Category talk:Keyboard reduction: Difference between revisions
Richard Mix (talk | contribs) (proposal) |
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Hi, I agree that they should be differentiated, but the terminology is confusing: see [[Sancta Maria, mater Dei, KV 273 (Wolfgang Amadeus Mozart)]]. Why not use "reduction" in its common sense of orchestral reduction and change KbdRed to KbdReh (as in "for rehearsal only")? [[User:Richard Mix|Richard Mix]] 23:47, 16 January 2010 (UTC) | Hi, I agree that they should be differentiated, but the terminology is confusing: see [[Sancta Maria, mater Dei, KV 273 (Wolfgang Amadeus Mozart)]]. Why not use "reduction" in its common sense of orchestral reduction and change KbdRed to KbdReh (as in "for rehearsal only")? [[User:Richard Mix|Richard Mix]] 23:47, 16 January 2010 (UTC) | ||
:Richard and I touched upon this subject [[Template talk:Instruments#adding explanatory remarks?|elsewhere]] and he reminded me of this discussion. I tend to agree with him about the current terminology being somewhat confusing. —[[User:Carlos|Carlos]] [[File:Email.gif|link=User talk:Carlos]] 19:15, 23 June 2014 (UTC) |
Revision as of 19:15, 23 June 2014
Orchestral works
Can we use this category for editions that have a keyboard reduction of an Orchestral accompaniment too? Both the category description and the {{KbdRed}} template specify that they should be reductions of a cappella works. —Carlos 03:07, 16 September 2008 (PDT)
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- Thanks for the hint, Chuck! Do you think it's really necessary to differenciate between these two situations? Couldn't we have just one single category for all score pages that have a non-original keyboard accompaniment? —Carlos 05:46, 16 September 2008 (PDT)
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Hi, I agree that they should be differentiated, but the terminology is confusing: see Sancta Maria, mater Dei, KV 273 (Wolfgang Amadeus Mozart). Why not use "reduction" in its common sense of orchestral reduction and change KbdRed to KbdReh (as in "for rehearsal only")? Richard Mix 23:47, 16 January 2010 (UTC)