Johannes Ockeghem: Difference between revisions
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==List of choral works== | ==List of choral works== | ||
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{| class="wikitable sortable" | |||
!Op.<sup>a</sup> | |||
!Genre | |||
!Title | |||
!Voices | |||
!Comments | |||
|- | |||
|1.1||mass||''[[Missa Quinti toni (Johannes Ockeghem)|Missa Quinti toni]]''||3|| | |||
|- | |||
|1.2||mass||''[[Missa Sine nomine a 3 (Johannes Ockeghem)|Missa Sine nomine]]''||3|| | |||
|- | |||
|1.3||mass||''[[Missa au travail suis (Johannes Ockeghem)|Missa au travail suis]]''||4||parody of [[Au traveil suis (Johannes Ockeghem)|chanson by Ockeghem or Barbinguant]] | |||
|- | |||
|1.4||mass||''[[Missa cuiusvis toni (Johannes Ockeghem)|Missa cuiusvis toni]]''||4|| | |||
|- | |||
|1.5||mass||''Missa De plus en plus''||4|| | |||
|- | |||
|1.6||mass||''Missa Ecce ancilla Domini''||4|| | |||
|- | |||
|1.7||mass||''[[Missa L'homme armé (Johannes Ockeghem)|Missa L'homme armé]]''||4|| | |||
|- | |||
|2.9||mass||''[[Missa Mi-Mi (Johannes Ockeghem)|Missa Mi-Mi]]''||4|| | |||
|- | |||
|2.10||mass||''[[Missa prolationum (Johannes Ockeghem)|Missa prolationum]]''||4|| | |||
|- | |||
|2.11||mass||''Missa "Caput"''||4||tenor from antiphon ''Venit ad Patrem'' | |||
|- | |||
|2.12||mass movement||''[[Credo sine nomine (Johannes Ockeghem)|Credo sine nomine]]''||4||paraphrase of Credo I | |||
|- | |||
|2.13||mass||''Missa "Fors seulement"''||5||parody of own chanson | |||
|- | |||
|2.14||mass||''[[Missa Sine nomine a 5 (Johannes Ockeghem)|Missa Sine nomine]]''||5||Kyrie, Gloria & Credo | |||
|- | |||
|2.15||requiem||''[[Missa pro defunctis (Johannes Ockeghem)|Missa pro defunctis]]''||4||consists of ''Introitus'', ''Kyrie'', ''Tractus'' & ''Communio'' | |||
|- | |||
|2.16||mass||''Missa "Pour quelque paine"''||4||dubious, attrib. Cornelius Heyns in one source | |||
|- | |||
|||motet||''[[Alma Redemptoris Mater (Johannes Ockeghem)|Alma Redemptoris Mater]]''||4|| | |||
|- | |||
|||chanson||''[[Au traveil suis (Johannes Ockeghem)|Au traveil suis]]''||3||possibly by [[Barbinguant]] (fl.c.1470) | |||
|- | |||
|||motet||''[[Ave Maria (Johannes Ockeghem)|Ave Maria]]''||4|| | |||
|- | |||
|||canon||''[[Deo gratias (36 part canon) (Johannes Ockeghem)|Deo gratias (36 part canon)]]''||36||of dubious attribution | |||
|- | |||
|||motet||''[[Intemerata Dei mater (Johannes Ockeghem)|Intemerata Dei mater]]''||5|| | |||
|- | |||
|||chanson||''[[Ma bouche rit (Johannes Ockeghem)|Ma bouche rit]]''||3|| | |||
|- | |||
|||lament||''[[Mort tu as navrè de ton dart (Johannes Ockeghem)|Mort tu as navrè de ton dart]]''||4||Lament on the death of [[Binchois]] | |||
|- | |||
|||motet||''[[Salve Regina (Johannes Ockeghem)|Salve Regina]]''||4|| | |||
|- | |||
|||canon||''[[Sanctus (Johannes Ockeghem)|Sanctus]]''||4|| | |||
|- | |||
|||chanson||{{NoCo|Prenez sur moi}} ||3|| | |||
|} | |||
___________________________<br> | |||
a. ''Opere'', ed. Plamenac | |||
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Revision as of 04:02, 21 September 2017
Aliases: Jean de Ockegham; Ockenheim; Okeghem; Okchem; Ogkegum; Hocquegam
Life
Born: c. 1410-1425
Died: 6 February 1497
Biography
Johannes Ockeghem was the most famous composer of the Franco-Flemish School in the last half of the 15th century, and is often considered the most influential composer between Dufay and Josquin des Prez. In addition to being a renowned composer, he was also an honored singer, choirmaster, and teacher.
Around 39 spellings of his last name are recorded, Ockeghem as well as Okeghem being used in the Chigi codex, the most important source of his works. E. Giraudet (1885) proposed Jean de Ockeghem as a standard spelling based on a purported signature, since lost. Glareanus (1547) germanizes it to Johannes Ockenheim; other versions fall somewhere between Jan Hocquegam and Obghuen.
View the Wikipedia article on Johannes Ockeghem.
List of choral works
- For works at CPDL sorted alphabetically by title, see Johannes Ockeghem compositions
Op.a | Genre | Title | Voices | Comments |
---|---|---|---|---|
1.1 | mass | Missa Quinti toni | 3 | |
1.2 | mass | Missa Sine nomine | 3 | |
1.3 | mass | Missa au travail suis | 4 | parody of chanson by Ockeghem or Barbinguant |
1.4 | mass | Missa cuiusvis toni | 4 | |
1.5 | mass | Missa De plus en plus | 4 | |
1.6 | mass | Missa Ecce ancilla Domini | 4 | |
1.7 | mass | Missa L'homme armé | 4 | |
2.9 | mass | Missa Mi-Mi | 4 | |
2.10 | mass | Missa prolationum | 4 | |
2.11 | mass | Missa "Caput" | 4 | tenor from antiphon Venit ad Patrem |
2.12 | mass movement | Credo sine nomine | 4 | paraphrase of Credo I |
2.13 | mass | Missa "Fors seulement" | 5 | parody of own chanson |
2.14 | mass | Missa Sine nomine | 5 | Kyrie, Gloria & Credo |
2.15 | requiem | Missa pro defunctis | 4 | consists of Introitus, Kyrie, Tractus & Communio |
2.16 | mass | Missa "Pour quelque paine" | 4 | dubious, attrib. Cornelius Heyns in one source |
motet | Alma Redemptoris Mater | 4 | ||
chanson | Au traveil suis | 3 | possibly by Barbinguant (fl.c.1470) | |
motet | Ave Maria | 4 | ||
canon | Deo gratias (36 part canon) | 36 | of dubious attribution | |
motet | Intemerata Dei mater | 5 | ||
chanson | Ma bouche rit | 3 | ||
lament | Mort tu as navrè de ton dart | 4 | Lament on the death of Binchois | |
motet | Salve Regina | 4 | ||
canon | Sanctus | 4 | ||
chanson | Prenez sur moi | 3 |
___________________________
a. Opere, ed. Plamenac
Click here to search for this composer on CPDL
Publications
Modern editions are the Collected Works edited by Dragan Plamenac (1927-1959) and the Masses and Mass Sections edited by Jap van Benthem
External links
- Ockeghem homepage
- Krenek's 1953 monograph, fallen into public domain