Eterne laudis lilium (Robert Fayrfax): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate| 2020-03-30}} {{CPDLno|57770}} [[Media:Fayrfax_-_Eterne_laudis_lilium_-_Full_Score.pdf|{{pdf}}]] | *{{PostedDate| 2020-03-30}} {{CPDLno|57770}} [[Media:Fayrfax_-_Eterne_laudis_lilium_-_Full_Score.pdf|{{pdf}}]] [[Media:Fayrfax_-_Eterne_laudis_lilium_-_Full_Score.mxl|{{XML}}]] | ||
{{Editor|Humphrey Thompson|2020-03-30}}{{ScoreInfo|A3|16|146}}{{Copy|CPDL}} | {{Editor|Humphrey Thompson|2020-03-30}}{{ScoreInfo|A3|16|146}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Edition prepared for the Fayrfax 2021 Quincentenary, generously supported by the Mercers' Company.}} | ||
*{{PostedDate|2018-10-15}} {{CPDLno|51491}} [https://drive.google.com/open?id=1yTlHfobCy2WT6JRAitdo7ofyRm1jtLQP {{net}}] | *{{PostedDate|2018-10-15}} {{CPDLno|51491}} [https://drive.google.com/open?id=1yTlHfobCy2WT6JRAitdo7ofyRm1jtLQP {{net}}] | ||
{{Editor|Patrick Keefe|2018-10-15}}{{ScoreInfo|Unknown|11|}}{{Copy|CPDL}} | {{Editor|Patrick Keefe|2018-10-15}}{{ScoreInfo|Unknown|11|}}{{Copy|CPDL}} | ||
: | :{{EdNotes|New edition built on David Fraser’s CPDL contribution. Some changes made to underlay/ficta and mensural transcription using DIAMM facsimiles. Transposed to D and re-scored for SATBarB.}} | ||
*{{PostedDate|2010-05-20}} {{CPDLno|21639}} [[Media:FAYR-ELP.pdf|{{pdf}}]] [[Media:FAYR-ELP.mid|{{mid}}]] [[Media:FAYR-ELP.mxl|{{XML}}]] [[Media:FAYR-ELP.sib|{{sib}}]] (Sibelius 5) | *{{PostedDate|2010-05-20}} {{CPDLno|21639}} [[Media:FAYR-ELP.pdf|{{pdf}}]] [[Media:FAYR-ELP.mid|{{mid}}]] [[Media:FAYR-ELP.mxl|{{XML}}]] [[Media:FAYR-ELP.sib|{{sib}}]] (Sibelius 5) | ||
{{Editor|David Fraser|2010-05-20}}{{ScoreInfo|A4|11|188}}{{Copy|CPDL}} | {{Editor|David Fraser|2010-05-20}}{{ScoreInfo|A4|11|188}}{{Copy|CPDL}} | ||
: | :{{EdNotes|}} | ||
==General Information== | ==General Information== | ||
Line 17: | Line 17: | ||
{{Composer|Robert Fayrfax}} | {{Composer|Robert Fayrfax}} | ||
{{Voicing|5|SATTB}} | {{Voicing|5|SATTB}} | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub| | {{Pub|0|1525|in ''[[Lambeth Choirbook]]''|ms=ms|no=13}} | ||
{{Pub|0|c.1501-1546|in the ''[[Carvor Choirbook]]''|no=22|ms=ms}} | |||
'' | {{Descr|The text of this motet, as well as being a highly fanciful genealogy of Jesus Christ down the female line, is an acrostic spelling out the name of its dedicatee, Fayrfax's royal patron and quite possibly personal friend, Elizabeth of York, wife of Henry VII. The ‘Anthem of oure lady and Saint Elisabeth’ for which Fayrfax was paid 20 shillings by the queen in 1502 is probably this work.}} | ||
{{#ExtWeb: | |||
*[http://books.google.co.uk/books?id=-StRhNWLgtUC Google Books] offers a limited preview of ''Sacred Music from the Lambeth Choirbook'', ed. Margaret Lyon (A-R Editions, Inc., 1985), including an introduction to this piece and English translation of the text.}} | |||
*[http://books.google.co.uk/books?id=-StRhNWLgtUC Google Books] offers a limited preview of ''Sacred Music from the Lambeth Choirbook'', ed. Margaret Lyon (A-R Editions, Inc., 1985), including an introduction to this piece and English translation of the text. | |||
==Original text and translations== | ==Original text and translations== | ||
{{top}}{{Text|Latin| | {{top}}{{Text|Latin| | ||
Line 64: | Line 62: | ||
'''E''' ternally praised, sweet Mary, | '''E''' ternally praised, sweet Mary, | ||
'''L''' ily! Holy mother of Christ, the angel choir praise you. | '''L''' ily! Holy mother of Christ, the angel choir praise you. | ||
'''I''' n recognition of your offspring's glory, raise up the | '''I''' n recognition of your offspring's glory, raise up the | ||
'''Z''' ealous hymn: he saves our memory from every suffering. | '''Z''' ealous hymn: he saves our memory from every suffering. | ||
Line 75: | Line 73: | ||
'''Q''' uickened with joy at sight of your most high royal son. | '''Q''' uickened with joy at sight of your most high royal son. | ||
'''U''' nlit by his divine light you ne'er need fear to be. | '''U''' nlit by his divine light you ne'er need fear to be. | ||
'''E''' xceeding the sun, rejoice, matchless virgin! | '''E''' xceeding the sun, rejoice, matchless virgin! | ||
'''E''' merging from the stem of Jesse came Issachar, and his | '''E''' merging from the stem of Jesse came Issachar, and his |
Latest revision as of 20:12, 5 July 2023
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Sibelius | |
Web Page | |
File details | |
Help |
- Editor: Humphrey Thompson (submitted 2020-03-30). Score information: A3, 16 pages, 146 kB Copyright: CPDL
- Edition notes: Edition prepared for the Fayrfax 2021 Quincentenary, generously supported by the Mercers' Company.
- Editor: Patrick Keefe (submitted 2018-10-15). Score information: Unknown, 11 pages Copyright: CPDL
- Edition notes: New edition built on David Fraser’s CPDL contribution. Some changes made to underlay/ficta and mensural transcription using DIAMM facsimiles. Transposed to D and re-scored for SATBarB.
- Editor: David Fraser (submitted 2010-05-20). Score information: A4, 11 pages, 188 kB Copyright: CPDL
- Edition notes:
General Information
Title: Eterne laudis lilium
Composer: Robert Fayrfax
Number of voices: 5vv Voicing: SATTB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
Manuscript 1525 in Lambeth Choirbook, no. 13
Manuscript c.1501-1546 in the Carvor Choirbook, no. 22
Description: The text of this motet, as well as being a highly fanciful genealogy of Jesus Christ down the female line, is an acrostic spelling out the name of its dedicatee, Fayrfax's royal patron and quite possibly personal friend, Elizabeth of York, wife of Henry VII. The ‘Anthem of oure lady and Saint Elisabeth’ for which Fayrfax was paid 20 shillings by the queen in 1502 is probably this work.
External websites:
- Google Books offers a limited preview of Sacred Music from the Lambeth Choirbook, ed. Margaret Lyon (A-R Editions, Inc., 1985), including an introduction to this piece and English translation of the text.
Original text and translations
Latin text E terne laudis lilium, O dulcis Maria, te |
English translation E ternally praised, sweet Mary, |