Gemmae musicalis Liber Tertius: Difference between revisions
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!style="border-bottom: 1px solid"|Remarks | !style="border-bottom: 1px solid"|Remarks | ||
|- | |- | ||
<!-- # | <!-- # -->|1 | ||
<!-- Title -->|{{NoComp|Cara Germania|Giaches de Wert}} | <!-- Title -->|{{NoComp|Cara Germania|Giaches de Wert}} | ||
|[[Giaches de Wert]] | |[[Giaches de Wert]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
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<!-- Title -->|[[Ch'io scriva di costei (Giaches de Wert)|''Che io scriva di costei'']] | <!-- Title -->|[[Ch'io scriva di costei (Giaches de Wert)|''Che io scriva di costei'']] | ||
|[[Giaches de Wert]] | |[[Giaches de Wert]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
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<!-- Title -->|{{NoComp|O misero mio core|Giulio Eremita}} | <!-- Title -->|{{NoComp|O misero mio core|Giulio Eremita}} | ||
|[[Giulio Eremita]] | |[[Giulio Eremita]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|4 | ||
<!-- Title -->|{{NoComp|Dite signori miei|Philippe Duc}} | <!-- Title -->|{{NoComp|Dite signori miei|Philippe Duc}} | ||
|[[Philippe Duc]] | |[[Philippe Duc]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|5 | ||
<!-- Title -->|{{NoComp|Sacre muse beate|Philippe Duc}} | <!-- Title -->|{{NoComp|Sacre muse beate|Philippe Duc}} | ||
|[[Philippe Duc]] | |[[Philippe Duc]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
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<!-- Title -->|{{NoComp|Che nuovo e vago sol|Giaches de Wert}} | <!-- Title -->|{{NoComp|Che nuovo e vago sol|Giaches de Wert}} | ||
|[[Giaches de Wert]] | |[[Giaches de Wert]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
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<!-- Title -->|{{NoComp|Alma se stata fossi|Bartolomeo Spontone}} | <!-- Title -->|{{NoComp|Alma se stata fossi|Bartolomeo Spontone}} | ||
|[[Bartolomeo Spontone]] | |[[Bartolomeo Spontone]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
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<!-- Title -->|{{NoComp|Gitene Canzonette|Orazio Vecchi}} | <!-- Title -->|{{NoComp|Gitene Canzonette|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
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<!-- Title -->|{{NoComp|Saltavan ninfe, satiri e pastori|Orazio Vecchi}} | <!-- Title -->|{{NoComp|Saltavan ninfe, satiri e pastori|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
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<!-- Title -->|{{NoComp|Deh lascia Filli i fiori|Orazio Vecchi}} | <!-- Title -->|{{NoComp|Deh lascia Filli i fiori|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
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<!-- Title -->|[[Dicea Dameta (Orazio Vecchi)|''Dicea damet' à Cloride'']] | <!-- Title -->|[[Dicea Dameta (Orazio Vecchi)|''Dicea damet' à Cloride'']] | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
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<!-- Remarks -->|with an additional sacred text | <!-- Remarks -->|with an additional sacred text | ||
|- | |- | ||
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<!-- Title -->|{{NoComp|A Dio, voglio partir|Orazio Vecchi}} | <!-- Title -->|{{NoComp|A Dio, voglio partir|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
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<!-- Title -->|Io son restato qui | <!-- Title -->|Io son restato qui | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
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<!-- Title -->|Io v'ho servita dolce | <!-- Title -->|Io v'ho servita dolce | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|15 | ||
<!-- Title -->|{{NoComp|E viver' e morire|Orazio Vecchi}} | <!-- Title -->|{{NoComp|E viver' e morire|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
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<!-- Remarks -->|with an additional sacred text | <!-- Remarks -->|with an additional sacred text | ||
|- | |- | ||
<!-- # | <!-- # -->|16 | ||
<!-- Title -->|O sole o stell o luna | <!-- Title -->|O sole o stell o luna | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
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<!-- # | <!-- # -->|17 | ||
<!-- Title -->|In dir che sete bella | <!-- Title -->|In dir che sete bella | ||
2. I capei del‘aurora | 2. I capei del‘aurora | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
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<!-- # | <!-- # -->|18 | ||
<!-- Title -->|{{NoComp|Un bacio solo|Giaches de Wert}} | <!-- Title -->|{{NoComp|Un bacio solo|Giaches de Wert}} | ||
|[[Giaches de Wert]] | |[[Giaches de Wert]] | ||
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<!-- Remarks -->|{{IMSLP2|Un bacio solo (Wert, Giaches de)|show}} | <!-- Remarks -->|{{IMSLP2|Un bacio solo (Wert, Giaches de)|show}} | ||
|- | |- | ||
<!-- # | <!-- # -->|19 | ||
<!-- Title -->|{{NoComp|Mesola, il Po da lato|Giaches de Wert}} | <!-- Title -->|{{NoComp|Mesola, il Po da lato|Giaches de Wert}} | ||
|[[Giaches de Wert]] | |[[Giaches de Wert]] | ||
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<!-- Remarks -->|{{IMSLP2|Mesola, il Po da lato, e ’l mar a fronte (Wert, Giaches de)|show}} | <!-- Remarks -->|{{IMSLP2|Mesola, il Po da lato, e ’l mar a fronte (Wert, Giaches de)|show}} | ||
|- | |- | ||
<!-- # | <!-- # -->|20 | ||
<!-- Title -->|{{NoComp|Destossi fra'l mio gelo|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Destossi fra'l mio gelo|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
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<!-- Title -->|[[Come poss'io, Madonna (Benedetto Pallavicino)|''Come poss'io Madonna<br> | <!-- Title -->|[[Come poss'io, Madonna (Benedetto Pallavicino)|''Come poss'io Madonna<br> | ||
2. Da ind'in qua'']] | 2. Da ind'in qua'']] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
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<!-- Title -->|{{NoComp|O saette d'amor|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|O saette d'amor|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|23 | ||
<!-- Title -->|{{NoComp|Dolce mia cara mano|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Dolce mia cara mano|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|24 | ||
<!-- Title -->|{{NoComp|Tu ninfa di beltà|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Tu ninfa di beltà|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
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<!-- Title -->|{{NoComp|Mentre che qui d'intorno|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Mentre che qui d'intorno|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|26 | ||
<!-- Title -->|{{NoComp|Si mi dicesti ed io|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Si mi dicesti ed io|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|27 | ||
<!-- Title -->|{{NoComp|Non mirar non mirare|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Non mirar non mirare|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|28 | ||
<!-- Title -->|{{NoComp|Non mi ferir piu amore|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Non mi ferir piu amore|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|29 | ||
<!-- Title -->|{{NoComp|Tutto eri foco Amore|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Tutto eri foco Amore|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
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<!-- Title -->|{{NoComp|Arte mi siano i crini|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Arte mi siano i crini|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|31 | ||
<!-- Title -->|[[Donna, se ben le chiome (Giaches de Wert)|''Donna se ben le chiome<br> | <!-- Title -->|[[Donna, se ben le chiome (Giaches de Wert)|''Donna se ben le chiome<br> | ||
2. Ben s‘el petto'']] | 2. Ben s‘el petto'']] | ||
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<!-- Remarks -->|{{IMSLP2|Donna, se ben le chiome (Wert, Giaches de)|show}} | <!-- Remarks -->|{{IMSLP2|Donna, se ben le chiome (Wert, Giaches de)|show}} | ||
|- | |- | ||
<!-- # | <!-- # -->|32 | ||
<!-- Title -->|Valle che de lamenti | <!-- Title -->|Valle che de lamenti | ||
2. Ben riconosco in | 2. Ben riconosco in | ||
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<!-- Remarks -->|{{IMSLP2|Valle che de’ lamenti miei se’ piena (Wert, Giaches de)|show}} | <!-- Remarks -->|{{IMSLP2|Valle che de’ lamenti miei se’ piena (Wert, Giaches de)|show}} | ||
|- | |- | ||
<!-- # | <!-- # -->|33 | ||
<!-- Title -->|{{NoComp|Io seguo ardente|Giulio Eremita}} | <!-- Title -->|{{NoComp|Io seguo ardente|Giulio Eremita}} | ||
|[[Giulio Eremita]] | |[[Giulio Eremita]] | ||
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<!-- Remarks -->|{{IMSLP2|Io seguo ardente fiamma (Eremita, Giulio)|show an arrangement for viols}} | <!-- Remarks -->|{{IMSLP2|Io seguo ardente fiamma (Eremita, Giulio)|show an arrangement for viols}} | ||
|- | |- | ||
<!-- # | <!-- # -->|34 | ||
<!-- Title -->|{{NoComp|O vaga tortorella|Giulio Eremita}} | <!-- Title -->|{{NoComp|O vaga tortorella|Giulio Eremita}} | ||
|[[Giulio Eremita]] | |[[Giulio Eremita]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|35 | ||
<!-- Title -->|{{NoComp|I vostri biondi crini|Giulio Eremita}} | <!-- Title -->|{{NoComp|I vostri biondi crini|Giulio Eremita}} | ||
|[[Giulio Eremita]] | |[[Giulio Eremita]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|36 | ||
<!-- Title -->|{{NoComp|Fuggi se sai fuggire|Giulio Eremita}} | <!-- Title -->|{{NoComp|Fuggi se sai fuggire|Giulio Eremita}} | ||
|[[Giulio Eremita]] | |[[Giulio Eremita]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|37 | ||
<!-- Title -->|{{NoComp|Dolce d'Amor Sirena|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|Dolce d'Amor Sirena|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|38 | ||
<!-- Title -->|{{NoComp|A nobil mensa|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|A nobil mensa|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|39 | ||
<!-- Title -->|{{NoComp|Filli vezzosa e lieta|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|Filli vezzosa e lieta|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|40 | ||
<!-- Title -->|Se di dolor jo potesi | <!-- Title -->|Se di dolor jo potesi | ||
|[[Giulio Renaldi]] | |[[Giulio Renaldi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|41 | ||
<!-- Title -->|O dolce vita mia | <!-- Title -->|O dolce vita mia | ||
|[[Giulio Renaldi]] | |[[Giulio Renaldi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|42 | ||
<!-- Title -->|Donna l'ardente | <!-- Title -->|Donna l'ardente | ||
2. Signor la vostra | 2. Signor la vostra | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|43 | ||
<!-- Title -->|{{NoComp|O com'è gran martire|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|O com'è gran martire|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|44 | ||
<!-- Title -->|{{NoComp|Milla ben mio rispondi|Sessa d'Aranda}} | <!-- Title -->|{{NoComp|Milla ben mio rispondi|Sessa d'Aranda}} | ||
|[[Sessa d'Aranda]] | |[[Sessa d'Aranda]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
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<!-- Title -->|{{NoComp|Haime quell' occhi suoi|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Haime quell' occhi suoi|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|46 | ||
<!-- Title -->|[[Hor veggio chiar (Benedetto Pallavicino)|''Hor veggio chiar | <!-- Title -->|[[Hor veggio chiar (Benedetto Pallavicino)|''Hor veggio chiar | ||
2. Ne lo star'']] | 2. Ne lo star'']] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|47 | ||
<!-- Title -->|{{NoComp|Non dispregiat'i miserelli amanti|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Non dispregiat'i miserelli amanti|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|48 | ||
<!-- Title -->|Misero te non vedi | <!-- Title -->|Misero te non vedi | ||
2. Natura non mi fe | 2. Natura non mi fe | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|49 | ||
<!-- Title -->|{{NoComp|Sogliono i chiari spirti|Philippe de Monte}} | <!-- Title -->|{{NoComp|Sogliono i chiari spirti|Philippe de Monte}} | ||
|[[Philippe de Monte]] | |[[Philippe de Monte]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|50 | ||
<!-- Title -->|{{NoComp|Amor tu che congiungi|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|Amor tu che congiungi|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
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<!-- Remarks -->|{{IMSLP2|Amor tu che congiungi (Gastoldi, Giovanni Giacomo)|show an arrangement for viols}} | <!-- Remarks -->|{{IMSLP2|Amor tu che congiungi (Gastoldi, Giovanni Giacomo)|show an arrangement for viols}} | ||
|- | |- | ||
<!-- # | <!-- # -->|51 | ||
<!-- Title -->|{{NoComp|Potrai dunque partir|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|Potrai dunque partir|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|52 | ||
<!-- Title -->|[[Cantavan tre leggiadre Pastorelle (Annibale Coma)|''Cantavan tre leggiadre Pastorelle<br> | <!-- Title -->|[[Cantavan tre leggiadre Pastorelle (Annibale Coma)|''Cantavan tre leggiadre Pastorelle<br> | ||
2. Ond‘io per meglio'']] | 2. Ond‘io per meglio'']] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|53 | ||
<!-- Title -->|[[Aura dolce e soave (Paolo Marni)|''Aura dolce e soave<br> | <!-- Title -->|[[Aura dolce e soave (Paolo Marni)|''Aura dolce e soave<br> | ||
2. M'ahimè che più'']] | 2. M'ahimè che più'']] | ||
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<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|54 | ||
<!-- Title -->|{{NoComp|Gentil mia donna|Francesco dal Cedraro}} | <!-- Title -->|{{NoComp|Gentil mia donna|Francesco dal Cedraro}} | ||
|[[Francesco dal Cedraro]] | |[[Francesco dal Cedraro]] |
Revision as of 20:04, 8 November 2020
General information
Description: A collection of Italian madrigals fo 4 to 8 voices by divers composers, published in Nuremberg by Friedrich Lindner.
Full title: Tertius Gemmae musicalis Liber: Selectissimi mas diversorum Autorum cantiones, Italis Madrigali & Napolitane dictas, Octo, Septem, Sex, Quinque & Quatuor vocum continens. Nunc primum in lucem editus studio & opera Friderici Lindneri
First Publication date and place: 1590 by Catharina Gerlach in Nuremberg.
Facsimile: https://imslp.org/wiki/Gemma_Musicalis%2C_Liber_3_(Lindner%2C_Friedrich)
List of works available on CPDL or IMSLP
If the title is displayed in blue and with italics, click on it to show the work in cpdl. If there is an edition in IMSLP, click on the text containg the word "show" in the column "Remarks" to display the work there.