Mortals awake, with angels join (from A Fourth Set of Psalm Tunes) (Thomas Clark): Difference between revisions
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* | *{{CPDLno|32702}} [{{filepath:ClarT-MortalsAwake.pdf}} {{pdf}}] [{{filepath:ClarT-MortalsAwake.mid}} {{mid}}] [{{filepath:ClarT-MortalsAwake.sib}} Sibelius 7] | ||
{{Editor|Edmund Gooch|2014-08-14}}{{ScoreInfo|A4|8|134}}{{Copy|Public Domain}} | {{Editor|Edmund Gooch|2014-08-14}}{{ScoreInfo|A4|8|134}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' The last crotchet of bar 135 in the tenor part, given here as A, is printed as the G a tone below in the source. The original order of parts is 2nd - 1st - [Instrumental bass] for the opening symphony. Other symphonies are printed on the vocal staves, at the pitches given here. Chorus sections are printed in the source with the staves in the order Tenor - [Alto] - Treble - [Bass] - [Instrumental bass]. The order of staves in the source for the 'Duetto' at bars 62-90 is Treble - [Bass] - [Instrumental bass]. The order of staves in the source for the 'Trio' at bars 91-107 is in 2d Treble or Tenor - Treble - [Bass] - [Instrumental bass]. The vocal alto part is printed in the treble clef an octave above sounding pitch throughout (including the alto solo at bars 35-46). | :'''Edition notes:''' The last crotchet of bar 135 in the tenor part, given here as A, is printed as the G a tone below in the source. The original order of parts is 2nd - 1st - [Instrumental bass] for the opening symphony. Other symphonies are printed on the vocal staves, at the pitches given here. Chorus sections are printed in the source with the staves in the order Tenor - [Alto] - Treble - [Bass] - [Instrumental bass]. The order of staves in the source for the 'Duetto' at bars 62-90 is Treble - [Bass] - [Instrumental bass]. The order of staves in the source for the 'Trio' at bars 91-107 is in 2d Treble or Tenor - Treble - [Bass] - [Instrumental bass]. The vocal alto part is printed in the treble clef an octave above sounding pitch throughout (including the alto solo at bars 35-46). | ||
Revision as of 20:25, 2 February 2015
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- CPDL #32702:
Sibelius 7
- Editor: Edmund Gooch (submitted 2014-08-14). Score information: A4, 8 pages, 134 kB Copyright: Public Domain
- Edition notes: The last crotchet of bar 135 in the tenor part, given here as A, is printed as the G a tone below in the source. The original order of parts is 2nd - 1st - [Instrumental bass] for the opening symphony. Other symphonies are printed on the vocal staves, at the pitches given here. Chorus sections are printed in the source with the staves in the order Tenor - [Alto] - Treble - [Bass] - [Instrumental bass]. The order of staves in the source for the 'Duetto' at bars 62-90 is Treble - [Bass] - [Instrumental bass]. The order of staves in the source for the 'Trio' at bars 91-107 is in 2d Treble or Tenor - Treble - [Bass] - [Instrumental bass]. The vocal alto part is printed in the treble clef an octave above sounding pitch throughout (including the alto solo at bars 35-46).
General Information
Title: Mortals awake, with angels join
Composer: Thomas Clark
Lyricist: Samuel Medley
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Anthem
Language: English
Instruments: Basso continuo
Published: 1810
Description: This set-piece (through-composed setting of a metrical text) was published on pp31-37 of Thomas Clark's A Fourth Set of Psalm Tunes, London: [c1810]. The same text was also set by Clark to a hymn tune 'Incarnation' in his collection A Fifth Set of Psalm and Hymn Tunes, London: [c1809]: for that setting, see Mortals awake, with angels join (Incarnation).
External websites:
Original text and translations
Original text and translations may be found at Mortals awake, with angels join.