Regem cui omnia vivunt (Cristóbal de Morales): Difference between revisions
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'''Description:''' Invitatory from ''Officium defunctorum'', consisting of Ps. XCIIII (95) and two different versions of the antiphon. There is extensive discussion and some facsimiles in Grayson Wagstaff: ''Morales's Officium, Chant Traditions, and Performing 16th-Century Music'', Early Music Vol. 32, No. 2 (May, 2004), pp. 225-243 | '''Description:''' Invitatory from ''Officium defunctorum'', consisting of Ps. XCIIII (95) and two different versions of the antiphon. There is extensive discussion and some facsimiles in Grayson Wagstaff: ''Morales's Officium, Chant Traditions, and Performing 16th-Century Music'', Early Music Vol. 32, No. 2 (May, 2004), pp. 225-243 | ||
Revision as of 01:04, 17 October 2019
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- (Posted 2019-07-06) CPDL #54696:
- Editor: Richard Mix (submitted 2019-07-06). Score information: Letter, 6 pages, 66 kB Copyright: CPDL
- Edition notes: on 2 staves; original pitch & note values; after Pedrell
General Information
Title: Regem quia omnia vivunt
Composer: Cristóbal de Morales
Lyricist: Psalm 95
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Burial service
Language: Latin
Instruments: A cappella
First published: 1894
Description: Invitatory from Officium defunctorum, consisting of Ps. XCIIII (95) and two different versions of the antiphon. There is extensive discussion and some facsimiles in Grayson Wagstaff: Morales's Officium, Chant Traditions, and Performing 16th-Century Music, Early Music Vol. 32, No. 2 (May, 2004), pp. 225-243
External websites: Ed. in vol. 1 of Hispaniae schola musica sacra at the Petrucci Music Library (IMSLP)
Original text and translations
Original text and translations may be found at Regem cui omnia vivunt (Melchor Robledo).