Kyrie Orbis factor (Christopher Tye): Difference between revisions
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{{Genre|Sacred|Mass propers}} | {{Genre|Sacred|Mass propers}} | ||
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{{Instruments|A cappella}} | |||
'''Description:''' This Kyrie setting alternates between chant (sung by a full choir) and polyphony (sung by soloists); polyphonic sections freely paraphrase the ''[[Kyrie - Orbis Factor (Anonymous)|Orbis factor]]'' melody. The lack of a proper trope (common English practice) suggests this setting was used at the daily Lady-Mass or on simple feasts. | '''Description:''' This Kyrie setting alternates between chant (sung by a full choir) and polyphony (sung by soloists); polyphonic sections freely paraphrase the ''[[Kyrie - Orbis Factor (Anonymous)|Orbis factor]]'' melody. The lack of a proper trope (common English practice) suggests this setting was used at the daily Lady-Mass or on simple feasts. | ||
Revision as of 05:25, 28 April 2014
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CPDL #31324:
Finale 2012
- Editor: Ross Jallo (submitted 2014-02-21). Score information: Letter, 4 pages, 134 kB Copyright: Public Domain
- Edition notes: Transposed down a fourth; note values halved. Editorial accidentals and slurs added.
General Information
Title: Kyrie "Orbis factor"
Composer: Christopher Tye
Number of voices: 4vv Voicing: ATTB
Genre: Sacred, Mass propers
Language: Greek
Instruments: A cappella
Description: This Kyrie setting alternates between chant (sung by a full choir) and polyphony (sung by soloists); polyphonic sections freely paraphrase the Orbis factor melody. The lack of a proper trope (common English practice) suggests this setting was used at the daily Lady-Mass or on simple feasts.
Original text and translations
Original text and translations may be found at Kyrie.