Kyrie Le Roy (John Taverner): Difference between revisions
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{{Descr|Quintessential setting of the Kyrie, which in Taverner's day was, more often than not, troped and hence often missing from mass settings.}} | {{Descr|Quintessential setting of the Kyrie, which in Taverner's day was, more often than not, troped and hence often missing from mass settings.}} | ||
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==Orginal text and translations== | ==Orginal text and translations== | ||
{{LinkText|Kyrie|st=}} | {{LinkText|Kyrie|st=}} | ||
Revision as of 21:58, 13 September 2022
Music files
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- (Posted 2022-09-13) CPDL #70786: Taverner-Kyrie.mxl
- Editor: Jason Smart (submitted 2022-09-13). Score information: A4, 9 pages, 747 kB Copyright: Personal
- Edition notes: Edited from the Gyffard Partbooks with the original pitch and note values retained. Taverner almost certainly intended his polyphony to alternate with organ polyphony based on the Le Roy 'square'. Since no contemporary organ settings of this square survive, I have attempted to compose suitable sections in the Tudor keyboard style. See the commentary at the end of the score.
- (Posted 2019-03-17) CPDL #53609:
- Editor: Andrew Fysh (submitted 2019-03-17). Score information: A4, 3 pages Copyright: CC BY SA
- Edition notes: Original pitch. Original note values retained. This edition corrects three errors in the source (see Editorial Notes in score).
- (Posted 2005-03-17) CPDL #10793: ws-tav-lerk.mus(Finale 2005)
- Editor: Charles H. Giffen (submitted 2005-03-17). Score information: Letter, 3 pages, 139 kB Copyright: Personal
- Edition notes: Original time signatures.
Possible error(s) identified. See the discussion page for full description.
- (Posted 2006-01-08) CPDL #10649:
- Editor: John Henry Fowler (submitted 2006-01-08). Score information: Letter, 4 pages, 108 kB Copyright: CPDL
- Edition notes: Arrangement (source?) augmented with plainchant, and keyboard reduction.
General Information
Title: Kyrie 'Le Roy'
Composer: John Taverner
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Mass fragment
Language: Greek
Instruments: A cappella
First published: ca. 1572 -78 in British Library, MSS Add. 17802–5 (Gyffard Partbooks) [London], no. 7
– This is the only surviving source.
Description: Quintessential setting of the Kyrie, which in Taverner's day was, more often than not, troped and hence often missing from mass settings.
External websites:
Orginal text and translations
Original text and translations may be found at Kyrie.