Talk:Evening Canticles in A, op. 12 (Charles Villiers Stanford): Difference between revisions
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Magnificat<br> | '''Magnificat'''<br> | ||
Bar 38: G sharp in RH should be G natural<br> | Bar 38: G sharp in RH should be G natural<br> | ||
Bar 126: F in Soprano should be F sharp<br> | Bar 126: F in Soprano should be F sharp<br> | ||
| Line 6: | Line 6: | ||
Bars 203-4: Both tenor underlays should be 3 minims on "Ho-" and one on "ly" | Bars 203-4: Both tenor underlays should be 3 minims on "Ho-" and one on "ly" | ||
Nunc dimittis | '''Nunc dimittis'''<br> | ||
Bars 20-24: Bass underlay misaligned | Bars 20-24: Bass underlay misaligned<br> | ||
Bar 31: doubled "t" in lighten in all parts<br> | |||
Bars 66-67: Both tenor underlays should be 3 minims on "Ho-" and one on "ly"<br> | Bars 66-67: Both tenor underlays should be 3 minims on "Ho-" and one on "ly"<br> | ||
[[User:Jamesgibb|Jamesgibb]] 13:45, 23 January 2011 (CST) | [[User:Jamesgibb|Jamesgibb]] 13:45, 23 January 2011 (CST) | ||
Latest revision as of 15:47, 12 November 2016
Magnificat
Bar 38: G sharp in RH should be G natural
Bar 126: F in Soprano should be F sharp
Bar 126: B flat in Bass should be B natural
Bar 153: Crotchets F E in the LH should probably be quavers (quarter and eighth notes in US?)
Bars 203-4: Both tenor underlays should be 3 minims on "Ho-" and one on "ly"
Nunc dimittis
Bars 20-24: Bass underlay misaligned
Bar 31: doubled "t" in lighten in all parts
Bars 66-67: Both tenor underlays should be 3 minims on "Ho-" and one on "ly"
Jamesgibb 13:45, 23 January 2011 (CST)