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...a perfect fourth and the Bassus ad organum up a major second approximating the key that would result if performed with an organ in High choir pitch.}} ...he Singing voices are notated in chiavetti and a perfect fifth higher than the Bassus ad organum. }}

:{{EdNotes|Transcribed from the edition on IMSLP. Note values halved.}} And break the charm

...Notes|Edited at source pitch for SAAT from the Gyffard Partbooks. The same edition as #27118, but in original note values.}} :{{EdNotes|Reformatting of #27118, transposed down a perfect 4th for SATB.}}-->

...click on the link for preview/playback/PDF download. This edition includes the original instrumental accompaniment.}} ...eview/playback/PDF download. This edition includes a keyboard reduction of the original instrumental accompaniment.}}

...art, imperfection is not so manifest as in the treble at a close, which is the perfection of a song."}} ...and thus suggests that the hymn may be by him. The score is at page 106 of the pdf file.}}

...h the Harpsichord or the common Lute in G the voices must transpose down a perfect fifth.}}

...with the harpsichord or with a lute in G the singers must transpose down a perfect fifth.}}

...es - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files.}}

...ed sparingly. The odd-verse chant sections are added editoricaly following the variant given in ''Liber Usualis'' 1961.}} '''An alternative setting to the last ''Sicut erat'' section'''

:{{EdNotes|The source (MusicXML) file is [[zipped]].}} ...ithin the "ligaturæ" are semibreves. The “musica ficta” suggestions are in the MIDI and MusicXML files.}}

...rse of [[New every morning is the love (Samuel Webbe)|New every morning is the love]].}} :{{EdNotes|Compiled from two sources: "A Book of Descants" (Organ Edition), 1924, and "A Book of Descants" (Treble Parts), 1920.}}

...Score (6 pages) with a separate choir-partition (3 pages), copied from the edition of Carl Fischer, Inc. (1942).}} {{Title|Christ, Whose Glory Fills the Skies}}

<!--*{{:Edition:CPDL 24671}} ...dition accords faithfully with the original 1597 publication. Copyright by the composer for CPDL, may be freely copied, distributed, performed, or recorde

...e higer folowing voice is given. Rehearsal midis are obtained by compiling the Lilypond source file.}} ...e Canon where the second voice is sung started three measusres later and a perfect fourt higer.}}

...d running it through Lilypond. Rehearsal midis of the voices may be got in the same way.}}

{{Pub|2|1916|in {{NoComp|New Songs of Paradise|Charles Albert Tindley}}|vol=Edition 1|no=35}} A land of rest and perfect love

{{Pub|1|1905|in ''[[Soul Echoes]]''|vol=Edition 1|no=0}} {{Pub|2|1909|in ''[[Soul Echoes]]''|vol=Edition 2|no=30}}

:{{EdNotes|Oval note edition. Three more stanzas from Relly's hymn added below.}} {{FirstLine| All is hush, the battle's o'er}}

:{{EdNotes|Please click on the link for preview/playback/PDF download. Edition offered at original pitch for SSATB or transposed down a fourth for AATTB}} ...17. The setting is in C-final with one flat (a fifth below the notation of the 1591 print).}}

...dition: Modern clefs, ficta added sparingly but orig. key and note-values. The odd verses added editoricaly from ''Liber Usualis'' 1961.}} ...tone. Translation, text underlay and ''musica ficta'' by John Hetland and The Renaissance Street Singers. 12/20/95}}