Magnificat tertii toni (Ludwig Senfl): Difference between revisions

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{{Voicing|4|SATB}}<br>
{{Voicing|4|SATB}}<br>
{{Genre|Sacred|Motets}}
{{Genre|Sacred|Motets|Evening Canticles}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1537}}
{{Pub|1|1537|{{NoCo|Magnificat Octo Tonorum}}}}


'''Description:''' A mostly four-part setting of the even verses of the magnificat. The setting uses melodic material from the gregorian third tone chantformula for the canticles.  
'''Description:''' A mostly four-part ("Esurientes" is for 3vv) setting of the even verses of the magnificat. The setting uses melodic material from the gregorian third tone chantformula for the canticles.  


'''External websites:'''  
'''External websites:'''  


==Original text and translations==
==Original text and translations==
{{NoText}}
{{LinkText|Magnificat}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Revision as of 20:12, 10 February 2020

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  • (Posted 2020-02-10)  CPDL #57001:       
Editor: Andreas Stenberg (submitted 2020-02-10).   Score information: A4, 12 pages, 143 kB   Copyright: CPDL
Edition notes: Semi-diplomatoric editon: Modern clefs, ficta added very sparingly, original note-values and key. The odd verses are added in chant.

General Information

Title: Magnificat Tercii Toni
Composer: Ludwig Senfl
Lyricist:

Number of voices: 4vv   Voicing: SATB

Genre: SacredMotetEvening Canticles

Language: Latin
Instruments: A cappella

First published: 1537 Magnificat Octo Tonorum

Description: A mostly four-part ("Esurientes" is for 3vv) setting of the even verses of the magnificat. The setting uses melodic material from the gregorian third tone chantformula for the canticles.

External websites:

Original text and translations

Original text and translations may be found at Magnificat.