip}} MusicXML] ) | | *{{NoCo|Beatam me dicent}} |
| *{{NoCo|Beati omnes qui timent Dominum}} ( [{{filepath:Anonymous-Beati_omnes.pdf}} {{pdf}}] [{{filepath:Anonymous-Beati_omnes.MID}} {{mid}}] [{{filepath:Anonymous-Beati_omnes.MUS}} Finale 2008] ) | | *{{NoCo|Beati omnes qui timent Dominum}} |
| *{{NoCo|Beatus Nicolaus}} ( [{{filepath:Beatus_Nicolaus.pdf}} {{pdf}}] [{{filepath:Beatus_Nicolaus.mid}} {{mid}}] [{{filepath:Beatus_Nicolaus.cap}} Capella] ) | | *{{NoCo|Beatus Nicolaus}} |
| *{{NoCo|Beatus vir}} (Puebla cathedral, mid 17c) ( [{{filepath:Beatus Vir.pdf}} {{pdf}}] [{{filepath:Beatus_Vir.mid}} {{mid}}] ) | | *{{NoCo|Beatus vir qui timet Dominum}} (Puebla cathedral, mid 17c) |
| *{{NoCo|Beatus vir qui timet}} ( [{{filepath:Beatus_vir_Anon.pdf}} {{pdf}}] [{{filepath:Beatus_vir_Anon.mid}} {{mid}}] [{{filepath:Beatus_vir_Anon.cap}} Capella] ) | | *{{NoCo|Beatus vir qui timet}} |
| *{{NoCo|Behold, and have regard}} ([[Scottish Psalter of 1635]]) | | *{{NoCo|Behold, and have regard}} ([[Scottish Psalter of 1635]]) |
| *{{NoCo|Behold the Great Creator}} (version of ''This endris night''){{LnkWeb|XmasSongbook}} {{Broken}} | | *{{NoCo|Behold the Great Creator}} (version of ''This endris night'') |
| *{{NoCo|Belial vocatur diffusa calliditas}} ([[Codex Las Huelgas]], c. 1300) | | *{{NoCo|Belial vocatur diffusa calliditas}} ([[Codex Las Huelgas]], c. 1300) |
| *{{NoCo|Bella de vos som amoros}} ([[Cancionero de Upsala]], 1556) ( [http://www.capella-de-la-torre.de/fileadmin/media/noten/Bella_de_vos.pdf {{extpdf}}] ) | | *{{NoCo|Bella de vos som amoros}} ([[Cancionero de Upsala]], 1556) |
| *{{NoCo|Benedicamus in laude}} ( [{{filepath:Anonymous-Benedicamus_in_laude.pdf}} {{pdf}}] [{{filepath:Anonymous-Benedicamus_in_laude.mid}} {{mid}}] [{{filepath:Anonymous-Benedicamus_in_laude-XML.zip}} MusicXML] ) | | *{{NoCo|Benedicamus in laude}} |
| *{{NoCo|Benedicta sit}} ( [{{filepath:Anonymous-Benedicta_sit.pdf}} {{pdf}}] [{{filepath:Anonymous-Benedicta_sit.mid}} {{mid}}] [{{filepath:Anonymous-Benedicta_sit-XML.zip}} MusicXML] ) | | *{{NoCo|Benedicta sit}} |
| *{{NoCo|Bērniņ Jēzu}} ( [{{filepath:BerninJezu.pdf}} {{pdf}}] [{{filepath:BerninJezu.mid}} {{mid}}] [{{filepath:BerninJezu3.sib}} Sibelius3] [{{filepath:BerninJezu5.sib}} Sibelius5] [{{filepath:BerninJezu.sib}} Sibelius6]) | | *{{NoCo|Be peace! ye make me spill my ale!}} |
| *{{NoCo|Bóg zawitał}} {{LLink|BOGzawital.pdf|BOGzawital.mid|BOGzawital3.sib|Sibelius 3|media=BOGzawital.sib|type=Sibelius 5}} | | *{{NoCo|Bērniņ Jēzu}} |
| *{{NoCo|Bonum Vinum}} ([[Glogauer Liederbuch]], 15c){{LLink|Anonymous-Glogauer Nr215-Bonum Vinum.pdf|Anonymous-Glogauer Nr215-Bonum Vinum.MID|media=Anonymous-Glogauer Nr215-Bonum Vinum.mus|type=Finale 2006}} | | *{{NoCo|Bethel}} – {{NoComp|Patterson's Church Music|Robert Patterson}}, 1813 |
| | *{{NoCo|Blest be the tie that binds}} |
| | *{{NoCo|Bóg zawitał}} |
| | *{{NoCo|Bonum vinum}} ([[Glogauer Liederbuch]], 15c) |
| | *{{NoCo|Bread of the world in mercy broken}} |
| *{{NoCo|Die Brinlein die fliessen}} | | *{{NoCo|Die Brinlein die fliessen}} |
| *{{NoCo|Bryd one brere}} (c.1300){{LLink|Bryd.pdf|Bryd one brere.mid|media=Byrd one brere.zip|type=ABC}} | | *{{NoComp|Bruce's Address|William Hauser}} – ''[[Southern Harmony]]'', 1835 |
| | *{{NoCo|Bryd one brere}} (c.1300) |
|
| |
|
| ===C=== | | ===C=== |
|
| |
|
| *{{NoCo|Caecilia}} ( [{{filepath:Anon-cae.pdf}} {{pdf}}] [{{filepath:Anon-cae.mid}} {{mid}}] ) | | *{{NoCo|Caecilia}} |
| *{{NoCo|Calabaça no se buen amor}} ([[Cancionero de Palacio]]){{LnkWeb|SoloVoces}} | | *{{NoCo|Calabaça no se buen amor}} ([[Cancionero de Palacio]]) |
| *{{NoCo|Calleis mi señora}} ([[Cancionero de Palacio]]){{LnkWeb|SoloVoces}} | | *{{NoCo|Calleis mi señora}} ([[Cancionero de Palacio]]) |
| *{{NoCo|Cantate Domino}} ( [{{filepath:Cantate Domino (ps97)-Anonymus.pdf}} {{pdf}}] [{{filepath:Cantate Domino (ps97)-Anonymus.MID}} {{mid}}] [{{filepath:Cantate Domino (ps97)-Anonymus.MUS}} Finale 2008] ) | | *{{NoCo|Cancer cancrisat}} (Prague, 1589) |
| *{{NoCo|Cantique du matin (Frères moraves)}} ( [{{filepath:Anonimo-Cantique_du_matin_(Freres_moraves).pdf}} {{pdf}}] [{{filepath:Anonimo-Cantique_du_matin_(Freres_moraves).mid}} {{mid}}] [{{filepath:Anonimo-Cantique_du_matin_(Freres_moraves).enc}} Encore] ) | | *{{NoCo|Cantate Domino}} |
| *{{NoCo|Cantique du soir (Frères moraves)}} ( [{{filepath:Anonimo-Cantique_du_soir_(Freres_moraves).pdf}} {{pdf}}] [{{filepath:Anonimo-Cantique_du_soir_(Freres_moraves).mid}} {{mid}}] [{{filepath:Anonimo-Cantique_du_soir_(Freres_moraves).enc}} Encore] ) | | *{{NoCo|Cantique du matin (Frères moraves)}} |
| *{{NoCo|Care Jesu}} ( [{{filepath:Anonimo-Care_Jesu.pdf}} {{pdf}}] [{{filepath:Anonimo-Care_Jesu.mid}} {{mid}}] [{{filepath:Anonimo-Care_Jesu.enc}} Encore] ) | | *{{NoCo|Cantique du soir (Frères moraves)}} |
| *{{NoCo|Care, thou canker of our joys}} (''Kentish Harmony'', 1821){{LLink|Drinking.pdf|Anon-Care_thou_canker.mid}} | | *{{NoCo|Care Jesu}} |
| *{{NoCo|Cargado de tantos males}} ( [http://www.solovoces.com/download.php?view.402 {{net}}] ) | | *{{NoCo|Care, thou canker of our joys}} (''Kentish Harmony'', 1821) |
| *{{NoCo|Carmen I - Instrumental}} (Annaberg choirbooks, c. 1500)( [http://www.capella-de-la-torre.de/fileadmin/media/noten/mater_matris/Annaberg_Carmen_I.pdf {{extpdf}}] ) | | *{{NoCo|Cargado de tantos males}} |
| *{{NoCo|Cathedra Petri - Proprium}} ( [{{filepath:Anonymous-Cathedra_Petri.pdf}} {{pdf}}] [{{filepath:Anonymous-Cathedra_Petri.mid}} {{mid}}] [{{filepath:Anonymous-Cathedra_Petri-XML.zip}} MusicXML] ) | | *{{NoCo|Carmen I - Instrumental}} |
| *{{NoCo|Cavallero si a Francia ides}} ([[Cancionero de Medinaceli]], 16c){{LLink|CavalleroSiAFrancia.pdf|CavalleroSiAFrancia.mid|media=CavalleroSiAFrancia.MUS|type=Finale 2004}} | | *{{NoCo|Cathedra Petri - Proprium}} |
| *{{NoCo|Celestiales moradores}}{{LnkWeb|Cantoral}} | | *{{NoCo|Cavallero si a Francia ides}} ([[Cancionero de Medinaceli]], 16c) |
| *{{NoCo|Cent mille regretz}} ( [{{filepath:Anonymous-Cent_mille.pdf}} {{pdf}}] [{{filepath:Anonymous-Cent_mille.mid}} {{mid}}] [{{filepath:Anonymous-Cent_mille-XML.zip}} MusicXML] ) | | *{{NoCo|Celestiales moradores}} |
| *{{NoCo|Cercaranme los pesares}} ( [http://www.solovoces.com/download.php?view.459 {{net}}] ) | | *{{NoCo|Cent mille regretz}} |
| *{{NoCo|Chançonette, va t'en tost}} (13c) {{LLinkW|anon-cha.pdf|anon-cha.mid|anon-cha.mus|Finale 2003}} | | *{{NoCo|Cercaranme los pesares}} |
| *{{NoCo|Chanson d'Amiens}} ( [{{filepath:Chanson_d'Amiens.pdf}} {{pdf}}] [{{filepath:Chanson_d'Amiens.ly}} {{ly}}] ) | | *{{NoCo|Chançonette, va t'en tost}} (13c) |
| *{{NoCo|A child is born in Bethlehem|Child is born in Bethlehem, A}} {{editions|2}} | | *{{NoCo|Chanson d'Amiens}} |
| *{{NoCo|Childing of a Maiden Bright}} (Cowley Carol Book, 1902){{LnkWeb|XmasSongbook}} | | *{{NoCo|La chasse du lièvre}} (''Le Dixième Livre'' [de Chansons à 4], [[Tielman Susato]] 1545) |
| *{{NoCo|Chi vuol seguir la guerra (lauda) a3}} ( [{{filepath:Lauda,_Chi_vuol_seguir_la_guerra_a3.pdf}} {{pdf}}] [{{filepath:Lauda,_Chi_vuol_seguir_la_guerra_a3.mid}} {{mid}}] ) | | *{{NoCo|A child is born in Bethlehem|Child is born in Bethlehem, A}} |
| *{{NoCo|Chloe yielded}} (catch, TTT) ( [http://www.notamos.co.uk/145389.shtml {{net}}] ) | | *{{NoCo|Childing of a Maiden Bright}} (Cowley Carol Book, 1902) |
| *{{NoCo|Christ ist erstanden}} ([[Trent codices]]) {{LLink|Anonymous-Christ_ist_erstanden.pdf|Anonymous-Christ_ist_erstanden.mid|Anonymous-Christ_ist_erstanden-XML.zip|MusicXML}} | | *{{NoCo|Chi vuol seguir la guerra (lauda) a3}} |
| *{{NoCo|Christ ist erstanden (tr90) I}} ( [{{filepath:Anonymous-Christ_ist_erstanden_(tr90)_I.pdf}} {{pdf}}] [{{filepath:Anonymous-Christ_ist_erstanden_(tr90)_I.mid}} {{mid}}] [{{filepath:Anonymous-Christ_ist_erstanden_(tr90)_I-XML.zip}} MusicXML] ) | | *{{NoCo|Chloe yielded}} (catch, TTT) |
| *{{NoCo|Christ ist erstanden (tr90) II}} ( [{{filepath:Anonymous-Christ_ist_erstanden_(tr90)_II.pdf}} {{pdf}}] [{{filepath:Anonymous-Christ_ist_erstanden_(tr90)_II-MID.zip}} {{mid}}] [{{filepath:Anonymous-Christ_ist_erstanden_(tr90)_II-XML.zip}} MusicXML] ) | | *{{NoCo|Christ ist erstanden}} ([[Trent codices]]) |
| | *{{NoCo|Christ ist erstanden (tr90) I}} |
| | *{{NoCo|Christ ist erstanden (tr90) II}} |
| *{{NoCo|Christ ist erstanden - Christus surrexit}} | | *{{NoCo|Christ ist erstanden - Christus surrexit}} |
| *{{NoCo|Christe redemptor omnium I}} ( [{{filepath:Anonymous-Christe_redemptor_I.pdf}} {{pdf}}] [{{filepath:Anonymous-Christe_redemptor_I.mid}} {{mid}}] [{{filepath:Anonymous-Christe_redemptor_I-XML.zip}} MusicXML] ) | | *{{NoCo|Christ the Lord is risen again}} |
| *{{NoCo|Christe redemptor omnium II}} ( [{{filepath:Anonymous-Christe_redemptor_II.pdf}} {{pdf}}] [{{filepath:Anonymous-Christe_redemptor_II.mid}} {{mid}}] [{{filepath:Anonymous-Christe_redemptor_II-XML.zip}} MusicXML] ) | | *{{NoCo|Christe redemptor omnium I}} |
| *{{NoCo|Christe redemptor omnium III}} ( [{{filepath:Anonymous-Christe_redemptor_III.pdf}} {{pdf}}] [{{filepath:Anonymous-Christe_redemptor_III.mid}} {{mid}}] [{{filepath:Anonymous-Christe_redemptor_III-XML.zip}} MusicXML] ) | | *{{NoCo|Christe redemptor omnium II}} |
| *{{NoCo|Christe redemptor omnium IV}} ( [{{filepath:Anonymous-Christe_redemptor_IV.pdf}} {{pdf}}] [{{filepath:Anonymous-Christe_redemptor_IV.mid}} {{mid}}] [{{filepath:Anonymous-Christe_redemptor_IV-XML.zip}} MusicXML] ) | | *{{NoCo|Christe redemptor omnium III}} |
| *{{NoCo|Christus factus est}} {{editions|n}} | | *{{NoCo|Christe redemptor omnium IV}} |
| *{{NoCo|Christus natus est nobis}} (1569) {{editions|2}} | | *{{NoCo|Christian Warfare}} – ''The Christian Lyre'', 1830 |
| *{{NoCo|Christus natus est nobis II}} ( [{{filepath:Mca-chr.pdf}} {{pdf}}] [{{filepath:Mca-chr.mid}} {{mid}}] [{{filepath:Mca-chr.sib}} Sibelius 5] ) (from the Música Colonial archive) | | *{{NoCo|Christus factus est}} |
| *{{NoCo|Christus vincit}} {{Link|www.catholic.lv/majori/scores/CHRISTUSvincit.pdf {{extpdf}}|www.catholic.lv/majori/scores/CHRISTUSvincit.mid {{extmid}}|www.catholic.lv/majori/scores/CHRISTUSvincit.mus Finale 2004}} | | *''[[Christus ist erstanden, hat überwunden, BWV 284 (Johann Sebastian Bach)|Christus ist erstanden, hat überwunden]]'' |
| *{{NoCo|Christus surrexit}} ([[Trent codices]]) ( [{{filepath:Anonymous-Christus_surrexit.pdf}} {{pdf}}] [{{filepath:Anonymous-Christus_surrexit.mid}} {{mid}}] [{{filepath:Anonymous-Christus_surrexit-XML.zip}} MusicXML] ) | | *{{NoCo|Christus natus est nobis}} (1569) |
| *{{NoCo|Christus surrexit mala nostra texit}} [[Trent codices]] ( [{{filepath:Anonymous-Christus_surrexit_mala.pdf}} {{pdf}}] [{{filepath:Anonymous-Christus_surrexit_mala.mid}} {{mid}}] [{{filepath:Anonymous-Christus_surrexit_mala-XML.zip}} MusicXML] ) | | *{{NoCo|Christus natus est nobis II}} (from the Música Colonial archive) |
| *{{NoCo|Ciaccona di paradiso, e d'inferno}} ( [{{filepath:Anon_Ciaccona_Paradiso_a_3.pdf}} {{pdf}}] [{{filepath:Anon_Ciaccona_Paradiso_a_3_2006.mid}} {{mid}}] ) | | *{{NoCo|Christus vincit}} |
| *{{NoCo|Clama, ne cesses Syon filia - Alleluya}} ([[Codex Las Huelgas]], c.1300){{Link|www.tobis-notenarchiv.de/noten/motette/index.htm {{net}}}} | | *{{NoCo|Christus surrexit}} ([[Trent codices]]) |
| *{{NoCo|Collaudantes venerantes}} ( [{{filepath:Collaudamus_venerantes_Anonymous.pdf}} {{pdf}}] [{{filepath:Collaudamus_venerantes_Anonymous.mid}} {{mid}}] [{{filepath:Collaudamus_venerantes_Anonymous.capx}} Capella] ) | | *{{NoCo|Christus surrexit mala nostra texit}} |
| *{{NoCo|Come, O Thou King of Kings}} {{Link|www.musicbyandrew.ca/data/comethouking.pdf {{extpdf}}|www.musicbyandrew.ca/data/comethouking.mid {{extmid}}}} | | *{{NoCo|Ciaccona di paradiso, e d'inferno}} |
| *{{NoCo|Como puedo yo bivir}} ([[Cancionero de Upsala]], 1556){{LLinkW|anon-co1.pdf|anon-co1.mid|anon-co1.ly|LilyPond}} | | *{{NoCo|Cibavit eos}} |
| *{{NoCo|Cómo retumban los remos}} (Cancionero de Turin) {{LLinkW|anon-com.pdf|anon-com.mid|anon-com.zip|Encore}} | | *{{NoCo|Clama, ne cesses Syon filia - Alleluya}} ([[Codex Las Huelgas]], c.1300) |
| *{{NoCo|Compline}} ( [{{website|Mather}}/cd/index.shtml?149.txt {{net}}] ) | | *{{NoCo|Collaudantes venerantes}} |
| *{{NoCo|¿Con qué la lavaré?}} ([[Cancionero de Upsala]], 1556) {{editions|4}} | | *{{NoCo|Come, Holy Ghost, our hearts inspire}} |
| *{{NoCo|Concentu parili}} ( [{{filepath:Anonymous-Concentu.pdf}} {{pdf}}] [{{filepath:Anonymous-Concentu-MID.zip}} {{mid}}] [{{filepath:Anonymous-Concentu-XML.zip}} MusicXML] ) | | *{{NoCo|Come, O Thou King of Kings}} |
| *{{NoCo|In Conceptione BMV - Sequentia}} ( [{{filepath:Anonymous-Immacolata-Sequentia.pdf}} {{pdf}}] [{{filepath:Anonymous-Immacolata-Sequentia.mid}} {{mid}}] [{{filepath:Anonymous-Immacolata-Sequentia-XML.zip}} MusicXML] ) | | *{{NoCo|Como puedo yo bivir}} ([[Cancionero de Upsala]], 1556) |
| *{{NoCo|Conditor alme siderum (Hymnus)}} (Bodleian Library, MS Laud lat. 95 (Oxford), c.1400) {{LLinkW|anon-con.pdf|anon-con.mid|anon-con.mus|Finale 2000}} | | *{{NoCo|Cómo retumban los remos}} (Cancionero de Turin) |
| *{{NoCo|Conductus sine cauda}} (=''orientes partibus, 13c) ( [{{filepath:Anonymous_-_Conductus_sine_cauda.pdf}} {{pdf}}] [{{filepath:Anonymous_-_Conductus_sine_cauda.MID}} {{mid}}] [{{filepath:Anonymous_-_Conductus_sine_cauda.MUS}} Finale 2008] ) | | *{{NoCo|Compline}} |
| *{{NoCo|Confitebor tibi Domine}} ( [{{filepath:Confitebor_tibi_Domine_Anon.pdf}} {{pdf}}] [{{filepath:Confitebor_tibi_Domine_Anon.mid}} {{mid}}] [{{filepath:Confitebor_tibi_Domine_Anon.cap}} Capella] ) | | *{{NoCo|¿Con qué la lavaré?}} ([[Cancionero de Upsala]], 1556) |
| *{{NoCo|Confundantur superbi}} (Medici Codex, 1518) {{LLink|Anonym-Confundantur superbi.pdf|Anonym-Confundantur superbi.mid}} | | *{{NoCo|Concentu parili}} |
| *{{NoCo|Congaudeant catholici}}{{LnkWeb|Maucamedus}} | | *{{NoCo|In Conceptione BMV - Sequentia}} |
| *{{NoCo|Congaudemus Pariter - En Lux Immensa|Congaudemus Pariter}} (from the ''[[Codex Specialnik]]''){{LLink|FINAL 5 congaudemus pariter.pdf|Come_Together_congaudemus_pariter_ENGLISH.mid|media=FINAL 5 congaudemus.ly|type=LilyPond}} | | *{{NoCo|Conditor alme siderum (Hymnus)}} (Bodleian Library, MS Laud lat. 95 (Oxford), c.1400) |
| | *{{NoCo|Conductus sine cauda}} (=''orientes partibus, 13c) |
| | *{{NoCo|Confitebor tibi Domine}} |
| | *{{NoCo|Confundantur superbi}} (Medici Codex, 1518) |
| | *{{NoCo|Congaudeant catholici}} |
| | *{{NoCo|Congaudemus pariter - En lux immensa|Congaudemus pariter}} (from the ''[[Codex Specialnik]]'') |
| *'''''Congaudent angelorum chori''''' ({{CiteCat|Sequence hymns|Sequence}} for the {{CiteCat|Assumption}}) | | *'''''Congaudent angelorum chori''''' ({{CiteCat|Sequence hymns|Sequence}} for the {{CiteCat|Assumption}}) |
| **{{NoCo|Congaudent angelorum I}} ([[Trent codices|Trent 89]], 1460's) ( [{{filepath:Anonymous-Congaudent_I.pdf}} {{pdf}}] [{{filepath:Anonymous-Congaudent_I.mid}} {{mid}}] [{{filepath:Anonymous-Congaudent_I-XML.zip}} MusicXML] ) | | **{{NoCo|Congaudent angelorum I}} ([[Trent codices|Trent 89]], 1460's) |
| **{{NoCo|Congaudent angelorum II}} ([[Trent codices|Trent 93]], 1450's) ( [{{filepath:Anonymous-Congaudent_II.pdf}} {{pdf}}] [{{filepath:Anonymous-Congaudent_II.mid}} {{mid}}] [{{filepath:Anonymous-Congaudent_II-XML.zip}} MusicXML] ) | | **{{NoCo|Congaudent angelorum II}} ([[Trent codices|Trent 93]], 1450's) |
| **{{NoCo|Congaudent angelorum III}} ([[Trent codices|Trent 93]], 1450's) ( [{{filepath:Anonymous-Congaudent_III.pdf}} {{pdf}}] [{{filepath:Anonymous-Congaudent_III.mid}} {{mid}}] [{{filepath:Anonymous-Congaudent_III-XML.zip}} MusicXML] ) | | **{{NoCo|Congaudent angelorum III}} ([[Trent codices|Trent 93]], 1450's) |
| *{{NoCo|Congié je prens}} ([[Susato]] book 6, 1545) ([{{filepath:Anonymous-Congie_je_prens.pdf}} {{pdf}}] [{{filepath:Anonymous-Congie_je_prens.MID}} {{mid}}] [{{filepath:Anonymous-Congie_je_prens.MUS}} <nowiki>Finale [version unknown]</nowiki>] ) | | *{{NoCo|Congié je prens}} ([[Susato]] book 6, 1545) |
| *{{NoCo|Consolamini}} ([[Trent codices|Trent 91]], c. 1472-7) {{{{LLink|Consolamini.pdf|Consolamini.mid|Consolamini-XML.zip|MusicXML}} | | *{{NoCo|Consolamini}} ([[Trent codices|Trent 91]], c. 1472-7) |
| *{{NoCo|Contre raison trop m'as voulu}} ( [{{filepath:Contre_raison_trop_m'as_voulu-Aninymus.pdf}} {{pdf}}] [{{filepath:Contre_raison_trop_m'as_voulu-Aninymus.MID}} {{mid}}] [{{filepath:Contre_raison_trop_m'as_voulu-Aninymus.MUS}} Finale 2008] ) | | *{{NoCo|Consolation}} – ''[[Wyeth's Repository, Part Second]]'', 1813 |
| *{{NoCo|Conversionis Pauli - Proprium}} ( [{{filepath:Anonymous-Conversione_di_Paolo-Proprium.pdf}} {{pdf}}] [{{filepath:Anonymous-Conversione_di_Paolo-Proprium.zip}} {{mid}}] [{{filepath:Anonymous-Conversione_di_Paolo-Proprium-XML.zip}} MusicXML] ) | | *{{NoCo|Contre raison trop m'as voulu}} |
| *{{NoCo|Corderito ven}} ( [{{filepath:Ano-corder.pdf}} {{pdf}}] [{{filepath:Ano-corder.mid}} {{mid}}] )(from the Música Colonial archive) | | *{{NoCo|Conversionis Pauli - Proprium}} |
| *{{NoCo|Corten espadas afiladas}}([[Cancionero de Medinaceli]], 16c){{LLinkW|anon-cor.pdf|Anon-cor.mid}} | | *{{NoCo|Corderito ven}} |
| *{{NoCo|Creció tanto mi cuidado}}([[Cancionero de Palacio]]){{LnkWeb|SoloVoces}} | | *{{NoCo|Cor mio che fai, che pensi?}} |
| *{{NoCo|Credo (tr88)}} ( [{{filepath:Anonymous-Credo_(tr88).pdf}} {{pdf}}] [{{filepath:Anonymous-Credo_(tr88)-MID.zip}} {{mid}}] [{{filepath:Anonymous-Credo_(tr88)-XML.zip}} MusicXML] ) | | *{{NoCo|Corten espadas afiladas}}([[Cancionero de Medinaceli]], 16c) |
| *{{NoCo|Credo in te}} (17c English?){{LnkWeb|Olivieri}}
| | *{{NoCo|Creator alme siderum}} unknown provenance, elementary organ accompaniment |
| *{{NoCo|Cruda mi Tiraniella}} (''VIIe livre P.Matthys,1644) {{{{LLink|Anon-cruda.pdf|Anon-cruda.MID|Anon-cruda.MUS|Finale 2008}} | | *{{NoCo|Creció tanto mi cuidado}}([[Cancionero de Palacio]]) |
| *{{NoCo|Cruyceloos ghy doet my pijn}} ( [{{filepath:Anonymous-Cruyceloos_ghy_doet_my_pijn.pdf}} {{pdf}}] [{{filepath:Anonymous-Cruyceloos_ghy_doet_my_pijn.MID}} {{mid}}] [{{filepath:Anonymous-Cruyceloos_ghy_doet_my_pijn.MUS}} Finale 2008] ) | | *{{NoCo|Credo (tr88)}} |
| *{{NoCo|Cuydados meus tão cuidados}} ( [http://www.solovoces.com/download.php?view.463 {{pdf}}] ) | | *{{NoCo|Credo in te}} (17c English?) |
| | *{{NoCo|Credo in unum DeumPL}} ( [[Media:Anonymous-Credo_in_unum_DeumPL.pdf|{{pdf}}]] ) |
| | *{{NoCo|Cruda mi Tiraniella}} (''VIIe livre P. Matthys,1644) |
| | *''[[Crux fidelis (John IV of Portugal)|Crux fidelis]]'' ("John IV of Portugal", misattrib.) |
| | *{{NoCo|Cruyceloos ghy doet my pijn}} |
| | *{{NoCo|Cuydados meus tão cuidados}} |
