Cantava la più vaga pastorella (Luca Marenzio): Difference between revisions
(Pub template) |
(add Pub 3) |
||
Line 20: | Line 20: | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1580|in ''{{NoCo|Il primo libro de madrigali a cinque voci}}''|no=11}} | {{Pub|1|1580|in ''{{NoCo|Il primo libro de madrigali a cinque voci}}''|no=11}} | ||
{{Pub|2|1588|in {{NoComp|Gemma musicalis liber primus|Friedrich Lindner}} (Friedrich Lindner)|no=33}} | {{Pub|2|1588|in {{NoComp|Gemma musicalis liber primus|Friedrich Lindner}} (ed. Friedrich Lindner)|no=33}} | ||
{{Pub|3|1605|in ''[[Nervi d'Orfeo]]''|no=1}} | {{Pub|3|1590|in {{NoComp|The first sett, of Italian madrigalls Englished|Thomas Watson}} (Thomas Watson) – English contrafact|no=17}} | ||
{{Pub|4|1605|in ''[[Nervi d'Orfeo]]'' (ed. Jacopo Graswinkel)|no=1}} | |||
{{Descr| }} | {{Descr| }} | ||
{{#ExtWeb:}} | {{#ExtWeb:}} |
Latest revision as of 20:38, 8 January 2023
Music files
ICON | SOURCE |
---|---|
Midi | |
MusicXML | |
File details | |
Help |
- Editor: Marcos Mato (submitted 2020-05-03). Score information: A4, 3 pages, 54 kB Copyright: Public Domain
- Edition notes:
- Editor: Allen Garvin (submitted 2015-01-03). Score information: Letter, 3 pages, 88 kB Copyright: CC BY NC
- Edition notes: Parts and source available on IMSLP.
General Information
Title: Cantava la più vaga pastorella
Composer: Luca Marenzio
Lyricist:
Number of voices: 5vv Voicing: SSSAT
Genre: Secular, Madrigal
Language: Italian
Instruments: A cappella
First published: 1580 in Il primo libro de madrigali a cinque voci, no. 11
2nd published: 1588 in Gemma musicalis liber primus (ed. Friedrich Lindner), no. 33
3rd published: 1590 in The first sett, of Italian madrigalls Englished (Thomas Watson) – English contrafact, no. 17
4th published: 1605 in Nervi d'Orfeo (ed. Jacopo Graswinkel), no. 1
Description:
External websites:
Original text and translations
Italian text
Cantava la più vaga pastorella
Che mai premesse fiori
E scopriva nel viso almi colori
Una ninfa di lei molto più bella.
Deh, perché l'alma fatta ad ambe ancella
Non ebbe allor duo cori,
Mentr'era a l'un e a l'altra intento e fiso
Per lassarne uno al canto e l'altro al viso?