Jean Roger-Ducasse: Difference between revisions
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*{{NoCo|Crux fidelis}} ( [{{filepath:Roger-Ducasse-Crux.pdf}} {{pdf}}] [{{filepath:Roger-Ducasse-Crux.mid}} {{mid}}] [{{filepath:Roger-Ducasse-Crux.mus}} Finale 2009] ) | *{{NoCo|Crux fidelis}} ( [{{filepath:Roger-Ducasse-Crux.pdf}} {{pdf}}] [{{filepath:Roger-Ducasse-Crux.mid}} {{mid}}] [{{filepath:Roger-Ducasse-Crux.mus}} Finale 2009] ) | ||
*{{NoCo|Salve, Regina}} ( [{{filepath:Roger-Ducasse_-_Salve,_Regina.pdf}} {{pdf}}] [{{filepath:Roger-Ducasse_-_Salve,_Regina.mid}} {{mid}}] ) | *{{NoCo|Salve, Regina}} ( [{{filepath:Roger-Ducasse_-_Salve,_Regina.pdf}} {{pdf}}] [{{filepath:Roger-Ducasse_-_Salve,_Regina.mid}} {{mid}}] ) | ||
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==Publications== | ==Publications== |
Revision as of 19:03, 2 November 2015
Life
Born: 18 April 1873
Died: 19 July 1954
Biography
Jean-Jules Aimable Roger-Ducasse studied at the Paris Conservatoire with Emile Pessard and André Gedalge, and was the star pupil and close friend of Gabriel Fauré. He succeeded Fauré as professor of composition, and in 1935 he succeeded Paul Dukas as professor of orchestration. His personal style was firmly rooted in the French school of orchestration, in an unbroken tradition from Hector Berlioz through Camille Saint-Saëns. Among his notable pupils are Jehan Alain, Claude Arrieu, Sirvart Kalpakyan Karamanuk, Jean-Louis Martinet, and Francis George Scott.
View the Wikipedia article on Jean Roger-Ducasse.
List of choral works
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- Crux fidelis ( Finale 2009 )
- Salve, Regina ( )
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Publications
External links
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