Magnificat and Nunc dimittis in E minor (William Bennett): Difference between revisions
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'''Description:''' From | '''Description:''' From pp95-100 of [[A New Set of Psalm Tunes and Anthems (William Bennett)|''A New set of Psalm Tunes and Anthems, in four Parts, for the Use of Country Choirs'']]. In that source, the Magnificat is printed on pp95-98, including the concluding doxology: the Nunc Dimittis is printed without doxology, on pp99-100, followed by a note 'Glory Patri as Magnificat'. | ||
"Country Choirs" is a term often used to mean choirs in parish churches and proprietary chapels, as yet without an organ installed. Other instruments were employed instead (particularly 'cello or bassoon to reinforce the bass). Bennett has provided sufficient clues (cues) to indicate that he intended a bass instrument to be employed in this piece. The editorial keyboard reduction should be used only for practice, and not performance. If a bass instrument is available, there are short sections in which the Bass singers should remain silent; at those places the underlay is written in parentheses []. | |||
'''External websites:''' | '''External websites:''' |
Revision as of 17:30, 8 June 2018
Music files
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- Editor: Christopher Shaw (submitted 2018-06-02). Score information: A4, 11 pages, 178 kB Copyright: Personal
- Edition notes: Please click on the link for preview/playback/PDF download.
General Information
Title: Magnificat and Nunc dimittis in E minor
Composer: William Bennett
Lyricist:
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Evening Canticles
Language: English
Instruments: Cello
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: From pp95-100 of A New set of Psalm Tunes and Anthems, in four Parts, for the Use of Country Choirs. In that source, the Magnificat is printed on pp95-98, including the concluding doxology: the Nunc Dimittis is printed without doxology, on pp99-100, followed by a note 'Glory Patri as Magnificat'.
"Country Choirs" is a term often used to mean choirs in parish churches and proprietary chapels, as yet without an organ installed. Other instruments were employed instead (particularly 'cello or bassoon to reinforce the bass). Bennett has provided sufficient clues (cues) to indicate that he intended a bass instrument to be employed in this piece. The editorial keyboard reduction should be used only for practice, and not performance. If a bass instrument is available, there are short sections in which the Bass singers should remain silent; at those places the underlay is written in parentheses [].
External websites:
Original text and translations
Original text and translations may be found at Magnificat and Nunc dimittis.