Kyrie Orbis factor (Christopher Tye): Difference between revisions
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==General Information== | ==General Information== | ||
{{Title|'' | {{Title|Kyrie [''Orbis factor'']}} | ||
{{Composer|Christopher Tye}} | {{Composer|Christopher Tye}} | ||
| Line 17: | Line 17: | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|0|c. 1575 | {{Pub|0|1572|(c. 1575) in British Library, Add. MS 17802-5 ([[Gyffard Partbooks]])|ms=ms|no=11}} | ||
{{Descr|This Kyrie setting alternates between chant (sung by a full choir) and polyphony (sung by soloists); polyphonic sections freely paraphrase the ''[[Kyrie - Orbis Factor (Anonymous)|Orbis factor]]'' melody. The lack of a proper trope (common English practice) suggests this setting was used at the daily Lady-Mass or on simple feasts.}} | {{Descr|This Kyrie setting alternates between chant (sung by a full choir) and polyphony (sung by soloists); polyphonic sections freely paraphrase the ''[[Kyrie - Orbis Factor (Anonymous)|Orbis factor]]'' melody. The lack of a proper trope (common English practice) suggests this setting was used at the daily Lady-Mass or on simple feasts.}} | ||
{{#ExtWeb:}} | {{#ExtWeb:}} | ||
Latest revision as of 22:18, 28 December 2023
Music files
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- (Posted 2022-07-08) CPDL #69915:
- Editor: Jason Smart (submitted 2022-07-08). Score information: A4, 6 pages, 202 kB Copyright: CC BY NC ND
- Edition notes: Edited from the Gyffard Partbooks. Original note values retained. Transposed down a fifth to compensate for the high clefs. Plainsong added from a fifteenth-century Sarum gradual.
- (Posted 2014-02-21) CPDL #31324: (Finale 2012)
- Editor: Ross Jallo (submitted 2014-02-21). Score information: Letter, 4 pages, 134 kB Copyright: Public Domain
- Edition notes: Transposed down a fourth; note values halved. Editorial accidentals and slurs added.
General Information
Title: Kyrie [Orbis factor]
Composer: Christopher Tye
Number of voices: 4vv Voicing: ATTB
Genre: Sacred, Mass fragment
Language: Latin
Instruments: A cappella
Manuscript 1572 (c. 1575) in British Library, Add. MS 17802-5 (Gyffard Partbooks), no. 11
Description: This Kyrie setting alternates between chant (sung by a full choir) and polyphony (sung by soloists); polyphonic sections freely paraphrase the Orbis factor melody. The lack of a proper trope (common English practice) suggests this setting was used at the daily Lady-Mass or on simple feasts.
External websites:
Original text and translations
Original text and translations may be found at Kyrie.