Novello's Part-Song Book (2nd series), Vol. 12: Difference between revisions
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'''Voicing of works:''' SATB and keyboard. | '''Voicing of works:''' SATB and keyboard. | ||
{{PubDatePlace| | {{PubDatePlace|1879|by Novello, Ewer & Co., London, England.| }} | ||
==External links== | ==External links== | ||
Line 39: | Line 39: | ||
|358 | |358 | ||
|129 | |129 | ||
| [[At the coming of the | | [[At the coming of the Spring (John Liptrot Hatton)| At the coming of the Spring]] | ||
| [[John Liptrot Hatton]] | | [[John Liptrot Hatton]] | ||
|- | |- | ||
|353 | |353 | ||
|93 | |93 | ||
| [[Autumn (Alexander Campbell Mackenzie)| Autumn]] | | [[Autumn, Op.8, no.3 (Alexander Campbell Mackenzie)| Autumn]] | ||
| [[Alexander Campbell Mackenzie]] | | [[Alexander Campbell Mackenzie]] | ||
|- | |- | ||
|359 | |359 | ||
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|57 | |57 | ||
| [[Lockung, Op. 3, No. 1 (Fanny Hensel)| Dost thou hear the trees that rustle]] | | [[Lockung, Op. 3, No. 1 (Fanny Hensel)| Dost thou hear the trees that rustle]] | ||
| [[Fanny Hensel]] | | [[Fanny Hensel]] | ||
|- | |- | ||
|361 | |361 | ||
Line 79: | Line 79: | ||
|357 | |357 | ||
|119 | |119 | ||
| [[Hail to the | | [[Hail to the Chief (Ebenezer Prout)| Hail to the Chief]] | ||
| [[Ebenezer Prout]] | | [[Ebenezer Prout]] | ||
|- | |- | ||
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|151 | |151 | ||
| [[He that hath a pleasant face (John Liptrot Hatton)| He that hath a pleasant face]] | | [[He that hath a pleasant face (John Liptrot Hatton)| He that hath a pleasant face]] | ||
| [[John Liptrot Hatton]] | | [[John Liptrot Hatton]] | ||
|- | |- | ||
|340 | |340 | ||
|27 | |27 | ||
| [[Home that I love (Franz Wilhelm Abt)| Home that I love]] | | [[Home that I love (Franz Wilhelm Abt)| Home that I love]] | ||
| [[Franz Wilhelm Abt]] | | [[Franz Wilhelm Abt]] | ||
|- | |- | ||
|352 | |352 | ||
|86 | |86 | ||
| [[How I love the festive boy (Alexander Campbell Mackenzie)| How I love the festive boy]] | | [[How I love the festive boy (Alexander Campbell Mackenzie)| How I love the festive boy]] | ||
| [[Alexander Campbell Mackenzie]] | | [[Alexander Campbell Mackenzie]] | ||
|- | |- | ||
|348 | |348 | ||
|67 | |67 | ||
| [[Seid gegrüsst (Herbstlied), Op. 3, No. 3 (Fanny Hensel)| In Autumn]] | | [[Seid gegrüsst (Herbstlied), Op. 3, No. 3 (Fanny Hensel)| In Autumn]] | ||
| [[Fanny Hensel]] | | [[Fanny Hensel]] | ||
|- | |- | ||
|363 | |363 | ||
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|71 | |71 | ||
| [[Morgengruß, Op. 3, No. 4 (Fanny Hensel)| Morning greeting]] | | [[Morgengruß, Op. 3, No. 4 (Fanny Hensel)| Morning greeting]] | ||
| [[Fanny Hensel]] | | [[Fanny Hensel]] | ||
|- | |- | ||
|344 | |344 | ||
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|37 | |37 | ||
| [[O thou world so fair (Franz Wilhelm Abt)| O thou world so fair]] | | [[O thou world so fair (Franz Wilhelm Abt)| O thou world so fair]] | ||
| [[Franz Wilhelm Abt]] | | [[Franz Wilhelm Abt]] | ||
|- | |- | ||
|343 | |343 | ||
|43 | |43 | ||
| [[Spring's awaking (Franz Wilhelm Abt)| Spring's awaking]] | | [[Spring's awaking (Franz Wilhelm Abt)| Spring's awaking]] | ||
| [[Franz Wilhelm Abt]] | | [[Franz Wilhelm Abt]] | ||
|- | |- | ||
|337 | |337 | ||
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|355 | |355 | ||
|109 | |109 | ||
| [[The day of love (Alexander Campbell Mackenzie)| The day of love]] | | [[The day of love, Op.8, no.5 (Alexander Campbell Mackenzie)| The day of love]] | ||
| [[Alexander Campbell Mackenzie]] | | [[Alexander Campbell Mackenzie]] | ||
|- | |- | ||
Line 155: | Line 155: | ||
|8 | |8 | ||
| [[The fairest time (Robert Franz)| The fairest time]] | | [[The fairest time (Robert Franz)| The fairest time]] | ||
| [[Robert Franz]] | | [[Robert Franz]] | ||
|- | |- | ||
|356 | |356 | ||
|115 | |115 | ||
| [[The stars are with the voyager (Alexander Campbell Mackenzie)| The stars are with the voyager]] | | [[The stars are with the voyager, Op.8, no.7 (Alexander Campbell Mackenzie)| The stars are with the voyager]] | ||
| [[Alexander Campbell Mackenzie]] | | [[Alexander Campbell Mackenzie]] | ||
|- | |- | ||
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|77 | |77 | ||
| [[Abendlich schon rauscht der Wald, Op. 3, No. 5 (Fanny Hensel)| The woodland valley]] | | [[Abendlich schon rauscht der Wald, Op. 3, No. 5 (Fanny Hensel)| The woodland valley]] | ||
| [[Fanny Hensel]] | | [[Fanny Hensel]] | ||
|- | |- | ||
|354 | |354 | ||
|97 | |97 | ||
| [[When spring begems the dewy scene (Alexander Campbell Mackenzie)| When spring begems the dewy scene]] | | [[When spring begems the dewy scene, Op.8, no.4 (Alexander Campbell Mackenzie)| When spring begems the dewy scene]] | ||
| [[Alexander Campbell Mackenzie]] | | [[Alexander Campbell Mackenzie]] | ||
|- | |- | ||
|351 | |351 | ||
|80 | |80 | ||
| [[ | | [[Im Wald, Op. 3, No. 6 (Fanny Hensel)| When woods are glowing]] | ||
| [[Fanny Hensel]] | | [[Fanny Hensel]] | ||
|- | |- | ||
|} | |} | ||
==Works at CPDL== | ==Works at CPDL== | ||
{{MultiPubList|seq,yr,com,lyr,gen,subg,vo,voices,instr| | {{MultiPubList|seq,yr,com,lyr,gen,subg,vo,voices,instr|1879}} | ||
[[Category:Music publications]] | [[Category:Music publications]] |
Latest revision as of 16:57, 21 November 2020
General information
Title: Novello's Part-Song Book (2nd series), Vol. 12
Publisher: Novello, Ewer & Co.
Voicing of works: SATB and keyboard.
Publication date and place: 1879 by Novello, Ewer & Co., London, England.
External links
Contents
Tips:
- Titles which appear in blue are hyperlinks to the score page on CPDL - click on them for free editions.
- Click on column title to sort.
Works at CPDL
No. | Title | Year | Composer | Lyricist | Genre | Subgenre | Vo. | Voices | Instruments |
---|---|---|---|---|---|---|---|---|---|
334 | Es ist ein Schnee gefallen | 1856 | Robert Franz | Wernher von Tegernsee | Secular | Partsongs | 4 | SATB | Keyboard reduction or a cappella |
335 | Beim Scheiden | 1856 | Robert Franz | Karl Wilhelm Osterwald | Secular | Partsongs | 4 | SATB | Keyboard |
336 | Die beste Zeit | 1856 | Robert Franz | Martin Luther | Sacred | Partsongs | 4 | SATB | Piano |
337 | Frühlingsglaube | 1856 | Robert Franz | Ludwig Uhland | Secular | Partsongs | 4 | SATB | Piano |
338 | Mailied | 1856 | Robert Franz | Karl Wilhelm Osterwald | Secular | Partsongs | 4 | SATB | A cappella or with keyboard reduction |
339 | Morgenwanderung | 1856 | Robert Franz | Emanuel Geibel | Secular | Partsongs | 4 | SATB | A cappella |
340 | Home that I love | 1877 | Franz Wilhelm Abt | O. Welker | Secular | Partsongs | 4 | SATB | Keyboard |
341 | Eventide | 1877 | Franz Wilhelm Abt | August Heinrich Hoffmann von Fallersleben | Secular | Partsongs | 4 | SATB | Keyboard |
342 | O thou world so fair | 1877 | Franz Wilhelm Abt | Hermann Franke | Secular | Partsongs | 4 | SATB | Piano |
343 | Spring's awaking | 1877 | Franz Wilhelm Abt | Friedrich Oser | Secular | Partsongs | 4 | SATB | Keyboard |
344 | Night song | 1877 | Franz Wilhelm Abt | Otto Reinsdorf | Secular | Partsongs | 4 | SATB | Keyboard |
345 | Evening glow on the woods | 1877 | Franz Wilhelm Abt | Friedrich Oser | Secular | Partsongs | 4 | SATB | Piano |
346 | Lockung, Op. 3, No. 1 | 1846 | Fanny Hensel | Joseph von Eichendorff | Secular | Partsongs | 4 | SATB | A cappella |
347 | Schöne Fremde, Op. 3, No. 2 | 1846 | Fanny Hensel | Joseph von Eichendorff | Secular | Partsongs | 4 | SATB | A cappella |
348 | Seid gegrüsst (Herbstlied), Op. 3, No. 3 | 1846 | Fanny Hensel | Johann Ludwig Uhland | Secular | Partsongs | 4 | SATB | A cappella |
349 | Morgengruß, Op. 3, No. 4 | 1846 | Fanny Hensel | Wilhelm Hensel | Secular | Partsongs | 4 | SATB | A cappella |
350 | Abendlich schon rauscht der Wald, Op. 3, No. 5 | 1846 | Fanny Hensel | Joseph von Eichendorff | Secular | Partsongs | 4 | SATB | A cappella |
351 | Im Wald, Op. 3, No. 6 | 1847 | Fanny Hensel | Emanuel Geibel | Secular | Partsongs | 4 | SATB | A cappella |
352 | How I love the festive boy, Op.8, no.2 | 1879 | Alexander Campbell Mackenzie | Thomas Moore | Secular | Partsongs | 4 | SATB | a cappella or Keyboard |
353 | Autumn, Op.8, no.3 | 1879 | Alexander Campbell Mackenzie | Nathaniel A. Haven | Secular | Partsongs | 4 | SATB | a cappella or Keyboard |
354 | When spring begems the dewy scene, Op.8, no.4 | 1879 | Alexander Campbell Mackenzie | Thomas Moore | Secular | Partsongs | 4 | SATB | a cappella or Keyboard |
355 | The day of love, Op.8, no.5 | 1879 | Alexander Campbell Mackenzie | Thomas Moore | Secular | Partsongs | 4 | SATB | a cappella or Keyboard |
356 | The stars are with the voyager, Op.8, no.7 | 1879 | Alexander Campbell Mackenzie | Thomas Hood | Secular | Partsongs | 4 | SATB | a cappella or Keyboard |
357 | Hail to the Chief | 1879 | Ebenezer Prout | Walter Scott | Secular | Partsongs | 4 | SATB | Piano |
358 | At the coming of the Spring | 1879 | John Liptrot Hatton | W. H. Wordley | Secular | Partsongs | 4 | SATB | Piano A cappella |
359 | Calm night | 1879 | John Liptrot Hatton | Henry Wadsworth Longfellow | Secular | Partsongs | 4 | SATB | Piano A cappella |
360 | Come live with me | 1879 | John Liptrot Hatton | 2 | Secular | Partsongs | 4 | SATB | Piano A cappella |
361 | Echo's last word | 1879 | John Liptrot Hatton | William Smallcombe Passmore | Secular | Partsongs | 4 | SATB | Piano A cappella |
362 | He that hath a pleasant face | 1879 | John Liptrot Hatton | William Henry Bellamy | Secular | Partsongs | 4 | SATB | Piano A cappella |
363 | Keep time, keep time | 1879 | John Liptrot Hatton | William Smallcombe Passmore | Secular | Partsongs | 4 | SATB | Piano A cappella |
364 | Lo! the peaceful shades of evening | 1879 | John Liptrot Hatton | Walter Maynard | Secular | Partsongs | 4 | SATB | Piano A cappella |
365 | Not for me the lark is singing | 1879 | John Liptrot Hatton | Godfrey Wordsworth Turner | Secular | Partsongs | 4 | SATB | Piano A cappella |