Missa pro defunctis (Antoine Brumel): Difference between revisions
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*{{CPDLno|21644}} [[Media:Brumel_M_Pro_Defunctis.pdf|{{pdf}}]] [[Media:Brumel_M_Pro_Defunctis.mid|{{mid}}]] | *{{CPDLno|21644}} [[Media:Brumel_M_Pro_Defunctis.pdf|{{pdf}}]] [[Media:Brumel_M_Pro_Defunctis.mid|{{mid}}]] [[Media:Brumel_M_Pro_Defunctis.mxl|{{XML}}]] | ||
{{Editor|Tim Risher|2010-05-21}}{{ScoreInfo|Letter|23|756}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-21}}{{ScoreInfo|Letter|23|756}}{{Copy|CPDL}} | ||
:'''Edition notes:''' | :'''Edition notes:''' |
Revision as of 21:25, 8 January 2020
Music files
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Complete work
- Editor: Tim Risher (submitted 2010-05-21). Score information: Letter, 23 pages, 756 kB Copyright: CPDL
- Edition notes:
Individual movements
Introitus
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 6 pages, 165 kB Copyright: CPDL
- Edition notes: Note values are halved. Suggested accidentals are above notes.
Kyrie
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 3 pages, 108 kB Copyright: CPDL
- Edition notes: Original key, note values are halved.
Sequentia
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 7 pages, 218 kB Copyright: CPDL
- Edition notes: Note values are halved. Brumel used the same music for several verses; and I would think they are to be played in sequential order, therefore, that calls for a lot of jumping around in the score!
Sanctus
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 2 pages, 96 kB Copyright: CPDL
- Edition notes: Note values are halved.
Agnus Dei
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 3 pages, 92 kB Copyright: CPDL
- Edition notes: Note values are halved. I have written out the repeat of the first Agnus.
Communio
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 3 pages, 107 kB Copyright: CPDL
- Edition notes: Note values are halved, but I changed the "cut time" time signature to "C", as the values were already quite short in this movement. I decided, however, to halve them, as I thought it would look odd in contrast to the other movements. This movement is also written at a higher pitch level than the previous movements, perhaps Brumel was employing a bit of word painting!
General Information
Title: Missa Pro Defunctis
Composer: Antoine Brumel
Number of voices: 4vv Voicing: ATTB
Genre: Sacred, Requiem
Language: Latin
Instruments: A cappella
First published:
Description: The Missa pro defunctis first appeared in a collection of masses released by Andreas de Antiquis in 1519. It must have achieved a certain amount of fame, as it appeared again in another collection, put together by Giacomo Junta in 1522.
Brumel's Missa pro defunctis for four voices, a late work, is notable for being the first Requiem to include a polyphonic setting of the Dies Iræ. Each movement is apparently based on a plainchant, but not all can be identified today. The unknown chants are in the Christe, Sanctus and Agnus Dei; the others can be found in the Liber Usualis.
External websites:
Original text and translations
For information, refer to the Requiem page. For texts and translations, see the individual pages:
- Intr: Requiem • Kyrie • Tr: Absolve Domine • Dies irae • Off: Domine Jesu Christe • Sanctus & Benedictus • Agnus Dei • Comm: Lux aeterna