Kyrie Orbis factor (Christopher Tye): Difference between revisions

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{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|0|c. 1575|British Library, Add. MS 17802-5 ([[Gyffard Partbooks]])|ms=ms|no=11}}
{{Pub|0|c. 1575|British Library, Add. MS 17802-5 ([[Gyffard Partbooks]])|ms=ms|no=11}}
 
{{Descr|This Kyrie setting alternates between chant (sung by a full choir) and polyphony (sung by soloists); polyphonic sections freely paraphrase the ''[[Kyrie - Orbis Factor (Anonymous)|Orbis factor]]'' melody. The lack of a proper trope (common English practice) suggests this setting was used at the daily Lady-Mass or on simple feasts.}}
'''Description:''' This Kyrie setting alternates between chant (sung by a full choir) and polyphony (sung by soloists); polyphonic sections freely paraphrase the ''[[Kyrie - Orbis Factor (Anonymous)|Orbis factor]]'' melody. The lack of a proper trope (common English practice) suggests this setting was used at the daily Lady-Mass or on simple feasts.
 
'''External websites:'''
'''External websites:'''



Revision as of 03:42, 15 March 2021

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  • (Posted 2014-02-21)  CPDL #31324:        (Finale 2012)
Editor: Ross Jallo (submitted 2014-02-21).   Score information: Letter, 4 pages, 134 kB   Copyright: Public Domain
Edition notes: Transposed down a fourth; note values halved. Editorial accidentals and slurs added.

General Information

Title: Kyrie "Orbis factor"
Composer: Christopher Tye

Number of voices: 4vv   Voicing: ATTB

Genre: SacredMass fragment

Language: Latin
Instruments: A cappella

    Manuscript c. 1575 British Library, Add. MS 17802-5 (Gyffard Partbooks), no. 11
Description: This Kyrie setting alternates between chant (sung by a full choir) and polyphony (sung by soloists); polyphonic sections freely paraphrase the Orbis factor melody. The lack of a proper trope (common English practice) suggests this setting was used at the daily Lady-Mass or on simple feasts.

External websites:

Original text and translations

Original text and translations may be found at Kyrie.