Victimae paschali laudes: Difference between revisions
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*[[Dic nobis Maria (Fabio Fresi)|Fabio Fresi]] SATB (vv.3-4) All editions withdrawn | *[[Dic nobis Maria (Fabio Fresi)|Fabio Fresi]] SATB (vv.3-4) All editions withdrawn | ||
*[[Victimae Paschali (Mariano Garau)|Mariano Garau]] TTBarB | *[[Victimae Paschali (Mariano Garau)|Mariano Garau]] TTBarB | ||
*[[Victime Paschali laudes (Giovanni Ghizzolo)|Giovanni Ghizzolo]] SATB bc | |||
*[[Victimae Paschali laudes, MH 361 (Johann Michael Haydn)|Johann Michael Haydn, MH 361]] SATB & orchestra | *[[Victimae Paschali laudes, MH 361 (Johann Michael Haydn)|Johann Michael Haydn, MH 361]] SATB & orchestra | ||
*[[Victimæ paschali laudes (Fernando de las Infantas)|Fernando de las Infantas]] SSTTTB | *[[Victimæ paschali laudes (Fernando de las Infantas)|Fernando de las Infantas]] SSTTTB |
Revision as of 18:57, 22 March 2018
General Information
The Easter sequence, attributed to Wipo of Burgundy (died c.1048), is sung at Mass on Easter Sunday and through its Octave, as well as incorporated into medieval religious dramas performed at Easter.
The verse 5a (Credendum est magis soli) has been omitted since the publication of the 1570 Missal following the Council of Trent.
Luther's chorales Christ lag in Todesbanden and Christ ist erstanden both show melodic similarities.
View the Wikipedia article on Victimae paschali laudes.
Musical settings
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Other settings possibly not included in the manual list above
- Francisco López Capillas — Alleluia. Dic nobis, Maria
- Manuel de Zumaya — Victimae paschali laudes
Text and translations
Latin text 1 Victimae paschali laudes immolent Christiani 1 Dem Osterlamme Lobgesänge Bringe dar die Christenheit. 1 Alla Vittima pasquale offrano i cristiani il sacrificio della lode. |
English translation 1 To the Paschal victim let Christians offer up their songs of praise. 1 À la Victime pascale, les chrétiens offrent un sacrifice de louanges. |