Gloria laus et honor (Jean Richafort): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2020-01-13}} {{CPDLno|56635}} [[Media:Ri_Glo.pdf|{{pdf}}]]  
*{{PostedDate|2020-01-13}} {{CPDLno|56635}} [[Media:Ri_Glo.pdf|{{pdf}}]]  [[Media:Ri_Glo.mxl|{{XML}}]]
{{Editor|Mick_Swithinbank|2020-01-13}}{{ScoreInfo|A4|6|80}}{{Copy|CPDL}}
{{Editor|Mick Swithinbank|2020-01-13}}{{ScoreInfo|A4|6|80}}{{Copy|CPDL}}
:'''Edition notes:''' Original pitch and note values.
:'''Edition notes:''' Original pitch and note values. {{MXL}}


==General Information==
==General Information==
Line 10: Line 10:
{{Lyricist|}}
{{Lyricist|}}


{{Voicing|4|S(A)TTB}}<br>
{{Voicing|4|SATB,STTB}}<br>
{{Genre|Sacred|Motets}}
{{Genre|Sacred|Motets}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1534}}
{{Pub|1|1534|[[Motettorum, Book 1 (Pierre Attaingnant)|Attaingnant's 1st book of motets]]|n=4}}


'''Description:''' A setting of four verses from the Palm Sunday hymn Gloria laus, but set as a polyphonic motet rather than a hymn. In the first verse, the top part is a low alto part, but in the rest of the work, the clef in the source changes from C3 to C1, so that sopranos must take over.
'''Description:''' A setting of four verses from the {{Cat|Palm Sunday}} hymn ''Gloria laus'', but set as a polyphonic motet rather than a hymn. In the first verse, the top part is a low alto part, but in the rest of the work, the clef in the source changes from C3 to C1, so that sopranos must take over.




'''External websites:'''  
'''External websites:'''


==Original text and translations==
==Original text and translations==
{{NoText}}
{{Text|Latin|
Gloria, laus et honor tibi sit,
rex Christe redemptor cui puerile decus prompsit osanna pium.
 
Israel es tu rex Davidis
et inclyta proles nomine qui in domini rex benedicte venis.
 
Laetus in excelsis te laudat caelitus omnis
et mortalis homo et cuncta creata simul.
 
Plebs hebrea tibi cum palmis obvia venit
cum prece voto hymnis assumus ecce tibi.}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Revision as of 20:23, 14 January 2020

Music files

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  • (Posted 2020-01-13)  CPDL #56635:     
Editor: Mick Swithinbank (submitted 2020-01-13).   Score information: A4, 6 pages, 80 kB   Copyright: CPDL
Edition notes: Original pitch and note values. MusicXML source file(s) in compressed .mxl format.

General Information

Title: Gloria laus et honor
Composer: Jean Richafort
Lyricist:

Number of voices: 4vv   Voicings: SATB or STTB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 1534 Attaingnant's 1st book of motets

Description: A setting of four verses from the Palm Sunday hymn Gloria laus, but set as a polyphonic motet rather than a hymn. In the first verse, the top part is a low alto part, but in the rest of the work, the clef in the source changes from C3 to C1, so that sopranos must take over.


External websites:

Original text and translations

Latin.png Latin text

Gloria, laus et honor tibi sit,
rex Christe redemptor cui puerile decus prompsit osanna pium.

Israel es tu rex Davidis
et inclyta proles nomine qui in domini rex benedicte venis.

Laetus in excelsis te laudat caelitus omnis
et mortalis homo et cuncta creata simul.

Plebs hebrea tibi cum palmis obvia venit
cum prece voto hymnis assumus ecce tibi.