Cancionero de Palacio: Difference between revisions
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!width="18" align="left"|Barb. | !width="18" align="left"|Barb. | ||
!width="200" align="left"|Title | !width="200" align="left"|Title | ||
!width=" | !width="8" align="left"|Parts | ||
!width="150" align="left"|Composer | !width="150" align="left"|Composer | ||
!width=" | !width="250" align="left"|Comments | ||
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|299 || ''[[¿A quién debo yo llamar? (Juan del Encina)|¿A quién debo yo llamar?]]'' || 3 || [[Juan del Encina]] || | |299 || ''[[¿A quién debo yo llamar? (Juan del Encina)|¿A quién debo yo llamar?]]'' || 3 || [[Juan del Encina]] || | ||
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| 79 || ''[[Amor con fortuna (Juan del Encina)|Amor con fortuna]]'' || 4 || [[Juan del Encina]] || | | 79 || ''[[Amor con fortuna (Juan del Encina)|Amor con fortuna]]'' || 4 || [[Juan del Encina]] || | ||
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|426 || ''[[Aquella buena mujer (Anonymous)|Aquella buena mujer]]'' || 3 || [[Anonymous]] || [[Juan de Triana]]? | |426 || ''[[Aquella buena mujer (Anonymous)|Aquella buena mujer]]'' || 3 || [[Anonymous]] || ([[Juan de Triana]]?) | ||
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|429 || ''[[Ay de le noble vile de Pris (Anonymous)|Ay de le noble vile de Pris]]'' || 4 || [[Anonymous]] || | |429 || ''[[Ay de le noble vile de Pris (Anonymous)|Ay de le noble vile de Pris]]'' || 4 || [[Anonymous]] || | ||
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|175 || ''[[Ay, que non hay (Juan del Encina)|Ay, que non hay]]'' || 4 || [[Anonymous]] || [[Juan del Encina]]? | |175 || ''[[Ay, que non hay (Juan del Encina)|Ay, que non hay]]'' || 4 || [[Anonymous]] || ([[Juan del Encina]]?) | ||
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|304 || ''[[Ay, Santa Maria (Anonymous)|Ay, Santa Maria]]'' || 3 || [[Anonymous]] || | |304 || ''[[Ay, Santa Maria (Anonymous)|Ay, Santa Maria]]'' || 3 || [[Anonymous]] || | ||
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|422 || ''[[Callen todas las galanas (Pedro de Lagarto)|Callen todas las galanas]]'' || 3 || [[Pedro de Lagarto]] || | |422 || ''[[Callen todas las galanas (Pedro de Lagarto)|Callen todas las galanas]]'' || 3 || [[Pedro de Lagarto]] || | ||
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|215 || ''[[Con amores, la mi madre (Juan de Anchieta)|Con amores, la mi madre]]'' || 4 || [[Juan de Anchieta]] || | |||
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|152 || ''[[Congoxa más que cruel (Juan del Encina)|Congoxa más que cruel]]'' || 3 || [[Juan del Encina]] || | |152 || ''[[Congoxa más que cruel (Juan del Encina)|Congoxa más que cruel]]'' || 3 || [[Juan del Encina]] || | ||
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|412 || ''[[Dale si le das (Anonymous)|Dale si le das]]'' || 3 || [[Anonymous]] || | |412 || ''[[Dale si le das (Anonymous)|Dale si le das]]'' || 3 || [[Anonymous]] || | ||
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|435 || ''[[D'aquel fraire fraco (Pedro de Lagarto)|D'aquel fraire fraco]]'' || 4 || [[Pedro de Lagarto]] || | |||
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|147 || ''[[De la dulce mi enemiga (Gabriel Mena)|De la dulce mi enemiga]]'' || 4 || [[Gabriel Mena]] || | |147 || ''[[De la dulce mi enemiga (Gabriel Mena)|De la dulce mi enemiga]]'' || 4 || [[Gabriel Mena]] || | ||
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|155 || ''[[De os servir toda mi vida (Anonymous)|De os servir toda mi vida]]'' || 3 || [[Anonymous]] || | |||
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|197 || ''[[Decidme, pues sospirastes (Juan del Encina)|Decidme, pues sospirastes]]'' || 3 || [[Juan del Encina]] || | |||
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|172 || ''[[Descansa, triste pastor (Jacobus de Milarte)|Descansa, triste pastor]]'' || 3 || [[Jacobus de Milarte]] || | |172 || ''[[Descansa, triste pastor (Jacobus de Milarte)|Descansa, triste pastor]]'' || 3 || [[Jacobus de Milarte]] || | ||
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|357 || ''[[Hoy comamos y bebamos (Juan del Encina)|Hoy comamos y bebamos]]'' || 4 || [[Juan del Encina]] || Text: [[Juan del Encina]] | |357 || ''[[Hoy comamos y bebamos (Juan del Encina)|Hoy comamos y bebamos]]'' || 4 || [[Juan del Encina]] || Text: [[Juan del Encina]] | ||
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|261 || ''[[Io mi voglio lamentare (Anonymous)|Io mi voglio lamentare]]'' || 4 || [[Anonymous]] || [[Giovanni Brocco]]? | |261 || ''[[Io mi voglio lamentare (Anonymous)|Io mi voglio lamentare]]'' || 4 || [[Anonymous]] || ([[Giovanni Brocco]]?) | ||
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| 73 || ''[[L'amor, donna, ch'io te porto (Anonymous)|L'amor, donna, ch'io te porto]]'' || 4 || [[Anonymous]] || [[Giacomo Fogliano]]? | | 73 || ''[[L'amor, donna, ch'io te porto (Anonymous)|L'amor, donna, ch'io te porto]]'' || 4 || [[Anonymous]] || ([[Giacomo Fogliano]]?) | ||
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| 38 || ''[[La que tengo no es prision (Francisco de la Torre)|La que tengo no es prision]]'' || 3 || [[Francisco de la Torre]] || | | 38 || ''[[La que tengo no es prision (Francisco de la Torre)|La que tengo no es prision]]'' || 3 || [[Francisco de la Torre]] || | ||
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|430 || ''[[La Tricotea (Anonymous)|La Tricotea]]'' || 3 || [[Anonymous]] || [[Alonso]]? | |430 || ''[[La Tricotea (Anonymous)|La Tricotea]]'' || 3 || [[Anonymous]] || ([[Alonso]]?) | ||
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|153 || ''[[La vida y la gloria (Anonymous)|La vida y la gloria]]'' || 3 || [[Anonymous]] || | |153 || ''[[La vida y la gloria (Anonymous)|La vida y la gloria]]'' || 3 || [[Anonymous]] || | ||
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|437 || ''[[Meu naranjedo (Anonymous)|Meu naranjedo non te fruta]]'' || 4 || [[Anonymous]] || | |437 || ''[[Meu naranjedo (Anonymous)|Meu naranjedo non te fruta]]'' || 4 || [[Anonymous]] || | ||
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| 41 || ''[[Mi mal por bien es tenido (Badajoz)|Mi mal por bien es tenido]]'' || 4 || [[Badajoz]] || | | 41 || ''[[Mi mal por bien es tenido (Badajoz)|Mi mal por bien es tenido]]'' || 4 || [[Badajoz]] || ([[Garci Sánchez de Badajoz]]?) | ||
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|440 || ''[[Ñar ñarete (Anonymous)|Ñar ñarete]]'' || 3 || [[Anonymous]] || | |440 || ''[[Ñar ñarete (Anonymous)|Ñar ñarete]]'' || 3 || [[Anonymous]] || | ||
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| 65 || ''[[Si amor pone las escalas (Juan del Encina)|Si amor pone las escalas]]'' || 4 || [[Juan del Encina]] || | | 65 || ''[[Si amor pone las escalas (Juan del Encina)|Si amor pone las escalas]]'' || 4 || [[Juan del Encina]] || | ||
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|404 || ''[[Sol sol gi gi A B C (Anonymous)|Sol sol gi gi A B C]]'' || 3 || [[Anonymous]] || [[Alonso]]? | |404 || ''[[Sol sol gi gi A B C (Anonymous)|Sol sol gi gi A B C]]'' || 3 || [[Anonymous]] || ([[Alonso]]?) | ||
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|104 || ''[[Todo mi bien he perdido (Juan Ponce)|Todo mi bien he perdido]]'' || 4 || [[Juan Ponce]] || | |104 || ''[[Todo mi bien he perdido (Juan Ponce)|Todo mi bien he perdido]]'' || 4 || [[Juan Ponce]] || |
Revision as of 01:33, 12 February 2009
The Cancionero de Palacio (Madrid, Biblioteca Real, MS II - 1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1460s until the beginning of the 16th century, approximately coinciding with the reign of the Catholic Kings.
View the Wikipedia article on Cancionero de Palacio.