Category:Voicing: Difference between revisions

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Polychoral works are in subcategories of the aggregate voicing, with choirs separated by periods. Regardless of which choir is actually "first" (as in dialogues), smaller choirs come first, then high to low: i.e. SAT.SSATB not SSATB.SAT and SSAT.SATB instead of SATB.SSAT.
Polychoral works are in subcategories of the aggregate voicing, with choirs separated by periods. Regardless of which choir is actually "first" (as in dialogues), smaller choirs come first, then high to low: i.e. SAT.SSATB not SSATB.SAT and SSAT.SATB instead of SATB.SSAT.


Click on any subcategory below below to see a list of voicings of scores available on CPDL with that number of voices (or choirs)
Click on any subcategory below to see a list of voicings of scores available on CPDL with that number of voices (or choirs)


[[Category:Sheet music| Voicing]]
[[Category:Sheet music| Voicing]]

Revision as of 05:34, 27 September 2018

This is a list of different choral voicings.

The ordering within subcategories of this category is mainly by increasing numbers of voices, and then from high voicings to low voicings:

  • S = Sopranos (highest)
  • A = Altos
  • T = Tenors
  • B = Basses (lowest)

Polychoral works are in subcategories of the aggregate voicing, with choirs separated by periods. Regardless of which choir is actually "first" (as in dialogues), smaller choirs come first, then high to low: i.e. SAT.SSATB not SSATB.SAT and SSAT.SATB instead of SATB.SSAT.

Click on any subcategory below to see a list of voicings of scores available on CPDL with that number of voices (or choirs)