Talk:Lamentationes Hieremiae Prophetae (quatuor vocum) (Orlando di Lasso): Difference between revisions
No edit summary |
No edit summary |
||
(4 intermediate revisions by 2 users not shown) | |||
Line 1: | Line 1: | ||
Score error in CPDL #28650 | ==Score error in CPDL #28650 == | ||
Bar 47, bass, the second note should be E flat instead of E natural. [[User:Peter Hilton|Peter Hilton]] ([[User talk:Peter Hilton|talk]]) 18:15, 29 September 2014 (UTC) | |||
So it should, although the manuscript isn't clear (accidentals are generally repeated after much shorter intervals). I've uploaded a corrected version with it as ficta. | So it should, although the manuscript isn't clear (accidentals are generally repeated after much shorter intervals). I've uploaded a corrected version with it as ficta. |
Latest revision as of 11:15, 25 March 2023
Score error in CPDL #28650
Bar 47, bass, the second note should be E flat instead of E natural. Peter Hilton (talk) 18:15, 29 September 2014 (UTC)
So it should, although the manuscript isn't clear (accidentals are generally repeated after much shorter intervals). I've uploaded a corrected version with it as ficta. Cpupton (talk) 18:43, 29 September 2014 (UTC)
That’s great - thanks. Ficta is helpful here: the E flat probably would have been obvious to a contemporary singer, because an E natural isn't possible in the context, but it’s helpful for modern performers to be explicit. Peter Hilton (talk) 22:42, 29 September 2014 (UTC)
Score error in #28650.
In the First lesson on Good Friday (page 38) in bar 49, the syllable (genti)bus in the upper three voices should only be a half note followed by a fourth note rest instead of a dotted half note according to the Munich manuscript. Two bars later in bar 51 in the Alto should sing a B flat, the flat sign is lacking in the Munich manuscript, but the flat sign should be indicated.
Imruska (talk) 00:22, 12 November 2019 (UTC)