Gemmae musicalis Liber Tertius: Difference between revisions
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==General information== | ==General information== | ||
'''Description:''' A collection of Italian madrigals fo 4 to 8 voices by divers composers | '''Description:''' A collection of Italian madrigals fo 4 to 8 voices by divers composers collected by Friedrich Lindner and published in Nuremberg. | ||
'''Full title:''' Tertius Gemmae musicalis Liber: Selectissimi mas diversorum Autorum cantiones, Italis Madrigali & Napolitane dictas, Octo, Septem, Sex, Quinque & Quatuor vocum continens. Nunc primum in lucem editus studio & opera Friderici Lindneri | '''Full title:''' Tertius Gemmae musicalis Liber: Selectissimi mas diversorum Autorum cantiones, Italis Madrigali & Napolitane dictas, Octo, Septem, Sex, Quinque & Quatuor vocum continens. Nunc primum in lucem editus studio & opera Friderici Lindneri | ||
'''First''' {{PubDatePlace|1590|by Catharina Gerlach in Nuremberg.| }} | '''Editor-Compiler:''' [[Friedrich Lindner]] | ||
'''First''' {{PubDatePlace|1590|by Catharina Gerlach in Nuremberg.| }} | |||
'''Facsimile:''' https://imslp.org/wiki/Gemma_Musicalis%2C_Liber_3_(Lindner%2C_Friedrich) | '''Facsimile:''' https://imslp.org/wiki/Gemma_Musicalis%2C_Liber_3_(Lindner%2C_Friedrich) | ||
==List of works available on CPDL or IMSLP== | ==List of works available on CPDL or IMSLP== | ||
Line 21: | Line 22: | ||
!style="border-bottom: 1px solid"|Remarks | !style="border-bottom: 1px solid"|Remarks | ||
|- | |- | ||
<!-- # | <!-- # -->|1 | ||
<!-- Title -->|{{NoComp|Cara Germania|Giaches de Wert}} | <!-- Title -->|{{NoComp|Cara Germania|Giaches de Wert}} | ||
|[[Giaches de Wert]] | |[[Giaches de Wert]] | ||
Line 28: | Line 29: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|2 | ||
<!-- Title -->|[[Ch'io scriva di costei (Giaches de Wert)|''Che io scriva di costei'']] | <!-- Title -->|[[Ch'io scriva di costei (Giaches de Wert)|''Che io scriva di costei'']] | ||
|[[Giaches de Wert]] | |[[Giaches de Wert]] | ||
Line 35: | Line 36: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|3 | ||
<!-- Title -->|{{NoComp|O misero mio core|Giulio Eremita}} | <!-- Title -->|{{NoComp|O misero mio core|Giulio Eremita}} | ||
|[[Giulio Eremita]] | |[[Giulio Eremita]] | ||
Line 42: | Line 43: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|4 | ||
<!-- Title -->|{{NoComp|Dite signori miei|Philippe Duc}} | <!-- Title -->|{{NoComp|Dite signori miei|Philippe Duc}} | ||
|[[Philippe Duc]] | |[[Philippe Duc]] | ||
Line 49: | Line 50: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|5 | ||
<!-- Title -->|{{NoComp|Sacre muse beate|Philippe Duc}} | <!-- Title -->|{{NoComp|Sacre muse beate|Philippe Duc}} | ||
|[[Philippe Duc]] | |[[Philippe Duc]] | ||
Line 56: | Line 57: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|6 | ||
<!-- Title -->|{{NoComp|Che nuovo e vago sol|Giaches de Wert}} | <!-- Title -->|{{NoComp|Che nuovo e vago sol|Giaches de Wert}} | ||
|[[Giaches de Wert]] | |[[Giaches de Wert]] | ||
Line 63: | Line 64: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|7 | ||
<!-- Title -->|{{NoComp|Alma se stata fossi|Bartolomeo Spontone}} | <!-- Title -->|{{NoComp|Alma se stata fossi|Bartolomeo Spontone}} | ||
|[[Bartolomeo Spontone]] | |[[Bartolomeo Spontone]] | ||
Line 70: | Line 71: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|8 | ||
<!-- Title -->|{{NoComp|Gitene Canzonette|Orazio Vecchi}} | <!-- Title -->|{{NoComp|Gitene Canzonette|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
Line 77: | Line 78: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|9 | ||
<!-- Title -->|{{NoComp|Saltavan ninfe, satiri e pastori|Orazio Vecchi}} | <!-- Title -->|{{NoComp|Saltavan ninfe, satiri e pastori|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
Line 84: | Line 85: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|10 | ||
<!-- Title -->|{{NoComp|Deh lascia Filli i fiori|Orazio Vecchi}} | <!-- Title -->|{{NoComp|Deh lascia Filli i fiori|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
Line 91: | Line 92: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|11 | ||
<!-- Title -->|[[Dicea Dameta (Orazio Vecchi)|''Dicea damet' à Cloride'']] | <!-- Title -->|[[Dicea Dameta (Orazio Vecchi)|''Dicea damet' à Cloride'']] | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
Line 98: | Line 99: | ||
<!-- Remarks -->|with an additional sacred text | <!-- Remarks -->|with an additional sacred text | ||
|- | |- | ||
<!-- # | <!-- # -->|12 | ||
<!-- Title -->|{{NoComp|A Dio, voglio partir|Orazio Vecchi}} | <!-- Title -->|{{NoComp|A Dio, voglio partir|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
Line 105: | Line 106: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|13 | ||
<!-- Title -->|Io son restato qui | <!-- Title -->|{{NoComp|Io son restato qui sconsolato|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
<!-- Voices -->|6 | <!-- Voices -->|6 | ||
<!-- Voicing -->| | <!-- Voicing -->|SSATTB | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|14 | ||
<!-- Title -->|Io v'ho servita | <!-- Title -->|{{NoComp|Io v'ho servita|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
<!-- Voices -->|6 | <!-- Voices -->|6 | ||
<!-- Voicing -->| | <!-- Voicing -->|SSATTB | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|15 | ||
<!-- Title -->|{{NoComp|E viver' e morire|Orazio Vecchi}} | <!-- Title -->|{{NoComp|E viver' e morire|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
Line 126: | Line 127: | ||
<!-- Remarks -->|with an additional sacred text | <!-- Remarks -->|with an additional sacred text | ||
|- | |- | ||
<!-- # | <!-- # -->|16 | ||
<!-- Title -->|O sole o | <!-- Title -->|{{NoComp|O sole, o stelle, o luna|Orazio Vecchi}} | ||
|[[Orazio Vecchi]] | |[[Orazio Vecchi]] | ||
<!-- Voices -->|6 | <!-- Voices -->|6 | ||
<!-- Voicing -->| | <!-- Voicing -->|SSATTB | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|17 | ||
<!-- Title -->|In dir che sete bella | <!-- Title -->|[[In dir che sete bella (Benedetto Pallavicino)|''In dir che sete bella<br> | ||
2. I capei | 2. I capei de l‘aurora'']] | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
<!-- Voices -->|6 | <!-- Voices -->|6 | ||
<!-- Voicing -->| | <!-- Voicing -->|SSATTB | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|18 | ||
<!-- Title -->|{{NoComp|Un bacio solo|Giaches de Wert}} | <!-- Title -->|{{NoComp|Un bacio solo|Giaches de Wert}} | ||
|[[Giaches de Wert]] | |[[Giaches de Wert]] | ||
Line 148: | Line 149: | ||
<!-- Remarks -->|{{IMSLP2|Un bacio solo (Wert, Giaches de)|show}} | <!-- Remarks -->|{{IMSLP2|Un bacio solo (Wert, Giaches de)|show}} | ||
|- | |- | ||
<!-- # | <!-- # -->|19 | ||
<!-- Title -->|{{NoComp|Mesola, il Po da lato|Giaches de Wert}} | <!-- Title -->|{{NoComp|Mesola, il Po da lato|Giaches de Wert}} | ||
|[[Giaches de Wert]] | |[[Giaches de Wert]] | ||
Line 155: | Line 156: | ||
<!-- Remarks -->|{{IMSLP2|Mesola, il Po da lato, e ’l mar a fronte (Wert, Giaches de)|show}} | <!-- Remarks -->|{{IMSLP2|Mesola, il Po da lato, e ’l mar a fronte (Wert, Giaches de)|show}} | ||
|- | |- | ||
<!-- # | <!-- # -->|20 | ||
<!-- Title -->|{{NoComp|Destossi fra'l mio gelo|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Destossi fra'l mio gelo|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 162: | Line 163: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|21 | ||
<!-- Title -->|[[Come poss'io, Madonna (Benedetto Pallavicino)|''Come poss'io Madonna<br> | <!-- Title -->|[[Come poss'io, Madonna (Benedetto Pallavicino)|''Come poss'io Madonna<br> | ||
2. Da ind'in qua'']] | 2. Da ind'in qua'']] | ||
Line 170: | Line 171: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|22 | ||
<!-- Title -->|{{NoComp|O saette d'amor|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|O saette d'amor|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 177: | Line 178: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|23 | ||
<!-- Title -->|{{NoComp|Dolce mia cara mano|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Dolce mia cara mano|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 184: | Line 185: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|24 | ||
<!-- Title -->|{{NoComp|Tu ninfa di beltà|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Tu ninfa di beltà|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 191: | Line 192: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|25 | ||
<!-- Title -->|{{NoComp|Mentre che qui d'intorno|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Mentre che qui d'intorno|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 198: | Line 199: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|26 | ||
<!-- Title -->|{{NoComp|Si mi dicesti ed io|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Si mi dicesti ed io|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 205: | Line 206: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|27 | ||
<!-- Title -->|{{NoComp|Non mirar non mirare|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Non mirar non mirare|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 212: | Line 213: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|28 | ||
<!-- Title -->|{{NoComp|Non mi ferir piu amore|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Non mi ferir piu amore|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 219: | Line 220: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|29 | ||
<!-- Title -->|{{NoComp|Tutto eri foco Amore|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Tutto eri foco Amore|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 226: | Line 227: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|30 | ||
<!-- Title -->|{{NoComp|Arte mi siano i crini|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Arte mi siano i crini|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 233: | Line 234: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|31 | ||
<!-- Title -->|[[Donna, se ben le chiome (Giaches de Wert)|''Donna se ben le chiome<br> | <!-- Title -->|[[Donna, se ben le chiome (Giaches de Wert)|''Donna se ben le chiome<br> | ||
2. Ben s‘el petto'']] | 2. Ben s‘el petto'']] | ||
Line 241: | Line 242: | ||
<!-- Remarks -->|{{IMSLP2|Donna, se ben le chiome (Wert, Giaches de)|show}} | <!-- Remarks -->|{{IMSLP2|Donna, se ben le chiome (Wert, Giaches de)|show}} | ||
|- | |- | ||
<!-- # | <!-- # -->|32 | ||
<!-- Title -->|Valle che de lamenti | <!-- Title -->|Valle che de lamenti | ||
2. Ben riconosco in | 2. Ben riconosco in | ||
Line 249: | Line 250: | ||
<!-- Remarks -->|{{IMSLP2|Valle che de’ lamenti miei se’ piena (Wert, Giaches de)|show}} | <!-- Remarks -->|{{IMSLP2|Valle che de’ lamenti miei se’ piena (Wert, Giaches de)|show}} | ||
|- | |- | ||
<!-- # | <!-- # -->|33 | ||
<!-- Title -->|{{NoComp|Io seguo ardente|Giulio Eremita}} | <!-- Title -->|{{NoComp|Io seguo ardente|Giulio Eremita}} | ||
|[[Giulio Eremita]] | |[[Giulio Eremita]] | ||
Line 256: | Line 257: | ||
<!-- Remarks -->|{{IMSLP2|Io seguo ardente fiamma (Eremita, Giulio)|show an arrangement for viols}} | <!-- Remarks -->|{{IMSLP2|Io seguo ardente fiamma (Eremita, Giulio)|show an arrangement for viols}} | ||
|- | |- | ||
<!-- # | <!-- # -->|34 | ||
<!-- Title -->|{{NoComp|O vaga tortorella|Giulio Eremita}} | <!-- Title -->|{{NoComp|O vaga tortorella|Giulio Eremita}} | ||
|[[Giulio Eremita]] | |[[Giulio Eremita]] | ||
Line 263: | Line 264: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|35 | ||
<!-- Title -->|{{NoComp|I vostri biondi crini|Giulio Eremita}} | <!-- Title -->|{{NoComp|I vostri biondi crini|Giulio Eremita}} | ||
|[[Giulio Eremita]] | |[[Giulio Eremita]] | ||
Line 270: | Line 271: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|36 | ||
<!-- Title -->|{{NoComp|Fuggi se sai fuggire|Giulio Eremita}} | <!-- Title -->|{{NoComp|Fuggi se sai fuggire|Giulio Eremita}} | ||
|[[Giulio Eremita]] | |[[Giulio Eremita]] | ||
Line 277: | Line 278: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|37 | ||
<!-- Title -->|{{NoComp|Dolce d'Amor Sirena|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|Dolce d'Amor Sirena|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
Line 284: | Line 285: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|38 | ||
<!-- Title -->|{{NoComp|A nobil mensa|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|A nobil mensa|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
Line 291: | Line 292: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|39 | ||
<!-- Title -->|{{NoComp|Filli vezzosa e lieta|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|Filli vezzosa e lieta|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
Line 298: | Line 299: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|40 | ||
<!-- Title -->|Se di dolor | <!-- Title -->|{{NoComp|Se di dolor io potessi morire|Giulio Renaldi}} | ||
|[[Giulio Renaldi]] | |[[Giulio Renaldi]] | ||
<!-- Voices -->|5 | <!-- Voices -->|5 | ||
<!-- Voicing -->| | <!-- Voicing -->|SATTB | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|41 | ||
<!-- Title -->|O dolce vita mia | <!-- Title -->|{{NoComp|O dolce vita mia|Giulio Renaldi}} | ||
|[[Giulio Renaldi]] | |[[Giulio Renaldi]] | ||
<!-- Voices -->|5 | <!-- Voices -->|5 | ||
<!-- Voicing -->| | <!-- Voicing -->|SATTB | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|42 | ||
<!-- Title -->|Donna l'ardente | <!-- Title -->|[[Donna, l'ardente fiamma (Giovanni Gastoldi)|''Donna, l'ardente fiamma<br> | ||
2. Signor la vostra | 2. Signor la vostra fiamma'']] | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
<!-- Voices -->|5 | <!-- Voices -->|5 | ||
<!-- Voicing -->| | <!-- Voicing -->|SSATB | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|43 | ||
<!-- Title -->|{{NoComp|O com'è gran martire|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|O com'è gran martire|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
Line 327: | Line 328: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|44 | ||
<!-- Title -->|{{NoComp|Milla ben mio rispondi|Sessa d'Aranda}} | <!-- Title -->|{{NoComp|Milla ben mio rispondi|Sessa d'Aranda}} | ||
|[[Sessa d'Aranda]] | |[[Sessa d'Aranda]] | ||
Line 334: | Line 335: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|45 | ||
<!-- Title -->|{{NoComp|Haime quell' occhi suoi|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Haime quell' occhi suoi|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 341: | Line 342: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|46 | ||
<!-- Title -->|[[Hor veggio chiar (Benedetto Pallavicino)|''Hor veggio chiar | <!-- Title -->|[[Hor veggio chiar (Benedetto Pallavicino)|''Hor veggio chiar | ||
2. Ne lo star'']] | 2. Ne lo star'']] | ||
Line 349: | Line 350: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|47 | ||
<!-- Title -->|{{NoComp|Non dispregiat'i miserelli amanti|Benedetto Pallavicino}} | <!-- Title -->|{{NoComp|Non dispregiat'i miserelli amanti|Benedetto Pallavicino}} | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
Line 356: | Line 357: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|48 | ||
<!-- Title -->|Misero te non vedi | <!-- Title -->|[[Misero te, non vedi (Benedetto Pallavicino)|''Misero te, non vedi<br> | ||
2. Natura non mi fe | 2. Natura non mi fe'']] | ||
|[[Benedetto Pallavicino]] | |[[Benedetto Pallavicino]] | ||
<!-- Voices -->|5 | <!-- Voices -->|5 | ||
<!-- Voicing -->| | <!-- Voicing -->|SSATB,SSTTB | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|49 | ||
<!-- Title -->|{{NoComp|Sogliono i chiari spirti|Philippe de Monte}} | <!-- Title -->|{{NoComp|Sogliono i chiari spirti|Philippe de Monte}} | ||
|[[Philippe de Monte]] | |[[Philippe de Monte]] | ||
Line 371: | Line 372: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|50 | ||
<!-- Title -->|{{NoComp|Amor tu che congiungi|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|Amor tu che congiungi|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
Line 378: | Line 379: | ||
<!-- Remarks -->|{{IMSLP2|Amor tu che congiungi (Gastoldi, Giovanni Giacomo)|show an arrangement for viols}} | <!-- Remarks -->|{{IMSLP2|Amor tu che congiungi (Gastoldi, Giovanni Giacomo)|show an arrangement for viols}} | ||
|- | |- | ||
<!-- # | <!-- # -->|51 | ||
<!-- Title -->|{{NoComp|Potrai dunque partir|Giovanni Gastoldi}} | <!-- Title -->|{{NoComp|Potrai dunque partir|Giovanni Gastoldi}} | ||
|[[Giovanni Gastoldi]] | |[[Giovanni Gastoldi]] | ||
Line 385: | Line 386: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|52 | ||
<!-- Title -->|[[Cantavan tre leggiadre Pastorelle (Annibale Coma)|''Cantavan tre leggiadre Pastorelle<br> | <!-- Title -->|[[Cantavan tre leggiadre Pastorelle (Annibale Coma)|''Cantavan tre leggiadre Pastorelle<br> | ||
2. Ond‘io per meglio'']] | 2. Ond‘io per meglio'']] | ||
Line 393: | Line 394: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|53 | ||
<!-- Title -->|[[Aura dolce e soave (Paolo Marni)|''Aura dolce e soave<br> | <!-- Title -->|[[Aura dolce e soave (Paolo Marni)|''Aura dolce e soave<br> | ||
2. M'ahimè che più'']] | 2. M'ahimè che più'']] | ||
Line 401: | Line 402: | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|- | |- | ||
<!-- # | <!-- # -->|54 | ||
<!-- Title -->|{{NoComp|Gentil mia donna|Francesco dal Cedraro}} | <!-- Title -->|{{NoComp|Gentil mia donna|Francesco dal Cedraro}} | ||
|[[Francesco dal Cedraro]] | |[[Francesco dal Cedraro]] | ||
Line 407: | Line 408: | ||
<!-- Voicing -->|SATB | <!-- Voicing -->|SATB | ||
<!-- Remarks -->| | <!-- Remarks -->| | ||
|} | |||
[[Category:Music publications]] | |||
[[Category:Music facsimiles]] | |||
{{DEFAULTSORT:{{WorkSorter}}}} |
Latest revision as of 06:46, 15 January 2023
General information
Description: A collection of Italian madrigals fo 4 to 8 voices by divers composers collected by Friedrich Lindner and published in Nuremberg.
Full title: Tertius Gemmae musicalis Liber: Selectissimi mas diversorum Autorum cantiones, Italis Madrigali & Napolitane dictas, Octo, Septem, Sex, Quinque & Quatuor vocum continens. Nunc primum in lucem editus studio & opera Friderici Lindneri
Editor-Compiler: Friedrich Lindner
First Publication date and place: 1590 by Catharina Gerlach in Nuremberg.
Facsimile: https://imslp.org/wiki/Gemma_Musicalis%2C_Liber_3_(Lindner%2C_Friedrich)
List of works available on CPDL or IMSLP
If the title is displayed in blue and with italics, click on it to show the work in cpdl. If there is an edition in IMSLP, click on the text containg the word "show" in the column "Remarks" to display the work there.