Missa pro defunctis (Antoine Brumel): Difference between revisions

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{{#Legend:}}
{{#Legend:}}
===Complete work===
===Complete work===
*{{CPDLno|21644}} [[Media:Brumel_M_Pro_Defunctis.pdf|{{pdf}}]] [[Media:Brumel_M_Pro_Defunctis.mid|{{mid}}]]
*{{PostedDate|2010-05-21}} {{CPDLno|21644}} [[Media:Brumel_M_Pro_Defunctis.pdf|{{pdf}}]] [[Media:Brumel_M_Pro_Defunctis.mid|{{mid}}]] [[Media:Brumel_M_Pro_Defunctis.mxl|{{XML}}]]
{{Editor|Tim Risher|2010-05-21}}{{ScoreInfo|Letter|23|756}}{{Copy|CPDL}}
{{Editor|Tim Risher|2010-05-21}}{{ScoreInfo|Letter|23|756}}{{Copy|CPDL}}
:'''Edition notes:'''
:{{EdNotes|}}


===Individual movements===
===Individual movements===


====''Introitus''====
====''Introitus''====
*{{CPDLno|21582}} [[Media:1Introitus.pdf|{{pdf}}]]
*{{PostedDate|2010-05-07}} {{CPDLno|21582}} [[Media:1Introitus.pdf|{{pdf}}]]
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|6|165}}{{Copy|CPDL}}
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|6|165}}{{Copy|CPDL}}
:'''Edition notes:''' Note values are halved. Suggested accidentals are above notes.
:{{EdNotes|Note values are halved. Suggested accidentals are above notes.}}


====''Kyrie''====
====''Kyrie''====
*{{CPDLno|21583}} [[Media:2Kyrie.pdf|{{pdf}}]]
*{{PostedDate|2010-05-07}} {{CPDLno|21583}} [[Media:2Kyrie.pdf|{{pdf}}]]
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|108}}{{Copy|CPDL}}
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|108}}{{Copy|CPDL}}
:'''Edition notes:''' Original key, note values are halved.
:{{EdNotes|Original key, note values are halved.}}


====''Sequentia''====
====''Sequentia''====
*{{CPDLno|21584}} [[Media:3Sequentia.pdf|{{pdf}}]]
*{{PostedDate|2010-05-07}} {{CPDLno|21584}} [[Media:3Sequentia.pdf|{{pdf}}]]
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|7|218}}{{Copy|CPDL}}
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|7|218}}{{Copy|CPDL}}
:'''Edition notes:''' Note values are halved. Brumel used the same music for several verses; and I would think they are to be played in sequential order, therefore, that calls for a lot of jumping around in the score!
:{{EdNotes|Note values are halved. Brumel used the same music for several verses; and I would think they are to be played in sequential order, therefore, that calls for a lot of jumping around in the score!}}


====''Sanctus''====
====''Sanctus''====
*{{CPDLno|21585}} [[Media:4Sanctus.pdf|{{pdf}}]]
*{{PostedDate|2010-05-07}} {{CPDLno|21585}} [[Media:4Sanctus.pdf|{{pdf}}]]
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|2|96}}{{Copy|CPDL}}
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|2|96}}{{Copy|CPDL}}
:'''Edition notes:''' Note values are halved.
:{{EdNotes|Note values are halved.}}


====''Agnus Dei''====
====''Agnus Dei''====
*{{CPDLno|21586}} [[Media:5Agnus_Dei.pdf|{{pdf}}]]
*{{PostedDate|2010-05-07}} {{CPDLno|21586}} [[Media:5Agnus_Dei.pdf|{{pdf}}]]
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|92}}{{Copy|CPDL}}
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|92}}{{Copy|CPDL}}
:'''Edition notes:''' Note values are halved. I have written out the repeat of the first Agnus.
:{{EdNotes|Note values are halved. I have written out the repeat of the first Agnus.}}


====''Communio''====
====''Communio''====
*{{CPDLno|21587}} [[Media:6Communio.pdf|{{pdf}}]]
*{{PostedDate|2010-05-07}} {{CPDLno|21587}} [[Media:6Communio.pdf|{{pdf}}]]
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|107}}{{Copy|CPDL}}
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|107}}{{Copy|CPDL}}
:'''Edition notes:''' Note values are halved, but I changed the "cut time" time signature to "C", as the values were already quite short in this movement. I decided, however, to halve them, as I thought it would look odd in contrast to the other movements. This movement is also written at a higher pitch level than the previous movements, perhaps Brumel was employing a bit of word painting!
:{{EdNotes|Note values are halved, but I changed the "cut time" time signature to "C", as the values were already quite short in this movement. I decided, however, to halve them, as I thought it would look odd in contrast to the other movements. This movement is also written at a higher pitch level than the previous movements, perhaps Brumel was employing a bit of word painting!}}


==General Information==
==General Information==
'''Title:''' ''Missa Pro Defunctis''<br>
{{Title|''Missa Pro Defunctis''}}
{{Composer|Antoine Brumel}}
{{Composer|Antoine Brumel}}


{{Voicing|4|ATTB}}<br>
{{Voicing|4|ATTB}}
{{Genre|Sacred|Requiems|sort=Brumel, Antoine}}
{{Genre|Sacred|Requiems|sort=Brumel, Antoine}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|}}
{{Pub|1|1516|in {{NoComp|Liber quindecim missarum electarum|Andrea Antico}}, Rome: Andrea Antico|no=15|pg=156}}
 
{{Pub|2|1522|in {{NoComp|Missarum decem liber primus|Jacopo Giunta}}, Rome: Jacopo Giunta|no=8}}
'''Description:''' The ''Missa pro defunctis'' first appeared in a collection of masses released by Andreas de Antiquis in 1519. It must have achieved a certain amount of fame, as it appeared again in another collection, put together by Giacomo Junta in 1522.
{{Pub|3|1959|in ''[[Das Chorwerk]]''|no=68}}
 
{{Descr|The ''Missa pro defunctis'' first appeared in a collection of masses released by Andreas de Antiquis in 1516. It must have achieved a certain amount of fame, as it appeared again in another collection, put together by Giacomo Junta in 1522. Brumel's ''Missa pro defunctis'' for four voices, a late work, is notable for being the first Requiem to include a polyphonic setting of the ''Dies Iræ''. Each movement is apparently based on a plainchant, but not all can be identified today. The unknown chants are in the ''Christe'', ''Sanctus'' and ''Agnus Dei''; the others can be found in the ''Liber Usualis''.}}
Brumel's ''Missa pro defunctis'' for four voices, a late work, is notable for being the first Requiem to include a polyphonic setting of the ''Dies Iræ''. Each movement is apparently based on a plainchant, but not all can be identified today. The unknown chants are in the ''Christe'', ''Sanctus'' and ''Agnus Dei''; the others can be found in the Liber Usualis.
{{#ExtWeb:}}
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{MassText|Requiem}}
{{MassText|Requiem|t=}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Latest revision as of 22:20, 26 December 2022

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Complete work

  • (Posted 2010-05-21)  CPDL #21644:       
Editor: Tim Risher (submitted 2010-05-21).   Score information: Letter, 23 pages, 756 kB   Copyright: CPDL
Edition notes:

Individual movements

Introitus

  • (Posted 2010-05-07)  CPDL #21582:   
Editor: Tim Risher (submitted 2010-05-07).   Score information: Letter, 6 pages, 165 kB   Copyright: CPDL
Edition notes: Note values are halved. Suggested accidentals are above notes.

Kyrie

  • (Posted 2010-05-07)  CPDL #21583:   
Editor: Tim Risher (submitted 2010-05-07).   Score information: Letter, 3 pages, 108 kB   Copyright: CPDL
Edition notes: Original key, note values are halved.

Sequentia

  • (Posted 2010-05-07)  CPDL #21584:   
Editor: Tim Risher (submitted 2010-05-07).   Score information: Letter, 7 pages, 218 kB   Copyright: CPDL
Edition notes: Note values are halved. Brumel used the same music for several verses; and I would think they are to be played in sequential order, therefore, that calls for a lot of jumping around in the score!

Sanctus

  • (Posted 2010-05-07)  CPDL #21585:   
Editor: Tim Risher (submitted 2010-05-07).   Score information: Letter, 2 pages, 96 kB   Copyright: CPDL
Edition notes: Note values are halved.

Agnus Dei

  • (Posted 2010-05-07)  CPDL #21586:   
Editor: Tim Risher (submitted 2010-05-07).   Score information: Letter, 3 pages, 92 kB   Copyright: CPDL
Edition notes: Note values are halved. I have written out the repeat of the first Agnus.

Communio

  • (Posted 2010-05-07)  CPDL #21587:   
Editor: Tim Risher (submitted 2010-05-07).   Score information: Letter, 3 pages, 107 kB   Copyright: CPDL
Edition notes: Note values are halved, but I changed the "cut time" time signature to "C", as the values were already quite short in this movement. I decided, however, to halve them, as I thought it would look odd in contrast to the other movements. This movement is also written at a higher pitch level than the previous movements, perhaps Brumel was employing a bit of word painting!

General Information

Title: Missa Pro Defunctis
Composer: Antoine Brumel

Number of voices: 4vv   Voicing: ATTB
Genre: SacredRequiem

Language: Latin
Instruments: A cappella

First published: 1516 in Liber quindecim missarum electarum, Rome: Andrea Antico, no. 15, p. 156
    2nd published: 1522 in Missarum decem liber primus, Rome: Jacopo Giunta, no. 8
    3rd published: 1959 in Das Chorwerk, no. 68
Description: The Missa pro defunctis first appeared in a collection of masses released by Andreas de Antiquis in 1516. It must have achieved a certain amount of fame, as it appeared again in another collection, put together by Giacomo Junta in 1522. Brumel's Missa pro defunctis for four voices, a late work, is notable for being the first Requiem to include a polyphonic setting of the Dies Iræ. Each movement is apparently based on a plainchant, but not all can be identified today. The unknown chants are in the Christe, Sanctus and Agnus Dei; the others can be found in the Liber Usualis.

External websites:

Original text and translations

For information, refer to the Requiem page. For texts and translations, see the individual pages:

Intr: RequiemKyrieDies irae • Off: Domine Jesu ChristeSanctus & BenedictusAgnus Dei • Comm: Lux aeterna