Grande messe des morts, H 75 (Hector Berlioz): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
<!--
===Full score===
:'''1. Requiem et Kyrie. Introït.'''
*{{CPDLno|1404}}{{Broken}} [{{website|pml}}scorch/75requiem.html {{net}}] (Scorch) {{Broken}}[{{website|pml}}berlioz/ {{net}}](Midi file available) {{Broken}}[{{website|pml}}berlioz/h.75.requiem_et_kyrie.sib {{net}}] (Sibelius 1) {{ScoreInfo|||}}
:{{Editor|Philip Legge|2000-09-26}} {{Copy|Personal}}


===Full score===
:2. Dies iræ. Prosa.
{{Cleanup| Broken links to the linked site}}
:''3. Quid sum miser'''
*'''1. Requiem et Kyrie. Introït.'''
*{{CPDLno|1430}}{{Broken}} [{{website|pml}}scorch/75quid_sum.html {{net}}] (Scorch) {{Broken}}[{{website|pml}}berlioz/ {{net}}] (Midi file available) {{Broken}}[{{website|pml}}berlioz/h.75.quid_sum_miser.sib {{net}}] (Sibelius 1) {{ScoreInfo|||}}
:{{CPDLno|1404}}{{Broken}} {{external}}[{{website|pml}}scorch/75requiem.html Scorch] {{Broken}}[{{website|pml}}berlioz/ {{mid}}] {{Broken}}[{{website|pml}}berlioz/h.75.requiem_et_kyrie.sib Sibelius 1]
:'''Edition notes:''' ''(added 2000-09-26)''. &nbsp; {{ScoreInfo|||}}
*2. Dies iræ. Prosa.
*'''3. Quid sum miser'''
:{{CPDLno|1430}}{{Broken}} {{external}}[{{website|pml}}scorch/75quid_sum.html Scorch] {{Broken}}[{{website|pml}}berlioz/ {{mid}}] {{Broken}}[{{website|pml}}berlioz/h.75.quid_sum_miser.sib Sibelius 1]
:'''Edition notes:''' ''(added 2000-09-28)''. &nbsp; {{ScoreInfo|||}}
*4. Rex tremendæ
*'''5. Quærens me'''
:{{CPDLno|1431}}{{Broken}} {{external}}[{{website|pml}}scorch/75quaerens.html Scorch] {{Broken}}[{{website|pml}}berlioz/ {{mid}}] {{Broken}}[{{website|pml}}berlioz/h.75.quaerens_me.sib Sibelius 1]
:'''Edition notes:''' ''(added 2000-09-28)''. &nbsp; {{ScoreInfo|||}}
*6. Lacrimosa
*7. Offertoire. (Chœur des âmes du Purgatoire.)
*'''8. Hostias'''
:{{CPDLno|1432}}{{Broken}} {{external}}[{{website|pml}}scorch/75hostias.html Scorch] {{Broken}}[{{website|pml}}berlioz/ {{mid}}] {{Broken}}[{{website|pml}}berlioz/h.75.hostias.sib Sibelius 1]
:'''Edition notes:''' ''(added 2000-09-28)''. &nbsp; {{ScoreInfo|||}}
*9. Sanctus
*'''10. Agnus Dei'''
:{{CPDLno|1433}}{{Broken}} {{external}}[{{website|pml}}scorch/75agnus.html Scorch] {{Broken}}[{{website|pml}}berlioz/ {{mid}}] {{Broken}}[{{website|pml}}berlioz/h.75.agnus_dei.sib Sibelius 1]
:'''Edition notes:''' ''(added 2000-09-28)''. &nbsp; {{ScoreInfo|||}}
:'''Editor:''' {{User|Philip Legge}} &nbsp; '''Copyright:''' [[ChoralWiki:Personal|2000 Philip Legge]]


:4. Rex tremendæ
:'''5. Quærens me'''
*{{CPDLno|1431}}{{Broken}} [{{website|pml}}scorch/75quaerens.html {{net}}] (Scorch) {{Broken}}[{{website|pml}}berlioz/ {{net}}] (Midi file available) {{Broken}}[{{website|pml}}berlioz/h.75.quaerens_me.sib {{net}}] (Sibelius 1) {{ScoreInfo|||}}
:6. Lacrimosa
:7. Offertoire (Chœur des âmes du Purgatoire)
:''8. Hostias'''
*{{CPDLno|1432}}{{Broken}} [{{website|pml}}scorch/75hostias.html {{net}}] (Scorch) {{Broken}}[{{website|pml}}berlioz/ {{net}}] (Midi file available) {{Broken}}[{{website|pml}}berlioz/h.75.hostias.sib {{net}}] (Sibelius 1)  {{ScoreInfo|||}}
:9. Sanctus
:'''10. Agnus Dei'''
*{{CPDLno|1433}}{{Broken}} [{{website|pml}}scorch/75agnus.html {{net}}] (Scorch) {{Broken}}[{{website|pml}}berlioz/ {{net}}] (Midi file available) {{Broken}}[{{website|pml}}berlioz/h.75.agnus_dei.sib {{net}}] (Sibelius 1)
{{ScoreInfo|||}}
{{Editor|Philip Legge|2000-09-28}} {{Copy|Personal}}
:'''Edition notes:'''
-->
===Arrangement for SATB===
===Arrangement for SATB===


*'''1. Requiem et Kyrie. Introït.'''
'''1. Requiem et Kyrie. Introït.'''
:{{CPDLno|17809}} [{{filepath:1._Kyrie.pdf}} {{pdf}}] [{{filepath:1._Kyrie_-_midi.mid}} {{mid}}] [{{filepath:1._Kyrie_-_sib_4.sib}} Sibelius 4]
*{{CPDLno|17809}} [[Media:1._Kyrie.pdf|{{pdf}}]] [[Media:1._Kyrie_-_midi.mid|{{mid}}]] [[Media:1._Kyrie_-_sib_4.mxl|{{XML}}]] [[Media:1._Kyrie_-_sib_4.sib|{{sib}}]] (Sibelius 4)
:{{ScoreInfo|Letter|15|203}}
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|15|203}}{{Copy|Personal}}
:'''Edition notes:''' {{KbdVer}} {{MXL}}


*'''2. Dies iræ. Prosa.'''
'''2. Dies iræ. Prosa.'''
:{{CPDLno|17810}} [{{filepath:2._Dies_Irae.pdf}} {{pdf}}] [{{filepath:2._Dies_Irae_-_midi.mid}} {{mid}}] [{{filepath:2._Dies_Irae_-_sib_4.sib}} Sibelius 4]
*{{CPDLno|17810}} [[Media:2._Dies_Irae.pdf|{{pdf}}]] [[Media:2._Dies_Irae_-_midi.mid|{{mid}}]] [[Media:2._Dies_Irae_-_sib_4.mxl|{{XML}}]] [[Media:2._Dies_Irae_-_sib_4.sib|{{sib}}]] (Sibelius 4)
:{{ScoreInfo|Letter|16|201}}
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|16|201}}{{Copy|Personal}}
:'''Edition notes:''' {{KbdVer}} {{MXL}}


*'''3. Quid sum miser'''
'''3. Quid sum miser'''
:{{CPDLno|17811}} [{{filepath:3._Quid_sum_miser.pdf}} {{pdf}}] [{{filepath:3._Quid_sum_miser_-_midi.mid}} {{mid}}] [{{filepath:3._Quid_sum_miser_-_sib_4.sib}} Sibelius 4]
*{{CPDLno|17811}} [[Media:3._Quid_sum_miser.pdf|{{pdf}}]] [[Media:3._Quid_sum_miser_-_midi.mid|{{mid}}]] [[Media:3._Quid_sum_miser_-_sib_4.mxl|{{XML}}]] [[Media:3._Quid_sum_miser_-_sib_4.sib|{{sib}}]] (Sibelius 4)
:{{ScoreInfo|Letter|3|45}}
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|3|45}}{{Copy|Personal}}
:'''Edition notes:''' {{KbdVer}} {{MXL}}


*'''4. Rex tremendæ'''
'''4. Rex tremendæ'''
:{{CPDLno|17812}} [{{filepath:4._Rex_Tremendae.pdf}} {{pdf}}] [{{filepath:4._Rex_Tremendae_-_midi.mid}} {{mid}}] [{{filepath:4._Rex_Tremendae_-_sib_4.sib}} Sibelius 4]
*{{CPDLno|17812}} [[Media:4._Rex_Tremendae.pdf|{{pdf}}]] [[Media:4._Rex_Tremendae_-_midi.mid|{{mid}}]] [[Media:4._Rex_Tremendae_-_sib_4.mxl|{{XML}}]] [[Media:4._Rex_Tremendae_-_sib_4.sib|{{sib}}]] (Sibelius 4)
:{{ScoreInfo|Letter|15|181}}
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|15|181}}{{Copy|Personal}}
:'''Edition notes:''' {{KbdVer}} {{MXL}}


*'''5. Quærens me'''
'''5. Quærens me'''
:{{CPDLno|17813}} [{{filepath:5._Quaerens_me.pdf}} {{pdf}}] [{{filepath:5._Quaerens_me_-_midi.mid}} {{mid}}] [{{filepath:5._Quaerens_me_-_sib_4.sib}} Sibelius 4]
*{{CPDLno|17813}} [[Media:5._Quaerens_me.pdf|{{pdf}}]] [[Media:5._Quaerens_me_-_midi.mid|{{mid}}]] [[Media:5._Quaerens_me_-_sib_4.mxl|{{XML}}]] [[Media:5._Quaerens_me_-_sib_4.sib|{{sib}}]] (Sibelius 4)
:{{ScoreInfo|Letter|5|64}}
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|5|64}}{{Copy|Personal}}
:'''Edition notes:''' Berlioz's second version, with cut of "Culpa rubet" verse and new connecting passage. {{ScoreError|Bar 37: the top alto divisi note does not appear in the original 1st tenor part.}}
:'''Edition notes:''' Berlioz's second version, with cut of &quot;Culpa rubet&quot; verse and new connecting passage. {{ScoreError|Bar 37: the top alto divisi note does not appear in the original 1st tenor part.}}{{KbdVer}}


*'''6. Lacrimosa'''
'''6. Lacrimosa'''
:{{CPDLno|17814}} [{{filepath:6._Lacrimosa.pdf}} {{pdf}}] [{{filepath:6._Lacrimosa_-_midi.mid}} {{mid}}] [{{filepath:6._Lacrimosa_-_sib_4.sib}} Sibelius 4]
*{{CPDLno|17814}} [[Media:6._Lacrimosa.pdf|{{pdf}}]] [[Media:6._Lacrimosa_-_midi.mid|{{mid}}]] [[Media:6._Lacrimosa_-_sib_4.sib|{{sib}}]] (Sibelius 4)
:{{ScoreInfo|Letter|14|208}}
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|14|208}}{{Copy|Personal}}
:'''Edition notes:''' {{KbdVer}}


*7. Offertoire. (Chœur des âmes du Purgatoire.)
'''7. Offertoire. (Chœur des âmes du Purgatoire.)'''


*'''8. Hostias'''
'''8. Hostias'''
:{{CPDLno|17815}} [{{filepath:8._Hostias.pdf}} {{pdf}}] [{{filepath:8._Hostias_-_midi.mid}} {{mid}}] [{{filepath:8._Hostias_-_sib_4.sib}} Sibelius 4]
*{{CPDLno|17815}} [[Media:8._Hostias.pdf|{{pdf}}]] [[Media:8._Hostias_-_midi.mid|{{mid}}]] [[Media:8._Hostias_-_sib_4.sib|{{sib}}]] (Sibelius 4)
:{{ScoreInfo|Letter|2|44}}
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|2|44}}{{Copy|Personal}}


*'''9a. Sanctus'''
'''9a. Sanctus'''
:{{CPDLno|17816}} [{{filepath:9a._Sanctus.pdf}} {{pdf}}] [{{filepath:9a._Sanctus_-_midi.mid}} {{mid}}] [{{filepath:9a._Sanctus_-_sib_4.sib}} Sibelius 4]
*{{CPDLno|17816}} [[Media:9a._Sanctus.pdf|{{pdf}}]] [[Media:9a._Sanctus_-_midi.mid|{{mid}}]] [[Media:9a._Sanctus_-_sib_4.sib|{{sib}}]] (Sibelius 4)
:{{ScoreInfo|Letter|39|3}}
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|39|3}}{{Copy|Personal}}


*'''9b. Hosanna'''
'''9b. Hosanna'''
:{{CPDLno|17817}} [{{filepath:9b._Hosanna.pdf}} {{pdf}}] [{{filepath:9b._Hosanna_-_midi.mid}} {{mid}}] [{{filepath:9b._Hosanna_-_sib_4.sib}} Sibelius 4]
*{{CPDLno|17817}} [[Media:9b._Hosanna.pdf|{{pdf}}]] [[Media:9b._Hosanna_-_midi.mid|{{mid}}]] [[Media:9b._Hosanna_-_sib_4.sib|{{sib}}]] (Sibelius 4)
:{{ScoreInfo|Letter|69|4}}
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|69|4}}{{Copy|Personal}}


*'''10. Agnus Dei'''
'''10. Agnus Dei'''
:{{CPDLno|17818}} [{{filepath:10._Agnus_Dei.pdf}} {{pdf}}] [{{filepath:10._Agnus_Dei_-_midi.mid}} {{mid}}] [{{filepath:10._Agnus_Dei_sib_4.sib}} Sibelius 4]
*{{CPDLno|17818}} [[Media:10._Agnus_Dei.pdf|{{pdf}}]] [[Media:10._Agnus_Dei_-_midi.mid|{{mid}}]] [[Media:10._Agnus_Dei_sib_4.sib|{{sib}}]] (Sibelius 4)
:{{ScoreInfo|Letter|13|168}}
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|13|168}}{{Copy|Personal}}
{{Editor|Thomas Lloyd|2008-07-30}}{{Copy|Personal}}
:'''Edition notes:'''{{KbdVer}}
:'''Edition notes:'''{{KbdVer}}


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{{Voicing|6|SSTTBB}}; with contraltos, and tenor solo in ''Sanctus''<br>
{{Voicing|6|SSTTBB}}; with contraltos, and tenor solo in ''Sanctus''<br>
{{Genre|Sacred|Masses|Requiems|9=Berlioz, Hector}}
{{Genre|Sacred|Requiems|9=Berlioz, Hector}}
{{Language|Latin}}
{{Language|Latin}}
'''Instruments:''' {{OrchAcc|Full orchestra}}, 4 additional brass orchestras<br>
{{Instruments|Large orchestra, with 4 additional brass orchestras}}
'''Published:''' Old Berlioz Edition, complete works, pub. 1900-1907
{{Pub|1|1838 (Maurice Schlesinger, Paris); revised version 1853 (G. Ricordi, Milan)}}


'''Description:''' Composed in 1838, this choral work uses the largest orchestral forces of any work prior to the 20th Century.
'''Description:''' Composed in 1838, this choral work uses the largest orchestral forces of any work prior to the 20th Century.


'''External websites:'''
'''External websites:'''
*{{Broken}}[{{website|pml}}berlioz/ PML Music Editions: Music of Hector Berlioz]
*{{IMSLP2|Grande messe des morts, H 75 (Berlioz, Hector)}}
<!--*{{Broken}}[{{website|pml}}berlioz/ PML Music Editions: Music of Hector Berlioz]-->
*[http://www.hberlioz.com/ The Hector Berlioz Website]
*[http://www.hberlioz.com/ The Hector Berlioz Website]


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Berlioz's setting of the traditional text of the mass for the dead reorders and omits some lines. Words in round brackets have been inserted or rearranged from another part of the text. Words denoted in square brackets have been moved to a different place in the text as indicated, or otherwise omitted altogether. Refer to the [[Requiem]] page for translations.
Berlioz's setting of the traditional text of the mass for the dead reorders and omits some lines. Words in round brackets have been inserted or rearranged from another part of the text. Words denoted in square brackets have been moved to a different place in the text as indicated, or otherwise omitted altogether. Refer to the [[Requiem]] page for translations.


 
{{Text|Latin|
{{Text|Latin}}
'''1.''' Réquiem ætérnam dona eis, Dómine:
 
'''1.''' Réquiem ætérnam dona eis, Dómine:<br>
et lux perpétua lúceat eis.
et lux perpétua lúceat eis.


Te decet hymnus Deus in Sion,<br>
Te decet hymnus Deus in Sion,
et tibi reddétur votum in Jerúsalem:<br>
et tibi reddétur votum in Jerúsalem:
exáudi oratiónem meam,<br>
exáudi oratiónem meam,
ad te caro omnis véniet.
ad te caro omnis véniet.


Requiem æternam dona (defunctis), Domine:<br>
Requiem æternam dona (defunctis), Domine:
et lux perpetua luceat eis, (perpetua lux eis luceat!)
et lux perpetua luceat eis, (perpetua lux eis luceat!)


Kyrie eleison! Christe eleison! Kyrie eleison!
Kyrie eleison! Christe eleison! Kyrie eleison!


'''2. Prosa'''<br>
'''2. Prosa'''
Dies iræ, dies illa,<br>
Dies iræ, dies illa,
Solvet sæclum in favíllâ:<br>
Solvet sæclum in favíllâ:
Quantus tremor est futúrus,<br>
Quantus tremor est futúrus,
Quando judex est ventúrus!<br>
Quando judex est ventúrus!
Teste David cum Sibyllâ.<br>
Teste David cum Sibyllâ.
Cuncta stricte discussúrus!
Cuncta stricte discussúrus!


Tuba mirum spargens sonum<br>
Tuba mirum spargens sonum
Per sepúlcra regiónum,<br>
Per sepúlcra regiónum,
Coget omnes ante thronum.
Coget omnes ante thronum.


Mors stupébit et natúra,<br>
Mors stupébit et natúra,
Cum resúrget creatúra,<br>
Cum resúrget creatúra,
Judicánti responsúra.
Judicánti responsúra.


Liber scriptus proferétur,<br>
Liber scriptus proferétur,
In quo totum continétur,<br>
In quo totum continétur,
Unde mundus judicétur.
Unde mundus judicétur.


Judex ergo cum sedébit,<br>
Judex ergo cum sedébit,
Quidquid latet apparébit:<br>
Quidquid latet apparébit:
Nil inúltum remanébit.
Nil inúltum remanébit.


'''3.''' Quid sum miser tunc dictúrus?<br>
'''3.''' Quid sum miser tunc dictúrus?
Quem patrónum rogatúrus?<br>
Quem patrónum rogatúrus?
Cum vix justus sit secúrus.<br>
Cum vix justus sit secúrus.


[Rex treméndæ... moved to no. 4]
[Rex treméndæ… moved to no. 4]


(Recordáre Jesu pie,<br>
(Recordáre Jesu pie,
Quod sum causa tuæ viæ:<br>
Quod sum causa tuæ viæ:
Ne me perdas illâ die!
Ne me perdas illâ die!


Oro supplex et acclínis,<br>
Oro supplex et acclínis,
Cor contrítum quasi cinis:<br>
Cor contrítum quasi cinis:
Gere curam mei finis.)
Gere curam mei finis.)


'''4.''' (O) Rex treméndæ majestátis,<br>
'''4.''' (O) Rex treméndæ majestátis,
Qui salvándos salvas gratis,<br>
Qui salvándos salvas gratis,
Salva me, fons pietátis!
Salva me, fons pietátis!


Recordáre Jesu pie,<br>
Recordáre Jesu pie,
Quod sum causa tuæ viæ:<br>
Quod sum causa tuæ viæ:
Ne me perdas illâ die!
Ne me perdas illâ die!


Confutátis maledíctis, (Jesu,)<br>
Confutátis maledíctis, (Jesu,)
Flammis ácribus addíctis,<br>
Flammis ácribus addíctis,
Voca me [cum benedíctis.]<br>
Voca me [cum benedíctis.]
(et de profúndo lacu!<br>
(et de profúndo lacu!
Líbera me de ore léonis,<br>
Líbera me de ore léonis,
Ne cadam in obscurum.<br>
Ne cadam in obscurum.
Ne absórbeat me Tártarus!)
Ne absórbeat me Tártarus!)


'''5.''' Quærens me, sedísti lassus:<br>
'''5.''' Quærens me, sedísti lassus:
Redemiísti crucem passus:<br>
Redemiísti crucem passus:
Tantus labor non sit cassus!
Tantus labor non sit cassus!


Juste judex ultiónis,<br>
Juste judex ultiónis,
Donum fac remissiónis,<br>
Donum fac remissiónis,
Ante diem ratiónis!
Ante diem ratiónis!


Ingemisco, tamquam reus:<br>
Ingemisco, tamquam reus:
[Culpa rubet vultus meus:<br>
[Culpa rubet vultus meus:
Parce, Deus,] Supplicánti parce Deus!<br>
Parce, Deus,] Supplicánti parce Deus!
Preces meæ non sunt dignæ:<br>
Preces meæ non sunt dignæ:
Sed tu bonus fac benígne,<br>
Sed tu bonus fac benígne,
Ne perénni cremer igne!
Ne perénni cremer igne!


Qui Maríam absolvísti,<br>
Qui Maríam absolvísti,
Et latrónem exaudísti,<br>
Et latrónem exaudísti,
Mihi quoque spem dedísti.
Mihi quoque spem dedísti.


Inter oves locum præsta,<br>
Inter oves locum præsta,
Et ab hædis me sequéstra,<br>
Et ab hædis me sequéstra,
Státuens in parte dextra!
Státuens in parte dextra!


[Confutátis maledíctis... moved to no. 4;<br>
[Confutátis maledíctis… moved to no. 4;
Oro supplex... moved to no. 3]
Oro supplex… moved to no. 3]


'''6.''' Lacrimósa dies illa,<br>
'''6.''' Lacrimósa dies illa,
Quâ resúrget ex favíllâ<br>
Quâ resúrget ex favíllâ
(Homo reus) Judicándus [homo reus:<br>
(Homo reus) Judicándus [homo reus:
Huic ergo parce Deus.]<br>
Huic ergo parce Deus.]
Pie Jesu Dómine,<br>
Pie Jesu Dómine,
dona eis réquiem (ætérnam, Dómine!)<br>
dona eis réquiem (ætérnam, Dómine!)
[Amen. moved to no. 7]
[Amen. moved to no. 7]


'''7.''' Dómine Jesu Christe, Rex glóriæ,<br>
'''7.''' Dómine Jesu Christe, Rex glóriæ,
líbera ánimas ómnium fidélium defunctórum de pœnis inférni, et de profúndo lacu:<br>
líbera ánimas ómnium fidélium defunctórum de pœnis inférni, et de profúndo lacu:
[líbera eas de ore léonis, ne absórbeat eas tártarus, ne cadant in obscúrum: moved to no. 4]<br>
[líbera eas de ore léonis, ne absórbeat eas tártarus, ne cadant in obscúrum: moved to no. 4]
sed sígnifer sanctus Míchael repræséntet eas in lucem sanctam:<br>
sed sígnifer sanctus Míchael repræséntet eas in lucem sanctam:
Quam olim Abrahæ promisísti, et sémini ejus.<br>
Quam olim Abrahæ promisísti, et sémini ejus.
(Amen.)
(Amen.)


'''8.''' Hóstias et preces tibi [Dómine] laudis offérimus:<br>
'''8.''' Hóstias et preces tibi [Dómine] laudis offérimus:
[tu] súscipe pro animábus illis,<br>
[tu] súscipe pro animábus illis,
quarum hódie memóriam fácimus:<br>
quarum hódie memóriam fácimus:
[fac eas, Dómine, de morte transíre ad vitam.<br>
[fac eas, Dómine, de morte transíre ad vitam.
Quam olim Abrahæ promisísti, et sémini ejus.]
Quam olim Abrahæ promisísti, et sémini ejus.]


'''9.''' Sanctus, Sanctus, Sanctus Dóminus Deus Sábaoth.<br>
'''9.''' Sanctus, Sanctus, Sanctus Dóminus Deus Sábaoth.
Pleni sunt cæli et terra glória tua.<br>
Pleni sunt cæli et terra glória tua.
Hosánna in excélsis.<br>
Hosánna in excélsis.
[Benedíctus qui venit in nómine Dómini.<br>
[Benedíctus qui venit in nómine Dómini.
Hosánna in excélsis.]
Hosánna in excélsis.]


'''10.''' Agnus Dei, qui tollis peccata mundi: dona eis requiem, requiem sempiternam!
'''10.''' Agnus Dei, qui tollis peccata mundi: dona eis requiem, requiem sempiternam!


Te decet hymnus Deus in Sion;<br>
Te decet hymnus Deus in Sion;
Et tibi reddetur votum in Jerusalem;<br>
Et tibi reddetur votum in Jerusalem;
exaudi orationem meam!<br>
exaudi orationem meam!
Ad te caro omnis veniet.
Ad te caro omnis veniet.


Requiem æternam dona defunctis, Domine<br>
Requiem æternam dona defunctis, Domine
et lux perpetua luceat eis, perpetua lux eis luceat!
et lux perpetua luceat eis, perpetua lux eis luceat!


Requiem æternam dona eis, Domine!<br>
Requiem æternam dona eis, Domine!
Et lux perpetua luceat eis<br>
Et lux perpetua luceat eis
cum sanctis tuis in æternum, Domine, quia pius es!<br>
cum sanctis tuis in æternum, Domine, quia pius es!
Amen.
Amen.}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Romantic music]]
[[Category:Romantic music]]

Revision as of 02:25, 18 October 2019

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Arrangement for SATB

1. Requiem et Kyrie. Introït.

  • CPDL #17809:        (Sibelius 4)
Editor: Thomas Lloyd (submitted 2008-07-30).   Score information: Letter, 15 pages, 203 kB   Copyright: Personal
Edition notes: Includes a keyboard version of the original accompaniment. MusicXML source file(s) in compressed .mxl format.

2. Dies iræ. Prosa.

  • CPDL #17810:        (Sibelius 4)
Editor: Thomas Lloyd (submitted 2008-07-30).   Score information: Letter, 16 pages, 201 kB   Copyright: Personal
Edition notes: Includes a keyboard version of the original accompaniment. MusicXML source file(s) in compressed .mxl format.

3. Quid sum miser

  • CPDL #17811:        (Sibelius 4)
Editor: Thomas Lloyd (submitted 2008-07-30).   Score information: Letter, 3 pages, 45 kB   Copyright: Personal
Edition notes: Includes a keyboard version of the original accompaniment. MusicXML source file(s) in compressed .mxl format.

4. Rex tremendæ

  • CPDL #17812:        (Sibelius 4)
Editor: Thomas Lloyd (submitted 2008-07-30).   Score information: Letter, 15 pages, 181 kB   Copyright: Personal
Edition notes: Includes a keyboard version of the original accompaniment. MusicXML source file(s) in compressed .mxl format.

5. Quærens me

  • CPDL #17813:        (Sibelius 4)
Editor: Thomas Lloyd (submitted 2008-07-30).   Score information: Letter, 5 pages, 64 kB   Copyright: Personal
Edition notes: Berlioz's second version, with cut of "Culpa rubet" verse and new connecting passage.
Error.gif Possible error(s) identified. Error summary: Bar 37: the top alto divisi note does not appear in the original 1st tenor part. Includes a keyboard version of the original accompaniment.

6. Lacrimosa

  • CPDL #17814:      (Sibelius 4)
Editor: Thomas Lloyd (submitted 2008-07-30).   Score information: Letter, 14 pages, 208 kB   Copyright: Personal
Edition notes: Includes a keyboard version of the original accompaniment.

7. Offertoire. (Chœur des âmes du Purgatoire.)

8. Hostias

  • CPDL #17815:      (Sibelius 4)
Editor: Thomas Lloyd (submitted 2008-07-30).   Score information: Letter, 2 pages, 44 kB   Copyright: Personal

9a. Sanctus

  • CPDL #17816:      (Sibelius 4)
Editor: Thomas Lloyd (submitted 2008-07-30).   Score information: Letter, 39 pages, 3 kB   Copyright: Personal

9b. Hosanna

  • CPDL #17817:      (Sibelius 4)
Editor: Thomas Lloyd (submitted 2008-07-30).   Score information: Letter, 69 pages, 4 kB   Copyright: Personal

10. Agnus Dei

  • CPDL #17818:      (Sibelius 4)
Editor: Thomas Lloyd (submitted 2008-07-30).   Score information: Letter, 13 pages, 168 kB   Copyright: Personal
Edition notes:Includes a keyboard version of the original accompaniment.

General Information

Title: Grande messe des morts, »Requiem«, Op. 5, H 75
Composer: Hector Berlioz

Number of voices: 6vv   Voicing: SSTTBB
; with contraltos, and tenor solo in Sanctus
Genre: SacredRequiem

Language: Latin
Instruments: Large orchestra, with 4 additional brass orchestras

First published: 1838 (Maurice Schlesinger, Paris); revised version 1853 (G. Ricordi, Milan)

Description: Composed in 1838, this choral work uses the largest orchestral forces of any work prior to the 20th Century.

External websites:

Original text and translations

Berlioz's setting of the traditional text of the mass for the dead reorders and omits some lines. Words in round brackets have been inserted or rearranged from another part of the text. Words denoted in square brackets have been moved to a different place in the text as indicated, or otherwise omitted altogether. Refer to the Requiem page for translations.

Latin.png Latin text

1. Réquiem ætérnam dona eis, Dómine:
et lux perpétua lúceat eis.

Te decet hymnus Deus in Sion,
et tibi reddétur votum in Jerúsalem:
exáudi oratiónem meam,
ad te caro omnis véniet.

Requiem æternam dona (defunctis), Domine:
et lux perpetua luceat eis, (perpetua lux eis luceat!)

Kyrie eleison! Christe eleison! Kyrie eleison!

2. Prosa
Dies iræ, dies illa,
Solvet sæclum in favíllâ:
Quantus tremor est futúrus,
Quando judex est ventúrus!
Teste David cum Sibyllâ.
Cuncta stricte discussúrus!

Tuba mirum spargens sonum
Per sepúlcra regiónum,
Coget omnes ante thronum.

Mors stupébit et natúra,
Cum resúrget creatúra,
Judicánti responsúra.

Liber scriptus proferétur,
In quo totum continétur,
Unde mundus judicétur.

Judex ergo cum sedébit,
Quidquid latet apparébit:
Nil inúltum remanébit.

3. Quid sum miser tunc dictúrus?
Quem patrónum rogatúrus?
Cum vix justus sit secúrus.

[Rex treméndæ… moved to no. 4]

(Recordáre Jesu pie,
Quod sum causa tuæ viæ:
Ne me perdas illâ die!

Oro supplex et acclínis,
Cor contrítum quasi cinis:
Gere curam mei finis.)

4. (O) Rex treméndæ majestátis,
Qui salvándos salvas gratis,
Salva me, fons pietátis!

Recordáre Jesu pie,
Quod sum causa tuæ viæ:
Ne me perdas illâ die!

Confutátis maledíctis, (Jesu,)
Flammis ácribus addíctis,
Voca me [cum benedíctis.]
(et de profúndo lacu!
Líbera me de ore léonis,
Ne cadam in obscurum.
Ne absórbeat me Tártarus!)

5. Quærens me, sedísti lassus:
Redemiísti crucem passus:
Tantus labor non sit cassus!

Juste judex ultiónis,
Donum fac remissiónis,
Ante diem ratiónis!

Ingemisco, tamquam reus:
[Culpa rubet vultus meus:
Parce, Deus,] Supplicánti parce Deus!
Preces meæ non sunt dignæ:
Sed tu bonus fac benígne,
Ne perénni cremer igne!

Qui Maríam absolvísti,
Et latrónem exaudísti,
Mihi quoque spem dedísti.

Inter oves locum præsta,
Et ab hædis me sequéstra,
Státuens in parte dextra!

[Confutátis maledíctis… moved to no. 4;
Oro supplex… moved to no. 3]

6. Lacrimósa dies illa,
Quâ resúrget ex favíllâ
(Homo reus) Judicándus [homo reus:
Huic ergo parce Deus.]
Pie Jesu Dómine,
dona eis réquiem (ætérnam, Dómine!)
[Amen. moved to no. 7]

7. Dómine Jesu Christe, Rex glóriæ,
líbera ánimas ómnium fidélium defunctórum de pœnis inférni, et de profúndo lacu:
[líbera eas de ore léonis, ne absórbeat eas tártarus, ne cadant in obscúrum: moved to no. 4]
sed sígnifer sanctus Míchael repræséntet eas in lucem sanctam:
Quam olim Abrahæ promisísti, et sémini ejus.
(Amen.)

8. Hóstias et preces tibi [Dómine] laudis offérimus:
[tu] súscipe pro animábus illis,
quarum hódie memóriam fácimus:
[fac eas, Dómine, de morte transíre ad vitam.
Quam olim Abrahæ promisísti, et sémini ejus.]

9. Sanctus, Sanctus, Sanctus Dóminus Deus Sábaoth.
Pleni sunt cæli et terra glória tua.
Hosánna in excélsis.
[Benedíctus qui venit in nómine Dómini.
Hosánna in excélsis.]

10. Agnus Dei, qui tollis peccata mundi: dona eis requiem, requiem sempiternam!

Te decet hymnus Deus in Sion;
Et tibi reddetur votum in Jerusalem;
exaudi orationem meam!
Ad te caro omnis veniet.

Requiem æternam dona defunctis, Domine
et lux perpetua luceat eis, perpetua lux eis luceat!

Requiem æternam dona eis, Domine!
Et lux perpetua luceat eis
cum sanctis tuis in æternum, Domine, quia pius es!
Amen.