Alleluia: Spiritus Domini (Nicolle des Celliers de Hesdin): Difference between revisions
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'''Description:''' Originally attributed to Gombert, this piece is now attributed to Hesdin by Grove Music Online: "Gombert also seems unlikely as the composer of ''Alleluia spiritus Domini'', included in the first edition of a print devoted to his five-voice motets: he does not appear to have played any part in assembling the collection, and the transparent texture of the music, with its frequent antiphonal writing, contrasts sharply with his | '''Description:''' Originally attributed to Gombert, this piece is now attributed to Hesdin by Grove Music Online: "Gombert also seems unlikely as the composer of ''Alleluia spiritus Domini'', included in the first edition of a print devoted to his five-voice motets: he does not appear to have played any part in assembling the collection, and the transparent texture of the music, with its frequent antiphonal writing, contrasts sharply with his | ||
normal practice. The motet accords stylistically with Hesdin’s more securely attributed compositions, however, so its attribution to him in the Ferrarese print RISM 1539 | normal practice. The motet accords stylistically with Hesdin’s more securely attributed compositions, however, so its attribution to him in the Ferrarese print RISM 1539<sup>7</sup> probably deserves credence." | ||
'''External websites:''' | '''External websites:''' | ||
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==Original text and translations== | ==Original text and translations== | ||
{{ | <table border="0" cellpadding="5" cellspacing="0"> | ||
<tr><td valign="TOP" width=50%> | |||
{{Text|Latin}} | |||
<poem> | |||
Alleluia. | |||
Spiritus Domini | |||
replevit orbem terrarum, | |||
venite adoremus eum. | |||
Alleluia. | |||
Hodie completi sunt | |||
dies Pentecostes. | |||
Alleluia. | |||
Hodie Spiritus Sanctus | |||
in igne discipulis apparuit, | |||
et tribuit eis charismatum dona. | |||
Alleluia. | |||
Laudes Deo devotas | |||
dulci voce ac sonora | |||
plebs devota caelo decantat. | |||
Alleluia. | |||
Spiritus Sancti gratia | |||
Apostolis die hodierna | |||
in linguis igneis est infusa. | |||
Paracliti praesentia | |||
emundet nos a peccati macula | |||
pura sibi aptans habitacula. | |||
Alleluia. | |||
</poem> | |||
</td> | |||
<td valign="top" width=50%> | |||
{{Translation|English}} | |||
<poem> | |||
Alleluia. | |||
The Spirit of the Lord | |||
has filled the world; | |||
come, let us adore him. | |||
Alleluia. | |||
Today has arrived | |||
the day of Pentecost. | |||
Alleluia. | |||
Today the Holy Spirit | |||
appeared to the disciples in fire, | |||
and bestowed upon them the gift of gifts. | |||
Alleluia. | |||
Devout praises to God | |||
with a sweet and strong voice | |||
a devout people sings to heaven. | |||
Alleluia. | |||
The grace of the Holy Spirit | |||
has this day been given | |||
to the Apostles in tongues of fire. | |||
May the Comforter by his presence | |||
cleanse us from the stain of sin, | |||
preparing chaste dwellings for himself. | |||
Alleluia. | |||
</poem> | |||
</td> | |||
</tr></table> | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 14:59, 15 September 2010
Music files
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CPDL #22298:
- Editor: John Hetland (submitted 2010-09-15). Score information: Letter, 11 pages, 579 kB Copyright: CPDL
- Edition notes: Source: N. Gombert: Opera omnia, ed. J. Schmidt-Görg, CMM vol. vi. Notation here is at the original pitch, time values halved. Translation, text underlay and musica ficta by John Hetland and The Renaissance Street Singers.
General Information
Title: Alleluia: Spiritus Domini
Composer: Nicolle des Celliers de Hesdin
Number of voices: 5vv Voicing: SAATB
Genre: Sacred, Motet
Language: Latin
Instruments: a cappella
Published:
Description: Originally attributed to Gombert, this piece is now attributed to Hesdin by Grove Music Online: "Gombert also seems unlikely as the composer of Alleluia spiritus Domini, included in the first edition of a print devoted to his five-voice motets: he does not appear to have played any part in assembling the collection, and the transparent texture of the music, with its frequent antiphonal writing, contrasts sharply with his normal practice. The motet accords stylistically with Hesdin’s more securely attributed compositions, however, so its attribution to him in the Ferrarese print RISM 15397 probably deserves credence."
External websites:
Original text and translations
Latin text Alleluia. |
English translation Alleluia. |