Hail, bright Cecilia, Z 328 (Henry Purcell): Difference between revisions

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(→‎Music files: Merged movements here)
(Merged #21024 here)
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{{Merge|Hark! each tree its silence breaks, Z 328/3 (Henry Purcell)}}
{{Merge|Thou tun'st this world below, Z 328/6 (Henry Purcell)}}
{{Merge|In vain the amorous flute, Z 328/10 (Henry Purcell)}}
{{Merge|In vain the amorous flute, Z 328/10 (Henry Purcell)}}
==Music files==
==Music files==
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*{{CPDLno|11327}} [http://www.drdrbill.com/music.html {{net}}]
*{{CPDLno|11327}} [http://www.drdrbill.com/music.html {{net}}]
{{Editor|William Long|2006-03-24}}{{ScoreInfo|Letter|16|124}}{{Copy|Personal}}
{{Editor|William Long|2006-03-24}}{{ScoreInfo|Letter|16|124}}{{Copy|Personal}}
:'''Edition notes:'''
:'''Edition notes:''' Solo AT
 
'''#6 Thou tun'st this world below'''
*{{CPDLno|21024}} [http://www.drdrbill.com/music.html {{net}}]
{{Editor|William Long|2010-02-15}}{{ScoreInfo|Letter|4|564}}{{Copy|Personal}}
:'''Edition notes:''' The version in Orpheus Britannicus is in g minor, opening with a symphony for two oboes. This version is in d minor with the symphony arranged for two treble recorders. Includes solo and instrumental parts as well as full score.


==General Information==
==General Information==
Line 62: Line 65:


==Original text and translations==
==Original text and translations==
{{NoText}}
{{Text|English|
'''#3'''
Hark! hark! each Tree its silence breaks;
the ''Box'' and ''Firr'' to talk begin;
Hark! this in the sprightly ''Violin'',
That in the ''Flute'' distinctly speaks;
This in the Sprightly ''Violin'' distinctly speaks;
'Twas Sympathy their list'ning Brethren drew;
When to the ''Thracian'' Lyre with leafy wings they flew.
 
'''#6'''
Thou Tun'st this World below, the Sphears above,
who in the Heav'nly round to their own Musick move.}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Baroque music]]
[[Category:Baroque music]]

Revision as of 12:55, 17 April 2017

Music files

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All movements

  • (Posted 2017-04-13)  CPDL #44033:   
Editor: David Cameron (submitted 2017-04-13).   Score information: Letter, 49 pages, 1.26 MB   Copyright: CC BY NC SA
Edition notes: Harpsichord continuo realization to match Full Score CPDL #44025
  • (Posted 2017-04-13)  CPDL #44032:   
Editor: David Cameron (submitted 2017-04-13).   Score information: Letter, 89 pages, 2.27 MB   Copyright: CC BY NC SA
Edition notes: Choruses only with piano reduction of orchestral accompaniment
  • (Posted 2017-04-13)  CPDL #44031:   
Editor: David Cameron (submitted 2017-04-13).   Score information: Letter, 89 pages, 2.27 MB   Copyright: CC BY NC SA
Edition notes: Choruses only with piano reduction of orchestral accompaniment
  • (Posted 2017-04-13)  CPDL #44030:   
Editor: David Cameron (submitted 2017-04-13).   Score information: Letter, 89 pages, 2.27 MB   Copyright: CC BY NC SA
Edition notes: Choruses only with piano reduction of orchestral accompaniment
  • (Posted 2017-04-13)  CPDL #44028:   
Editor: David Cameron (submitted 2017-04-13).   Score information: Letter, 87 pages, 2 MB   Copyright: CC BY NC SA
Edition notes: Complete vocal score to match Full Score CPDL #44025.

Piano reduction of accompaniment.

  • (Posted 2017-04-13)  CPDL #44027:   
Editor: David Cameron (submitted 2017-04-13).   Score information: Letter, 164 pages, 7.19 MB   Copyright: CC BY NC SA
Edition notes: All parts in one file, Violins 1 & 2, Viola, Cello/Bass, Bassoon, Trumpets 1 & 2 (in either B flat or D), Timpani, Flutes (Recorders) 1 & 2, Oboes 1 & 2
  • (Posted 2017-04-13)  CPDL #44026:   
Editor: David Cameron (submitted 2017-04-13).   Score information: Letter, 194 pages, 2.97 MB   Copyright: CC BY NC SA
Edition notes: Edition based on 1848 version edited by Edward F. Rimbault, with added continuo realization and editorial notes.

Vocal Score, Choir Part, instrumental parts, and separate harpsichord part available separately on this page.

  • (Posted 2017-04-13)  CPDL #44025:   
Editor: David Cameron (submitted 2017-04-13).   Score information: Letter, 194 pages, 2.97 MB   Copyright: CC BY NC SA
Edition notes: Edition based on 1848 version edited by Edward F. Rimbault, with added continuo realization and editorial notes.

Vocal Score, Choir Part, instrumental parts, and separate harpsichord part available separately on this page.

Separate movements #3 Hark! each tree its silence breaks

  • CPDL #11327:  Network.png
Editor: William Long (submitted 2006-03-24).   Score information: Letter, 16 pages, 124 kB   Copyright: Personal
Edition notes: Solo AT

#6 Thou tun'st this world below

  • CPDL #21024:  Network.png
Editor: William Long (submitted 2010-02-15).   Score information: Letter, 4 pages, 564 kB   Copyright: Personal
Edition notes: The version in Orpheus Britannicus is in g minor, opening with a symphony for two oboes. This version is in d minor with the symphony arranged for two treble recorders. Includes solo and instrumental parts as well as full score.

General Information

Title: Hail, bright Cecilia Z. 328
Composer: Henry Purcell
Lyricist: Nicholas Brady

Number of voices: 4vv   Voicing: SATB

Genre: SecularCantataOde for St. Cecilia's Day 1692

Language: English
Instruments: Orchestra

{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.

Description: Also known as "Ode to St. Cecilia". Although much of the Ode is for SATB and soli, there is divisi to SAATTB in No. 13

External websites:

Original text and translations

English.png English text

#3
Hark! hark! each Tree its silence breaks;
the Box and Firr to talk begin;
Hark! this in the sprightly Violin,
That in the Flute distinctly speaks;
This in the Sprightly Violin distinctly speaks;
'Twas Sympathy their list'ning Brethren drew;
When to the Thracian Lyre with leafy wings they flew.

#6
Thou Tun'st this World below, the Sphears above,
who in the Heav'nly round to their own Musick move.