Separation (Alexander Johnson): Difference between revisions
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{{Lyricist|Isaac Watts}} | {{Lyricist|Isaac Watts}} | ||
{{Voicing|3|STB}} | {{Voicing|3|STB}} | ||
{{Genre|Sacred|}} {{Meter|86. 86 (C.M.)}} | {{Genre|Sacred|}} {{Meter|86. 86 (C.M.)}} | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1818|in ''[[Johnson's Tennessee Harmony (Alexander Johnson)|Johnson's Tennessee Harmony]]'', for three voices: Treble-Tenor-Bass.}} | {{Pub|1|1818|in ''[[Johnson's Tennessee Harmony (Alexander Johnson)|Johnson's Tennessee Harmony]]'', for three voices: Treble-Tenor-Bass.}} | ||
{{Descr|This tune is a folk hymn, listed as no, 54 in George Pullen Jackson, ''Spiritual Folk-Songs of Early America'', Second Edition, 1953. Words by [[Isaac Watts]], 1709, Hymn 3 of Book 2, with six stanzas. Johnson used the first two stanzas of Watts' hymn in his composition. | {{Descr|This tune is a folk hymn, listed as no, 54 in George Pullen Jackson, ''Spiritual Folk-Songs of Early America'', Second Edition, 1953. Words by [[Isaac Watts]], 1709, Hymn 3 of Book 2, with six stanzas. Johnson used the first two stanzas of Watts' hymn in his composition.}} | ||
'''Reference:''' | '''Reference:''' | ||
*Jackson, George Pullen. 1953. ''Spiritual Folk-Songs of Early America'', Second Edition. Locust Valley, New York: J. J. Augustin. 254 pp. ''Separation'', No. 54 on p. 88. | *Jackson, George Pullen. 1953. ''Spiritual Folk-Songs of Early America'', Second Edition. Locust Valley, New York: J. J. Augustin. 254 pp. ''Separation'', No. 54 on p. 88. | ||
{{#ExtWeb:}} | {{#ExtWeb:}} | ||
==Original text and translations== | ==Original text and translations== |
Latest revision as of 16:05, 26 October 2021
Music files
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- Editor: Barry Johnston (submitted 2017-03-24). Score information: Letter, 1 page, 60 kB Copyright: Public Domain
- Edition notes: Four-part version; Counter part written by B. C. Johnston, 2017. Note heads converted to oval shapes. Two more pairs of stanzas included, from Watts' hymn.
- Editor: Barry Johnston (submitted 2017-03-24). Score information: 7 x 10 inches (landscape), 1 page, 69 kB Copyright: Public Domain
- Edition notes: Four-part version; Counter part written by B. C. Johnston, 2017. Note heads in four-shape format, as originally published. Two more pairs of stanzas included, from Watts' hymn.
- Editor: Barry Johnston (submitted 2017-03-24). Score information: Letter, 1 page, 54 kB Copyright: Public Domain
- Edition notes: Three-part version. Note heads converted to oval shapes. Two more pairs of stanzas included, from Watts' hymn.
- Editor: Barry Johnston (submitted 2017-03-24). Score information: 7 x 10 inches (landscape), 1 page, 63 kB Copyright: Public Domain
- Edition notes: Three-part version. Note heads in four-shape format, as originally published. Two more pairs of stanzas included, from Watts' hymn.
General Information
Title: Separation
First Line: Why do we mourn departing friends
Composer: Alexander Johnson
Lyricist: Isaac Watts
Number of voices: 3vv Voicing: STB
Genre: Sacred Meter: 86. 86 (C.M.)
Language: English
Instruments: A cappella
First published: 1818 in Johnson's Tennessee Harmony, for three voices: Treble-Tenor-Bass
Description: This tune is a folk hymn, listed as no, 54 in George Pullen Jackson, Spiritual Folk-Songs of Early America, Second Edition, 1953. Words by Isaac Watts, 1709, Hymn 3 of Book 2, with six stanzas. Johnson used the first two stanzas of Watts' hymn in his composition.
Reference:
- Jackson, George Pullen. 1953. Spiritual Folk-Songs of Early America, Second Edition. Locust Valley, New York: J. J. Augustin. 254 pp. Separation, No. 54 on p. 88.
External websites:
Original text and translations
Original text and translations may be found at Why do we mourn departing friends.