Ave Maria (Camille Saint-Saëns): Difference between revisions
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*''[[Ave Maria a 2 (Camille Saint-Saëns)|Ave Maria in A major]]'' (c.1860) for 2 altos and organ | *''[[Ave Maria a 2 (Camille Saint-Saëns)|Ave Maria in A major]]'' (c.1860) for 2 altos and organ | ||
*''[[Ave Maria in A major (1865) (Camille Saint-Saëns)|Ave Maria in A major]]'' (1865) for soprano or tenor and organ | *''[[Ave Maria in A major (1865) (Camille Saint-Saëns)|Ave Maria in A major]]'' (1865) for soprano or tenor and organ | ||
*''[[Ave Maria, Op. 145 (Camille Saint-Saëns)|Ave Maria in F major, Op. 145]]'' (1914) for mixed chorus | *''[[Ave Maria, Op. 145 (Camille Saint-Saëns)|Ave Maria in F major, Op. 145]]'' (1914) for mixed chorus and organ | ||
{{disambig}} | {{disambig}} | ||
Revision as of 04:03, 17 February 2020
Camille Saint-Saëns composed many different settings of this text:
- Ave Maria in E major (c.1859) for baritone and organ
- Ave Maria in B♭ major (c.1859) for soprano and organ
- Ave Maria in A major (c.1860) for 2 altos and organ
- Ave Maria in A major (1865) for soprano or tenor and organ
- Ave Maria in F major, Op. 145 (1914) for mixed chorus and organ
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