Talk:Funeral Music for Queen Mary, Z 860 (Henry Purcell)

6530

Thou knowest, Lord
Bar 10: Lod for Lord in all parts.
Bar 14: an for and in all parts.

Jamesgibb (talk) 16:47, 18 November 2014 (UTC)

4017

Soprano, page 1, bar 7, 3rd note, possibly A natural (compare bar 8, 1st note)
Bass, page 1, bar 10, all notes should be minor third lower, G
Tenor, page 2, bar 14, underlay should be: and is cut
Soprano, page 2, bar 17, underlay should be: and is cut
Tenor, page 3, bar 20, underlay should be: com-eth up, and
All parts, page 3, bar 24, underlay should be: fleeth as it were a
Bass, page 5, bar 40, last note B natural should be an octave lower
Alto, page 7, bar 61, 2nd note B flat should be an octave lower
Alto, page 8, bar 70, 1st note should be whole tone lower, E flat
Tenor, page 8, bar 72, last note should be whole tone lower, A natural (i.e. parallel 3rds with bass)
Alto, page 8, bar 76, 2nd note G should be an octave higher
Bass, page 7, bar 77, note should be a minor sixth lower, D (this is also wrong in the basso continuo as well as the organ part)
All parts, page 9, bar 79: underlay of first word should be: Yet,
Alto, page 10, bar 92: 1st and 2nd notes should be a semitone higher, E natural
Bass, page 10, bar 94: 1st note after rest should be an octave higher, middle C
Soprano, page 10, bar 97: 2nd note should be a perfect fourth higher, D
Alto, page 10, bar 97: last note D should be an octave higher

Finally, the basso continuo part frequently is notated in the wrong clef; if the clef were changed so that the top line were C an octave below middle C, the part would then be correct in the following bars: 5–7, 9–12, 77 —Pml 23:03, 19 November 2007

Morley? Purcell?

I am hearing a rumor that some of the music in this set is in fact by Thomas Morley, not Purcell. Can anyone confirm? --Wspencer11 (talk) 15:41, 25 January 2013 (UTC)