Salve Regina: Difference between revisions
Richard Mix (talk | contribs) m (→Musical settings at CPDL: Schubert (now I think I can go to bed)) |
Richard Mix (talk | contribs) (→Musical settings at CPDL: Salve Regina (Tr91) (Anonymous)) |
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**[[Salve Regina (tr88) (Anonymous)|Trent 88 (15c)]] ATBB | **[[Salve Regina (tr88) (Anonymous)|Trent 88 (15c)]] ATBB | ||
**[[Salve Regina (tr89) (Anonymous)|Trent 89]] ATBB even verses | **[[Salve Regina (tr89) (Anonymous)|Trent 89]] ATBB even verses | ||
**[[Salve Regina (Tr91) (Anonymous)|Trent 91]] ATB | |||
**[[Salve Regina (Anonymous)|Annaberg choirbook (16c)]] (even vv) SATB | **[[Salve Regina (Anonymous)|Annaberg choirbook (16c)]] (even vv) SATB | ||
*[[Salve Regina für SSAA (Johann Kaspar Aiblinger)|Johann Kaspar Aiblinger]] SSAA | *[[Salve Regina für SSAA (Johann Kaspar Aiblinger)|Johann Kaspar Aiblinger]] SSAA |
Revision as of 10:34, 13 December 2016
Salve Regina is a votive antiphon, one of the four Breviary anthems of the Blessed Virgin Mary sung at the end of Compline. It is assigned to the season from the First Vespers of Trinity Sunday until None of the Saturday before Advent.
The traditional ascription to Hermannus Contractus (1013-54) is now rejected by scholars.
View the Wikipedia article on Salve Regina.
Musical settings at CPDL
Other settings possibly not included in the manual list above
- Philip Alcock — Salve regina
- Gregorio Allegri — Salve Regina
- Anonymous — Salve regina
- Anonymous — Salve Regina (BSB Mus. ms 34)
- Anonymous — Salve Regina (tr91)
- Jacques Arcadelt — Salve regina
- Carlo Baliani — Salve Regina
- Hotinet Barra — Salve Regina
- Philippe Basiron — Salve regina
- Jacques-Louis Battmann — Salve Regina
- Noel Bauldeweyn — Salve regina
- Giuseppe Antonio Bernabei — Salve Regina
- Bernardino Borlasca — Salve Regina
- Giovanni Battista Chinelli — Salve regina
- Antonio Cifra — Salve Regina
- Jean Conseil — Salve regina
- Carlo Cozzi — Salve Regina
- Richard Davy — Salve Regina
- Antonius Divitis — Salve regina
- Thomas Eisenhut — Salve Regina
- Elzear Genet — Salve regina (Capp. Sist. 42)
- Elzear Genet — Salve regina
- Johannes Ghiselin — Salve regina
- Charles Gounod — Salve Regina, CG 140
- Antonio Grimaldi — Salve Regina (no. 1)
- Johann Michael Haydn — Salve Regina in B, MH 90
- Bernard Hellebusch — Salve Regina No. 4
- Bernard Hellebusch — Salve Regina No. 5
- Bernard Hellebusch — Salve Regina No. 7
- John Hetland — Salve Regina
- Leonard de Hodemont — Salve Regina
- Jehan L'Heritier — Salve regina
- Jan Le Febure — Salve Regina
- Vicente Lusitano — Salve regina
- Vincent Misonne — Salve regina
- Claudio Monteverdi — Salve o regina (1624)
- Johannes Nucius — Salve Regina
- Matthias Pernsteiner — Salve regina
- Nicolaus de Pictis / Niccolò de Pitti — Salve regina
- Adam Rener — Salve Regina
- Giovanni Rovetta — Salve Regina, Op. 5 no. 18
- Ludwig Senfl — Salve Regina
- Claudin de Sermisy — Salve regina
- Hieronymus Vinders — Salve Regina
- Laurentius Vorda — Salve regina I
- Francis X. Weninger — Salve Regina
Text and translations
Latin text Salve Regina, Mater Misericordiae, by Claire Delavallée Sei gegrüßt, o Königin, Dios te salve, Reina y Madre de Misericordia, Hil dig, Dronning, barmhjertige moder. Üdvöz légy, Úrnőnk, irgalmasságnak asszonya! |
English translation Hail, Holy Queen, Mother of mercy, Salve, Rainha, Mãe de misericórdia, Witaj Królowo, Matko miłosierdzia, Wees gegroet, koningin, moeder van barmhartigheid; Zdravas Kráľovná, Matka milosrdensta,
|
Variant text
What follows is the text used by Anchieta, Josquin, Phinot, Upton, and probably some other composers (with an English translation).
Latin text Salve Regina, [mater] misericordiae: |
English translation Hail, queen of mercy, |
Troped version
As set by English medieval composers (Dunstaple, Browne, Fayrfax)
Latin text Salve Regina, mater misericordiae: |
English translation Hail, queen of mercy, |