User:Aristotle Aure Esguerra: Difference between revisions

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Many editions are directly transcribed from digital copies of 16th- and 17th-century prints.
Many editions are directly transcribed from digital copies of 16th- and 17th-century prints.


All editions share the following features:
Non-free digital editions of other pieces not listed here are available for purchase on [https://www.sheetmusicplus.com/search?Ntt=CantemusDomino.Net&Ns=releaseDate|1&recsPerPage=50&currentPage=1 SheetMusicPlus.com] (external link).
 
All editions (free and non-free) share the following features:
*US Letter paper sizing
*US Letter paper sizing
*Smaller staff sizes (hymnal equivalent) for reduced paper usage
*Smaller staff sizes (hymnal equivalent) for reduced paper usage
Line 23: Line 25:
*Range indicators
*Range indicators


With a few exceptions, voice parts in this collection fall within the following ranges (middle C = C4):
====Voice-range boundaries====
 
Generally, voice parts in this collection fall within the following ranges (middle C = C4):
*Soprano: C4–E5
*Soprano: C4–E5
*Alto: G3–C5
*Alto: G3–C5
Line 29: Line 33:
*Bass: G2–C4
*Bass: G2–C4


In the tables below, parts falling within the ranges above are shown with a <span style="background:#eeffee">green background</span>; those deviating a semitone beyond in either or both directions are shown with a <span style="background:#ffffee">yellow background</span>; those deviating a full tone beyond in either or both directions are shown with an <span style="background:#fff0ee">orange background</span>; those deviating beyond a full tone in either or both directions are shown with a <span style="background:#ffdddd">red background</span>.
{| class="wikitable"
 
! colspan="2" | Soprano
Non-free digital editions of other pieces not listed here are available for purchase on [https://www.sheetmusicplus.com/search?Ntt=CantemusDomino.Net&Ns=releaseDate|1&recsPerPage=50&currentPage=1 SheetMusicPlus.com] (external link).
! colspan="2" | Alto
! colspan="2" | Tenor
! colspan="2" | Bass
|-
! | Lo
! | Hi
! | Lo
! | Hi
! | Lo
! | Hi
! | Lo
! | Hi
|-
| rowspan="3" |
| style="text-align: center; background-color:#ffddff;" | ↗<br/>G5
| rowspan="3" |
| style="text-align: center; background-color:#ffddff;" | ↗<br/>D♯5/E♭5
| rowspan="3" |
| style="text-align: center; background-color:#ffddff;" | ↗<br/>G4
| rowspan="3" |
| style="text-align: center; background-color:#ffddff;" | ↗<br/>D♯4/E♭4
|-
| style="text-align: center; background-color:#eef0ff;" | F♯5/G♭5
| style="text-align: center; background-color:#eef0ff;" | D5
| style="text-align: center; background-color:#eef0ff;" | F♯4/G♭4
| style="text-align: center; background-color:#eef0ff;" | D4
|-
| style="text-align: center; background-color:#eeffff;" | F5
| style="text-align: center; background-color:#eeffff;" | C♯5/D♭5
| style="text-align: center; background-color:#eeffff;" | F4
| style="text-align: center; background-color:#eeffff;" | C♯4/D♭4
|-
| colspan="2" style="text-align: center; background-color:#eeffee;" | C4 ↔ E5
| colspan="2" style="text-align: center; background-color:#eeffee;" | G3 ↔ C5
| colspan="2" style="text-align: center; background-color:#eeffee;" | C3 ↔ E4
| colspan="2" style="text-align: center; background-color:#eeffee;" | G2 ↔ C4
|-
| style="text-align: center; background-color:#ffffee;" | B3
| rowspan="3" |
| style="text-align: center; background-color:#ffffee;" | F♯3/G♭3
| rowspan="3" |
| style="text-align: center; background-color:#ffffee;" | B2
| rowspan="3" |
| style="text-align: center; background-color:#ffffee;" | F♯2/G♭2
| rowspan="3" |
|-
| style="text-align: center; background-color:#fff0ee;" | A♯3/B♭3
| style="text-align: center; background-color:#fff0ee;" | F3
| style="text-align: center; background-color:#fff0ee;" | A♯2/B♭2
| style="text-align: center; background-color:#fff0ee;" | F2
|-
| style="text-align: center; background-color:#ffdddd;" | A3<br/>
| style="text-align: center; background-color:#ffdddd;" | E3<br/>↙
| style="text-align: center; background-color:#ffdddd;" | A2<br/>
| style="text-align: center; background-color:#ffdddd;" | E2<br/>↙
|}


===Copyright and permissions===
===Copyright and permissions===
Line 130: Line 189:
| 25
| 25
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #ffffee" data-sort-value="505" | F5
| style="background: #eeffff" data-sort-value="505" | F5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
| {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
Line 152: Line 211:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 188: Line 247:
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 239: Line 298:
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Lent}}, Sacred Heart, Precious Blood
| {{CC|Lent}}, Sacred Heart, Precious Blood
Line 350: Line 409:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="208" | G♯2
| style="background: #eeffee" data-sort-value="208" | G♯2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 368: Line 427:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="210" | B♭2
| style="background: #eeffee" data-sort-value="210.1" | B♭2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Advent IV}}, {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
| {{CC|Advent IV}}, {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
Line 400: Line 459:
| 39
| 39
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="405" | F4
Line 418: Line 477:
| 38
| 38
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
Line 440: Line 499:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
Line 512: Line 571:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Quinquagesima}}
| {{CC|Quinquagesima}}
Line 548: Line 607:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| [[Psalm 100|Ps 99(100):1–2a]]
| [[Psalm 100|Ps 99(100):1–2a]]
Line 566: Line 625:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="208" | G♯2
| style="background: #eeffee" data-sort-value="208" | G♯2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Christmas}}
| {{CC|Christmas}}
Line 602: Line 661:
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 622: Line 681:
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Lent I}}
| {{CC|Lent I}}
Line 638: Line 697:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
Line 672: Line 731:
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 692: Line 751:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 707: Line 766:
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Corpus Christi}},  {{CC|Eucharistic songs|Communion}}
| {{CC|Corpus Christi}},  {{CC|Eucharistic songs|Communion}}
Line 735: Line 794:
|-
|-
| {{ss|Rodrigo de Ceballos}}
| {{ss|Rodrigo de Ceballos}}
|
| ''Lira sacro-hispana,'' vol. 1, 1869
|
| 106
| [[Exaudiat_dominus_(Rodrigo_de_Ceballos)|''Exaudiat Dominus'']]
| [[Exaudiat_dominus_(Rodrigo_de_Ceballos)|''Exaudiat Dominus'']]
| [[Media:Exaudiat_Dominus_-_Ceballos.pdf|{{pdf}}]] [[Media:Exaudiat_Dominus_-_Ceballos-SATB.midi|{{mid}}]]  
| [[Media:Exaudiat_Dominus_-_Ceballos.pdf|{{pdf}}]] [[Media:Exaudiat_Dominus_-_Ceballos-SATB.midi|{{mid}}]]  
Line 742: Line 801:
| 60
| 60
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="503" | E♭5
| style="background: #eeffee" data-sort-value="503.1" | E♭5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Sundays after Christmas|Sundays after Epiphany}}, {{CC|Sundays after Pentecost}}
| {{CC|Sundays after Christmas|Sundays after Epiphany}}, {{CC|Sundays after Pentecost}}
Line 782: Line 841:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
Line 818: Line 877:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Ascension}}, {{CC|Easter 7|Easter VII}}
| {{CC|Ascension}}, {{CC|Easter 7|Easter VII}}
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| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
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| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="408" | A♭4
| style="background: #eeffee" data-sort-value="408.1" | A♭4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
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| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="210" | B♭2
| style="background: #eeffee" data-sort-value="210.1" | B♭2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
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| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="210" | B♭2
| style="background: #eeffee" data-sort-value="210.1" | B♭2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
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| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
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| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="211" | B2
| style="background: #eeffee" data-sort-value="211" | B2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
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| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
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| 49
| 49
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="503" | E♭5
| style="background: #eeffee" data-sort-value="503.1" | E♭5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Easter}}
| {{CC|Easter}}
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| 36
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="503" | E♭5
| style="background: #eeffee" data-sort-value="503.1" | E♭5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="408" | A♭4
| style="background: #eeffee" data-sort-value="408.1" | A♭4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
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| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
|  
|  
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| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Advent III}}
| {{CC|Advent III}}
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| 18
| 18
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="503" | E♭5
| style="background: #eeffee" data-sort-value="503.1" | E♭5
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
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| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
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| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Christmas}}
| {{CC|Christmas}}
|-
| {{ss|Andrea Gabrieli}}
| ''Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus'', 1589
| 3
| [[Patefactae_sunt_ianuae_coeli_(Andrea_Gabrieli)|''Patefactae sunt ianuae caeli'']]
| [[Media:Patefactae_sunt_ianuae_caeli_-_Gabrieli.pdf|{{pdf}}]] [[Media:Patefactae_sunt_ianuae_caeli_-_Gabrieli-CATB.midi|{{mid}}]]
| 2
| 54
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|St. Stephen}}
|-
|-
| {{ss|Andrea Gabrieli}}
| {{ss|Andrea Gabrieli}}
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| 55
| 55
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="503" | E♭5
| style="background: #eeffee" data-sort-value="503.1" | E♭5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|John the Evangelist}}
| {{CC|John the Evangelist}}
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| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Holy Innocents}}
| {{CC|Holy Innocents}}
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| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
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| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
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| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|St. Andrew}}
| {{CC|St. Andrew}}
|-
| {{ss|Andrea Gabrieli}}
| ''Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus'', 1589
| 25
| [[Viri_sancti_(Andrea_Gabrieli)|''Viri sancti'']]
| [[Media:Viri_sancti_-_Gabrieli.pdf|{{pdf}}]] [[Media:Viri_sancti_-_Gabrieli-CATB.midi|{{mid}}]]
| 2
| 64
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="400" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Common of Martyrs}}
|-
|-
| {{ss|Andrea Gabrieli}}
| {{ss|Andrea Gabrieli}}
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| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
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| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Advent}}
| {{CC|Advent}}
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| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="402" | D4
| style="background: #eef0ff" data-sort-value="402" | D4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Advent IV}},  {{CC|Annunciation}}
| {{CC|Advent IV}},  {{CC|Annunciation}}
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| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="308.5" | G♯3
| style="background: #eeffee" data-sort-value="308" | G♯3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
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| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
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| {{ss|Jacob Handl}}
| {{ss|Jacob Handl}}
| ''Operis musici, tomus tertius'', 1587  
| ''Operis musici, tomus tertius'', 1587  
| 23
| 20
| [[Benedicta_sit_(Jacob_Handl)|''Benedicta sit sancta Creatrix'']]
| [[Media:Benedicta_sit_sancta_Creatrix_-_Handl.pdf|{{pdf}}]] [[Media:Benedicta_sit_sancta_Creatrix_-_Handl-CATB.midi|{{mid}}]]
| 2
| 35
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Trinity}}
|-
| {{ss|Jacob Handl}}
| ''Operis musici, tomus tertius'', 1587
| 23
| [[O_salutaris_(Jacob_Handl)|''O salutaris hostia'']]
| [[O_salutaris_(Jacob_Handl)|''O salutaris hostia'']]
| [[Media:O_salutaris_hostia_-_Handl.pdf|{{pdf}}]] [[Media:O_salutaris_hostia_-_Handl-CATB.midi|{{mid}}]]  
| [[Media:O_salutaris_hostia_-_Handl.pdf|{{pdf}}]] [[Media:O_salutaris_hostia_-_Handl-CATB.midi|{{mid}}]]  
Line 1,754: Line 1,867:
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="402" | D4
| style="background: #eef0ff" data-sort-value="402" | D4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Corpus Christi}}, {{CC|Eucharistic songs|Communion/Adoration}}
| {{CC|Corpus Christi}}, {{CC|Eucharistic songs|Communion/Adoration}}
Line 1,772: Line 1,885:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
| {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
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| 113
| 113
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #ffffee" data-sort-value="505" | F5
| style="background: #eeffff" data-sort-value="505" | F5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 1,844: Line 1,957:
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 1,862: Line 1,975:
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
Line 1,898: Line 2,011:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="210" | B♭2
| style="background: #eeffee" data-sort-value="210.1" | B♭2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
Line 1,934: Line 2,047:
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
Line 1,952: Line 2,065:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
Line 1,966: Line 2,079:
| 60
| 60
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="503" | E♭5
| style="background: #eeffee" data-sort-value="503.1" | E♭5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="408" | A♭4
| style="background: #eeffee" data-sort-value="408.1" | A♭4
| style="background: #eeffee" data-sort-value="303" | E♭3
| style="background: #eeffee" data-sort-value="303.1" | E♭3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Easter}}, Office of the Dead
| {{CC|Easter}}, Office of the Dead
Line 1,985: Line 2,098:
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #ffffee" data-sort-value="305" | F♯3
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
Line 2,021: Line 2,134:
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="408" | A♭4
| style="background: #eeffee" data-sort-value="408.1" | A♭4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="210" | B♭2
| style="background: #eeffee" data-sort-value="210.1" | B♭2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| [[Psalm 96|Ps 95(96):1–3]]
| [[Psalm 96|Ps 95(96):1–3]]
Line 2,116: Line 2,229:
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #ffffee" data-sort-value="401" | C♯4
| style="background: #eeffff" data-sort-value="401" | C♯4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Pentecost VIII}}
| {{CC|Pentecost VIII}}
Line 2,134: Line 2,247:
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Lent V|Passion Sunday}}, {{CC|Maundy Thursday}}, {{CC|Corpus Christi}}
| {{CC|Lent V|Passion Sunday}}, {{CC|Maundy Thursday}}, {{CC|Corpus Christi}}
Line 2,168: Line 2,281:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
Line 2,186: Line 2,299:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
Line 2,222: Line 2,335:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 2,276: Line 2,389:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
Line 2,291: Line 2,404:
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="210" | B♭2
| style="background: #eeffee" data-sort-value="210.1" | B♭2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Corpus Christi}}, {{CC|Eucharistic songs|Communion}}
| {{CC|Corpus Christi}}, {{CC|Eucharistic songs|Communion}}
Line 2,312: Line 2,425:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| [[Psalm 119|Ps 118(119):75, 77]]
|-
| {{ss|Orlando di Lasso}}
| ''Altera pars selectissimarum cantionum'', 1579
| 49
| [[Cognovi_Domine_(Orlando_di_Lasso)|''Cognovi Domine (transposed)'']]
| [[Media:Cognovi_Domine_-_di_Lasso_(up_M2).pdf|{{pdf}}]] [[Media:Cognovi_Domine_-_di_Lasso_(up_M2)-CATB.midi|{{mid}}]]
| 3
| 81
| style="background: #eeffee" data-sort-value="403" | D♯4
| style="background: #eef0ff" data-sort-value="506" | F♯5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| [[Psalm 119|Ps 118(119):75, 77]]
| [[Psalm 119|Ps 118(119):75, 77]]
Line 2,326: Line 2,457:
| 89
| 89
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="503" | E♭5
| style="background: #eeffee" data-sort-value="503.1" | E♭5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| [[Psalm 119|Ps 118(119):113–115]]
| [[Psalm 119|Ps 118(119):113–115]]
Line 2,384: Line 2,515:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 2,420: Line 2,551:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 2,456: Line 2,587:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 2,474: Line 2,605:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 2,492: Line 2,623:
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 2,510: Line 2,641:
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="402" | D4
| style="background: #eef0ff" data-sort-value="402" | D4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Ash Wednesday}}, {{CC|Pentecost XI}}
| {{CC|Ash Wednesday}}, {{CC|Pentecost XI}}
Line 2,528: Line 2,659:
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 2,542: Line 2,673:
| 49
| 49
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #ffffee" data-sort-value="505" | F5
| style="background: #eeffff" data-sort-value="505" | F5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 2,564: Line 2,695:
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 2,578: Line 2,709:
| 38
| 38
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #ffffee" data-sort-value="505" | F5
| style="background: #eeffff" data-sort-value="505" | F5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Lent}}
| {{CC|Lent}}
Line 2,618: Line 2,749:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 2,690: Line 2,821:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
Line 2,744: Line 2,875:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
Line 2,782: Line 2,913:
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Holy Week}}
| {{CC|Holy Week}}
Line 2,816: Line 2,947:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
Line 2,836: Line 2,967:
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Pentecost XVI}}
| {{CC|Pentecost XVI}}
Line 2,852: Line 2,983:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Lent}}, {{CC|Ordinary Time 31}}
| {{CC|Lent}}, {{CC|Ordinary Time 31}}
Line 2,906: Line 3,037:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 2,924: Line 3,055:
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
Line 2,942: Line 3,073:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
Line 2,960: Line 3,091:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
Line 2,983: Line 3,114:
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Pentecost IV}}, {{CC|Lent IV|Lent IV-C}}
| {{CC|Pentecost IV}}, {{CC|Lent IV|Lent IV-C}}
|-
| {{ss|Jan Le Febure}}
| ''[[Devoti ac sacri per totum annum hymni (Jan Le Febure)|Devoti ac sacri per totum annum hymni]]'', 1596
| 23
| [[Haec_dies_I_(Jan_Le_Febure)|''Haec dies [I]'']]
| [[Media:Haec_dies_-_Le_Febure.pdf|{{pdf}}]] [[Media:Haec_dies_-_Le_Febure-CATB.midi|{{mid}}]]
| 2
| 33
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Easter}}
|-
|-
| {{ss|Estêvão Lopes Morago}}
| {{ss|Estêvão Lopes Morago}}
Line 2,991: Line 3,140:
| 1
| 1
| 31
| 31
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | C4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
Line 3,001: Line 3,150:
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Pentecost XXIII}}
| {{CC|Pentecost XXIII}}
|-
| {{ss|Estêvão Lopes Morago}}
|
|
| [[Oculi_mei_(Estêvão_Lopes_Morago)|''Oculi mei'']]
| [[Media:Oculi_mei_-_Morago.pdf|{{pdf}}]] [[Media:Oculi_mei_-_Morago-SATB.midi|{{mid}}]]
| 2
| 36
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="308" | G♯3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Lent III}}
|-
|-
| {{ss|Francisco López Capillas}}
| {{ss|Francisco López Capillas}}
Line 3,014: Line 3,181:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 3,032: Line 3,199:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 3,068: Line 3,235:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Annunciation}}, {{CC|Advent IV}}
| {{CC|Annunciation}}, {{CC|Advent IV}}
Line 3,100: Line 3,267:
| 45
| 45
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #ffdddd" data-sort-value="507" | G5
| style="background: #ffddff" data-sort-value="507" | G5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffdddd" data-sort-value="409" | A4
| style="background: #ffddff" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="210" | B♭2
| style="background: #eeffee" data-sort-value="210.1" | B♭2
| style="background: #ffffee" data-sort-value="401.1" | D♭4
| style="background: #eeffff" data-sort-value="401.1" | D♭4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Annunciation}}, {{CC|Advent IV}}
| {{CC|Annunciation}}, {{CC|Advent IV}}
Line 3,140: Line 3,307:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 3,176: Line 3,343:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 3,212: Line 3,379:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 3,218: Line 3,385:
| {{CC|Christmas}}
| {{CC|Christmas}}
|-
|-
| {{ss|Giovanni Bonaventura Matucci}}
| {{ss|Tiburtio Massaino}}
|  
| ''Liber primus cantionum ecclesiarum'', 1592
|  
| 1
| [[Ego_sum_pastor_bonus_(Giovanni_Bonaventura_Matucci)|''Ego sum pastor bonus'']]
| [[Ego_sum_panis_vivus_4vv_(Tiburtio_Massaino)|''Ego sum panis vivus'']]
| [[Media:Ego_sum_pastor_bonus_-_Matucci.pdf|{{pdf}}]] [[Media:Ego_sum_pastor_bonus_-_Matucci-SATB.midi|{{mid}}]]  
| [[Media:Ego_sum_panis_vivus_-_Massaino.pdf|{{pdf}}]] [[Media:Ego_sum_panis_vivus_-_Massaino-CATB.midi|{{mid}}]]  
| 2
| 2
| 39
| 51
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #ffdddd" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffdddd" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Easter}}
| {{CC|Corpus Christi}}, {{CC|Eucharistic songs|Communion}}
|-
|-
| {{ss|Jean Mouton}}
| {{ss|Tiburtio Massaino}}
|
| ''Liber primus cantionum ecclesiarum'', 1592
|
| [[Ave_Maria,_gratia_plena_a_4_(Jean_Mouton)|''Ave Maria, gratia plena'']]
| [[Media:Ave_Maria_-_Mouton.pdf|{{pdf}}]] [[Media:Ave_Maria_-_Mouton-CATB.midi|{{mid}}]]
| 2
| 2
| 44
| [[Verbum_caro_factum_est_(Tiburtio_Massaino)|''Verbum caro factum est'']]
| style="background: #ffffee" data-sort-value="311" | B3
| [[Media:Verbum_caro_factum_est_-_Massaino.pdf|{{pdf}}]] [[Media:Verbum_caro_factum_est_-_Massaino-CATB.midi|{{mid}}]]
| style="background: #eeffee" data-sort-value="500" | C5
| 3
| style="background: #eeffee" data-sort-value="309" | A3
| 50
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #ffdddd" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
| {{CC|Christmas}}, {{CC|Annunciation}}
|-
|-
| {{ss|William Mundy}}
| {{ss|Tiburtio Massaino}}
|  
| ''Liber primus cantionum ecclesiarum'', 1592
|  
| 9
| [[A_new_commandment_(William_Mundy)|''A new commandment'']]
| [[Salvatorem_expectamus_(Tiburtio_Massaino)|''Salvatorem exspectamus'']]
| [[Media:A_new_commandment_-_Mundy.pdf|{{pdf}}]] [[Media:A_new_commandment_-_Mundy-SATB.midi|{{mid}}]]  
| [[Media:Salvatorem_exspectamus_-_Massaino.pdf|{{pdf}}]] [[Media:Salvatorem_exspectamus_-_Massaino-CATB.midi|{{mid}}]]  
| 1
| 2
| 36
| 55
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="311" | B3
| {{CiteCat|Works in English|English}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Maundy Thursday}}
| {{CC|Advent I}}, {{CC|Lent II}}, {{CC|Transfiguration}}
|-
|-
| {{ss|José Maurício Nunes Garcia}}
| {{ss|Tiburtio Massaino}}
|  
| ''Liber primus cantionum ecclesiarum'', 1592
|  
| 15
| [[Immutemur_habitu_(José_Maur%C3%ADcio_Nunes_Garcia)|''Immutemur habitu'']]
| [[Per_lignum_servi_facti_sumus_(Tiburtio_Massaino)|''Per lignum servi facti sumus'']]
| [[Media:Immutemur_habitu_-_Nunes_Garcia.pdf|{{pdf}}]] [[Media:Immutemur_habitu_-_Nunes_Garcia-SATB.midi|{{mid}}]]  
| [[Media:Per_lignum_servi_facti_sumus_-_Massaino.pdf|{{pdf}}]] [[Media:Per_lignum_servi_facti_sumus_-_Massaino-CATB.midi|{{mid}}]]  
| 1
| 2
| 32
| 59
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Ash Wednesday}}
| {{CC|Easter}}, {{CC|Holy Cross|Exaltation of the Cross}}
|-
|-
| {{ss|Robert Lucas Pearsall}}
| {{ss|Tiburtio Massaino}}
|  
| ''Liber primus cantionum ecclesiarum'', 1592
|  
| 17
| [[Salve_Regina_(Robert_Lucas_Pearsall)|''Salve Regina'']]
| [[Ite_in_universum_mundum_4vv_(Tiburtio_Massaino)|''Ite in universum mundum'']]
| [[Media:Salve_Regina_-_Pearsall.pdf|{{pdf}}]] [[Media:Salve_Regina_-_Pearsall-CATB.midi|{{mid}}]]  
| [[Media:Ite_in_universum_mundum_-_Massaino.pdf|{{pdf}}]] [[Media:Ite_in_universum_mundum_-_Massaino-CATB.midi|{{mid}}]]  
| 3
| 2
| 67
| 49
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="301" | C♯3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Votive antiphons}}
| {{CC|Pentecost}}, {{CC|Common of Apostles|Apostles}}
|-
|-
| {{ss|Giacomo Antonio Perti}}
| {{ss|Tiburtio Massaino}}
|  
| ''Liber primus cantionum ecclesiarum'', 1592
|  
| 18
| [[Adoramus_te,_Christe_I_(Giacomo_Antonio_Perti)|''Adoramus te Christe [I]'']]
| [[Virtute_magna_(Tiburtio_Massaino)|''Virtute magna'']]
| [[Media:Adoramus_te_Christe_-_Perti.pdf|{{pdf}}]] [[Media:Adoramus_te_Christe_-_Perti-CATB.midi|{{mid}}]]  
| [[Media:Virtute_magna_-_Massaino.pdf|{{pdf}}]] [[Media:Virtute_magna_-_Massaino-CATB.midi|{{mid}}]]  
| 2
| 2
| 35
| 48
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
| {{CC|Pentecost}}, {{CC|Common of Apostles|Apostles}}
|-
|-
| {{ss|Giuseppe Pitoni}}
| {{ss|Tiburtio Massaino}}
|  
| ''Liber primus cantionum ecclesiarum'', 1592
|  
| 19
| [[Adoramus_te,_Christe_(Giuseppe_Pitoni)|''Adoramus te'']]
| [[Si_ego_non_abiero_(Tiburtio_Massaino)|''Si ego non abiero'']]
| [[Media:Adoramus_te_-_Pitoni.pdf|{{pdf}}]] [[Media:Adoramus_te_-_Pitoni-SATB.midi|{{mid}}]]  
| [[Media:Si_ego_non_abiero_-_Massaino.pdf|{{pdf}}]] [[Media:Si_ego_non_abiero_-_Massaino-CATB.midi|{{mid}}]]  
| 1
| 3
| 35
| 57
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eef0ff" data-sort-value="402" | D4
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Ascension}}, {{CC|Easter 7}}
|-
| {{ss|Tiburtio Massaino}}
| ''Liber primus cantionum ecclesiarum'', 1592
| 20
| [[Benedicamus_Patrem_(Tiburtio_Massaino)|''Benedicamus Patrem'']]
| [[Media:Benedicamus_Patrem_-_Massaino.pdf|{{pdf}}]] [[Media:Benedicamus_Patrem_-_Massaino-CATB.midi|{{mid}}]]
| 2
| 55
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
| {{CC|Trinity}}
|-
|-
| {{ss|Giuseppe Pitoni}}
| {{ss|Giovanni Bonaventura Matucci}}
|  
|  
|  
|  
| [[Laudate_Dominum_omnes_gentes_(Giuseppe_Pitoni)|''Laudate Dominum omnes gentes'']]
| [[Ego_sum_pastor_bonus_(Giovanni_Bonaventura_Matucci)|''Ego sum pastor bonus'']]
| [[Media:Laudate_Dominum_omnes_-_Pitoni.pdf|{{pdf}}]] [[Media:Laudate_Dominum_omnes_-_Pitoni-SATB.midi|{{mid}}]]  
| [[Media:Ego_sum_pastor_bonus_-_Matucci.pdf|{{pdf}}]] [[Media:Ego_sum_pastor_bonus_-_Matucci-SATB.midi|{{mid}}]]  
| 1
| 2
| 33
| 39
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| [[Psalm 117|Ps 116(117)]]
| {{CC|Easter}}
|-
|-
| {{ss|Giuseppe Pitoni}}
| {{ss|Jean Mouton}}
|  
|  
|  
|  
| [[Cantate_Domino_(Giuseppe_Pitoni)|''Cantate Domino'']]
| [[Ave_Maria,_gratia_plena_a_4_(Jean_Mouton)|''Ave Maria, gratia plena'']]
| [[Media:Cantate_Domino_-_Pitoni.pdf|{{pdf}}]] [[Media:Cantate_Domino_-_Pitoni-SATB.midi|{{mid}}]]  
| [[Media:Ave_Maria_-_Mouton.pdf|{{pdf}}]] [[Media:Ave_Maria_-_Mouton-CATB.midi|{{mid}}]]  
| 1
| 2
| 46
| 44
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="402" | D4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| [[Psalm 149|Ps 149:1–2]]
| {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
|-
|-
| {{ss|Giuseppe Pitoni}}
| {{ss|William Mundy}}
|  
|  
|  
|  
| [[Vias_tuas,_Domine_(Giuseppe_Pitoni)|''Vias tuas, Domine'']]
| [[A_new_commandment_(William_Mundy)|''A new commandment'']]
| [[Media:Vias_tuas_Domine_-_Pitoni.pdf|{{pdf}}]] [[Media:Vias_tuas_Domine_-_Pitoni-SATB.midi|{{mid}}]]  
| [[Media:A_new_commandment_-_Mundy.pdf|{{pdf}}]] [[Media:A_new_commandment_-_Mundy-SATB.midi|{{mid}}]]  
| 1
| 1
| 24
| 36
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="309" | A4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in English|English}}
| [[Psalm 25|Ps 25:4]]
| {{CC|Maundy Thursday}}
|-
|-
| {{ss|Costanzo Porta}}
| {{ss|José Maurício Nunes Garcia}}
| ''Liber primus motectorum quatuor vocum,'' 1559
|  
| 12
|  
| [[Hodie_nobis_de_coelo_(Costanzo_Porta)|''Hodie nobis de caelo'']]
| [[Immutemur_habitu_(José_Maur%C3%ADcio_Nunes_Garcia)|''Immutemur habitu'']]
| [[Media:Hodie_nobis_de_caelo_-_Porta.pdf|{{pdf}}]] [[Media:Hodie_nobis_de_caelo_-_Porta-CATB.midi|{{mid}}]]  
| [[Media:Immutemur_habitu_-_Nunes_Garcia.pdf|{{pdf}}]] [[Media:Immutemur_habitu_-_Nunes_Garcia-SATB.midi|{{mid}}]]  
| 3
| 1
| 65
| 32
| style="background: #ffdddd" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Christmas}}
| {{CC|Ash Wednesday}}
|-
|-
| {{ss|Costanzo Porta}}
| {{ss|Robert Lucas Pearsall}}
| ''Liber quinquaginta duorum motectorum,'' 1580
|
|
| [[Salve_Regina_(Robert_Lucas_Pearsall)|''Salve Regina'']]
| [[Media:Salve_Regina_-_Pearsall.pdf|{{pdf}}]] [[Media:Salve_Regina_-_Pearsall-CATB.midi|{{mid}}]]
| 3
| 3
| [[Sicut_cedrus_exaltata_sum_(Costanzo_Porta)|''Sicut cedrus exaltata sum'']]
| 67
| [[Media:Sicut_cedrus_exaltata_sum_-_Porta.pdf|{{pdf}}]] [[Media:Sicut_cedrus_exaltata_sum_-_Porta-CATB.midi|{{mid}}]]
| 2
| 41
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="301" | C♯3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Assumption}}
| {{CC|Votive antiphons}}
|-
|-
| {{ss|Costanzo Porta}}
| {{ss|Giacomo Antonio Perti}}
| ''Liber quinquaginta duorum motectorum,'' 1580
|  
| 6
|  
| [[Audi_filia_et_vide_(Costanzo_Porta)|''Audi filia et vide'']]
| [[Adoramus_te,_Christe_I_(Giacomo_Antonio_Perti)|''Adoramus te Christe [I]'']]
| [[Media:Audi_filia_et_vide_-_Porta.pdf|{{pdf}}]] [[Media:Audi_filia_et_vide_-_Porta-CATB.midi|{{mid}}]]  
| [[Media:Adoramus_te_Christe_-_Perti.pdf|{{pdf}}]] [[Media:Adoramus_te_Christe_-_Perti-CATB.midi|{{mid}}]]  
| 2
| 2
| 35
| 35
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Annunciation}}, {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
| {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
|-
|-
| {{ss|Costanzo Porta}}
| {{ss|Giuseppe Pitoni}}
|  
|  
|  
|  
| [[Conceptio_tua_(Costanzo_Porta)|''Conceptio tua'']]
| [[Adoramus_te,_Christe_(Giuseppe_Pitoni)|''Adoramus te'']]
| [[Media:Conceptio_tua_-_Porta.pdf|{{pdf}}]] [[Media:Conceptio_tua_-_Porta-CATB.midi|{{mid}}]]  
| [[Media:Adoramus_te_-_Pitoni.pdf|{{pdf}}]] [[Media:Adoramus_te_-_Pitoni-SATB.midi|{{mid}}]]  
| 2
| 1
| 39
| 35
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Immaculate Conception}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
|-
|-
| {{ss|Michael Praetorius}}
| {{ss|Giuseppe Pitoni}}
|  
|  
|  
|  
| [[Vita_sanctorum_/_Christe_sanctorum_(Michael_Praetorius)|''Vita sanctorum'']]
| [[Laudate_Dominum_omnes_gentes_(Giuseppe_Pitoni)|''Laudate Dominum omnes gentes'']]
| [[Media:Vita_sanctorum_-_Praetorius.pdf|{{pdf}}]] [[Media:Vita_sanctorum_-_Praetorius-SATB.midi|{{mid}}]]  
| [[Media:Laudate_Dominum_omnes_-_Pitoni.pdf|{{pdf}}]] [[Media:Laudate_Dominum_omnes_-_Pitoni-SATB.midi|{{mid}}]]  
| 2
| 1
| 25
| 33
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Easter}}
| [[Psalm 117|Ps 116(117)]]
|-
|-
| {{ss|Jacob Regnart}}
| {{ss|Giuseppe Pitoni}}
| ''Novi thesauri musici, liber primus'', 1568
| 85
| [[Surrexit_pastor_bonus_(Jacob Regnart)|''Surrexit pastor bonus'']]
| [[Media:Surrexit_pastor_bonus_-_Regnart.pdf|{{pdf}}]] [[Media:Surrexit_pastor_bonus_-_Regnart-CATB.midi|{{mid}}]]
| 6
| 145
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #eeffee" data-sort-value="311" | B3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Easter}}
|-
| {{ss|Franciscus de Rivulo}}
|  
|  
|  
|  
| [[Verbum caro factum est (Franciscus de Rivulo)|''Verbum caro factum est'']]
| [[Cantate_Domino_(Giuseppe_Pitoni)|''Cantate Domino'']]
| [[Media:Verbum_caro_factum_est_-_de_Rivulo.pdf|{{pdf}}]] [[Media:Verbum_caro_factum_est_-_de_Rivulo-CATB.midi|{{mid}}]]  
| [[Media:Cantate_Domino_-_Pitoni.pdf|{{pdf}}]] [[Media:Cantate_Domino_-_Pitoni-SATB.midi|{{mid}}]]  
| 2
| 1
| 41
| 46
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| John 1:14
|-
| {{ss|Melchor Robledo}}
|
|
| [[Hoc_corpus_(Melchor_Robledo)|''Hoc corpus'']]
| [[Media:Hoc_corpus_-_Robledo.pdf|{{pdf}}]] [[Media:Hoc_corpus_-_Robledo-SATB.midi|{{mid}}]]
| 2
| 75
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eef0ff" data-sort-value="402" | D4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Lent V|Passion Sunday}}, {{CC|Maundy Thursday}}, {{CC|Corpus Christi}}
| [[Psalm 149|Ps 149:1–2]]
|-
|-
| {{ss|Melchor Robledo}}
| {{ss|Giuseppe Pitoni}}
|  
|  
|  
|  
| [[Domine_Jesu_Christe,_qui_in_cruce_(Melchor_Robledo)|''Domine Iesu Christe, qui in cruce'']]
| [[Vias_tuas,_Domine_(Giuseppe_Pitoni)|''Vias tuas, Domine'']]
| [[Media:Domine_Iesu_Christe_-_Robledo.pdf|{{pdf}}]] [[Media:Domine_Iesu_Christe_-_Robledo-SATB.midi|{{mid}}]]  
| [[Media:Vias_tuas_Domine_-_Pitoni.pdf|{{pdf}}]] [[Media:Vias_tuas_Domine_-_Pitoni-SATB.midi|{{mid}}]]  
| 1
| 1
| 45
| 24
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="309" | A4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="211" | B2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="311" | B3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
| [[Psalm 25|Ps 25:4]]
|-
|-
| {{ss|Francesco Rosselli}}
| {{ss|Costanzo Porta}}
|  
| ''Liber primus motectorum quatuor vocum,'' 1559
|  
| 12
| [[Adoramus_te_Christe_II_(Francesco_Rosselli)|''Adoramus te Christe [II]'']]
| [[Hodie_nobis_de_coelo_(Costanzo_Porta)|''Hodie nobis de caelo'']]
| [[Media:Adoramus_te_Christe_II_-_Rosselli.pdf|{{pdf}}]] [[Media:Adoramus_te_Christe_II_-_Rosselli-SATB.midi|{{mid}}]]  
| [[Media:Hodie_nobis_de_caelo_-_Porta.pdf|{{pdf}}]] [[Media:Hodie_nobis_de_caelo_-_Porta-CATB.midi|{{mid}}]]  
| 1
| 3
| 41
| 65
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #ffdddd" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
| {{CC|Christmas}}
|-
|-
| {{ss|Vincenzo Ruffo}}
| {{ss|Costanzo Porta}}
|  
| ''Liber quinquaginta duorum motectorum,'' 1580
|  
| 3
| [[Adoramus_te,_Christe_(Vincenzo_Ruffo)|''Adoramus te'']]
| [[Sicut_cedrus_exaltata_sum_(Costanzo_Porta)|''Sicut cedrus exaltata sum'']]
| [[Media:Adoramus_te_-_Ruffo.pdf|{{pdf}}]] [[Media:Adoramus_te_-_Ruffo-SATB.midi|{{mid}}]]  
| [[Media:Sicut_cedrus_exaltata_sum_-_Porta.pdf|{{pdf}}]] [[Media:Sicut_cedrus_exaltata_sum_-_Porta-CATB.midi|{{mid}}]]  
| 1
| 2
| 38
| 41
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
| {{CC|Assumption}}
|-
|-
| {{ss|Alessandro Scarlatti}}
| {{ss|Costanzo Porta}}
|  
| ''Liber quinquaginta duorum motectorum,'' 1580
|  
| 6
| [[Ad_te_Domine_levavi_animam_meam_(Alessandro_Scarlatti)|''Ad te Domine levavi'']]
| [[Audi_filia_et_vide_(Costanzo_Porta)|''Audi filia et vide'']]
| [[Media:Ad_te_Domine_-_Scarlatti.pdf|{{pdf}}]] [[Media:Ad_te_Domine_-_Scarlatti-SATB.midi|{{mid}}]]  
| [[Media:Audi_filia_et_vide_-_Porta.pdf|{{pdf}}]] [[Media:Audi_filia_et_vide_-_Porta-CATB.midi|{{mid}}]]  
| 2
| 2
| 44
| 35
| style="background: #eeffee" data-sort-value="403" | D♯4
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Advent I}}, {{CC|Pentecost X}}
| {{CC|Annunciation}}, {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
|-
|-
| {{ss|Alessandro Scarlatti}}
| {{ss|Costanzo Porta}}
|  
|  
|  
|  
| [[Justitiae_Domini_(Alessandro_Scarlatti)|''Iustitiae Domini'']]
| [[Conceptio_tua_(Costanzo_Porta)|''Conceptio tua'']]
| [[Media:Iustitiae_Domini_-_Scarlatti.pdf|{{pdf}}]] [[Media:Iustitiae_Domini_-_Scarlatti-SATB.midi|{{mid}}]]  
| [[Media:Conceptio_tua_-_Porta.pdf|{{pdf}}]] [[Media:Conceptio_tua_-_Porta-CATB.midi|{{mid}}]]  
| 2
| 2
| 45
| 39
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Lent III}}, {{CC|Pentecost IX}}
| {{CC|Immaculate Conception}}
|-
|-
| {{ss|Francesco Soriano}}
| {{ss|Michael Praetorius}}
| ''Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus'', 1619
|  
| 23
|  
| [[Alma_Redemptoris_(Francesco_Soriano)|''Alma Redemptoris Mater'']]
| [[Vita_sanctorum_/_Christe_sanctorum_(Michael_Praetorius)|''Vita sanctorum'']]
| [[Media:Alma_Redemptoris_Mater_-_Soriano.pdf|{{pdf}}]] [[Media:Alma_Redemptoris_Mater_-_Soriano-CATB.midi|{{mid}}]]  
| [[Media:Vita_sanctorum_-_Praetorius.pdf|{{pdf}}]] [[Media:Vita_sanctorum_-_Praetorius-SATB.midi|{{mid}}]]  
| 1
| 2
| 32
| 25
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="306" | F♯3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Votive antiphons}}
| {{CC|Easter}}
|-
|-
| {{ss|Francesco Soriano}}
| {{ss|Jacob Regnart}}
| ''Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus'', 1619
| ''Novi thesauri musici, liber primus'', 1568
| 24
| 85
| [[Ave_Regina_caelorum_(Francesco_Soriano)|''Ave Regina caelorum'']]
| [[Surrexit_pastor_bonus_(Jacob Regnart)|''Surrexit pastor bonus'']]
| [[Media:Ave_Regina_caelorum_-_Soriano.pdf|{{pdf}}]] [[Media:Ave_Regina_caelorum_-_Soriano-CATB.midi|{{mid}}]]  
| [[Media:Surrexit_pastor_bonus_-_Regnart.pdf|{{pdf}}]] [[Media:Surrexit_pastor_bonus_-_Regnart-CATB.midi|{{mid}}]]  
| 1
| 6
| 32
| 145
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #eeffee" data-sort-value="311" | B3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Easter}}
|-
| {{ss|Jacob Regnart}}
| ''Aliquot cantiones ex veteri atque novo testamento, 4 vv'', 1577
| 23
| [[Dies_est_laetitiae_(Jacob Regnart)|''Dies est laetitiae'']]
| [[Media:Dies_est_laetitiae_-_Regnart.pdf|{{pdf}}]] [[Media:Dies_est_laetitiae_-_Regnart-CATB.midi|{{mid}}]]
| 2
| 46
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="206" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Votive antiphons}}
| {{CC|Christmas}}
|-
|-
| {{ss|Francesco Soriano}}
| {{ss|Franciscus de Rivulo}}
| ''Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus'', 1619
|  
| 25
|  
| [[Regina_caeli_(Francesco_Soriano)|''Regina caeli'']]
| [[Verbum caro factum est (Franciscus de Rivulo)|''Verbum caro factum est'']]
| [[Media:Regina_Caeli_-_Soriano.pdf|{{pdf}}]] [[Media:Regina_Caeli_-_Soriano-CATB.midi|{{mid}}]]  
| [[Media:Verbum_caro_factum_est_-_de_Rivulo.pdf|{{pdf}}]] [[Media:Verbum_caro_factum_est_-_de_Rivulo-CATB.midi|{{mid}}]]  
| 1
| 2
| 31
| 41
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Votive antiphons}}
| John 1:14
|-
|-
| {{ss|Francesco Soriano}}
| {{ss|Melchor Robledo}}
| ''Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus'', 1619
|  
| 26
|  
| [[Salve_Regina_II_(Francesco_Soriano)|''Salve Regina [I]'']]
| [[Hoc_corpus_(Melchor_Robledo)|''Hoc corpus'']]
| [[Media:Salve_Regina_I_-_Soriano.pdf|{{pdf}}]] [[Media:Salve_Regina_I_-_Soriano-CATB.midi|{{mid}}]]  
| [[Media:Hoc_corpus_-_Robledo.pdf|{{pdf}}]] [[Media:Hoc_corpus_-_Robledo-SATB.midi|{{mid}}]]  
| 2
| 2
| 35
| 75
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Votive antiphons}}
| {{CC|Lent V|Passion Sunday}}, {{CC|Maundy Thursday}}, {{CC|Corpus Christi}}
|-
|-
| {{ss|Francesco Soriano}}
| {{ss|Melchor Robledo}}
| ''Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus'', 1619
|  
| 27
|  
| [[Salve_Regina_(Francesco_Soriano)|''Salve Regina [II]'']]
| [[Domine_Jesu_Christe,_qui_in_cruce_(Melchor_Robledo)|''Domine Iesu Christe, qui in cruce'']]
| [[Media:Salve_Regina_II_-_Soriano.pdf|{{pdf}}]] [[Media:Salve_Regina_II_-_Soriano-CATB.midi|{{mid}}]]  
| [[Media:Domine_Iesu_Christe_-_Robledo.pdf|{{pdf}}]] [[Media:Domine_Iesu_Christe_-_Robledo-SATB.midi|{{mid}}]]  
| 2
| 1
| 60
| 45
| style="background: #eeffee" data-sort-value="403" | D♯4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="211" | B2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="307" | G3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Votive antiphons}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
|-
|-
| {{ss|Johann Stadlmayr}}
| {{ss|Francesco Rosselli}}
| ''Hymni quibus totius anni'', 1628
|  
|  
|  
| [[Conditor_alme_siderum_(Johann_Stadlmayr)|''Conditor alme siderum'']]
| [[Adoramus_te_Christe_II_(Francesco_Rosselli)|''Adoramus te Christe [II]'']]
| [[Media:Conditor_alme_siderum_-_Stadlmayr.pdf|{{pdf}}]] [[Media:Conditor_alme_siderum_-_Stadlmayr-SATB.midi|{{mid}}]]  
| [[Media:Adoramus_te_Christe_II_-_Rosselli.pdf|{{pdf}}]] [[Media:Adoramus_te_Christe_II_-_Rosselli-SATB.midi|{{mid}}]]  
| 1
| 1
| 20
| 41
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Advent}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
|-
|-
| {{ss|Johann Stadlmayr}}
| {{ss|Vincenzo Ruffo}}
| ''Hymni quibus totius anni'', 1628
|  
|  
|  
| [[Ad_coenam_Agni_providi_(Johann_Stadlmayr)|''Ad cenam Agni providi'']]
| [[Adoramus_te,_Christe_(Vincenzo_Ruffo)|''Adoramus te'']]
| [[Media:Ad_cenam_agni_providi_-_Stadlmayr.pdf|{{pdf}}]] [[Media:Ad_cenam_agni_providi_-_Stadlmayr-SATB.midi|{{mid}}]]  
| [[Media:Adoramus_te_-_Ruffo.pdf|{{pdf}}]] [[Media:Adoramus_te_-_Ruffo-SATB.midi|{{mid}}]]  
| 2
| 1
| 21
| 38
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Easter}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
|-
|-
| {{ss|Johann Stadlmayr}}
| {{ss|Alessandro Scarlatti}}
| ''Hymni quibus totius anni'', 1628
|  
|  
|  
| [[Audi_benigne_Conditor_(Johann_Stadlmayr)|''Audi benigne Conditor'']]
| [[Ad_te_Domine_levavi_animam_meam_(Alessandro_Scarlatti)|''Ad te Domine levavi'']]
| [[Media:Audi_benigne_Conditor_-_Stadlmayr.pdf|{{pdf}}]] [[Media:Audi_benigne_Conditor_-_Stadlmayr-SATB.midi|{{mid}}]]  
| [[Media:Ad_te_Domine_-_Scarlatti.pdf|{{pdf}}]] [[Media:Ad_te_Domine_-_Scarlatti-SATB.midi|{{mid}}]]  
| 1
| 2
| 24
| 44
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="403" | D♯4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="311" | B3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Lent}}
| {{CC|Advent I}}, {{CC|Pentecost X}}
|-
|-
| {{ss|Johann Stadlmayr}}
| {{ss|Alessandro Scarlatti}}
| ''Hymni quibus totius anni'', 1628
|  
|  
|  
| [[Ave_maris_stella_(Johann_Stadlmayr)|''Ave maris stella'']]
| [[Exaltabo_te_Domine_(Alessandro_Scarlatti)|''Exaltabo te Domine'']]
| [[Media:Ave_maris_stella_-_Stadlmayr.pdf|{{pdf}}]] [[Media:Ave_maris_stella_-_Stadlmayr-SATB.midi|{{mid}}]]  
| [[Media:Exaltabo_te_-_Scarlatti.pdf|{{pdf}}]] [[Media:Exaltabo_te_-_Scarlatti-CATB.midi|{{mid}}]]  
| 2
| 3
| 27
| 60
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffff" data-sort-value="505" | F5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
|-
| {{ss|Johann Stadlmayr}}
|
|
| [[O_magnum_mysterium_(Johann_Stadlmayr)|''O magnum mysterium'']]
| [[Media:O_magnum_mysterium_-_Stadlmayr.pdf|{{pdf}}]] [[Media:O_magnum_mysterium_-_Stadlmayr-SATB.midi|{{mid}}]]
| 1
| 43
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Christmas}}
| {{CC|Ash Wednesday}}, {{CC|Pentecost XI}}
|-
|-
| {{ss|José de Torres}}
| {{ss|Alessandro Scarlatti}}
|  
|  
|  
|  
| [[Versa_est_in_luctum_(José_de_Torres)|''Versa est in luctum'']]
| [[Justitiae_Domini_(Alessandro_Scarlatti)|''Iustitiae Domini'']]
| [[Media:Versa_est_in_luctum_-_Torres.pdf|{{pdf}}]] [[Media:Versa_est_in_luctum_-_Torres-SATB.midi|{{mid}}]]  
| [[Media:Iustitiae_Domini_-_Scarlatti.pdf|{{pdf}}]] [[Media:Iustitiae_Domini_-_Scarlatti-SATB.midi|{{mid}}]]  
| 2
| 2
| 35
| 45
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Funeral music|Funerals}}
| {{CC|Lent III}}, {{CC|Pentecost IX}}
|-
|-
| {{ss|Ludovico da Viadana}}
| {{ss|Francesco Soriano}}
|  
| ''Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus'', 1619
|  
| 23
| [[Adoramus_te_(Ludovico_da_Viadana)|''Adoramus te'']]
| [[Alma_Redemptoris_(Francesco_Soriano)|''Alma Redemptoris Mater'']]
| [[Media:Adoramus_te_-_Viadana.pdf|{{pdf}}]] [[Media:Adoramus_te_-_Viadana-SATB.midi|{{mid}}]]  
| [[Media:Alma_Redemptoris_Mater_-_Soriano.pdf|{{pdf}}]] [[Media:Alma_Redemptoris_Mater_-_Soriano-CATB.midi|{{mid}}]]  
| 1
| 1
| 25
| 32
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="307" | G3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
| {{CC|Votive antiphons}}
|-
|-
| {{ss|Ludovico da Viadana}}
| {{ss|Francesco Soriano}}
|  
| ''Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus'', 1619
|  
| 24
| [[O_sacrum_convivium_(Ludovico_da_Viadana)|''O sacrum convivium'']]
| [[Ave_Regina_caelorum_(Francesco_Soriano)|''Ave Regina caelorum'']]
| [[Media:O_sacrum_convivium_-_Viadana.pdf|{{pdf}}]] [[Media:O_sacrum_convivium_-_Viadana-SATB.midi|{{mid}}]]  
| [[Media:Ave_Regina_caelorum_-_Soriano.pdf|{{pdf}}]] [[Media:Ave_Regina_caelorum_-_Soriano-CATB.midi|{{mid}}]]  
| 1
| 1
| 38
| 32
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
Line 3,864: Line 4,013:
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Corpus Christi}}, {{CC|Eucharistic songs|Communion}}
| {{CC|Votive antiphons}}
|-
|-
| {{ss|Cornelius Verdonck}}
| {{ss|Francesco Soriano}}
|  
| ''Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus'', 1619
|  
| 25
| [[Ave_gratia_plena_(Cornelius_Verdonck)|''Ave gratia plena'']]
| [[Regina_caeli_(Francesco_Soriano)|''Regina caeli'']]
| [[Media:Ave_gratia_plena_-_Verdonck.pdf|{{pdf}}]] [[Media:Ave_gratia_plena_-_Verdonck-CATB.midi|{{mid}}]]  
| [[Media:Regina_Caeli_-_Soriano.pdf|{{pdf}}]] [[Media:Regina_Caeli_-_Soriano-CATB.midi|{{mid}}]]  
| 1
| 1
| 29
| 31
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Advent IV}}, {{CC|Annunciation}}
| {{CC|Votive antiphons}}
|-
|-
| {{ss|Mart%C3%ADn de Villanueva}}
| {{ss|Francesco Soriano}}
|  
| ''Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus'', 1619
|  
| 26
| [[Christus_factus_est_(Mart%C3%ADn_de_Villanueva)|''Christus factus est'']]
| [[Salve_Regina_II_(Francesco_Soriano)|''Salve Regina [I]'']]
| [[Media:Christus_factus_est_-_Villanueva.pdf|{{pdf}}]] [[Media:Christus_factus_est_-_Villanueva-SATB.midi|{{mid}}]]  
| [[Media:Salve_Regina_I_-_Soriano.pdf|{{pdf}}]] [[Media:Salve_Regina_I_-_Soriano-CATB.midi|{{mid}}]]  
| 1
| 2
| 36
| 35
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}
| {{CC|Votive antiphons}}
|-
|-
| {{ss|Melchior Vulpius}}
| {{ss|Francesco Soriano}}
| ''Opusculum novum selectissimarum cantionum sacrarum,'' 1610
| ''Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus'', 1619
| 27
| [[Salve_Regina_(Francesco_Soriano)|''Salve Regina [II]'']]
| [[Media:Salve_Regina_II_-_Soriano.pdf|{{pdf}}]] [[Media:Salve_Regina_II_-_Soriano-CATB.midi|{{mid}}]]
| 2
| 2
| [[Exultate_justi_(Melchior_Vulpius)|''Exsultate iusti in Domino'']]
| 60
| [[Media:Exsultate_iusti_in_Domino_-_Vulpius.pdf|{{pdf}}]] [[Media:Exsultate_iusti_in_Domino_-_Vulpius-CATB.midi|{{mid}}]]
| style="background: #eeffee" data-sort-value="403" | D♯4
| 4
| style="background: #eeffee" data-sort-value="502" | D5
| 136
| style="background: #ffdddd" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="301" | C♯3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="311" | B3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| [[Psalm 33|Ps 32(33):1–5]]
| {{CC|Votive antiphons}}
|-
|-
| {{ss|Francesco M. Zuccari}}
| {{ss|Johann Stadlmayr}}
| ''Hymni quibus totius anni'', 1628
|  
|  
| [[Conditor_alme_siderum_(Johann_Stadlmayr)|''Conditor alme siderum'']]
| [[Media:Conditor_alme_siderum_-_Stadlmayr.pdf|{{pdf}}]] [[Media:Conditor_alme_siderum_-_Stadlmayr-SATB.midi|{{mid}}]]
| 1
| 20
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Advent}}
|-
| {{ss|Johann Stadlmayr}}
| ''Hymni quibus totius anni'', 1628
|  
|  
| [[Dextera_Domini_(Francesco_M._Zuccari)|''Dextera Domini'']]
| [[Ad_coenam_Agni_providi_(Johann_Stadlmayr)|''Ad cenam Agni providi'']]
| [[Media:Dextera_Domini_-_Zuccari.pdf|{{pdf}}]] [[Media:Dextera_Domini_-_Zuccari-SATB.midi|{{mid}}]]  
| [[Media:Ad_cenam_agni_providi_-_Stadlmayr.pdf|{{pdf}}]] [[Media:Ad_cenam_agni_providi_-_Stadlmayr-SATB.midi|{{mid}}]]  
| 2
| 2
| 54
| 21
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Maundy Thursday}}, {{CC|Easter Vigil}}, {{CC|Epiphany III}}
| {{CC|Easter}}
|-
|-
|}
| {{ss|Johann Stadlmayr}}
 
| ''Hymni quibus totius anni'', 1628
{{DEFAULTSORT:{{NameSorter}}}}
|
 
| [[Audi_benigne_Conditor_(Johann_Stadlmayr)|''Audi benigne Conditor'']]
====ATTB unaccompanied====
| [[Media:Audi_benigne_Conditor_-_Stadlmayr.pdf|{{pdf}}]] [[Media:Audi_benigne_Conditor_-_Stadlmayr-SATB.midi|{{mid}}]]
{|class="wikitable sortable" style="text-align: center;"
| 1
| 24
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Lent}}
|-
|-
!rowspan=3|Composer
| {{ss|Johann Stadlmayr}}
!rowspan=3|Collection
| ''Hymni quibus totius anni'', 1628
!rowspan=3|No.
|
!rowspan=3|Title
| [[Ave_maris_stella_(Johann_Stadlmayr)|''Ave maris stella'']]
!rowspan=3 class="unsortable"|Files
| [[Media:Ave_maris_stella_-_Stadlmayr.pdf|{{pdf}}]] [[Media:Ave_maris_stella_-_Stadlmayr-SATB.midi|{{mid}}]]
!rowspan=3|# of Pages
| 2
!rowspan=3|# of Bars
| 27
!colspan=8|Voice-Range Boundaries (middle C = C4)
| style="background: #eeffee" data-sort-value="401" | C♯4
!rowspan=3|Language
| style="background: #eeffee" data-sort-value="502" | D5
!rowspan=3|Use
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Marian feasts|Common of the Blessed Virgin Mary}}
|-
|-
!colspan=2|A
| {{ss|Johann Stadlmayr}}
!colspan=2|T1
|  
!colspan=2|T2
|  
!colspan=2|B
| [[O_magnum_mysterium_(Johann_Stadlmayr)|''O magnum mysterium'']]
|-
| [[Media:O_magnum_mysterium_-_Stadlmayr.pdf|{{pdf}}]] [[Media:O_magnum_mysterium_-_Stadlmayr-SATB.midi|{{mid}}]]  
!Lo
!Hi
!Lo
!Hi
!Lo
!Hi
!Lo
!Hi
|-
| {{ss|Giovanni Croce}}
| ''Motetti a quattro voci libro primo'', 1597
| 16
| [[Ego sum pauper (Giovanni Croce)|''Ego sum pauper et dolens'']]
| [[Media:Ego_sum_pauper_et_dolens_-_Croce.pdf|{{pdf}}]] [[Media:Ego_sum_pauper_et_dolens_-_Croce-CATB.midi|{{mid}}]]  
| 1
| 1
| 30
| 43
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Christmas}}
|-
| {{ss|José de Torres}}
| ''Lira sacro-hispana,'' vol. 5, 1869
| 11
| [[Versa_est_in_luctum_(José_de_Torres)|''Versa est in luctum'']]
| [[Media:Versa_est_in_luctum_-_Torres.pdf|{{pdf}}]] [[Media:Versa_est_in_luctum_-_Torres-SATB.midi|{{mid}}]]
| 2
| 35
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| [[Psalm 69|Psalm 68(69):30–31]]
| {{CC|Funeral music|Funerals}}
|-
|-
| {{ss|Agostino Masera}}
| {{ss|Ludovico da Viadana}}
| ''Motetti a quattro voci libro primo'', 1597
|
| 20
|
| [[Iste sanctus (Agostino Masera)|''Iste sanctus'']]
| [[Adoramus_te_(Ludovico_da_Viadana)|''Adoramus te'']]
| [[Media:Iste_Sanctus_-_Masera.pdf|{{pdf}}]] [[Media:Iste_Sanctus_-_Masera-CATB.midi|{{mid}}]]  
| [[Media:Adoramus_te_-_Viadana.pdf|{{pdf}}]] [[Media:Adoramus_te_-_Viadana-SATB.midi|{{mid}}]]
| 2
| 1
| 43
| 25
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="307" | G3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}, {{CC|Holy Cross|Exaltation of the Cross}}
|-
| {{ss|Ludovico da Viadana}}
|
|  
| [[O_sacrum_convivium_(Ludovico_da_Viadana)|''O sacrum convivium'']]
| [[Media:O_sacrum_convivium_-_Viadana.pdf|{{pdf}}]] [[Media:O_sacrum_convivium_-_Viadana-SATB.midi|{{mid}}]]  
| 1
| 38
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Common of Apostles|Martyrs}}
| {{CC|Corpus Christi}}, {{CC|Eucharistic songs|Communion}}
|}
 
{{DEFAULTSORT:{{NameSorter}}}}
 
===Masses===
 
====SATB unaccompanied====
 
Voice-range boundaries apply to entire Mass settings; individual movements may have narrower boundaries.
 
Audio files of individual movements may be accessed from the CPDL entry of each Mass setting.
 
{|class="wikitable sortable" style="text-align:center;"
|-
|-
!rowspan=3|Composer
| {{ss|Cornelius Verdonck}}
!rowspan=3|Collection
|  
!rowspan=3|No.
|  
!rowspan=3|Title
| [[Ave_gratia_plena_(Cornelius_Verdonck)|''Ave gratia plena'']]
!rowspan=3|Movements
| [[Media:Ave_gratia_plena_-_Verdonck.pdf|{{pdf}}]] [[Media:Ave_gratia_plena_-_Verdonck-CATB.midi|{{mid}}]]
!rowspan=3 class="unsortable"|PDF
| 1
!rowspan=3 | # of Pages
| 29
!colspan=8|Voice-Range Boundaries (middle C = C4)
!rowspan=3|Language
|-
!colspan=2 width=55|S
!colspan=2 width=55|A
!colspan=2 width=55|T
!colspan=2 width=55|B
|-
!Lo
!Hi
!Lo
!Hi
!Lo
!Hi
!Lo
!Hi
|-
| {{ss|Anonymous}}
| Granada Cathedral archive
|
| [[Missa_ferialis_(Anonymous)|''Missa Ferialis'']]
| KSBA
| [[Media:Missa_Ferialis_(complete)_-_Anonymous.pdf|{{pdf}}]]
| 3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="303" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B3
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Advent IV}}, {{CC|Annunciation}}
|-
| {{ss|Mart%C3%ADn de Villanueva}}
|
|
| [[Christus_factus_est_(Mart%C3%ADn_de_Villanueva)|''Christus factus est'']]
| [[Media:Christus_factus_est_-_Villanueva.pdf|{{pdf}}]] [[Media:Christus_factus_est_-_Villanueva-SATB.midi|{{mid}}]]
| 1
| 36
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | G3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Holy Week}}, {{CC|Palm Sunday}}, {{CC|Good Friday}}
|-
|-
| {{ss|Jean de Bournonville}}
| {{ss|Melchior Vulpius}}
| ''Missae tredecim'', 1619
| ''Opusculum novum selectissimarum cantionum sacrarum,'' 1610
| 2
| [[Exultate_justi_(Melchior_Vulpius)|''Exsultate iusti in Domino'']]
| [[Media:Exsultate_iusti_in_Domino_-_Vulpius.pdf|{{pdf}}]] [[Media:Exsultate_iusti_in_Domino_-_Vulpius-CATB.midi|{{mid}}]]
| 4
| 4
| [[Missa_Ave_maris_stella_(Jean_de_Bournonville)|''Missa Ave maris stella'']]
| 136
| KGCSBA
| style="background: #ffdddd" data-sort-value="309" | A3
| [[Media:Missa_Ave_Maris_Stella_a_4_-_De_Bournonville_(KGCSBA).pdf|{{pdf}}]]
| 16
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #ffdddd" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="303" | D3
| style="background: #eeffee" data-sort-value="301" | C♯3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| [[Psalm 33|Ps 32(33):1–5]]
|-
|-
| {{ss|Hans Leo Hassler}}
| {{ss|Franz Xaver Witt}}
| ''Missae IV, V, VI et VIII vocibus'', 1599
| [[Musica_sacra_-_Zeitschrift,_1868-1888_(Franz_Xaver_Witt)|''Musica sacra - Zeitschrift'']], vol. 17, 1884
| 7
| [[Sacerdotes_Domini_(Franz Xaver Witt)|''Sacerdotes Domini'']]
| [[Media:Sacerdotes_Domini_-_Witt.pdf|{{pdf}}]] [[Media:Sacerdotes_Domini_-_Witt-SATB.midi|{{mid}}]]
| 1
| 1
| [[Missa_super_Dixit_Maria_(Hans_Leo_Hassler)|''Missa super Dixit Maria'']]
| 29
| KGCSBA
| style="background: #eeffee" data-sort-value="404" | E4
| [[Media:Missa_super_Dixit_Maria_-_Hassler_(KGCSBA).pdf|{{pdf}}]]
| style="background: #eeffff" data-sort-value="505" | F5
| 16
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #ffffee" data-sort-value="505" | F5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
|-
| {{ss|Hans Leo Hassler}}
| ''Missae IV, V, VI et VIII vocibus'', 1599
| 2
| [[Missa_Secunda_(Hans_Leo_Hassler)|''Missa Secunda'']]
| KGCSBA
| [[Media:Missa_Secunda_-_Hassler_(KGCSBA).pdf|{{pdf}}]]
| 14
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #ffffee" data-sort-value="307" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
Line 4,110: Line 4,283:
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Corpus Christi}}
|-
|-
| {{ss|Hans Leo Hassler}}
| {{ss|Francesco M. Zuccari}}
| ''Missae IV, V, VI et VIII vocibus'', 1599
|  
| 3
|  
| [[Missa_tertia_(Hans_Leo_Hassler)|''Missa Tertia'']]
| [[Dextera_Domini_(Francesco_M._Zuccari)|''Dextera Domini'']]
| KGCSBA
| [[Media:Dextera_Domini_-_Zuccari.pdf|{{pdf}}]] [[Media:Dextera_Domini_-_Zuccari-SATB.midi|{{mid}}]]
| [[Media:Missa_Tertia_-_Hassler_(KGCSBA).pdf|{{pdf}}]]
| 2
| 14
| 54
| style="background: #ffdddd" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #ffdddd" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
|}
| {{CC|Maundy Thursday}}, {{CC|Easter Vigil}}, {{CC|Epiphany III}}
 
|-
| {{ss|Giovanni Bernardo Zucchinetti}}
|
|
| [[Improperium_(Giovanni_Bernardo_Zucchinetti)|''Improperium exspectavit'']]
| [[Media:Improperium_exspectavit_-_Zucchinetti.pdf|{{pdf}}]] [[Media:Improperium_exspectavit_-_Zucchinetti-SATB.midi|{{mid}}]]
| 1
| 32
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="403" | D4
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eef0ff" data-sort-value="402" | D4
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Palm Sunday}}, {{CC|Sacred Heart}}
|-
|}
 
{{DEFAULTSORT:{{NameSorter}}}}
{{DEFAULTSORT:{{NameSorter}}}}


== Digital editions available on SheetMusicPlus.com (non-free) ==
====ATTB unaccompanied====
 
{|class="wikitable sortable" style="text-align: center;"
Sorted by:
* [https://www.sheetmusicplus.com/search?Ntt=CantemusDomino.Net&Ns=releaseDate|1&recsPerPage=50&currentPage=1 Newest]
* [https://www.sheetmusicplus.com/search?Ntt=CantemusDomino.Net&Ns=displayName&recsPerPage=50&currentPage=1 A-Z]
* Genre:
** [https://www.sheetmusicplus.com/search/musical-form/mass/4000011?Ns=displayName&Ntt=CantemusDomino.Net&recsPerPage=50 Masses]
*** [https://www.sheetmusicplus.com/search?Ns=displayName&Ntt=CantemusDomino.Net+requiem&narrow_by=requiem&orKey=CantemusDomino.Net&recsPerPage=50&withIn=true Requiems]
* Number of parts:
** '''[https://www.sheetmusicplus.com/search/ensembles/3-part/500042?Ns=displayName&Ntt=CantemusDomino.Net&recsPerPage=50&withIn=true Three]:''' [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SSA&narrow_by=SSA&Ns=displayName&recsPerPage=50&N=500021&withIn=true SSA] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SAT&narrow_by=SAT&Ns=displayName&recsPerPage=50&N=500021&withIn=true SAT] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SAB&narrow_by=SAT&Ns=displayName&recsPerPage=50&N=500021&withIn=true SAB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+STT&narrow_by=STT&Ns=displayName&recsPerPage=50&N=500021&withIn=true STT] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+STB&narrow_by=STB&Ns=displayName&recsPerPage=50&N=500021&withIn=true STB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+AAT&narrow_by=AAT&Ns=displayName&recsPerPage=50&N=500021&withIn=true AAT] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+AAB&narrow_by=AAB&Ns=displayName&recsPerPage=50&N=500021&withIn=true AAB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+ATT&narrow_by=ATT&Ns=displayName&recsPerPage=50&N=500021&withIn=true ATT] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+ATB&narrow_by=ATB&Ns=displayName&recsPerPage=50&N=500021&withIn=true ATB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+TTB&narrow_by=TTB&Ns=displayName&recsPerPage=50&N=500021&withIn=true TTB]
** '''[https://www.sheetmusicplus.com/search/ensembles/4-part/500038?Ns=displayName&Ntt=CantemusDomino.Net&recsPerPage=50&withIn=true Four]:''' [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SAAT&narrow_by=SAAT&Ns=displayName&recsPerPage=50&N=500021&withIn=true SAAT] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SATT&narrow_by=SATT&Ns=displayName&recsPerPage=50&N=500021&withIn=true SATT] | [https://www.sheetmusicplus.com/search/ensembles/choir/500021?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SATB&narrow_by=SATB&Ns=displayName&recsPerPage=50&withIn=true SATB] | [https://www.sheetmusicplus.com/search/ensembles/choir/500021?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+STTB&narrow_by=STTB&Ns=displayName&recsPerPage=50&withIn=true STTB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+AATB&narrow_by=AATB&Ns=displayName&recsPerPage=50&N=500021&withIn=true AATB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+ATTB&narrow_by=ATTB&Ns=displayName&recsPerPage=50&N=500021&withIn=true ATTB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+ATBB&narrow_by=ATBB&Ns=displayName&recsPerPage=50&N=500021&withIn=true ATBB]
 
=== Motets and Mass propers ===
 
==== SATB unaccompanied ====
 
(Linked titles point to to the SheetMusicPlus.com catalog page.)
 
{|class="wikitable sortable" style="text-align:center;"
|-
|-
!rowspan=3|Composer
!rowspan=3|Composer
Line 4,155: Line 4,332:
!rowspan=3|No.
!rowspan=3|No.
!rowspan=3|Title
!rowspan=3|Title
!rowspan=3 | # of Pages
!rowspan=3 class="unsortable"|Files
!rowspan=3 | # of Bars
!rowspan=3|# of Pages
!rowspan=3|# of Bars
!colspan=8|Voice-Range Boundaries (middle C = C4)
!colspan=8|Voice-Range Boundaries (middle C = C4)
!rowspan=3|Language
!rowspan=3|Language
!rowspan=3|Use
!rowspan=3|Use
|-
|-
!colspan=2 width=55|S
!colspan=2|A
!colspan=2 width=55|A
!colspan=2|T1
!colspan=2 width=55|T
!colspan=2|T2
!colspan=2 width=55|B
!colspan=2|B
|-
|-
!Lo
!Lo
Line 4,175: Line 4,353:
!Hi
!Hi
|-
|-
| Gregor Aichinger
| {{ss|Giovanni Croce}}
| ''Sacrae cantiones,'' 1590
| ''Motetti a quattro voci libro primo'', 1597
| 3
| 16
| [https://www.sheetmusicplus.com/title/universae-viae-domini-aichinger-digital-sheet-music/20772307 ''Universae viae Domini'']
| [[Ego sum pauper (Giovanni Croce)|''Ego sum pauper et dolens'']]
| 2
| [[Media:Ego_sum_pauper_et_dolens_-_Croce.pdf|{{pdf}}]] [[Media:Ego_sum_pauper_et_dolens_-_Croce-CATB.midi|{{mid}}]]
| 38
| 1
| style="background: #eeffee" data-sort-value="402" | D4
| 30
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| Latin
| {{CiteCat|Works in Latin|Latin}}
| Ps 24(25):10
| [[Psalm 69|Psalm 68(69):30–31]]
|-
|-
| Blasius Ammon
| {{ss|Agostino Masera}}
|
| ''Motetti a quattro voci libro primo'', 1597
|  
| ''Tenebrae factae sunt''
| 2
| 64
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Passiontide
|-
| Ludovico Balbi
| ''Ecclesiasticarum cantionum quatuor vocum,'' 1578
| 20
| 20
| [https://www.sheetmusicplus.com/title/benedictus-es-balbi-digital-sheet-music/20768631 ''Benedictus es Domine … in labiis'']
| [[Iste sanctus (Agostino Masera)|''Iste sanctus'']]
| [[Media:Iste_Sanctus_-_Masera.pdf|{{pdf}}]] [[Media:Iste_Sanctus_-_Masera-CATB.midi|{{mid}}]]  
| 2
| 2
| 41
| 43
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="402" | D4
| Latin
| style="background: #ffffee" data-sort-value="206" | F♯2
| Quinquagesima
| style="background: #eeffee" data-sort-value="309" | A3
| {{CiteCat|Works in Latin|Latin}}
| {{CC|Common of Apostles|Martyrs}}
|}
 
{{DEFAULTSORT:{{NameSorter}}}}
 
===Masses===
 
====SATB unaccompanied====
 
Voice-range boundaries apply to entire Mass settings; individual movements may have narrower boundaries.
 
Audio files of individual movements may be accessed from the CPDL entry of each Mass setting.
 
{|class="wikitable sortable" style="text-align:center;"
|-
|-
| Adriano Banchieri
!rowspan=3|Composer
| ''Promptuarii musici concentus ecclesiasticos, pars altera,'' 1623
!rowspan=3|Collection
| 54
!rowspan=3|No.
| ''Sancti et iusti in Domino gaudete''
!rowspan=3|Title
| 2
!rowspan=3|Movements
| 61
!rowspan=3 class="unsortable"|PDF
| style="background: #eeffee" data-sort-value="404" | E4
!rowspan=3 | # of Pages
| style="background: #eeffee" data-sort-value="504" | E5
!colspan=8|Voice-Range Boundaries (middle C = C4)
| style="background: #eeffee" data-sort-value="311" | B3
!rowspan=3|Language
| style="background: #eeffee" data-sort-value="411" | B4
|-
| style="background: #eeffee" data-sort-value="304" | E3
!colspan=2 width=55|S
| style="background: #eeffee" data-sort-value="404" | E4
!colspan=2 width=55|A
| style="background: #eeffee" data-sort-value="207" | G2
!colspan=2 width=55|T
| style="background: #eeffee" data-sort-value="311" | B3
!colspan=2 width=55|B
| Latin
|-
| Easter
!Lo
|-
!Hi
| Giulio Belli
!Lo
| ''Sacrarum cantionum,'' 1600
!Hi
!Lo
!Hi
!Lo
!Hi
|-
| {{ss|Anonymous}}
| Granada Cathedral archive
|
| [[Missa_ferialis_(Anonymous)|''Missa Ferialis'']]
| KSBA
| [[Media:Missa_Ferialis_(complete)_-_Anonymous.pdf|{{pdf}}]]
| 3
| 3
| ''Exaudi Deus orationem meam''
| style="background: #eeffee" data-sort-value="402" | D4
| 2
| style="background: #eeffee" data-sort-value="500" | C5
| 34
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="303" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="310" | B3
| Latin
| {{CiteCat|Works in Latin|Latin}}
| Ps 54(55):2–3a
|-
|-
| Giulio Belli
| {{ss|Jean de Bournonville}}
| ''Sacrarum cantionum,'' 1600
| ''Missae tredecim'', 1619
| 7
| 4
| ''O sacrum convivium''
| [[Missa_Ave_maris_stella_(Jean_de_Bournonville)|''Missa Ave maris stella'']]
| KGCSBA
| [[Media:Missa_Ave_Maris_Stella_a_4_-_De_Bournonville_(KGCSBA).pdf|{{pdf}}]]
| 16
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #ffdddd" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="303" | D3
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #eeffee" data-sort-value="310" | B♭3
| {{CiteCat|Works in Latin|Latin}}
|-
| {{ss|Hans Leo Hassler}}
| ''Missae IV, V, VI et VIII vocibus'', 1599
| 1
| [[Missa_super_Dixit_Maria_(Hans_Leo_Hassler)|''Missa super Dixit Maria'']]
| KGCSBA
| [[Media:Missa_super_Dixit_Maria_-_Hassler_(KGCSBA).pdf|{{pdf}}]]
| 16
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffff" data-sort-value="505" | F5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| {{CiteCat|Works in Latin|Latin}}
|-
| {{ss|Hans Leo Hassler}}
| ''Missae IV, V, VI et VIII vocibus'', 1599
| 2
| 2
| 42
| [[Missa_Secunda_(Hans_Leo_Hassler)|''Missa Secunda'']]
| style="background: #eeffee" data-sort-value="402" | D4
| KGCSBA
| [[Media:Missa_Secunda_-_Hassler_(KGCSBA).pdf|{{pdf}}]]
| 14
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #ffffee" data-sort-value="307" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| {{CiteCat|Works in Latin|Latin}}
| Corpus Christi, Communion
|-
|-
| José Bernal
| {{ss|Hans Leo Hassler}}
|
| ''Missae IV, V, VI et VIII vocibus'', 1599
|  
| ''Ave Sanctissimum''
| 3
| 3
| 68
| [[Missa_tertia_(Hans_Leo_Hassler)|''Missa Tertia'']]
| style="background: #eeffee" data-sort-value="402" | D4
| KGCSBA
| [[Media:Missa_Tertia_-_Hassler_(KGCSBA).pdf|{{pdf}}]]
| 14
| style="background: #ffdddd" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffdddd" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="310" | B♭3
| Latin
| {{CiteCat|Works in Latin|Latin}}
| Communion
|}
 
{{DEFAULTSORT:{{NameSorter}}}}
 
== Digital editions available on SheetMusicPlus.com (non-free) ==
 
Sorted by:
* [https://www.sheetmusicplus.com/search?Ntt=CantemusDomino.Net&Ns=releaseDate|1&recsPerPage=50&currentPage=1 Newest]
* [https://www.sheetmusicplus.com/search?Ntt=CantemusDomino.Net&Ns=displayName&recsPerPage=50&currentPage=1 A-Z]
* Genre:
** [https://www.sheetmusicplus.com/search/musical-form/mass/4000011?Ns=displayName&Ntt=CantemusDomino.Net&recsPerPage=50 Masses]
*** [https://www.sheetmusicplus.com/search?Ns=displayName&Ntt=CantemusDomino.Net+requiem&narrow_by=requiem&orKey=CantemusDomino.Net&recsPerPage=50&withIn=true Requiems]
* Number of parts:
** '''[https://www.sheetmusicplus.com/search/ensembles/3-part/500042?Ns=displayName&Ntt=CantemusDomino.Net&recsPerPage=50&withIn=true Three]:''' [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SSA&narrow_by=SSA&Ns=displayName&recsPerPage=50&N=500021&withIn=true SSA] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SAT&narrow_by=SAT&Ns=displayName&recsPerPage=50&N=500021&withIn=true SAT] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SAB&narrow_by=SAT&Ns=displayName&recsPerPage=50&N=500021&withIn=true SAB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+STT&narrow_by=STT&Ns=displayName&recsPerPage=50&N=500021&withIn=true STT] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+STB&narrow_by=STB&Ns=displayName&recsPerPage=50&N=500021&withIn=true STB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+AAT&narrow_by=AAT&Ns=displayName&recsPerPage=50&N=500021&withIn=true AAT] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+AAB&narrow_by=AAB&Ns=displayName&recsPerPage=50&N=500021&withIn=true AAB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+ATT&narrow_by=ATT&Ns=displayName&recsPerPage=50&N=500021&withIn=true ATT] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+ATB&narrow_by=ATB&Ns=displayName&recsPerPage=50&N=500021&withIn=true ATB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+TTB&narrow_by=TTB&Ns=displayName&recsPerPage=50&N=500021&withIn=true TTB]
** '''[https://www.sheetmusicplus.com/search/ensembles/4-part/500038?Ns=displayName&Ntt=CantemusDomino.Net&recsPerPage=50&withIn=true Four]:''' [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SAAT&narrow_by=SAAT&Ns=displayName&recsPerPage=50&N=500021&withIn=true SAAT] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SATT&narrow_by=SATT&Ns=displayName&recsPerPage=50&N=500021&withIn=true SATT] | [https://www.sheetmusicplus.com/search/ensembles/choir/500021?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+SATB&narrow_by=SATB&Ns=displayName&recsPerPage=50&withIn=true SATB] | [https://www.sheetmusicplus.com/search/ensembles/choir/500021?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+STTB&narrow_by=STTB&Ns=displayName&recsPerPage=50&withIn=true STTB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+AATB&narrow_by=AATB&Ns=displayName&recsPerPage=50&N=500021&withIn=true AATB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+ATTB&narrow_by=ATTB&Ns=displayName&recsPerPage=50&N=500021&withIn=true ATTB] | [https://www.sheetmusicplus.com/search?orKey=CantemusDomino.Net&Ntt=CantemusDomino.Net+ATBB&narrow_by=ATBB&Ns=displayName&recsPerPage=50&N=500021&withIn=true ATBB]
 
=== Motets and Mass propers ===
 
==== SATB unaccompanied ====
 
(Linked titles point to to the SheetMusicPlus.com catalog page.)
 
{|class="wikitable sortable" style="text-align:center;"
|-
|-
| Steffano Bernardi
!rowspan=3|Composer
| ''Messe a quattro et cinque voci,'' 1624
!rowspan=3|Collection
| 20
!rowspan=3|No.
| ''Credo quod Redemptor meus vivit''
!rowspan=3|Title
| 1
!rowspan=3 | # of Pages
| 37
!rowspan=3 | # of Bars
| style="background: #eeffee" data-sort-value="400" | C4
!colspan=8|Voice-Range Boundaries (middle C = C4)
| style="background: #eeffee" data-sort-value="409" | A4
!rowspan=3|Language
| style="background: #eeffee" data-sort-value="309" | A3
!rowspan=3|Use
| style="background: #eeffee" data-sort-value="405" | F4
|-
!colspan=2 width=55|S
!colspan=2 width=55|A
!colspan=2 width=55|T
!colspan=2 width=55|B
|-
!Lo
!Hi
!Lo
!Hi
!Lo
!Hi
!Lo
!Hi
|-
| Gregor Aichinger
| ''Sacrae cantiones,'' 1590
| 3
| [https://www.sheetmusicplus.com/title/universae-viae-domini-aichinger-digital-sheet-music/20772307 ''Universae viae Domini'']
| 2
| 38
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="307" | G3
| Latin
| Latin
| Funeral, All Souls
| Ps 24(25):10
|-
|-
| Giovanni Campani
| Blasius Ammon
|  
|  
|  
|  
| [https://www.sheetmusicplus.com/title/caro-mea-vere-est-cibus-campani-digital-sheet-music/20775650 ''Caro mea vere est cibus'']
| ''Tenebrae factae sunt''
| 2
| 2
| 37
| 64
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Corpus Christi, Communion
| Passiontide
|-
|-
| Giovanni Campani
| Ludovico Balbi
|  
| ''Ecclesiasticarum cantionum quatuor vocum,'' 1578
|  
| 20
| [https://www.sheetmusicplus.com/title/o-domine-iesu-christe-campani-digital-sheet-music/20775649 ''O Domine Iesu Christe'']
| [https://www.sheetmusicplus.com/title/benedictus-es-balbi-digital-sheet-music/20768631 ''Benedictus es Domine … in labiis'']
| 1
| 2
| 31
| 41
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Latin
| Lent, Palm Sunday, Good Friday, Holy Cross, Communion
| Quinquagesima
|-
|-
| Floriano Canali
| Adriano Banchieri
| ''Sacrae cantiones,'' 1581
| ''Promptuarii musici concentus ecclesiasticos, pars altera,'' 1623
| 1
| 54
| [https://www.sheetmusicplus.com/title/laudate-dominum-de-caelis-canali-digital-sheet-music/20741526 ''Laudate Dominum de caelis'']
| ''Sancti et iusti in Domino gaudete''
| 2
| 2
| 57
| 61
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="311" | B3
| Latin
| Latin
| Ps 148:1–5a
| Easter
|-
|-
| Floriano Canali
| Giulio Belli
| ''Sacrae cantiones,'' 1581
| ''Sacrarum cantionum,'' 1600
| 3
| ''Exaudi Deus orationem meam''
| 2
| 2
| [https://www.sheetmusicplus.com/title/laudate-dominum-in-sanctis-eius-canali-digital-sheet-music/20741527 ''Laudate Dominum in sanctis eius'']
| 34
| 2
| style="background: #eeffee" data-sort-value="401" | C♯4
| 66
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Ps 150
| Ps 54(55):2–3a
|-
|-
| Floriano Canali
| Giulio Belli
| ''Sacrae cantiones,'' 1581
| ''Sacrarum cantionum,'' 1600
| 3
| 7
| [https://www.sheetmusicplus.com/title/gloriosi-principes-terrae-canali-satb-digital-sheet-music/20741532 ''Gloriosi principes terrae'']
| ''O sacrum convivium''
| 2
| 2
| 52
| 42
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #ffffee" data-sort-value="505" | F5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="210" | B♭2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="311" | B3
| Latin
| Latin
| Ss. Peter and Paul
| Corpus Christi, Communion
|-
|-
| Floriano Canali
| José Bernal
| ''Sacrae cantiones,'' 1581
|  
| 4
|  
| [https://www.sheetmusicplus.com/title/laetabitur-iustus-in-domino-canali-digital-sheet-music/20741536 ''Laetabitur iustus in Domino'']
| ''Ave Sanctissimum''
| 2
| 3
| 51
| 68
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="503" | E♭5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Ps 63(64):11
|-
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| 5
| [https://www.sheetmusicplus.com/title/o-martyr-egregie-canali-digital-sheet-music/20741565 ''O Martyr egregie'']
| 2
| 51
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| St. Peter Martyr
| Communion
|-
|-
| Floriano Canali
| Steffano Bernardi
| ''Sacrae cantiones,'' 1581
| ''Messe a quattro et cinque voci,'' 1624
| 6
| 20
| [https://www.sheetmusicplus.com/title/gaudent-in-caelis-canali-satb-digital-sheet-music/20741600 ''Gaudent in caelis'']
| ''Credo quod Redemptor meus vivit''
| 2
| 1
| 57
| 37
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Common of Multiple Martyrs
| Funeral, All Souls
|-
|-
| Floriano Canali
| Giovanni Campani
| ''Sacrae cantiones,'' 1581
|  
| 7
|  
| [https://www.sheetmusicplus.com/title/amavit-eum-dominus-canali-digital-sheet-music/20741605 ''Amavit eum Dominus'']
| [https://www.sheetmusicplus.com/title/caro-mea-vere-est-cibus-campani-digital-sheet-music/20775650 ''Caro mea vere est cibus'']
| 3
| 2
| 60
| 37
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Common of Bishops and Confessors
| Corpus Christi, Communion
|-
|-
| Floriano Canali
| Giovanni Campani
| ''Sacrae cantiones,'' 1581
|
| 8
|
| [https://www.sheetmusicplus.com/title/o-doctor-optime-canali-digital-sheet-music/20741607 ''O Doctor optime'']
| [https://www.sheetmusicplus.com/title/o-domine-iesu-christe-campani-digital-sheet-music/20775649 ''O Domine Iesu Christe'']
| 1
| 31
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Lent, Palm Sunday, Good Friday, Holy Cross, Communion
|-
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| 1
| [https://www.sheetmusicplus.com/title/laudate-dominum-de-caelis-canali-digital-sheet-music/20741526 ''Laudate Dominum de caelis'']
| 2
| 2
| 53
| 57
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Latin
| Common of Doctors of the Church
| Ps 148:1–5a
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 9
| 2
| [https://www.sheetmusicplus.com/title/afferentur-regi-virgines-canali-digital-sheet-music/20741612 ''Afferentur regi virgines'']
| [https://www.sheetmusicplus.com/title/laudate-dominum-in-sanctis-eius-canali-digital-sheet-music/20741527 ''Laudate Dominum in sanctis eius'']
| 3
| 2
| 68
| 66
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Common of Virgins and Martyrs
| Ps 150
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 10
| 3
| [https://www.sheetmusicplus.com/title/dum-ortus-fuerit-canali-digital-sheet-music/20741616 ''Dum ortus fuerit'']
| [https://www.sheetmusicplus.com/title/gloriosi-principes-terrae-canali-satb-digital-sheet-music/20741532 ''Gloriosi principes terrae'']
| 2
| 2
| 49
| 52
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffff" data-sort-value="505" | F5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="210.1" | B♭2
| style="background: #eef0ff" data-sort-value="402" | D4
| Latin
| Latin
| Christmas
| Ss. Peter and Paul
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 11
| 4
| [https://www.sheetmusicplus.com/title/orietur-sicut-sol-canali-digital-sheet-music/20741619 ''Orietur sicut sol'']
| [https://www.sheetmusicplus.com/title/laetabitur-iustus-in-domino-canali-digital-sheet-music/20741536 ''Laetabitur iustus in Domino'']
| 2
| 2
| 42
| 51
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="503.1" | E♭5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Christmas
| Ps 63(64):11
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 12
| 5
| [https://www.sheetmusicplus.com/title/virgo-prudentissima-canali-digital-sheet-music/20741621 ''Virgo prudentissima'']
| [https://www.sheetmusicplus.com/title/o-martyr-egregie-canali-digital-sheet-music/20741565 ''O Martyr egregie'']
| 2
| 2
| 37
| 51
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Latin
| Assumption
| St. Peter Martyr
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 13
| 6
| [https://www.sheetmusicplus.com/title/spiritus-sanctus-in-te-descendet-canali-digital-sheet-music/20741625 ''Spiritus Sanctus in te descendet'']
| [https://www.sheetmusicplus.com/title/gaudent-in-caelis-canali-satb-digital-sheet-music/20741600 ''Gaudent in caelis'']
| 2
| 2
| 37
| 57
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Annunciation, Advent IV
| Common of Multiple Martyrs
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 14
| 7
| [https://www.sheetmusicplus.com/title/adoramus-te-domine-canali-digital-sheet-music/20741650 ''Adoramus te Domine'']
| [https://www.sheetmusicplus.com/title/amavit-eum-dominus-canali-digital-sheet-music/20741605 ''Amavit eum Dominus'']
| 1
| 3
| 31
| 60
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Passiontide, Palm Sunday, Good Friday
| Common of Bishops and Confessors
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 15
| 8
| [https://www.sheetmusicplus.com/title/dies-sanctificatus-canali-satb-digital-sheet-music/20741663 ''Dies sanctificatus'']
| [https://www.sheetmusicplus.com/title/o-doctor-optime-canali-digital-sheet-music/20741607 ''O Doctor optime'']
| 2
| 2
| 43
| 53
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="503" | E♭5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="303" | E♭3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="210" | B♭2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Christmas
| Common of Doctors of the Church
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 16
| 9
| [https://www.sheetmusicplus.com/title/o-sacrum-convivium-canali-digital-sheet-music/20741665 ''O sacrum convivium'']
| [https://www.sheetmusicplus.com/title/afferentur-regi-virgines-canali-digital-sheet-music/20741612 ''Afferentur regi virgines'']
| 2
| 3
| 47
| 68
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Corpus Christi, Communion
| Common of Virgins and Martyrs
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 17
| 10
| [https://www.sheetmusicplus.com/title/da-pacem-domine-canali-digital-sheet-music/20741670 ''Da pacem Domine'']
| [https://www.sheetmusicplus.com/title/dum-ortus-fuerit-canali-digital-sheet-music/20741616 ''Dum ortus fuerit'']
| 2
| 2
| 34
| 49
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Peace
| Christmas
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 18
| 11
| [https://www.sheetmusicplus.com/title/o-maria-dei-genitrix-canali-satb-aatb-or-attb-digital-sheet-music/20741682 ''O Maria Dei genitrix'']
| [https://www.sheetmusicplus.com/title/orietur-sicut-sol-canali-digital-sheet-music/20741619 ''Orietur sicut sol'']
| 1
| 2
| 32
| 42
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="308" | G♯3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="311" | B3
| Latin
| Marian
|-
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| 19
| [https://www.sheetmusicplus.com/title/ave-regina-mater-regis-canali-satb-aatb-or-attb-digital-sheet-music/20741799 ''Ave Regina … Mater Regis'']
| 1
| 32
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Marian
| Christmas
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 20
| 12
| [https://www.sheetmusicplus.com/title/alma-redemptoris-mater-canali-digital-sheet-music/20742107 ''Alma Redemptoris Mater'']
| [https://www.sheetmusicplus.com/title/virgo-prudentissima-canali-digital-sheet-music/20741621 ''Virgo prudentissima'']
| 2
| 2
| 46
| 37
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Votive antiphon
| Assumption
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 21
| 13
| [https://www.sheetmusicplus.com/title/ave-regina-caelorum-canali-digital-sheet-music/20741844 ''Ave Regina caelorum'']
| [https://www.sheetmusicplus.com/title/spiritus-sanctus-in-te-descendet-canali-digital-sheet-music/20741625 ''Spiritus Sanctus in te descendet'']
| 2
| 2
| 46
| 37
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Votive antiphon
| Annunciation, Advent IV
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 22
| 14
| [https://www.sheetmusicplus.com/title/regina-caeli-canali-digital-sheet-music/20742110 ''Regina caeli'']
| [https://www.sheetmusicplus.com/title/adoramus-te-domine-canali-digital-sheet-music/20741650 ''Adoramus te Domine'']
| 1
| 1
| 32
| 31
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
Line 4,717: Line 4,964:
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Votive antiphon
| Passiontide, Palm Sunday, Good Friday
|-
|-
| Floriano Canali
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| ''Sacrae cantiones,'' 1581
| 23
| 15
| [https://www.sheetmusicplus.com/title/salve-regina-canali-digital-sheet-music/20742111 ''Salve Regina'']
| [https://www.sheetmusicplus.com/title/dies-sanctificatus-canali-satb-digital-sheet-music/20741663 ''Dies sanctificatus'']
| 2
| 2
| 66
| 43
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="503.1" | E♭5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="303.1" | E♭3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="210" | B♭2
| style="background: #eeffee" data-sort-value="210.1" | B♭2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Votive antiphon
| Christmas
|-
|-
| Giovanni Maria Casini
| Floriano Canali
| ''Moduli quatuor vocibus, opus primum,'' 1706
| ''Sacrae cantiones,'' 1581
| 16
| [https://www.sheetmusicplus.com/title/o-sacrum-convivium-canali-digital-sheet-music/20741665 ''O sacrum convivium'']
| 2
| 2
| [https://www.sheetmusicplus.com/title/o-sacrum-convivium-casini-digital-sheet-music/20754222 ''O sacrum convivium'']
| 47
| 4
| style="background: #ffffee" data-sort-value="311" | B3
| 78
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Corpus Christi, Communion
| Corpus Christi, Communion
|-
|-
| Giovanni Maria Casini
| Floriano Canali
| ''Moduli quatuor vocibus, opus primum,'' 1706
| ''Sacrae cantiones,'' 1581
| 15
| 17
| [https://www.sheetmusicplus.com/title/peccavi-super-numerum-arenae-maris-casini-digital-sheet-music/20754227 ''Peccavi super numerum arenae maris'']
| [https://www.sheetmusicplus.com/title/da-pacem-domine-canali-digital-sheet-music/20741670 ''Da pacem Domine'']
| 4
| 2
| 55
| 34
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Lent
|-
| Jean de Chaynée
| ''Novi thesauri musici,'' 1568
| 371
| ''Dilexisti iustitiam''
| 2
| 49
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Common of Virgins
| Peace
|-
|-
| Jean de Chaynée
| Floriano Canali
| ''Novi thesauri musici,'' 1568
| ''Sacrae cantiones,'' 1581
| 372
| 18
| ''Diffusa est gratia''
| [https://www.sheetmusicplus.com/title/o-maria-dei-genitrix-canali-satb-aatb-or-attb-digital-sheet-music/20741682 ''O Maria Dei genitrix'']
| 2
| 1
| 47
| 32
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="308" | G♯3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="311" | B3
| Latin
| Marian
|-
| Floriano Canali
| ''Sacrae cantiones,'' 1581
| 19
| [https://www.sheetmusicplus.com/title/ave-regina-mater-regis-canali-satb-aatb-or-attb-digital-sheet-music/20741799 ''Ave Regina … Mater Regis'']
| 1
| 32
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Common of Virgins (''Dilexisti iustitiam, secunda pars'')
| Marian
|-
|-
| Clemens non Papa
| Floriano Canali
| ''Thesauri musici, tomus quintus,'' 1564
| ''Sacrae cantiones,'' 1581
| 4
| 20
| [https://www.sheetmusicplus.com/title/ne-abscondas-me-domine-clemens-non-papa-digital-sheet-music/20763619 ''Ne abscondas me'']
| [https://www.sheetmusicplus.com/title/alma-redemptoris-mater-canali-digital-sheet-music/20742107 ''Alma Redemptoris Mater'']
| 2
| 2
| 51
| 46
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="503" | E♭5
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="307" | G3
| Latin
| Latin
| Lent, All Souls, Funeral
| Votive antiphon
|-
|-
| Giovanni Croce
| Floriano Canali
| ''Motetti a quattro voci libro primo,'' 1597
| ''Sacrae cantiones,'' 1581
| 6
| 21
| [https://www.sheetmusicplus.com/title/congratulamini-mihi-croce-digital-sheet-music/20763987 ''Congratulamini mihi'']
| [https://www.sheetmusicplus.com/title/ave-regina-caelorum-canali-digital-sheet-music/20741844 ''Ave Regina caelorum'']
| 2
| 2
| 46
| 46
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="211" | B2
| style="background: #fff0ee" data-sort-value="402" | D4
| Latin
| Marian
|-
| Gallus Dressler
| ''Cantiones IV, V et plurimum vocum,'' 1570
| 49
| ''Lucerna pedibus meis''
| 4
| 99
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Ps 118(119):105–107
| Votive antiphon
|-
|-
| Gallus Dressler
| Floriano Canali
| ''Cantiones IV, V et plurimum vocum,'' 1570
| ''Sacrae cantiones,'' 1581
| 51
| 22
| ''Domine ad quem ibimus''
| [https://www.sheetmusicplus.com/title/regina-caeli-canali-digital-sheet-music/20742110 ''Regina caeli'']
| 3
| 1
| 68
| 32
| style="background: #fff0ee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="503" | E♭5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Jn 6:69–70
| Votive antiphon
|-
|-
| Gallus Dressler
| Floriano Canali
| ''Cantiones IV, V et plurimum vocum,'' 1570
| ''Sacrae cantiones,'' 1581
| 52
| 23
| ''Haec est voluntas eius qui misit me''
| [https://www.sheetmusicplus.com/title/salve-regina-canali-digital-sheet-music/20742111 ''Salve Regina'']
| 2
| 2
| 66
| 66
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| Latin
| Jn 6:40
|-
| Gallus Dressler
| ''Cantiones IV, V et plurimum vocum,'' 1570
| 53
| ''Nisi Dominus''
| 3
| 92
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="210.1" | B♭2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Ps 126(127)
| Votive antiphon
|-
|-
| Gallus Dressler
| Giovanni Maria Casini
| ''Cantiones IV, V et plurimum vocum,'' 1570
| ''Moduli quatuor vocibus, opus primum,'' 1706
| 62
| ''Misericordiam volo''
| 2
| 2
| 62
| [https://www.sheetmusicplus.com/title/o-sacrum-convivium-casini-digital-sheet-music/20754222 ''O sacrum convivium'']
| 4
| 78
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Cf. Mt 9:13
| Corpus Christi, Communion
|-
|-
| Gallus Dressler
| Giovanni Maria Casini
| ''Cantiones IV, V et plurimum vocum,'' 1570
| ''Moduli quatuor vocibus, opus primum,'' 1706
| 73
| 15
| ''Tres sunt qui testimonum dant''
| [https://www.sheetmusicplus.com/title/peccavi-super-numerum-arenae-maris-casini-digital-sheet-music/20754227 ''Peccavi super numerum arenae maris'']
| 2
| 4
| 70
| 55
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| 1 Jn 5:7–9
| Lent
|-
|-
| Gallus Dressler
| Jean de Chaynée
| ''Cantiones IV, V et plurimum vocum,'' 1570
| ''Novi thesauri musici,'' 1568
| 75
| 371
| ''Amen dico vobis: Si quis''
| ''Dilexisti iustitiam''
| 3
| 79
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| Latin
| Jn 8:51
|-
| Gallus Dressler
| ''Cantiones IV, V et plurimum vocum,'' 1570
| 86
| [https://www.sheetmusicplus.com/title/sic-deus-dilexit-mundum-ii-dressler-digital-sheet-music/21144064 ''Sic Deus dilexit mundum'' [II]]
| 2
| 2
| 63
| 49
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Jn 3:16
| Common of Virgins
|-
|-
| Giacomo Finetti
| Jean de Chaynée
| ''Promptuarii musici concentus ecclesiasticos,'' 1622
| ''Novi thesauri musici,'' 1568
| 83
| 372
| ''O Crux ave''
| ''Diffusa est gratia''
| 2
| 2
| 46
| 47
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Passiontide
| Common of Virgins (''Dilexisti iustitiam, secunda pars'')
|-
|-
| Johann Geisenhof
| Clemens non Papa
| ''Promptuarii musici concentus ecclesiasticos,'' 1622
| ''Thesauri musici, tomus quintus,'' 1564
| 67
| 4
| ''Surgens Iesus''
| [https://www.sheetmusicplus.com/title/ne-abscondas-me-domine-clemens-non-papa-digital-sheet-music/20763619 ''Ne abscondas me'']
| 3
| 2
| 67
| 51
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="503.1" | E♭5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Latin
| Easter
| Lent, All Souls, Funeral
|-
|-
| Michael Haller
| Giovanni Croce
| ''Laudes Eucharisticae,'' op. 16
| ''Motetti a quattro voci libro primo,'' 1597
| 6
| [https://www.sheetmusicplus.com/title/congratulamini-mihi-croce-digital-sheet-music/20763987 ''Congratulamini mihi'']
| 2
| 2
| ''Sacerdotes Domini''
| 46
| 2
| 44
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="211" | B2
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eef0ff" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Corpus Christi, Communion
| Marian
|-
|-
| Michael Haller
| Gallus Dressler
| ''Laudes Eucharisticae,'' op. 16
| ''Cantiones IV, V et plurimum vocum,'' 1570
| 12
| 49
| ''O quam suavis est''
| ''Lucerna pedibus meis''
| 2
| 4
| 54
| 99
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Latin
| Corpus Christi, Communion
| Ps 118(119):105–107
|-
|-
| Michael Haller
| Gallus Dressler
| ''Laudes Eucharisticae,'' op. 16
| ''Cantiones IV, V et plurimum vocum,'' 1570
| 13
| 51
| ''O sacrum convivium''
| ''Domine ad quem ibimus''
| 2
| 3
| 56
| 68
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #fff0ee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="503.1" | E♭5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Latin
| Corpus Christi, Communion
| Jn 6:69–70
|-
|-
| Jacob Handl
| Gallus Dressler
| ''Operis musici, tomus primus,'' 1586
| ''Cantiones IV, V et plurimum vocum,'' 1570
| 25
| 52
| [https://www.sheetmusicplus.com/title/sapientia-clamitat-handl-digital-sheet-music/20781265 ''Sapientia clamitat'']
| ''Haec est voluntas eius qui misit me''
| 2
| 2
| 33
| 66
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
Line 5,070: Line 5,266:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Latin
| Advent, Marian
| Jn 6:40
|-
| Gallus Dressler
| ''Cantiones IV, V et plurimum vocum,'' 1570
| 53
| ''Nisi Dominus''
| 3
| 92
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Ps 126(127)
|-
|-
| Jacob Handl
| Gallus Dressler
| ''Operis musici, tomus primus,'' 1586
| ''Cantiones IV, V et plurimum vocum,'' 1570
| 61
| 62
| [https://www.sheetmusicplus.com/title/domus-pudici-pectoris-handl-digital-sheet-music/20781285 ''Domus pudici pectoris'']
| ''Misericordiam volo''
| 2
| 2
| 41
| 62
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="308" | G♯3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Advent IV, Christmas, Annunciation, Marian
| Cf. Mt 9:13
|-
|-
| Jacob Handl
| Gallus Dressler
| ''Operis musici, tomus primus,'' 1586
| ''Cantiones IV, V et plurimum vocum,'' 1570
| 102
| 73
| ''Deus in adiutorium…Salvum me fac''
| ''Tres sunt qui testimonum dant''
| 4
| 2
| 97
| 70
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Lent
| 1 Jn 5:7–9
|-
| Gallus Dressler
| ''Cantiones IV, V et plurimum vocum,'' 1570
| 75
| ''Amen dico vobis: Si quis''
| 3
| 79
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #ffffee" data-sort-value="306" | F♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| Latin
| Jn 8:51
|-
|-
| Jacob Handl
| Gallus Dressler
| ''Operis musici, tomus secundus,'' 1587
| ''Cantiones IV, V et plurimum vocum,'' 1570
| 51
| 86
| [https://www.sheetmusicplus.com/title/surrexit-dominus-handl-digital-sheet-music/20781369 ''Surrexit Dominus'']
| [https://www.sheetmusicplus.com/title/sic-deus-dilexit-mundum-ii-dressler-digital-sheet-music/21144064 ''Sic Deus dilexit mundum'' [II]]
| 2
| 2
| 43
| 63
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #fff0ee" data-sort-value="506" | F♯5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="307" | G3
| Latin
| Latin
| Easter
| Jn 3:16
|-
|-
| Jacob Handl
| Giacomo Finetti
| ''Operis musici, tomus secundus,'' 1587
| ''Promptuarii musici concentus ecclesiasticos,'' 1622
| 66
| 83
| [https://www.sheetmusicplus.com/title/veni-sancte-spiritus-handl-digital-sheet-music/20781373 ''Veni Sancte Spiritus'']
| ''O Crux ave''
| 2
| 2
| 41
| 46
| style="background: #eeffee" data-sort-value="403" | D♯4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Passiontide
|-
| Johann Geisenhof
| ''Promptuarii musici concentus ecclesiasticos,'' 1622
| 67
| ''Surgens Iesus''
| 3
| 67
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #fff0ee" data-sort-value="406" | F♯4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Pentecost
| Easter
|-
|-
| Jacob Handl
| Michael Haller
| ''Operis musici, tomus tertius,'' 1587
| ''Laudes Eucharisticae,'' op. 16
| 19
| 2
| [https://www.sheetmusicplus.com/title/o-beata-trinitas-handl-digital-sheet-music/20781589 ''O beata Trinitas'']
| ''Sacerdotes Domini''
| 2
| 2
| 54
| 44
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="306" | F♯3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Trinity
| Corpus Christi, Communion
|-
|-
| Jacob Handl
| Michael Haller
| ''Operis musici, tomus tertius,'' 1587
| ''Laudes Eucharisticae,'' op. 16
| 50
| 12
| Laudate Dominum
| ''O quam suavis est''
| 2
| 54
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Corpus Christi, Communion
|-
| Michael Haller
| ''Laudes Eucharisticae,'' op. 16
| 13
| ''O sacrum convivium''
| 2
| 2
| 66
| 56
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Ps 150
| Corpus Christi, Communion
|-
|-
| Christian Hollander
| Jacob Handl
| ''Novi thesauri musici,'' 1568
| ''Operis musici, tomus primus,'' 1586
| 169
| 25
| [https://www.sheetmusicplus.com/title/iunior-fui-hollander-digital-sheet-music/20774958 ''Iunior fui'']
| [https://www.sheetmusicplus.com/title/sapientia-clamitat-handl-digital-sheet-music/20781265 ''Sapientia clamitat'']
| 3
| 2
| 68
| 33
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
Line 5,189: Line 5,453:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Cf. Ps 36(37):25
| Advent, Marian
|-
|-
| Christian Hollander
| Jacob Handl
| ''Novi thesauri musici,'' 1568
| ''Operis musici, tomus primus,'' 1586
| 170
| 61
| [https://www.sheetmusicplus.com/title/sic-deus-dilexit-mundum-hollander-digital-sheet-music/20774641 ''Sic Deus dilexit mundum'']
| [https://www.sheetmusicplus.com/title/domus-pudici-pectoris-handl-digital-sheet-music/20781285 ''Domus pudici pectoris'']
| 3
| 2
| 60
| 41
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
Line 5,207: Line 5,471:
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Jn 3:16
| Advent IV, Christmas, Annunciation, Marian
|-
|-
| Orlando di Lasso
| Jacob Handl
| ''Altera pars selectissimarum cantionum,'' 1579
| ''Operis musici, tomus primus,'' 1586
| 61
| 102
| ''Proba me Deus''
| ''Deus in adiutorium…Salvum me fac''
| 3
| 4
| 57
| 97
| style="background: #eeffee" data-sort-value="400" | D4
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Latin
| Ps 138(139):23, 24
| Lent
|-
|-
| Paulus Schedius Melissus
| Jacob Handl
| ''Cantiones,'' 1566
| ''Operis musici, tomus secundus,'' 1587
| 17
| 51
| ''Benedicat tibi Dominus''
| [https://www.sheetmusicplus.com/title/surrexit-dominus-handl-digital-sheet-music/20781369 ''Surrexit Dominus'']
| 4
| 2
| 102
| 43
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eef0ff" data-sort-value="506" | F♯5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="311" | B3
| Latin
| Latin
| Num 6:24–26; Ps 120(121):7–8
| Easter
|-
|-
| Pierre de Manchicourt
| Jacob Handl
| ''Selectissimae symphoniae,'' 1546
| ''Operis musici, tomus secundus,'' 1587
| 7
| 66
| ''Pater peccavi''
| [https://www.sheetmusicplus.com/title/veni-sancte-spiritus-handl-digital-sheet-music/20781373 ''Veni Sancte Spiritus'']
| 4
| 2
| 118
| 41
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="403" | D♯4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eef0ff" data-sort-value="406" | F♯4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="311" | B3
| Latin
| Latin
| Cf. Lk 15:17–19
| Pentecost
|-
|-
| Jean Mouton
| Jacob Handl
| ''Motettorum I,'' 1534
| ''Operis musici, tomus tertius,'' 1587
| 25
| 19
| [https://www.sheetmusicplus.com/title/homo-quidam-mouton-digital-sheet-music/20770446 ''Homo quidam'']
| [https://www.sheetmusicplus.com/title/o-beata-trinitas-handl-digital-sheet-music/20781589 ''O beata Trinitas'']
| 3
| 2
| 91
| 54
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Communion
| Trinity
|-
|-
| Costanzo Porta
| Jacob Handl
| ''Liber primus motectorum quatuor vocum,'' 1559
| ''Operis musici, tomus tertius,'' 1587
| 4
| 50
| ''Pater peccavi
| Laudate Dominum
| 2
| 2
| 49
| 66
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| Latin
| Lk 15:18b–19
|-
| Costanzo Porta
| ''Liber primus motectorum quatuor vocum,'' 1559
| 6
| ''Aspice Domine…Qui regis''
| 4
| 100
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="311" | B3
| Latin
| Latin
| Advent
| Ps 150
|-
|-
| Costanzo Porta
| Christian Hollander
| ''Liber primus motectorum quatuor vocum,'' 1559
| ''Novi thesauri musici,'' 1568
| 11
| 169
| ''Tempus est ut revertar''
| [https://www.sheetmusicplus.com/title/iunior-fui-hollander-digital-sheet-music/20774958 ''Iunior fui'']
| 3
| 3
| 59
| 68
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
Line 5,327: Line 5,574:
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Ascension
| Cf. Ps 36(37):25
|-
| Christian Hollander
| ''Novi thesauri musici,'' 1568
| 170
| [https://www.sheetmusicplus.com/title/sic-deus-dilexit-mundum-hollander-digital-sheet-music/20774641 ''Sic Deus dilexit mundum'']
| 3
| 60
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="308" | G♯3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Jn 3:16
|-
| Orlando di Lasso
| ''Altera pars selectissimarum cantionum,'' 1579
| 61
| ''Proba me Deus''
| 3
| 57
| style="background: #eeffee" data-sort-value="400" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Ps 138(139):23, 24
|-
| Paulus Schedius Melissus
| ''Cantiones,'' 1566
| 17
| ''Benedicat tibi Dominus''
| 4
| 102
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Num 6:24–26; Ps 120(121):7–8
|-
| Pierre de Manchicourt
| ''Selectissimae symphoniae,'' 1546
| 7
| ''Pater peccavi''
| 4
| 118
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Cf. Lk 15:17–19
|-
| Jean Mouton
| ''Motettorum I,'' 1534
| 25
| [https://www.sheetmusicplus.com/title/homo-quidam-mouton-digital-sheet-music/20770446 ''Homo quidam'']
| 3
| 91
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Communion
|-
| Costanzo Porta
| ''Liber primus motectorum quatuor vocum,'' 1559
| 4
| ''Pater peccavi
| 2
| 49
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Lk 15:18b–19
|-
| Costanzo Porta
| ''Liber primus motectorum quatuor vocum,'' 1559
| 6
| ''Aspice Domine…Qui regis''
| 4
| 100
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Advent
|-
| Costanzo Porta
| ''Liber primus motectorum quatuor vocum,'' 1559
| 11
| ''Tempus est ut revertar''
| 3
| 59
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="500" | C5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Ascension
|-
| Costanzo Porta
| ''Liber primus motectorum quatuor vocum,'' 1559
| 27
| [https://www.sheetmusicplus.com/title/fili-in-tua-infirmitate-porta-digital-sheet-music/20772833 ''Fili in tua infirmitate'']
| 2
| 46
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="308" | G♯3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Lent
|-
| Georg Prenner
|  ''Thesauri musici, tomus quintus,'' 1564
| 31
| [https://www.sheetmusicplus.com/title/peccavi-domine-prenner-digital-sheet-music/20776621 ''Peccavi Domine'']
| 4
| 91
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Lent, All Souls, Funeral
|-
| Gabrielo Puliti
| ''Sacrae modulationes,'' 1600
| 5
| [https://www.sheetmusicplus.com/title/o-sacrum-convivium-puliti-digital-sheet-music/20768661 ''O sacrum convivium'']
| 1
| 26
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | G3
| Latin
| Corpus Christi, Communion
|-
| Jacob Regnart
| ''Aliquot cantiones,'' 1577
| 20
| ''Doce me Domine viam tuam''
| 2
| 52
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| Latin
| Cf. Ps 26(27):11, 118:27
|-
| Johann Rasch
| ''Quatuor vocum…de nativitate,'' 1572
| 1
| ''Grates nunc omnes''
| 2
| 36
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Christmas
|-
| Pietro Speilier
| ''Novi thesauri musici,'' 1568
| 11
| ''Christus natus est nobis''
| 2
| 51
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | A3
| Latin
| Christmas
|-
|-
| Costanzo Porta
| Pietro Speilier
| ''Liber primus motectorum quatuor vocum,'' 1559
| ''Novi thesauri musici,'' 1568
| 27
| 11
| [https://www.sheetmusicplus.com/title/fili-in-tua-infirmitate-porta-digital-sheet-music/20772833 ''Fili in tua infirmitate'']
| ''Virgo peperit salvatorem''
| 2
| 2
| 46
| 45
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="308" | G♯3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Latin
| Lent
| Christmas ''(Christus natus, secunda pars)''
|-
|-
| Georg Prenner
| Johann Staden
| ''Thesauri musici, tomus quintus,'' 1564
| ''Harmoniae novae sacrarium cantionum,'' 1628
| 31
| 8
| [https://www.sheetmusicplus.com/title/peccavi-domine-prenner-digital-sheet-music/20776621 ''Peccavi Domine'']
| ''Exsultate Deo adiutori nostro''
| 4
| 2
| 91
| 51
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Lent, All Souls, Funeral
|-
| Gabrielo Puliti
| ''Sacrae modulationes,'' 1600
| 5
| [https://www.sheetmusicplus.com/title/o-sacrum-convivium-puliti-digital-sheet-music/20768661 ''O sacrum convivium'']
| 1
| 26
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | G3
| Latin
| Corpus Christi, Communion
|-
| Jacob Regnart
| ''Aliquot cantiones,'' 1577
| 20
| ''Doce me Domine viam tuam''
| 2
| 52
| style="background: #ffffee" data-sort-value="311" | B3
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="403.1" | E♭4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="311" | B3
| Latin
| Cf. Ps 26(27):11, 118:27
|-
| Johann Rasch
| ''Quatuor vocum…de nativitate,'' 1572
| 1
| ''Grates nunc omnes''
| 2
| 36
| style="background: #eeffee" data-sort-value="401" | C♯4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="309" | A3
| Latin
| Christmas
|-
| Pietro Speilier
| ''Novi thesauri musici,'' 1568
| 11
| ''Christus natus est nobis''
| 2
| 51
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="307" | A3
| Latin
| Christmas
|-
| Pietro Speilier
| ''Novi thesauri musici,'' 1568
| 11
| ''Virgo peperit salvatorem''
| 2
| 45
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| Latin
| Christmas ''(Christus natus, secunda pars)''
|-
| Johann Staden
| ''Harmoniae novae sacrarium cantionum,'' 1628
| 8
| ''Exsultate Deo adiutori nostro''
| 2
| 51
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="403" | E♭4
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #ffffee" data-sort-value="206" | F♯2
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
Line 5,476: Line 5,859:
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="502" | D5
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #fff0ee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="410.1" | B♭4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310.1" | B♭3
| Latin
| Latin
| Ps 120(121):1–2
| Ps 120(121):1–2
Line 5,495: Line 5,878:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,512: Line 5,895:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,546: Line 5,929:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,563: Line 5,946:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,580: Line 5,963:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,597: Line 5,980:
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="411" | B4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,614: Line 5,997:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,631: Line 6,014:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="208" | G♯2
| style="background: #eeffee" data-sort-value="208" | G♯2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,648: Line 6,031:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #ffdddd" data-sort-value="204" | E2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,701: Line 6,084:
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="402" | D4
| style="background: #eef0ff" data-sort-value="402" | D4
| Latin
| Latin
| Pentecost
| Pentecost
Line 5,733: Line 6,116:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="402" | D4
| style="background: #eef0ff" data-sort-value="402" | D4
| Latin
| Latin
| Advent IV
| Advent IV
Line 5,795: Line 6,178:
| 12
| 12
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #ffdddd" data-sort-value="507" | G5
| style="background: #ffddff" data-sort-value="507" | G5
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
Line 5,809: Line 6,192:
| 12
| 12
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #eeffee" data-sort-value="402" | D4
| style="background: #ffffee" data-sort-value="505" | F5
| style="background: #eeffff" data-sort-value="505" | F5
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
Line 5,850: Line 6,233:
| 12
| 12
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
Line 5,864: Line 6,247:
| 12
| 12
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
Line 5,912: Line 6,295:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,928: Line 6,311:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #eeffee" data-sort-value="305" | F3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="209" | A2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,960: Line 6,343:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,976: Line 6,359:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 5,992: Line 6,375:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310" | B♭3
Line 6,008: Line 6,391:
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="409" | A4
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #eeffee" data-sort-value="304" | E3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 6,050: Line 6,433:
| 18
| 18
| style="background: #eeffee" data-sort-value="309" | A4
| style="background: #eeffee" data-sort-value="309" | A4
| style="background: #ffdddd" data-sort-value="503" | E5
| style="background: #ffddff" data-sort-value="503" | E5
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
Line 6,066: Line 6,449:
| 22
| 22
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #fff0ee" data-sort-value="502" | D5
| style="background: #eef0ff" data-sort-value="502" | D5
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="407" | E4
| style="background: #eeffee" data-sort-value="407" | E4
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #eeffee" data-sort-value="207" | G2
| style="background: #fff0ee" data-sort-value="402" | D4
| style="background: #eef0ff" data-sort-value="402" | D4
| {{CiteCat|Works in Latin|Latin}}
| {{CiteCat|Works in Latin|Latin}}
|-
|-
Line 6,082: Line 6,465:
| 18
| 18
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #eeffee" data-sort-value="309" | A3
| style="background: #ffdddd" data-sort-value="504" | E5
| style="background: #ffddff" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #eeffee" data-sort-value="302" | D3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #ffdddd" data-sort-value="202" | D2
| style="background: #ffdddd" data-sort-value="202" | D2
| style="background: #eeffee" data-sort-value="311" | A3
| style="background: #eeffee" data-sort-value="311" | A3
Line 6,129: Line 6,512:
| 15
| 15
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #ffdddd" data-sort-value="507" | G5
| style="background: #ffddff" data-sort-value="507" | G5
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="504" | E5
| style="background: #eeffee" data-sort-value="504" | E5
Line 6,143: Line 6,526:
| 10
| 10
| style="background: #eeffee" data-sort-value="402" | E4
| style="background: #eeffee" data-sort-value="402" | E4
| style="background: #fff0ee" data-sort-value="505" | F♯5
| style="background: #eef0ff" data-sort-value="505" | F♯5
| style="background: #eeffee" data-sort-value="400" | D4
| style="background: #eeffee" data-sort-value="400" | D4
| style="background: #eeffee" data-sort-value="502" | E5
| style="background: #eeffee" data-sort-value="502" | E5
Line 6,225: Line 6,608:
| 15
| 15
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #eeffee" data-sort-value="307" | G3
| style="background: #ffdddd" data-sort-value="407" | G4
| style="background: #ffddff" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="404" | E4
| style="background: #eeffee" data-sort-value="404" | E4
Line 6,287: Line 6,670:
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="410" | B♭4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffdddd" data-sort-value="405" | G4
| style="background: #ffddff" data-sort-value="405" | G4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="400" | C4
| style="background: #eeffee" data-sort-value="400" | C4
Line 6,303: Line 6,686:
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="407" | G4
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #eeffee" data-sort-value="300" | C3
| style="background: #ffffee" data-sort-value="405" | F4
| style="background: #eeffff" data-sort-value="405" | F4
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #fff0ee" data-sort-value="205" | F2
| style="background: #eeffee" data-sort-value="310" | B♭3
| style="background: #eeffee" data-sort-value="310" | B♭3

Latest revision as of 21:49, 27 February 2023

General information

Country of origin: United States of America

Contributor since: 2008-02-20

E-mail: [My First Name]@[My Last Name].info

Works with editions by this editor: 241 (see list)

About these editions

This collection is the fruit of the search for repertoire suitable for small but capable volunteer church choirs (especially the ones directed by the editor). Four-part pieces currently are featured; three- and two-part pieces to follow.

Many editions are directly transcribed from digital copies of 16th- and 17th-century prints.

Non-free digital editions of other pieces not listed here are available for purchase on SheetMusicPlus.com (external link).

All editions (free and non-free) share the following features:

  • US Letter paper sizing
  • Smaller staff sizes (hymnal equivalent) for reduced paper usage
  • Proportionally larger type for lyrics
  • Mensural incipits (if transcribed from prints)
  • Halved rhythm values (where applicable)
  • Range indicators

Voice-range boundaries

Generally, voice parts in this collection fall within the following ranges (middle C = C4):

  • Soprano: C4–E5
  • Alto: G3–C5
  • Tenor: C3–E4
  • Bass: G2–C4
Soprano Alto Tenor Bass
Lo Hi Lo Hi Lo Hi Lo Hi

G5

D♯5/E♭5

G4

D♯4/E♭4
F♯5/G♭5 D5 F♯4/G♭4 D4
F5 C♯5/D♭5 F4 C♯4/D♭4
C4 ↔ E5 G3 ↔ C5 C3 ↔ E4 G2 ↔ C4
B3 F♯3/G♭3 B2 F♯2/G♭2
A♯3/B♭3 F3 A♯2/B♭2 F2
A3
E3
A2
E2

Copyright and permissions

Editions listed on CPDL are copyright © Aristotle A. Esguerra. All rights reserved.

Permission is granted for reproduction and use of these editions within the contexts of personal study, religious worship and rehearsals therefor; for all other uses (e.g., educational, entertainment, profit), please contact the editor via e-mail (address above).

Motets and Mass propers

SATB unaccompanied

Composer Collection No. Title Files # of Pages # of Bars Voice-Range Boundaries (middle C = C4) Language Use
S A T B
Lo Hi Lo Hi Lo Hi Lo Hi
AnonymousAnonymous Christus natus est nobis     1 19 C4 C5 A3 F4 D3 C4 G2 A3 Latin Christmas
Aichinger, GregorGregor Aichinger Alma Redemptoris Mater     3 59 C4 D5 G3 A4 C3 E4 G2 C4 Latin Votive antiphons
Aichinger, GregorGregor Aichinger Ave Regina caelorum     2 50 A3 C5 G3 A4 E3 E4 G2 C4 Latin Votive antiphons
Aichinger, GregorGregor Aichinger Beata viscera     1 25 F4 F5 G3 B♭4 F3 F4 G2 B♭3 Latin Common of the Blessed Virgin Mary
Aichinger, GregorGregor Aichinger Sacrae cantiones, 1590 2 O Domine Iesu Christe     2 46 E4 E5 G3 A4 E3 G4 A2 C4 Latin Holy Week, Palm Sunday, Good Friday, Exaltation of the Cross
Aichinger, GregorGregor Aichinger Sacrae cantiones, 1590 4 Gratias agimus tibi     2 38 D♯4 E5 E3 G4 D3 E4 G2 G3 Latin Thanksgiving after meals
Aichinger, GregorGregor Aichinger Sacrae cantiones, 1590 5 Adoramus te Christe     1 25 C4 C5 A3 C5 G3 G4 C3 C4 Latin Holy Week, Palm Sunday, Good Friday, Exaltation of the Cross
Allegri, GregorioGregorio Allegri Veni Sancte Spiritus     2 46 C4 D5 G3 G4 C3 E4 F2 A3 Latin Pentecost
Anerio, FeliceFelice Anerio Libera me     3 72 D4 D5 G3 A4 D3 E4 G2 C4 Latin Funerals
Anerio, FeliceFelice Anerio O bone Iesu     1 21 E4 D5 B♭3 G4 F3 E4 G2 B♭3 Latin Lent, Sacred Heart, Precious Blood
Anerio, FeliceFelice Anerio Sicut cedrus exaltata sum     2 42 D4 D5 G3 F4 D3 E4 G2 A3 Latin Assumption
Anerio, FeliceFelice Anerio Vidi speciosam     2 50 D4 D5 G3 A4 C3 D4 F2 C4 Latin Assumption
Anerio, Giovanni FrancescoGiovanni Francesco Anerio O salutaris hostia     1 28 F4 C5 A3 G4 G♯3 E4 A2 A3 Latin Corpus Christi, Communion
Anerio, Giovanni FrancescoGiovanni Francesco Anerio Unam petii     2 33 C♯4 C5 A3 A4 B2 E4 G2 B3 Latin Holy Family, Pentecost V
Vides, Pedro Aranaz yPedro Aranaz y Vides Ad te levavi     2 40 E4 E5 A3 A4 F3 E4 G2 C4 Latin Advent I, Pentecost X
Vides, Pedro Aranaz yPedro Aranaz y Vides Deus tu convertens     2 37 E4 E5 G♯3 A4 C3 F4 G♯2 C4 Latin Advent II
Vides, Pedro Aranaz yPedro Aranaz y Vides Ave Maria     2 39 E♭4 D5 C4 G4 F3 E♭4 B♭2 B♭3 Latin Advent IV, Common of the Blessed Virgin Mary
Arcadelt, JacquesJacques Arcadelt Haec dies     2 51 C4 C5 G3 A4 E3 E4 A2 A3 Latin Easter
Aretino, PaoloPaolo Aretino Verbum caro factum est     1 39 D4 B♭4 F♯3 F4 D3 E4 F♯2 G3 Latin Christmas
Asola, Giovanni MatteoGiovanni Matteo Asola Adoramus te     1 38 F4 B♭4 B♭3 G4 A3 F4 C3 B♭3 Latin Holy Week, Palm Sunday, Good Friday, Exaltation of the Cross
Asola, Giovanni MatteoGiovanni Matteo Asola Surrexit pastor bonus     2 68 D4 D5 A3 G4 D3 F♯4 G2 B3 Latin Easter Sunday, Easter
Balbi, LudovicoLudovico Balbi Ecclesiasticarum Cantionum Quatuor vocum… Adventus… 1578 2 Ad te levavi     2 45 B3 D5 A3 A4 D3 E4 A2 B3 Latin Advent I, Pentecost X
Balbi, LudovicoLudovico Balbi Ecclesiasticarum Cantionum Quatuor vocum… Adventus… 1578 3 Dominus dabit benignitatem     2 34 B3 E5 A3 G4 E3 D4 A2 A3 Latin Advent I
Balbi, LudovicoLudovico Balbi Ecclesiasticarum Cantionum Quatuor vocum… Adventus… 1578 15 Illumina faciem tuam     2 42 A3 D5 F♯3 G4 C3 E4 G2 C4 Latin Septuagesima
Balbi, LudovicoLudovico Balbi Ecclesiasticarum Cantionum Quatuor vocum… Adventus… 1578 20 Benedictus es Domine … in labiis     2 41 E4 D5 G3 G4 F3 F4 G2 B♭3 Latin Quinquagesima
Balbi, LudovicoLudovico Balbi Ecclesiasticarum Cantionum Quatuor vocum… Adventus… 1578 21 Manducaverunt     2 37 F♯4 E5 B3 A4 E3 E4 F♯2 A3 Latin Quinquagesima
Banchieri, AdrianoAdriano Banchieri Iubilate Deo     1 33 D4 D5 G3 A4 D3 E♭4 G2 B♭3 Latin Ps 99(100):1–2a
Bermúdez, PedroPedro Bermúdez Christus natus est     2 34 D4 E5 G♯3 A4 D3 F4 G♯2 B♭3 Latin Christmas
Bernabei, Giuseppe AntonioGiuseppe Antonio Bernabei O sacrum convivium     2 34 D4 E5 G3 B4 C3 E4 G2 A3 Latin Corpus Christi, Communion
Byrd, WilliamWilliam Byrd Sacerdotes Domini     1 26 D4 E5 A3 B4 D3 F4 G2 C4 Latin Corpus Christi
Cardoso, ManuelManuel Cardoso Angelis suis     2 40 C4 D5 G3 G4 C3 D4 G2 B♭3 Latin Lent I
Cardoso, ManuelManuel Cardoso Domine, tu mihi lavas pedes?     1 35 F♯4 D5 A3 A4 D3 E♭4 G2 A3 Latin Maundy Thursday
Casali, Giovanni BattistaGiovanni Battista Casali Confitebor tibi     2 68 D4 D5 A3 G4 D3 D4 G2 A3 Latin Passion Sunday, Lent V
Casali, Giovanni BattistaGiovanni Battista Casali Improperium exspectavit     2 38 F4 D5 D4 B♭4 F♯3 F4 G2 C4 Latin Palm Sunday
Casciolini, ClaudioClaudio Casciolini Istorum est enim regnum     1 20 F♯4 D5 D4 A4 A3 F4 G2 C4 Latin All Saints
Casciolini, ClaudioClaudio Casciolini Panis angelicus     1 36 E4 D5 B♭3 G4 G3 E♭4 G2 B♭3 Latin Corpus Christi, Communion
Casini, Giovanni MariaGiovanni Maria Casini Moduli quatuor vocibus, opus primum, 1706 17 Omnes gentes plaudite manibus     4 76 C4 E5 G3 A4 C3 E4 G2 C4 Latin Ps 46(47):2–3
Ceballos, Rodrigo deRodrigo de Ceballos Lira sacro-hispana, vol. 1, 1869 106 Exaudiat Dominus     2 60 C4 E♭5 F3 G4 D3 E♭4 G2 B♭3 Latin Sundays after Epiphany, Sundays after Pentecost
Compère, LoysetLoyset Compère O bone Iesu     2 80 C4 E5 G3 G4 F3 D4 C3 A3 Latin Ps 12(13):4–5, 30(31):6, 38(39):5
Costantini, AlessandroAlessandro Costantini Ego sum panis vivus     2 56 D4 E5 G3 A4 D3 F4 A2 A3 Latin Corpus Christi, Communion
Costantini, FabioFabio Costantini O admirabile commercium     2 47 C4 E5 G3 A4 C3 E4 G2 A3 Latin Christmas, Circumcision
Couillart, DulosDulos Couillart Viri Galilaei     2 48 C4 D5 A3 A4 F3 F4 F2 B♭3 Latin Ascension, Easter VII
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 1 O sacrum convivium     2 49 C4 C5 G3 A4 F3 G4 A2 C4 Latin Corpus Christi, Communion
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 2 Exaltabo te     1 26 E♭4 C5 B♭3 A♭4 G3 F4 C3 C4 Latin Ash Wednesday, Pentecost XI
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 3 In die tribulationis meae     2 39 C4 A4 F♯3 G4 E3 C4 G♯2 A3 Latin Passiontide, Holy Week, Palm Sunday
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 4 Exaudi Deus     1 22 C4 C5 F3 F4 F3 C4 B♭2 C4 Latin Ash Wednesday, Pentecost XI
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 5 Voce mea     1 24 C4 C5 B♭3 G4 D3 F4 B♭2 C4 Latin Ps 76(77):2
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 7 O gloriosa Domina     2 33 D4 C5 B♭3 G4 F3 F4 A2 C4 Latin Common of the Blessed Virgin Mary
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 8 Cantate Domino     2 42 D♯4 B4 G3 G4 E3 F♯4 B2 B3 Latin Ps 95(96)1–2
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 9 In monte Oliveti     1 27 C♯4 A4 G3 E4 E3 D4 A2 A3 Latin Passiontide, Holy Week, Maundy Thursday
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 10 Unus ex discipulis     1 23 D4 A4 E3 F4 G3 D4 A2 A3 Latin Passiontide, Holy Week, Maundy Thursday
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 11 Tenebrae factae sunt     1 26 A3 A4 G3 F4 E3 D4 E2 A3 Latin Passiontide, Holy Week, Good Friday
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 12 O vos omnes     1 21 D4 A4 A3 F4 E3 C4 G♯2 A3 Latin Passiontide, Holy Week, Holy Saturday
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 13 Tristis est anima mea     1 25 C4 A4 E3 E4 E3 E4 A2 A3 Latin Passiontide, Holy Week, Maundy Thursday
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 14 Velum templi     1 24 B3 G4 A3 E4 E3 C4 A2 A3 Latin Passiontide, Holy Week, Good Friday
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 15 Beati eritis     2 55 C♯4 B4 G3 G4 D3 D4 F♯2 B3 Latin Common of the Blessed Virgin Mary
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 17 Benedicam Dominum     1 23 D4 A4 G3 E4 G3 E4 A2 A3 Latin Pentecost XII
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 18 Virtute magna     2 45 F4 D5 C4 A4 F3 G4 C3 C4 Latin Pentecost, Apostles
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 18 Virtute magna (transposed)     2 45 C4 A4 G3 E4 C3 D4 G2 G3 Latin Pentecost, Apostles
Erbach, ChristianChristian Erbach Promptuarii musici concentus ecclesiasticos, pars tertia, 1627 65 Dum transisset Sabbatum     2 49 D4 E♭5 B♭3 A4 D3 E♭4 G2 B♭3 Latin Easter
Esguerra, Aristotle AureAristotle Aure Esguerra Crucem tuam     2 52 D4 C5 A3 G4 E3 E4 G2 A3 Latin Good Friday
Feroci, FrancescoFrancesco Feroci Vere languores     2 36 D4 E♭5 G3 A♭4 D3 E4 G2 C4 Latin Palm Sunday, Good Friday
Festa, CostanzoCostanzo Festa Da pacem Domine     2 37 D4 E5 G3 A4 F3 E4 G2 B♭3 Latin
Franco, HernandoHernando Franco Christus factus est     1 25 D4 D5 G3 A4 E3 E4 A2 C4 Latin Holy Week, Palm Sunday, Good Friday
Fux, Johann JosephJohann Joseph Fux Ave Maria     3 70 E4 E5 G3 A4 C3 E4 F2 C4 Latin Christmas Vigil
Fux, Johann JosephJohann Joseph Fux Dicite pusillanimes     2 44 D4 D5 A3 G4 D3 E♭4 F2 B♭3 Latin Advent III
Fux, Johann JosephJohann Joseph Fux Dominus dabit benignitatem     1 18 G4 E♭5 C4 A4 G3 E♭4 G2 G3 Latin Advent I
Fux, Johann JosephJohann Joseph Fux Ecce virgo concipiet     1 29 E4 E5 C4 A4 F3 E4 G2 A3 Latin Advent IV
Fux, Johann JosephJohann Joseph Fux Revelabitur     2 43 E4 E5 G3 A4 C3 E4 G2 A3 Latin Christmas
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 1 Diligam te Domine     2 59 B3 E5 G3 G4 D3 F♯4 E2 B3 Latin Ps 17(18)2–3
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 2 Angelus ad pastores ait     2 46 D♯4 D5 A3 A4 E3 E4 G2 B3 Latin Christmas
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 3 Patefactae sunt ianuae caeli     2 54 D4 D5 F♯3 A4 D3 F4 G2 B♭3 Latin St. Stephen
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 4 Ecclesiam tuam Domine     2 55 C4 E♭5 G3 G4 C3 E♭4 G2 B♭3 Latin John the Evangelist
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 5 Hi sunt     2 41 C4 D5 G3 G4 D3 E♭4 G2 B♭3 Latin Holy Innocents
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 8 Sancta et immaculata Virginitas     2 64 C♯4 E5 F♯3 A4 D3 F♯4 F♯2 B3 Latin Christmas
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 9 Maria Magdalene     2 55 D4 D5 G3 G4 D3 E4 G2 A3 Latin Easter Sunday, Easter
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 10 Ego rogabo Patrem     2 54 D4 D5 G3 G4 D3 E4 G2 B3 Latin Ascension
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 11 Hodie completi sunt     3 65 C♯4 D5 G3 G4 D3 E4 G2 A3 Latin Pentecost
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 12 Te Deum Patrem ingenitum     2 56 C4 E5 G3 G4 C3 F4 G2 A3 Latin Trinity
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 13 Caro mea vere est cibus     2 56 D4 E5 G3 A4 D3 E4 A2 A3 Latin Corpus Christi, Communion
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 14 Fuit homo missus a Deo     2 55 D4 E5 F♯3 G4 D3 E4 G2 C4 Latin John the Baptist, Advent II, Advent III-B
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 18 Puelle saltanti     2 53 C4 D5 G3 G4 D3 E4 G2 A3 Latin Beheading of John the Baptist (29 August)
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 19 O Crux fidelis     2 59 D4 E5 A3 A4 D3 E4 G2 B3 Latin Holy Cross, Good Friday
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 20 Angeli, Archangeli     2 67 E4 E5 G3 A4 D3 E4 G2 B3 Latin All Saints
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 21 Oravit sanctus Andreas     2 59 E4 E5 G3 A4 E3 F4 A2 C4 Latin St. Andrew
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 25 Viri sancti     2 64 C4 E5 G3 A4 C3 E4 G2 A3 Latin Common of Martyrs
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 26 Sacerdos et Pontifex     2 58 D4 E5 A3 A4 E3 E4 G2 B3 Latin Common of Confessor Bishops
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 27 Beatus vir qui inventus est     2 61 D4 C5 G3 G4 D3 E4 G2 A3 Latin Common of Confessors
Gabrieli, AndreaAndrea Gabrieli Ecclesiasticum Cantionum Quatuor Vocum… Liber Primus, 1589 29 O quam metuendus est     2 53 A3 D5 G3 F4 D3 D4 G2 C4 Latin Dedication of a Church, Dedication of the Lateran Basilica
Guerrero, FranciscoFrancisco Guerrero O Domine Iesu Christe     3 65 D4 E5 E3 A4 C3 F4 G2 C4 Latin Palm Sunday, Good Friday, Holy Cross
Haller, MichaelMichael Haller Iustus ut palma     1 32 D4 E5 A3 A4 F♯3 E4 G2 B3 Latin Passion Sunday, Lent V
Handl, JacobJacob Handl Operis musici, tomus primus, 1586 21 Obsecro Domine     2 59 C4 D5 G3 A4 D3 F4 F2 B♭3 Latin Advent
Handl, JacobJacob Handl Operis musici, tomus primus, 1586 24 Ecce concipies     2 44 C♯4 D5 F♯3 A4 D3 F♯4 G2 D4 Latin Advent IV, Annunciation
Handl, JacobJacob Handl Operis musici, tomus secundus, 1587 13 Ecce quomodo moritur iustus     2 52 B3 C5 G♯3 G4 E3 E4 E2 A3 Latin Holy Week, Palm Sunday, Good Friday
Handl, JacobJacob Handl Operis musici, tomus secundus, 1587 67 Factus est repente     2 35 C♯4 E5 A3 A4 D3 F4 G2 C4 Latin Pentecost
Handl, JacobJacob Handl Operis musici, tomus tertius, 1587 20 Benedicta sit sancta Creatrix     2 35 C4 C5 F3 A4 D3 E4 G2 C4 Latin Trinity
Handl, JacobJacob Handl Operis musici, tomus tertius, 1587 23 O salutaris hostia     2 59 D4 E5 G3 B4 E3 G4 G2 D4 Latin Corpus Christi, Communion/Adoration
Handl, JacobJacob Handl Operis musici, tomus quartus, 1590 109 Regali ex progenie     1 34 D4 D5 G3 G4 D3 E♭4 G2 B♭3 Latin Common of the Blessed Virgin Mary
Handl, JacobJacob Handl Ave Maria     2 42 C4 C5 G3 G4 D3 E4 F2 A3 Latin Common of the Blessed Virgin Mary
Hassler, Hans LeoHans Leo Hassler Ave maris stella     2 21 D4 D5 G3 A4 D3 E4 G2 A3 Latin Common of the Blessed Virgin Mary
Hassler, Hans LeoHans Leo Hassler Cantiones sacrae de festis praecipius totius anni, 1591, 1597 1 & 2 Beati omnes qui timent Dominum     4 113 F4 F5 G3 B♭4 F3 G4 G2 C4 Latin Psalm 127(128)
Hassler, Hans LeoHans Leo Hassler Cantiones sacrae de festis praecipius totius anni, 1591, 1597 3 & 4 Beatus vir qui non abiit     6 138 D4 E5 G3 B4 D3 G4 F♯2 C4 Latin Psalm 1:1–3
Hassler, Hans LeoHans Leo Hassler Cantiones sacrae de festis praecipius totius anni, 1591, 1597 5 Beata es Virgo Maria     3 70 B3 E5 G3 B4 D3 F♯4 G2 B3 Latin Visitation
Hassler, Hans LeoHans Leo Hassler Cantiones sacrae de festis praecipius totius anni, 1591, 1597 6 Angelus ad pastores ait     3 69 C♯4 E5 G3 A4 E3 E4 G2 B3 Latin Christmas
Hassler, Hans LeoHans Leo Hassler Cantiones sacrae de festis praecipius totius anni, 1591, 1597 7 Dixit Maria     2 67 D4 D5 A3 A4 C3 F4 B♭2 C4 Latin Annunciation, Advent IV
Hassler, Hans LeoHans Leo Hassler Cantiones sacrae de festis praecipius totius anni, 1591, 1597 8 Tu es Petrus     2 64 B3 E5 G3 B4 D3 E4 G2 G3 Latin Peter & Paul, OT 21-A
Hassler, Hans LeoHans Leo Hassler Cantiones sacrae de festis praecipius totius anni, 1591, 1597 9 Domine Deus meus     2 51 E4 E5 G3 B4 D3 G4 G2 A3 Latin Ps 7:2–3
Hassler, Hans LeoHans Leo Hassler Cantiones sacrae de festis praecipius totius anni, 1591, 1597 10 Diligam te Domine     3 66 D4 E5 G3 A4 D3 F♯4 G2 B3 Latin Ps 17(18):2–3a
Hassler, Hans LeoHans Leo Hassler Cantiones sacrae de festis praecipius totius anni, 1591, 1597 11 Ego sum resurrectio     3 60 D4 E♭5 F3 A♭4 E♭3 F4 G2 B♭3 Latin Easter, Office of the Dead
Hassler, Hans LeoHans Leo Hassler Cantiones sacrae de festis praecipius totius anni, 1591, 1597 12 Inter natos mulierum     3 58 B3 E5 F♯3 A4 D3 E4 G2 B3 Latin John the Baptist
Hassler, Hans LeoHans Leo Hassler Cantiones sacrae de festis praecipius totius anni, 1591, 1597 13 Quia vidisti me     2 62 D4 D5 G3 G4 D3 E4 G2 A3 Latin St. Thomas, Easter 2
Hassler, Hans LeoHans Leo Hassler Sacri concentus, 1601 6 Cantate Domino     2 46 D4 C5 B♭3 A♭4 F3 F4 B♭2 B♭3 Latin Ps 95(96):1–3
Hassler, Hans LeoHans Leo Hassler Sacri concentus, 1601 8 Domine Deus Pater omnipotens     1 22 D4 A4 A3 F4 E3 E4 G2 A3 Latin Prayer before meals
Hassler, Hans LeoHans Leo Hassler Sacri concentus, 1601 9 Gratias agimus tibi     2 40 A3 B4 G3 E4 D3 D4 G2 B3 Latin Thanksgiving after meals
Ingegneri, Marco AntonioMarco Antonio Ingegneri Haec dies     2 34 C4 D5 G3 G4 C3 E4 A2 C4 Latin Easter
Ingegneri, Marco AntonioMarco Antonio Ingegneri O bone Iesu     1 24 F♯4 E5 C4 G4 G♯3 E4 A2 A3 Latin Lent, Sacred Heart, Precious Blood
Isaac, HeinrichHeinrich Isaac Choralis Constantinus I Gustate et videte     1 31 E4 D5 A3 G4 E3 E4 G2 C♯4 Latin Pentecost VIII
Isaac, HeinrichHeinrich Isaac Choralis Constantinus I Hoc corpus     2 72 E4 E5 G3 G4 C3 E4 G2 B♭3 Latin Passion Sunday, Maundy Thursday, Corpus Christi
Isaac, HeinrichHeinrich Isaac Choralis Constantinus I Inclina aurem tuam     1 20 E4 B4 G3 G4 E3 B3 F♯2 A3 Latin Pentecost VII
Isaac, HeinrichHeinrich Isaac Choralis Constantinus I Introibo ad altare     1 30 F4 D5 G3 G4 G3 F4 G2 A3 Latin Sexagesima
Isaac, HeinrichHeinrich Isaac Choralis Constantinus I Mirabantur omnes     1 13 F♯4 C5 C4 A4 E3 F4 G2 B3 Latin Epiphany III
Isaac, HeinrichHeinrich Isaac Choralis Constantinus I Manducaverunt     2 45 B3 C5 G3 G4 D3 E4 G2 A3 Latin Quinquagesima
Isaac, HeinrichHeinrich Isaac Choralis Constantinus I Panem de caelo     2 36 D4 E5 G3 A4 E3 F♯4 G2 C4 Latin Pentecost XII, Pentecost XIII
Isaac, HeinrichHeinrich Isaac Choralis Constantinus I Primum quaerite     1 21 D4 C5 A3 G4 E3 D4 G2 A3 Latin Pentecost XIV
Isaac, HeinrichHeinrich Isaac Choralis Constantinus I Qui manducat     1 27 D4 D5 G3 G4 D3 E4 G2 B3 Latin Corpus Christi, Pentecost X, Pentecost XIV, Pentecost XV
Isaac, HeinrichHeinrich Isaac Choralis Constantinus I Qui meditabitur     1 32 D4 E5 G3 A4 E3 F♯4 A2 B3 Latin Ash Wednesday
La Rue, Pierre dePierre de la Rue O salutaris hostia     1 34 D4 C5 B♭3 G4 F3 F4 B♭2 B♭3 Latin Corpus Christi, Communion
Lasso, Orlando diOrlando di Lasso Altera pars selectissimarum cantionum, 1579 49 Cognovi Domine     3 81 C♯4 E5 G3 A4 D3 F4 F2 B♭3 Latin Ps 118(119):75, 77
Lasso, Orlando diOrlando di Lasso Altera pars selectissimarum cantionum, 1579 49 Cognovi Domine (transposed)     3 81 D♯4 F♯5 A3 B4 E3 G4 G2 C4 Latin Ps 118(119):75, 77
Lasso, Orlando diOrlando di Lasso Altera pars selectissimarum cantionum, 1579 50 Iniquos odio habui     3 89 D4 E♭5 F3 G4 D3 E♭4 F2 B♭3 Latin Ps 118(119):113–115
Lasso, Orlando diOrlando di Lasso Altera pars selectissimarum cantionum, 1579 56 Exsultate iusti     3 75 C4 D5 F♯3 G4 D3 E4 G2 C4 Latin Ps 32(33):1–4
Lasso, Orlando diOrlando di Lasso Altera pars selectissimarum cantionum, 1579 59 Inclina Domine     4 81 C4 D5 F♯3 G4 E3 E4 G2 C4 Latin Ps 85(86):1, 4
Lasso, Orlando diOrlando di Lasso Altera pars selectissimarum cantionum, 1579 60 Quasi cedrus exaltata sum     2 75 D4 E5 G3 A4 C3 F4 E2 C4 Latin Sir 24:17–20
Lasso, Orlando diOrlando di Lasso Altera pars selectissimarum cantionum, 1579 63 Qui cupit exsolvi     2 54 C4 D5 G3 G4 E3 E4 G2 C4 Latin Cf. Phil 1:23b, Rom 7:24
Lasso, Orlando diOrlando di Lasso Altera pars selectissimarum cantionum, 1579 66 Quia vidisti me     2 56 D4 E5 G3 G4 D3 F4 F♯2 C4 Latin St. Thomas, Easter 2
Lasso, Orlando diOrlando di Lasso Altera pars selectissimarum cantionum, 1579 68 Scio enim quod Redemptor     2 49 C♯4 D5 F♯3 G4 C3 E4 D2 A3 Latin Funerals
Lasso, Orlando diOrlando di Lasso Altera pars selectissimarum cantionum, 1579 69 Laetentur caeli     4 89 D4 E5 G3 A4 D3 F4 G2 C4 Latin Christmas
Lasso, Orlando diOrlando di Lasso Altera pars selectissimarum cantionum, 1579 70 Fratres sobrii estote     2 60 D4 E5 G3 A4 D3 F4 G2 C4 Latin 1 Peter 5:8–9
Lasso, Orlando diOrlando di Lasso Lectiones sacrae novem, 1582 11 Scapulis suis     2 44 D♯4 E5 G3 B4 E3 F4 A2 C4 Latin Lent I
Lasso, Orlando diOrlando di Lasso Lectiones sacrae novem, 1582 12 Exaltabo te     2 45 E4 E5 F♯3 B4 D3 G4 G2 D4 Latin Ash Wednesday, Pentecost XI
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 1 Confitebor tibi Domine     2 41 D4 E5 G3 B4 D3 F4 G2 C4 Latin Lent V
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 2 Domine convertere     2 49 E4 F5 G3 B4 G3 G4 A2 C4 Latin Pentecost II
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 3 Intende voci     2 39 D4 E5 G3 B4 G3 F4 A2 C4 Latin Pentecost I
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 4 Exaudi Deus     2 38 C4 F5 G3 A4 D3 F4 G2 B♭3 Latin Lent
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 5 Improperium exspectavit     2 53 C4 D5 G3 A4 D3 E4 F2 A3 Latin Palm Sunday
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 7 Iubilate Deo omnis terra     2 43 D♯4 E5 G3 A4 E3 F4 G2 C4 Latin Epiphany I
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 8 Domine fac mecum     2 49 D4 E5 G3 A4 F♯3 E4 G2 C4 Latin Lent
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 9 Benedictus es Domine … et non tradas     2 40 D4 E5 A3 A4 D3 E4 F♯2 B3 Latin Passiontide
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 10 Domine labia mea aperies     2 37 C♯4 D5 E3 A4 E3 E4 G2 C4 Latin Lent
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 11 Precatus est Moyses     2 52 B3 E5 G♯3 A4 E3 F♯4 A2 B3 Latin Pentecost XII
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 12 Populum humilem     2 40 D4 D5 G3 G4 E3 E4 G2 C4 Latin Pentecost VIII
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 13 Super flumina Babylonis     2 43 C♯4 D5 G3 G4 E3 D4 G2 A3 Latin Pentecost XX
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 15 Factus est Dominus     2 38 D4 E5 G3 G4 F3 F4 F2 A3 Latin Lent
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 16 Perfice gressus meos     2 45 C4 D5 G3 G4 C3 E4 G2 A3 Latin Sexagesima
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 17 Custodi me Domine     2 50 D4 E5 G3 A4 D3 E4 G2 B♭3 Latin Holy Week
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 18 Confortamini et iam nolite timere     2 36 D4 E5 G3 G4 E3 E4 G2 A3 Latin Advent
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 19 Domine Deus salutis meae     2 39 C4 D5 G3 G4 C3 F4 G2 G3 Latin Lent
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 20 Domine in auxilium     2 40 C4 D5 G3 A4 E3 E4 G2 B♭3 Latin Pentecost XVI
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 21 Benedic anima mea Domino     2 40 C4 D5 G3 G4 D3 F4 G2 B♭3 Latin Lent, Ordinary Time 31
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 22 Adorna thalamum     3 66 D4 E5 G3 G4 D3 E4 G2 A3 Latin Candlemas
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 23 Miserere mei Domine     2 40 D4 E5 G3 A4 E3 E4 G2 A3 Latin Lent
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 25 Domine exaudi orationem meam     2 43 C4 E5 G3 A4 D3 F4 G2 C4 Latin Holy Week
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 27 Benedictus es Domine … in labiis     2 42 D4 E5 G3 B4 E3 G4 G2 B3 Latin Quinquagesima
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 28 Benedicam Dominum     2 42 B3 E5 A3 A4 D3 F♯4 G2 B3 Latin Pentecost V
Lasso, Orlando diOrlando di Lasso Sacrae cantiones…quatuor vocum, 1585 29 Sperent in te omnes     2 39 B3 D5 F♯3 A4 F♯3 F♯4 G2 B3 Latin Pentecost III
Lasso, Orlando diOrlando di Lasso Magnum opus musicum, 1604 63 Illumina oculos meos     3 66 C4 E5 G3 G4 C3 E4 F2 C4 Latin Pentecost IV, Lent IV-C
Le Febure, JanJan Le Febure Devoti ac sacri per totum annum hymni, 1596 23 Haec dies [I]     2 33 C♯4 D5 G3 G4 D3 E4 F2 A3 Latin Easter
Morago, Estêvão LopesEstêvão Lopes Morago De profundis     1 31 C4 E5 A3 A4 F3 E4 G2 C4 Latin Pentecost XXIII
Morago, Estêvão LopesEstêvão Lopes Morago Oculi mei     2 36 C4 C5 G♯3 G4 F3 F4 G2 C4 Latin Lent III
Capillas, Francisco LópezFrancisco López Capillas Aufer a nobis     2 51 E4 E5 G3 A4 D3 F4 G2 C4 Latin Lent
Lotti, AntonioAntonio Lotti Regina caeli     1 29 G4 E5 D4 A4 B3 F4 G2 C4 Latin Votive antiphons
Mantua, Jacquet deJacquet de Mantua O Iesu Christe     1 45 C4 D5 G3 G4 E3 D4 G2 A3 Latin Lent
Marenzio, LucaLuca Marenzio Gabriel Angelus     2 45 D4 E5 G3 A4 D3 F4 G2 B♭3 Latin Annunciation, Advent IV
Marenzio, LucaLuca Marenzio Hodie Paulus Apostolus     3 58 C4 E5 G3 A4 C3 E4 F2 C4 Latin Peter & Paul
Marenzio, LucaLuca Marenzio Gabriel Angelus (transposed)     2 45 F4 G5 B♭3 C5 F3 A4 B♭2 D♭4 Latin Annunciation, Advent IV
Marenzio, LucaLuca Marenzio O Rex gloriae     2 53 C4 E5 F3 A4 C3 E4 F2 C4 Latin Ascension
Marenzio, LucaLuca Marenzio O sacrum convivium     2 64 C4 E5 G3 A4 C3 F4 G2 C4 Latin Corpus Christi, Communion
Marenzio, LucaLuca Marenzio Quem dicunt homines     3 73 C4 E5 G3 A4 C3 E4 G2 C4 Latin Peter & Paul
Marenzio, LucaLuca Marenzio Te Deum Patrem ingenitum     2 67 C4 E5 G3 A4 C3 F4 F2 C4 Latin Trinity
Martini, Giovanni BattistaGiovanni Battista Martini Dextera Domini     3 65 E4 E5 G3 A4 E3 E4 G2 A3 Latin Maundy Thursday, Easter Vigil, Epiphany III
Martini, Giovanni BattistaGiovanni Battista Martini Tollite portas     1 29 F♯4 E5 B3 A4 G3 F4 G2 C4 Latin Christmas
Massaino, TiburtioTiburtio Massaino Liber primus cantionum ecclesiarum, 1592 1 Ego sum panis vivus     2 51 A3 D5 F3 G4 A2 E4 A2 A3 Latin Corpus Christi, Communion
Massaino, TiburtioTiburtio Massaino Liber primus cantionum ecclesiarum, 1592 2 Verbum caro factum est     3 50 D4 D5 G3 A4 A2 E4 G2 A3 Latin Christmas, Annunciation
Massaino, TiburtioTiburtio Massaino Liber primus cantionum ecclesiarum, 1592 9 Salvatorem exspectamus     2 55 D4 C5 G3 G4 E3 E4 G2 B3 Latin Advent I, Lent II, Transfiguration
Massaino, TiburtioTiburtio Massaino Liber primus cantionum ecclesiarum, 1592 15 Per lignum servi facti sumus     2 59 E4 E5 G3 G4 C3 F4 A2 C4 Latin Easter, Exaltation of the Cross
Massaino, TiburtioTiburtio Massaino Liber primus cantionum ecclesiarum, 1592 17 Ite in universum mundum     2 49 D4 E5 G3 A4 D3 E4 G2 A3 Latin Pentecost, Apostles
Massaino, TiburtioTiburtio Massaino Liber primus cantionum ecclesiarum, 1592 18 Virtute magna     2 48 D4 E5 G3 A4 E3 E4 G2 A3 Latin Pentecost, Apostles
Massaino, TiburtioTiburtio Massaino Liber primus cantionum ecclesiarum, 1592 19 Si ego non abiero     3 57 D4 E5 G3 A4 E3 F4 G2 D4 Latin Ascension, Easter 7
Massaino, TiburtioTiburtio Massaino Liber primus cantionum ecclesiarum, 1592 20 Benedicamus Patrem     2 55 C4 C5 G3 A4 E3 F4 A2 C4 Latin Trinity
Matucci, Giovanni BonaventuraGiovanni Bonaventura Matucci Ego sum pastor bonus     2 39 C4 D5 G3 A4 D3 E4 G2 A3 Latin Easter
Mouton, JeanJean Mouton Ave Maria, gratia plena     2 44 B3 C5 A3 F4 D3 E4 A2 A3 Latin Common of the Blessed Virgin Mary
Mundy, WilliamWilliam Mundy A new commandment     1 36 B3 C5 G3 C5 F♯3 G4 G2 C4 English Maundy Thursday
Nunes Garcia, José MaurícioJosé Maurício Nunes Garcia Immutemur habitu     1 32 D4 D5 A3 G4 G3 F4 G2 C4 Latin Ash Wednesday
Pearsall, Robert LucasRobert Lucas Pearsall Salve Regina     3 67 E4 E5 B3 B4 C♯3 E4 G2 B3 Latin Votive antiphons
Perti, Giacomo AntonioGiacomo Antonio Perti Adoramus te Christe [I]     2 35 C4 E5 G3 A4 C3 E4 F2 C4 Latin Good Friday, Exaltation of the Cross
Pitoni, GiuseppeGiuseppe Pitoni Adoramus te     1 35 D4 C5 A3 G4 C3 E4 A2 C4 Latin Holy Week, Palm Sunday, Good Friday, Exaltation of the Cross
Pitoni, GiuseppeGiuseppe Pitoni Laudate Dominum omnes gentes     1 33 E4 D5 C4 A4 A3 F4 G2 C4 Latin Ps 116(117)
Pitoni, GiuseppeGiuseppe Pitoni Cantate Domino     1 46 F♯4 D5 C4 G4 A3 F4 G2 D4 Latin Ps 149:1–2
Pitoni, GiuseppeGiuseppe Pitoni Vias tuas, Domine     1 24 D4 D5 A4 A4 D3 E4 G2 B3 Latin Ps 25:4
Porta, CostanzoCostanzo Porta Liber primus motectorum quatuor vocum, 1559 12 Hodie nobis de caelo     3 65 A3 D5 G3 G4 C3 E4 G2 A3 Latin Christmas
Porta, CostanzoCostanzo Porta Liber quinquaginta duorum motectorum, 1580 3 Sicut cedrus exaltata sum     2 41 D4 D5 G3 A4 E3 E4 A2 C4 Latin Assumption
Porta, CostanzoCostanzo Porta Liber quinquaginta duorum motectorum, 1580 6 Audi filia et vide     2 35 C♯4 D5 A3 F4 C3 D4 G2 B♭3 Latin Annunciation, Common of the Blessed Virgin Mary
Porta, CostanzoCostanzo Porta Conceptio tua     2 39 D4 D5 A3 A4 F3 E4 A2 A3 Latin Immaculate Conception
Praetorius, MichaelMichael Praetorius Vita sanctorum     2 25 C♯4 D5 A3 F♯4 D3 B3 G2 F♯3 Latin Easter
Regnart, JacobJacob Regnart Novi thesauri musici, liber primus, 1568 85 Surrexit pastor bonus     6 145 C♯4 E5 F♯3 A4 D3 F♯4 F♯2 B3 Latin Easter
Regnart, JacobJacob Regnart Aliquot cantiones ex veteri atque novo testamento, 4 vv, 1577 23 Dies est laetitiae     2 46 B3 E5 G3 G4 C3 F4 G2 C4 Latin Christmas
Rivulo, Franciscus deFranciscus de Rivulo Verbum caro factum est     2 41 D4 E5 G3 B4 D3 E4 G2 A3 Latin John 1:14
Robledo, MelchorMelchor Robledo Hoc corpus     2 75 C4 D5 F♯3 G4 E3 E4 G2 C4 Latin Passion Sunday, Maundy Thursday, Corpus Christi
Robledo, MelchorMelchor Robledo Domine Iesu Christe, qui in cruce     1 45 D4 D5 G3 G4 D3 E4 B2 G3 Latin Holy Week, Palm Sunday, Good Friday, Exaltation of the Cross
Rosselli, FrancescoFrancesco Rosselli Adoramus te Christe [II]     1 41 D4 D5 G3 G4 F3 E4 G2 A3 Latin Holy Week, Palm Sunday, Good Friday, Exaltation of the Cross
Ruffo, VincenzoVincenzo Ruffo Adoramus te     1 38 F4 B♭4 B♭3 G4 F3 D4 C3 B♭3 Latin Holy Week, Palm Sunday, Good Friday, Exaltation of the Cross
Scarlatti, AlessandroAlessandro Scarlatti Ad te Domine levavi     2 44 D♯4 E5 A3 A4 D3 F♯4 F♯2 B3 Latin Advent I, Pentecost X
Scarlatti, AlessandroAlessandro Scarlatti Exaltabo te Domine     3 60 E4 F5 B♭3 B4 E3 F4 F2 C4 Latin Ash Wednesday, Pentecost XI
Scarlatti, AlessandroAlessandro Scarlatti Iustitiae Domini     2 45 C4 D5 A3 A4 D3 E4 G2 A3 Latin Lent III, Pentecost IX
Soriano, FrancescoFrancesco Soriano Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus, 1619 23 Alma Redemptoris Mater     1 32 F♯4 B4 D4 G4 D3 E4 G2 A3 Latin Votive antiphons
Soriano, FrancescoFrancesco Soriano Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus, 1619 24 Ave Regina caelorum     1 32 F♯4 E5 A3 A4 D3 E4 G2 C4 Latin Votive antiphons
Soriano, FrancescoFrancesco Soriano Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus, 1619 25 Regina caeli     1 31 F♯4 E5 G3 A4 G3 E4 G2 C4 Latin Votive antiphons
Soriano, FrancescoFrancesco Soriano Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus, 1619 26 Salve Regina [I]     2 35 C♯4 C5 G3 G4 D3 E4 G2 A3 Latin Votive antiphons
Soriano, FrancescoFrancesco Soriano Passio D. N. Jesu Christi secundum quatuor Evangelistas… quaternis vocibus, 1619 27 Salve Regina [II]     2 60 D♯4 D5 G3 A4 D3 F♯4 G2 B3 Latin Votive antiphons
Stadlmayr, JohannJohann Stadlmayr Hymni quibus totius anni, 1628 Conditor alme siderum     1 20 C4 D5 G3 G4 F♯3 E4 G2 A3 Latin Advent
Stadlmayr, JohannJohann Stadlmayr Hymni quibus totius anni, 1628 Ad cenam Agni providi     2 21 G4 D5 C♯4 A4 D3 E4 G2 A3 Latin Easter
Stadlmayr, JohannJohann Stadlmayr Hymni quibus totius anni, 1628 Audi benigne Conditor     1 24 E4 C5 B3 A4 D3 E4 G2 A3 Latin Lent
Stadlmayr, JohannJohann Stadlmayr Hymni quibus totius anni, 1628 Ave maris stella     2 27 C♯4 D5 F3 G4 D3 D4 G2 A3 Latin Common of the Blessed Virgin Mary
Stadlmayr, JohannJohann Stadlmayr O magnum mysterium     1 43 D4 B♭4 G3 G4 E3 E♭4 F2 B♭3 Latin Christmas
Torres, José deJosé de Torres Lira sacro-hispana, vol. 5, 1869 11 Versa est in luctum     2 35 D4 D5 G3 A4 D3 E♭4 G2 A3 Latin Funerals
Viadana, Ludovico daLudovico da Viadana Adoramus te     1 25 E4 D5 B♭3 G4 F3 E♭4 F2 G3 Latin Holy Week, Palm Sunday, Good Friday, Exaltation of the Cross
Viadana, Ludovico daLudovico da Viadana O sacrum convivium     1 38 B3 A4 G3 F4 D3 E4 G2 C4 Latin Corpus Christi, Communion
Verdonck, CorneliusCornelius Verdonck Ave gratia plena     1 29 D4 D5 G3 G4 D3 E4 G2 C4 Latin Advent IV, Annunciation
Villanueva, Mart%C3%ADn deMartín de Villanueva Christus factus est     1 36 C♯4 B4 A3 G4 D3 D4 G2 G3 Latin Holy Week, Palm Sunday, Good Friday
Vulpius, MelchiorMelchior Vulpius Opusculum novum selectissimarum cantionum sacrarum, 1610 2 Exsultate iusti in Domino     4 136 A3 E5 G3 A4 C♯3 F4 F2 B♭3 Latin Ps 32(33):1–5
Witt, Franz XaverFranz Xaver Witt Musica sacra - Zeitschrift, vol. 17, 1884 7 Sacerdotes Domini     1 29 E4 F5 A3 C5 D3 E4 G2 C4 Latin Corpus Christi
Zuccari, Francesco M.Francesco M. Zuccari Dextera Domini     2 54 D4 D5 B♭3 A4 E3 E4 F2 C4 Latin Maundy Thursday, Easter Vigil, Epiphany III
Zucchinetti, Giovanni BernardoGiovanni Bernardo Zucchinetti Improperium exspectavit     1 32 F4 E5 D4 B♭4 G3 E4 A2 D4 Latin Palm Sunday, Sacred Heart


ATTB unaccompanied

Composer Collection No. Title Files # of Pages # of Bars Voice-Range Boundaries (middle C = C4) Language Use
A T1 T2 B
Lo Hi Lo Hi Lo Hi Lo Hi
Croce, GiovanniGiovanni Croce Motetti a quattro voci libro primo, 1597 16 Ego sum pauper et dolens     1 30 G3 G4 G3 E♭4 D3 D4 G2 G3 Latin Psalm 68(69):30–31
Masera, AgostinoAgostino Masera Motetti a quattro voci libro primo, 1597 20 Iste sanctus     2 43 G3 B♭4 D3 F4 C3 D4 F♯2 A3 Latin Martyrs


Masses

SATB unaccompanied

Voice-range boundaries apply to entire Mass settings; individual movements may have narrower boundaries.

Audio files of individual movements may be accessed from the CPDL entry of each Mass setting.

Composer Collection No. Title Movements PDF # of Pages Voice-Range Boundaries (middle C = C4) Language
S A T B
Lo Hi Lo Hi Lo Hi Lo Hi
AnonymousAnonymous Granada Cathedral archive Missa Ferialis KSBA   3 D4 C5 A3 G4 D3 F4 G2 B3 Latin
Bournonville, Jean deJean de Bournonville Missae tredecim, 1619 4 Missa Ave maris stella KGCSBA   16 B3 E5 E3 A4 D3 F♯4 E2 B♭3 Latin
Hassler, Hans LeoHans Leo Hassler Missae IV, V, VI et VIII vocibus, 1599 1 Missa super Dixit Maria KGCSBA   16 C4 F5 F3 A4 E3 F4 G2 C4 Latin
Hassler, Hans LeoHans Leo Hassler Missae IV, V, VI et VIII vocibus, 1599 2 Missa Secunda KGCSBA   14 B3 E5 F♯3 A4 D3 E4 G2 C4 Latin
Hassler, Hans LeoHans Leo Hassler Missae IV, V, VI et VIII vocibus, 1599 3 Missa Tertia KGCSBA   14 A3 D5 D3 A4 C3 E4 F2 B♭3 Latin


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Motets and Mass propers

SATB unaccompanied

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Composer Collection No. Title # of Pages # of Bars Voice-Range Boundaries (middle C = C4) Language Use
S A T B
Lo Hi Lo Hi Lo Hi Lo Hi
Gregor Aichinger Sacrae cantiones, 1590 3 Universae viae Domini 2 38 D4 D5 F♯3 G4 D3 E4 G2 G3 Latin Ps 24(25):10
Blasius Ammon Tenebrae factae sunt 2 64 C4 C5 A3 G4 D3 E4 G2 C4 Latin Passiontide
Ludovico Balbi Ecclesiasticarum cantionum quatuor vocum, 1578 20 Benedictus es Domine … in labiis 2 41 E4 D5 G3 G4 F3 F4 G2 B♭3 Latin Quinquagesima
Adriano Banchieri Promptuarii musici concentus ecclesiasticos, pars altera, 1623 54 Sancti et iusti in Domino gaudete 2 61 E4 E5 B3 B4 E3 E4 G2 B3 Latin Easter
Giulio Belli Sacrarum cantionum, 1600 3 Exaudi Deus orationem meam 2 34 C♯4 D5 A3 A4 E3 E♭4 G2 C4 Latin Ps 54(55):2–3a
Giulio Belli Sacrarum cantionum, 1600 7 O sacrum convivium 2 42 D4 E5 A3 A4 D3 E4 G2 B3 Latin Corpus Christi, Communion
José Bernal Ave Sanctissimum 3 68 D4 D5 G3 G4 D3 E4 A2 A3 Latin Communion
Steffano Bernardi Messe a quattro et cinque voci, 1624 20 Credo quod Redemptor meus vivit 1 37 C4 A4 A3 F4 D3 D4 G2 A3 Latin Funeral, All Souls
Giovanni Campani Caro mea vere est cibus 2 37 F♯4 E5 C4 A4 G3 E4 G2 C4 Latin Corpus Christi, Communion
Giovanni Campani O Domine Iesu Christe 1 31 D4 D5 C4 G4 F3 E4 G2 C4 Latin Lent, Palm Sunday, Good Friday, Holy Cross, Communion
Floriano Canali Sacrae cantiones, 1581 1 Laudate Dominum de caelis 2 57 C4 D5 G3 A4 D3 F4 F2 B♭3 Latin Ps 148:1–5a
Floriano Canali Sacrae cantiones, 1581 2 Laudate Dominum in sanctis eius 2 66 E4 D5 F3 A4 D3 F4 F2 C4 Latin Ps 150
Floriano Canali Sacrae cantiones, 1581 3 Gloriosi principes terrae 2 52 F4 F5 A3 B♭4 F3 G4 B♭2 D4 Latin Ss. Peter and Paul
Floriano Canali Sacrae cantiones, 1581 4 Laetabitur iustus in Domino 2 51 C4 E♭5 F3 G4 C3 D4 F2 C4 Latin Ps 63(64):11
Floriano Canali Sacrae cantiones, 1581 5 O Martyr egregie 2 51 D4 D5 G3 G4 C3 E♭4 F2 B♭3 Latin St. Peter Martyr
Floriano Canali Sacrae cantiones, 1581 6 Gaudent in caelis 2 57 D4 D5 F♯3 A4 D3 G4 G2 C4 Latin Common of Multiple Martyrs
Floriano Canali Sacrae cantiones, 1581 7 Amavit eum Dominus 3 60 C4 C5 F3 G4 C3 D4 F2 A3 Latin Common of Bishops and Confessors
Floriano Canali Sacrae cantiones, 1581 8 O Doctor optime 2 53 C4 C5 F3 G4 D3 F4 F2 A3 Latin Common of Doctors of the Church
Floriano Canali Sacrae cantiones, 1581 9 Afferentur regi virgines 3 68 C4 D5 F3 A4 C3 F4 A2 C4 Latin Common of Virgins and Martyrs
Floriano Canali Sacrae cantiones, 1581 10 Dum ortus fuerit 2 49 C4 C5 G3 G4 C3 E4 G2 A3 Latin Christmas
Floriano Canali Sacrae cantiones, 1581 11 Orietur sicut sol 2 42 C4 D5 G3 G4 C3 D4 G2 A3 Latin Christmas
Floriano Canali Sacrae cantiones, 1581 12 Virgo prudentissima 2 37 C4 C5 G3 A4 D3 E4 G2 A3 Latin Assumption
Floriano Canali Sacrae cantiones, 1581 13 Spiritus Sanctus in te descendet 2 37 D4 C5 G3 G4 D3 D4 A2 C4 Latin Annunciation, Advent IV
Floriano Canali Sacrae cantiones, 1581 14 Adoramus te Domine 1 31 C♯4 D5 G3 G4 E3 E4 G2 A3 Latin Passiontide, Palm Sunday, Good Friday
Floriano Canali Sacrae cantiones, 1581 15 Dies sanctificatus 2 43 C4 E♭5 B♭3 B♭4 E♭3 G4 B♭2 C4 Latin Christmas
Floriano Canali Sacrae cantiones, 1581 16 O sacrum convivium 2 47 B3 A4 G3 G4 E3 E4 C3 C4 Latin Corpus Christi, Communion
Floriano Canali Sacrae cantiones, 1581 17 Da pacem Domine 2 34 C4 E5 F3 G4 D3 E4 C3 C4 Latin Peace
Floriano Canali Sacrae cantiones, 1581 18 O Maria Dei genitrix 1 32 C♯4 B4 G♯3 G4 E3 F♯4 A2 B3 Latin Marian
Floriano Canali Sacrae cantiones, 1581 19 Ave Regina … Mater Regis 1 32 B3 A4 A3 F4 E3 D4 A2 A3 Latin Marian
Floriano Canali Sacrae cantiones, 1581 20 Alma Redemptoris Mater 2 46 C4 A4 G3 G4 C3 C4 G2 G3 Latin Votive antiphon
Floriano Canali Sacrae cantiones, 1581 21 Ave Regina caelorum 2 46 D4 E5 F♯3 A4 D3 E4 G2 C4 Latin Votive antiphon
Floriano Canali Sacrae cantiones, 1581 22 Regina caeli 1 32 F♯4 D5 B3 G4 E3 E4 G2 A3 Latin Votive antiphon
Floriano Canali Sacrae cantiones, 1581 23 Salve Regina 2 66 D4 C5 A3 G4 F♯3 E4 B♭2 C4 Latin Votive antiphon
Giovanni Maria Casini Moduli quatuor vocibus, opus primum, 1706 2 O sacrum convivium 4 78 C4 E5 G3 A4 C3 E4 G2 C4 Latin Corpus Christi, Communion
Giovanni Maria Casini Moduli quatuor vocibus, opus primum, 1706 15 Peccavi super numerum arenae maris 4 55 E4 E5 A3 A4 C3 E4 E2 C4 Latin Lent
Jean de Chaynée Novi thesauri musici, 1568 371 Dilexisti iustitiam 2 49 B3 D5 F3 G4 D3 E4 G2 A3 Latin Common of Virgins
Jean de Chaynée Novi thesauri musici, 1568 372 Diffusa est gratia 2 47 D4 D5 G3 G4 D3 E4 G2 A3 Latin Common of Virgins (Dilexisti iustitiam, secunda pars)
Clemens non Papa Thesauri musici, tomus quintus, 1564 4 Ne abscondas me 2 51 C4 E♭5 F♯3 G4 C3 F4 G2 B♭3 Latin Lent, All Souls, Funeral
Giovanni Croce Motetti a quattro voci libro primo, 1597 6 Congratulamini mihi 2 46 D4 D5 B♭3 B♭4 G3 G4 B2 D4 Latin Marian
Gallus Dressler Cantiones IV, V et plurimum vocum, 1570 49 Lucerna pedibus meis 4 99 C4 D5 F♯3 A4 C3 F4 F2 B♭3 Latin Ps 118(119):105–107
Gallus Dressler Cantiones IV, V et plurimum vocum, 1570 51 Domine ad quem ibimus 3 68 B♭3 E♭5 F♯3 G4 E3 F4 G2 B♭3 Latin Jn 6:69–70
Gallus Dressler Cantiones IV, V et plurimum vocum, 1570 52 Haec est voluntas eius qui misit me 2 66 D4 D5 G3 G4 D3 F4 F2 B♭3 Latin Jn 6:40
Gallus Dressler Cantiones IV, V et plurimum vocum, 1570 53 Nisi Dominus 3 92 B3 D5 F♯3 A4 F♯3 E♭4 G2 B♭3 Latin Ps 126(127)
Gallus Dressler Cantiones IV, V et plurimum vocum, 1570 62 Misericordiam volo 2 62 C4 C5 G3 G4 D3 F4 E2 C4 Latin Cf. Mt 9:13
Gallus Dressler Cantiones IV, V et plurimum vocum, 1570 73 Tres sunt qui testimonum dant 2 70 C♯4 E5 G3 A4 D3 F♯4 G2 A3 Latin 1 Jn 5:7–9
Gallus Dressler Cantiones IV, V et plurimum vocum, 1570 75 Amen dico vobis: Si quis 3 79 C4 E5 F♯3 A4 E3 F4 G2 B3 Latin Jn 8:51
Gallus Dressler Cantiones IV, V et plurimum vocum, 1570 86 Sic Deus dilexit mundum [II] 2 63 D4 D5 G3 G4 D3 E4 G2 G3 Latin Jn 3:16
Giacomo Finetti Promptuarii musici concentus ecclesiasticos, 1622 83 O Crux ave 2 46 D4 D5 G3 G4 C3 D4 G2 A3 Latin Passiontide
Johann Geisenhof Promptuarii musici concentus ecclesiasticos, 1622 67 Surgens Iesus 3 67 C♯4 E5 F3 A4 D3 F4 F2 C4 Latin Easter
Michael Haller Laudes Eucharisticae, op. 16 2 Sacerdotes Domini 2 44 D4 E5 G3 A4 F♯3 E4 G2 C4 Latin Corpus Christi, Communion
Michael Haller Laudes Eucharisticae, op. 16 12 O quam suavis est 2 54 D4 E5 A3 A4 F3 E4 A2 C4 Latin Corpus Christi, Communion
Michael Haller Laudes Eucharisticae, op. 16 13 O sacrum convivium 2 56 D4 E5 A3 A4 E3 E4 G2 C4 Latin Corpus Christi, Communion
Jacob Handl Operis musici, tomus primus, 1586 25 Sapientia clamitat 2 33 D4 D5 G3 G4 D3 F4 G2 C4 Latin Advent, Marian
Jacob Handl Operis musici, tomus primus, 1586 61 Domus pudici pectoris 2 41 D4 D5 G♯3 G4 D3 E4 F2 C4 Latin Advent IV, Christmas, Annunciation, Marian
Jacob Handl Operis musici, tomus primus, 1586 102 Deus in adiutorium…Salvum me fac 4 97 C♯4 D5 G3 A4 C3 E4 G2 A3 Latin Lent
Jacob Handl Operis musici, tomus secundus, 1587 51 Surrexit Dominus 2 43 D4 F♯5 G3 G4 D3 F♯4 G2 B3 Latin Easter
Jacob Handl Operis musici, tomus secundus, 1587 66 Veni Sancte Spiritus 2 41 D♯4 E5 G3 A4 E3 F♯4 A2 B3 Latin Pentecost
Jacob Handl Operis musici, tomus tertius, 1587 19 O beata Trinitas 2 54 D4 E5 G3 A4 C3 F4 G2 C4 Latin Trinity
Jacob Handl Operis musici, tomus tertius, 1587 50 Laudate Dominum 2 66 D4 D5 B3 G4 E3 E4 G2 B3 Latin Ps 150
Christian Hollander Novi thesauri musici, 1568 169 Iunior fui 3 68 D4 D5 G3 G4 D3 E4 G2 C4 Latin Cf. Ps 36(37):25
Christian Hollander Novi thesauri musici, 1568 170 Sic Deus dilexit mundum 3 60 D4 D5 G♯3 G4 D3 E4 G2 C4 Latin Jn 3:16
Orlando di Lasso Altera pars selectissimarum cantionum, 1579 61 Proba me Deus 3 57 D4 D5 G3 G4 D3 F4 G2 C4 Latin Ps 138(139):23, 24
Paulus Schedius Melissus Cantiones, 1566 17 Benedicat tibi Dominus 4 102 D4 E5 G3 A4 D3 E4 A2 B♭3 Latin Num 6:24–26; Ps 120(121):7–8
Pierre de Manchicourt Selectissimae symphoniae, 1546 7 Pater peccavi 4 118 C4 D5 G3 G4 D3 F4 G2 C4 Latin Cf. Lk 15:17–19
Jean Mouton Motettorum I, 1534 25 Homo quidam 3 91 D4 E5 G3 A4 D3 E4 G2 C4 Latin Communion
Costanzo Porta Liber primus motectorum quatuor vocum, 1559 4 Pater peccavi 2 49 C4 D5 G3 G4 D3 D4 G2 B♭3 Latin Lk 15:18b–19
Costanzo Porta Liber primus motectorum quatuor vocum, 1559 6 Aspice Domine…Qui regis 4 100 C4 D5 G3 G4 C3 E4 G2 B♭3 Latin Advent
Costanzo Porta Liber primus motectorum quatuor vocum, 1559 11 Tempus est ut revertar 3 59 C4 C5 G3 G4 D3 E4 G2 A3 Latin Ascension
Costanzo Porta Liber primus motectorum quatuor vocum, 1559 27 Fili in tua infirmitate 2 46 D4 E5 G♯3 A4 D3 E4 A2 C4 Latin Lent
Georg Prenner Thesauri musici, tomus quintus, 1564 31 Peccavi Domine 4 91 D4 D5 G3 A4 C3 F4 A2 C4 Latin Lent, All Souls, Funeral
Gabrielo Puliti Sacrae modulationes, 1600 5 O sacrum convivium 1 26 D4 B4 B♭3 G4 G3 D4 G2 G3 Latin Corpus Christi, Communion
Jacob Regnart Aliquot cantiones, 1577 20 Doce me Domine viam tuam 2 52 B3 D5 G3 G4 D3 E4 G2 B3 Latin Cf. Ps 26(27):11, 118:27
Johann Rasch Quatuor vocum…de nativitate, 1572 1 Grates nunc omnes 2 36 C♯4 D5 G3 A4 C3 D4 G2 A3 Latin Christmas
Pietro Speilier Novi thesauri musici, 1568 11 Christus natus est nobis 2 51 D4 E5 G3 A4 D3 E4 G2 A3 Latin Christmas
Pietro Speilier Novi thesauri musici, 1568 11 Virgo peperit salvatorem 2 45 E4 E5 A3 A4 D3 E4 G2 C4 Latin Christmas (Christus natus, secunda pars)
Johann Staden Harmoniae novae sacrarium cantionum, 1628 8 Exsultate Deo adiutori nostro 2 51 D4 D5 G3 A4 D3 E♭4 F♯2 G3 Latin Ps 80(81):2–3 with alleluias
Johann Staden Harmoniae novae sacrarium cantionum, 1628 9 Levavi oculos meos 2 44 C4 D5 F3 B♭4 D3 F4 F2 B♭3 Latin Ps 120(121):1–2
Johann Steuerlein Psalmus CL quatuor vocibus, 1588 1 Laudate Dominum 3 73 D4 E5 G3 A4 D3 F4 G2 C4 Latin Ps 150
Michael Tonsor Cantiones ecclesiasticae, 1590 14 Honora Deum 3 62 D4 E5 G3 A4 D3 F4 G2 C4 Latin Cf. Prv 3:9–10
Giovanni Damasceno Uffereri Promptuarii musici concentus ecclesiasticos, pars altera, 1623 182 O quam suavis est 2 50 D4 D5 A3 G4 D3 E4 G2 A3 Latin Corpus Christi
Jacobus Vaet Novi thesauri musici, 1568 313 Heu mihi Domine 3 76 C4 D5 G3 G4 D3 F4 G2 C4 Latin Lent, All Souls, Funeral
Jacobus Vaet Novi thesauri musici, 1568 314 Anima mea turbata est 3 63 C4 D5 G3 A4 D3 F4 A2 C4 Latin Lent, All Souls, Funeral (Anima mea turbata est, secunda pars)
Jacobus Vaet Novi thesauri musici, 1568 319 Quoties diem illum considero 3 109 D4 D5 G3 G4 C3 F4 G2 C4 Latin Last Judgment (cf. St. Jerome)
Ivo de Vento Mutetae aliquot sacrae quatuor vocum, 1574 1 Sancta Trinitas 3 83 C♯4 E5 G3 B4 E3 G4 G2 C4 Latin Trinity
Ivo de Vento Mutetae aliquot sacrae quatuor vocum, 1574 2 Bonitatem fecisti 3 69 D4 E5 G3 A4 E3 F4 A2 C4 Latin Ps 118(119):65, 68
Ivo de Vento Mutetae aliquot sacrae quatuor vocum, 1574 13 Ecce ego mitto vos 3 57 B3 D5 G3 A4 E3 F4 G♯2 C4 Latin Ordinations
Melchior Vulpius Opusculum novum selectissimarum cantionum sacrarum, 1610 1 Pater noster 4 86 B3 E5 E3 A4 E3 F4 E2 C4 Latin
Melchior Vulpius Opusculum novum selectissimarum cantionum sacrarum, 1610 3 Ascendo ad Patrem meum 4 77 D4 E5 G3 B4 D3 E4 G2 B3 Latin Ascension
Melchior Vulpius Opusculum novum selectissimarum cantionum sacrarum, 1610 4 Deus noster refugium 3 51 A3 E5 E3 G4 E3 E4 G2 C4 Latin Ps 45(46):2
Melchior Vulpius Opusculum novum selectissimarum cantionum sacrarum, 1610 5 Dum complerentur dies Pentecostes 4 83 B3 D5 F♯3 G4 D3 E4 G2 D4 Latin Pentecost
Melchior Vulpius Opusculum novum selectissimarum cantionum sacrarum, 1610 6 Laudate Dominum omnes gentes 3 82 D♯4 E5 G♯3 A4 D3 E4 A2 C4 Latin Ps 116(117)
Melchior Vulpius Opusculum novum selectissimarum cantionum sacrarum, 1610 7 Rorate caeli desuper 3 108 C4 E5 A3 A4 D3 F4 F2 D4 Latin Advent IV
Gregorio Zucchini Promptuarii musici concentus ecclesiasticos, 1622 160 Pater peccavi 3 66 D4 E5 A3 A4 D3 E4 A2 C4 Latin Lk 15:18b–19


Masses

Voice-range boundaries apply to entire Mass settings; individual movements may have narrower boundaries.

SSA unaccompanied

Composer Collection No. Title Movements # of Pages Voice-Range Boundaries (middle C = C4) Language
S1 S2 A
Lo Hi Lo Hi Lo Hi
Giovanni Matteo Asola Missa prima a 3 KGCSBA 12 G4 G5 D4 E5 G3 B4 Latin
Giovanni Battista Biondi da Cesena Missa brevis de Dominica a 3 KGCSBA 12 D4 F5 C4 E5 F3 A4 Latin


TTB unaccompanied

Composer Collection No. Title Movements # of Pages Voice-Range Boundaries (middle C = C4) Language
T1 T2 B
Lo Hi Lo Hi Lo Hi
Giovanni Matteo Asola Missa prima a 3 KGCSBA 12 G3 G4 D3 E4 G2 B3 Latin
Giovanni Battista Biondi da Cesena Missa brevis de Dominica a 3 KGCSBA 12 D3 F4 C3 E4 F2 A3 Latin


SATB unaccompanied

Composer Collection No. Title Movements # of Pages Voice-Range Boundaries (middle C = C4) Language
S A T B
Lo Hi Lo Hi Lo Hi Lo Hi
Blasius Ammon Patrocinium Musices: Missae cum breves tum quatuor vocum, 1591 1 Missa super Ut re mi fa sol la, La sol fa mi re ut KGCSBA 12 C4 E5 F3 A4 C3 F4 G2 C4 Latin
Blasius Ammon Patrocinium Musices: Missae cum breves tum quatuor vocum, 1591 2 Missa super Pour ung plaisir KGCSBA 16 C4 E5 G3 A4 F3 G4 A2 C4 Latin
Blasius Ammon Patrocinium Musices: Missae cum breves tum quatuor vocum, 1591 3 Missa super Surge propera KGCSBA 18 C♯4 E5 G3 A4 D3 E4 F2 C4 Latin
Giulio Belli Missarum quatuor vocibus, liber primus, 1599 2 Missa Iste confessor KGCSBA 22 C4 D5 F3 A4 C3 G4 G2 C4 Latin
Andrea Rota Missarum liber primus, 1595 1 Missa Qual è piu grand'amore KGCSBA 15 C4 D5 F3 A4 C3 F4 F2 C4 Latin
Andrea Rota Missarum liber primus, 1595 2 Missa brevis KGCSBA 12 C4 D5 F3 G4 C3 F4 G2 B♭3 Latin
Johann Steuerlein Missa Laudate Dominum KG–SBA 10 D4 E5 G3 A4 E3 G4 G2 C4 Latin


ATTB unaccompanied

Composer Collection No. Title Movements # of Pages Voice-Range Boundaries (middle C = C4) Language
A T1 T2 B
Lo Hi Lo Hi Lo Hi Lo Hi
Blasius Ammon Patrocinium Musices: Missae cum breves tum quatuor vocum, 1591 4 Missa super Dixit Dominus mulieri Chananaeae KGCSBA 18 A4 E5 D3 G4 C3 E4 E2 A3 Latin
Giulio Belli Missarum quatuor vocibus, liber primus, 1599 1 Missa Tu es pastor ovium KGCSBA 22 A3 D5 C3 G4 C3 E4 G2 D4 Latin
Giulio Belli Missarum quatuor vocibus, liber primus, 1599 3 Missa brevis KGCSBA 18 A3 E5 D3 G4 C3 G4 D2 A3 Latin


Requiem Masses

Voice-range boundaries apply to entire Mass settings; individual movements may have narrower boundaries.

SSA unaccompanied

Composer Collection No. Title Movements # of Pages Voice-Range Boundaries (middle C = C4) Language
S1 S2 A
Lo Hi Lo Hi Lo Hi
Giovanni Matteo Asola Missa defunctorum tribus vocibus IKGTQOSBAC 15 G4 G5 C4 E5 G3 C5 Latin
Giovanni Battista Biondi da Cesena Officium pro defunctis a 3 IK--QOSBAC 10 E4 F♯5 D4 E5 G3 C5 Latin


ATB unaccompanied

Composer Collection No. Title Movements # of Pages Voice-Range Boundaries (middle C = C4) Language
A T B
Lo Hi Lo Hi Lo Hi
Giovanni Matteo Asola Missa defunctorum tribus vocibus IKGTQOSBAC 15 G3 G4 C3 E4 G2 C4 Latin


TTB unaccompanied

Composer Collection No. Title Movements # of Pages Voice-Range Boundaries (middle C = C4) Language
T1 T2 B
Lo Hi Lo Hi Lo Hi
Giovanni Matteo Asola Missa defunctorum tribus vocibus IKGTQOSBAC 15 G3 G4 C3 E4 G2 C4 Latin
Giovanni Battista Biondi da Cesena Officium pro defunctis a 3 IK--QOSBAC 10 D3 E4 C3 D4 F2 B♭3 Latin


SATB unaccompanied

Composer Collection No. Title Movements # of Pages Voice-Range Boundaries (middle C = C4) Language
S A T B
Lo Hi Lo Hi Lo Hi Lo Hi
Blasius Ammon Patrocinium Musices: Missae quatuor vocum, 1591 4 Missa pro defunctis IKG--OSBAC* 21 B3 E♭5 E3 B♭4 C3 G4 F2 C4 Latin
Giulio Belli Missarum quatuor vocibus, liber primus, 1599 4 Missa pro defunctis IK--QOSBAC 16 B3 D5 F3 G4 C3 F4 F2 B♭3 Latin