Beati omnes (Nicolas Gombert): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
* {{PostedDate|2020-08-09}} {{CPDLno|60076}} [[Media:RSU-059A_Gombert_—_Beati_omnes_qui_timent_Dominum_a5_(-1.0).pdf|{{pdf}}]] [[Media:Gombert_-_Beati_omnes_qui_timent_Dominum_(RSU-059A_-1.0).midi|{{mid}}]] | * {{PostedDate| 2020-08-09}} {{CPDLno|60076}} [[Media:RSU-059A_Gombert_—_Beati_omnes_qui_timent_Dominum_a5_(-1.0).pdf|{{pdf}}]] [[Media:Gombert_-_Beati_omnes_qui_timent_Dominum_(RSU-059A_-1.0).midi|{{mid}}]] | ||
{{Editor|Andrew Fysh|2020-08-09}}{{ScoreInfo|A4|12|412}}{{Copy|Creative Commons Attribution Share Alike}} | {{Editor|Andrew Fysh|2020-08-09}}{{ScoreInfo|A4|12|412}}{{Copy|Creative Commons Attribution Share Alike}} | ||
: | :{{EdNotes|Transposed a whole tone lower (for SATTB or SATBarB), otherwise identical to CPDL #58524 below. Revised edition uploaded 28 September 2020.}} | ||
* {{PostedDate|2020-05-11}} {{CPDLno|58524}} [[Media:RSU-059_Gombert_—_Beati_omnes_qui_timent_Dominum_a5.pdf|{{pdf}}]] [[Media:Gombert_-_Beati_omnes_qui_timent_Dominum_(RSU-059).midi|{{mid}}]] | * {{PostedDate| 2020-05-11}} {{CPDLno|58524}} [[Media:RSU-059_Gombert_—_Beati_omnes_qui_timent_Dominum_a5.pdf|{{pdf}}]] [[Media:Gombert_-_Beati_omnes_qui_timent_Dominum_(RSU-059).midi|{{mid}}]] | ||
{{Editor|Andrew Fysh|2020-05-11}}{{ScoreInfo|A4|12|405}}{{Copy|Creative Commons Attribution Share Alike}} | {{Editor|Andrew Fysh|2020-05-11}}{{ScoreInfo|A4|12|405}}{{Copy|Creative Commons Attribution Share Alike}} | ||
: | :{{EdNotes|Complete edition, including ''secunda pars''. At original notated pitch (for SATTB). Original note values retained. Transcribed and edited from the four published sources listed below. Revised edition uploaded 28 September 2020.}} | ||
*{{PostedDate|2010-06-05}} {{CPDLno|21738}} [[Media:Gom-bea5.pdf|{{pdf}}]] [[Media:Gom-bea5.mid|{{mid}}]] [[Media:Gom-bea5.mxl|{{XML}}]] [[Media:Gom-bea5.sib|{{sib}}]] (Sibelius 6) | *{{PostedDate|2010-06-05}} {{CPDLno|21738}} [[Media:Gom-bea5.pdf|{{pdf}}]] [[Media:Gom-bea5.mid|{{mid}}]] [[Media:Gom-bea5.mxl|{{XML}}]] [[Media:Gom-bea5.sib|{{sib}}]] (Sibelius 6) | ||
{{Editor|Lewis Jones|2010-06-05}}{{ScoreInfo|A4|13|83}}{{Copy|Public Domain}} | {{Editor|Lewis Jones|2010-06-05}}{{ScoreInfo|A4|13|83}}{{Copy|Public Domain}} | ||
: | :{{EdNotes|Edited from facsimile. Down a fourth according to chiavette transposition.}} | ||
==General Information== | ==General Information== | ||
'''Title:''' ''Beati omnes qui timent Dominum'' (2.p. ''Ecce sic benedicetur homo'')<br> | '''Title:''' ''Beati omnes qui timent Dominum'' (2.p. ''Ecce sic benedicetur homo'')<br> | ||
{{Composer|Nicolas Gombert}} | {{Composer|Nicolas Gombert}} | ||
'''Source of text:''' [[Psalm 128]] | '''Source of text:''' [[Psalm 128|Psalm 127(V)]] | ||
{{Voicing|5|SATTB,SATBB,ATBBB}} | {{Voicing|5|SATTB,SATBB,ATBBB}} | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1532|in Moderne, | {{Pub|1|1532|in Moderne, {{NoComp|Secundus liber cum quinque vocibus|Jacques Moderne}} [Lyon] (RISM 1532/9)|no=16}} | ||
{{Pub|2|1539|in Gardano, | {{Pub|2|1539|in Gardano, {{NoComp|Fior de mottetti secundus liber cum quinque vocibus|Antonio Gardano}} [Venice] (RISM 1539/6)|no=12}} | ||
{{Pub|3|1542|in Petreius, '' | {{Pub|3|1542|in Petreius, ''[[Psalmorum selectorum (Johannes Petreius)]]'' (4, 5 & plurium vv)|vol=Tomus 3|no=27}} | ||
{{Pub|4|1554|in Phalèse, [[Cantionum sacrarum liber 2|''Liber secundus cantionum sacrarum (5 & 6 vv)'']] [Leuven] (RISM 1554/2)|no=4}} | {{Pub|4|1552|in Gardano, {{NoComp|Musica quinque vocum liber primus|Nicolas Gombert}}|vol=Edition 3|no=14}} | ||
{{Pub|5|1554|in Phalèse, [[Cantionum sacrarum liber 2|''Liber secundus cantionum sacrarum (5 & 6 vv)'']] [Leuven] (RISM 1554/2)|no=4}} | |||
{{Pub|6|1569|in Neuber, {{NoComp|Beati omnes|Clemens Stephani}} (Clemens Stephani) [Nuremberg] (RISM 1569/1)|no=11}} | |||
{{Descr|Gombert's setting of Psalm 127 (Vulgate) survives in at least five printed sources from across Europe, a mark of its evident popularity in its day. It is the model for one of his {{NoCo|Missa Beati omnes|parody mass settings}}.}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Psalm 128}} | {{LinkText|Psalm 128}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Latest revision as of 20:37, 25 April 2023
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Sibelius | |
File details | |
Help |
- Editor: Andrew Fysh (submitted 2020-08-09). Score information: A4, 12 pages, 412 kB Copyright: CC BY SA
- Edition notes: Transposed a whole tone lower (for SATTB or SATBarB), otherwise identical to CPDL #58524 below. Revised edition uploaded 28 September 2020.
- Editor: Andrew Fysh (submitted 2020-05-11). Score information: A4, 12 pages, 405 kB Copyright: CC BY SA
- Edition notes: Complete edition, including secunda pars. At original notated pitch (for SATTB). Original note values retained. Transcribed and edited from the four published sources listed below. Revised edition uploaded 28 September 2020.
- Editor: Lewis Jones (submitted 2010-06-05). Score information: A4, 13 pages, 83 kB Copyright: Public Domain
- Edition notes: Edited from facsimile. Down a fourth according to chiavette transposition.
General Information
Title: Beati omnes qui timent Dominum (2.p. Ecce sic benedicetur homo)
Composer: Nicolas Gombert
Source of text: Psalm 127(V)
Number of voices: 5vv Voicings: SATTB, SATBB or ATBBB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published: 1532 in Moderne, Secundus liber cum quinque vocibus [Lyon] (RISM 1532/9), no. 16
2nd published: 1539 in Gardano, Fior de mottetti secundus liber cum quinque vocibus [Venice] (RISM 1539/6), no. 12
3rd published: 1542 in Petreius, Psalmorum selectorum (Johannes Petreius) (4, 5 & plurium vv), Tomus 3, no. 27
4th published: 1552 in Gardano, Musica quinque vocum liber primus, Edition 3, no. 14
5th published: 1554 in Phalèse, Liber secundus cantionum sacrarum (5 & 6 vv) [Leuven] (RISM 1554/2), no. 4
6th published: 1569 in Neuber, Beati omnes (Clemens Stephani) [Nuremberg] (RISM 1569/1), no. 11
Description: Gombert's setting of Psalm 127 (Vulgate) survives in at least five printed sources from across Europe, a mark of its evident popularity in its day. It is the model for one of his parody mass settings.
External websites:
Original text and translations
Original text and translations may be found at Psalm 128.