Missa "D'ung aultre amer" (Josquin des Prez): Difference between revisions

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*{{PostedDate|2008-01-26}} {{CPDLno|15844}} [[Media:Mdaa.pdf|{{pdf}}]] [[Media:Mdaa.mid|{{mid}}]]   Source files: Kyrie: [[Media:Kyrie.ly|{{Ly}}]] Gloria: [[Media:Gloria.ly|{{Ly}}]] Credo:[[Media:Credo.ly|{{Ly}}]] Sanctus: [[Media:Sanctus.ly|{{Ly}}]] Agnus Dei: [[Media:Agnus.ly|{{Ly}}]]
*{{PostedDate|2008-01-26}} {{CPDLno|15844}} [[Media:Mdaa.pdf|{{pdf}}]] [[Media:Mdaa.mid|{{mid}}]]   Source files: Kyrie: [[Media:Kyrie.ly|{{Ly}}]] Gloria: [[Media:Gloria.ly|{{Ly}}]] Credo:[[Media:Credo.ly|{{Ly}}]] Sanctus: [[Media:Sanctus.ly|{{Ly}}]] Agnus Dei: [[Media:Agnus.ly|{{Ly}}]]
{{Editor|John Kelly|2008-01-26}}{{ScoreInfo|Letter|18|1803}}{{Copy|CPDL}}
{{Editor|John Kelly|2008-01-26}}{{ScoreInfo|Letter|18|1803}}{{Copy|CPDL}}
:'''Edition notes:''' This is taken from the Petrucci edition of 1505, "Liber Missarum Josquin." It is not transposed; the meter of the original score is interpreted so that measure numbers match up with the New Josquin Edition. Suggested musica ficta alterations have been added following Renaissance practices described in Anthony Newcomb's article "Unnotated Accidentals in the Music of the Post-Josquin Generation," Toft's ''Aural Images of Lost Traditions,'' and others.
:{{EdNotes|This is taken from the Petrucci edition of 1505, "Liber Missarum Josquin." It is not transposed; the meter of the original score is interpreted so that measure numbers match up with the New Josquin Edition. Suggested ''musica ficta'' alterations have been added following Renaissance practices described in Anthony Newcomb's article "Unnotated Accidentals in the Music of the Post-Josquin Generation," Toft's ''Aural Images of Lost Traditions,'' and others.}}


===Individual movements===
===Individual movements===
*{{PostedDate|2020-09-07}} {{CPDLno|60478}} [[Media:Josquin-Sanctus-TuSolus.pdf|{{pdf}}]] [[Media:Josquin-Sanctus-TuSolus.mid|{{mid}}]]  
* {{PostedDate| 2020-09-07}} {{CPDLno|60435}} [[Media:Josquin-Sanctus-TuSolus.pdf|{{pdf}}]] [[Media:Josquin-Sanctus-TuSolus.mid|{{mid}}]]
{{Editor|Adrian Wall|2020-09-07}}{{ScoreInfo|A4|5|781}}{{Copy|Personal}}
{{Editor|Adrian Wall|2020-09-07}}{{ScoreInfo|A4|5|781}}{{Copy|Personal}}
:'''Edition notes:''' ''Sanctus'' and ''Tu solus qui facis mirabilia''. Transposed up a tone, for {{cat|SATB}}. Note values halved.
:{{EdNotes|''Sanctus'' and ''Tu solus qui facis mirabilia''. Transposed up a tone, for {{cat|SATB}}. Note values halved.}}
 


==General Information==
==General Information==
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{{Composer|Josquin des Prez}}
{{Composer|Josquin des Prez}}


{{Voicing|4|ATTB}}<br>
{{Voicing|4|ATTB}}
{{Genre|Sacred|Masses|9=Josquin des Prez}}
{{Genre|Sacred|Masses|9=Josquin des Prez}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1505|in ''{{NoCo|Missarum Josquin liber secundus}}''|no=6}}
{{Pub|1|1505|June 30, in ''{{NoCo|Missarum Josquin liber secundus}}''|no=6}}
 
{{Descr|This mass is a parody of [[D'un autre amer (Johannes Ockeghem)|the chanson]] by [[Johannes Ockeghem]], Josquin's teacher. Its attribution to Josquin has been questioned but seems as reliable as we can expect; the New Josquin Edition regards it as Josquin's work, at any rate. It is notable for a couple of things: its brevity – the longest movement takes no more than five minutes, and the whole mass can be performed in fifteen – and the substitution of the motet ''Tu solus qui facis mirabilium'' for the ''Benedictus''.
'''Description:''' This mass is a parody of [[D'un autre amer (Johannes Ockeghem)|the chanson]] by [[Johannes Ockeghem]], Josquin's teacher. Its attribution to Josquin has been questioned but seems as reliable as we can expect; the New Josquin Edition regards it as Josquin's work, at any rate. It is notable for a couple of things: its brevity – the longest movement takes no more than five minutes, and the whole mass can be performed in fifteen – and the substitution of the motet ''Tu solus qui facis mirabilium'' for the Benedictus.
 
'''External websites:'''
*[http://imslp.org/wiki/D%27ung_aultre_amer_(Ockeghem,_Johannes) Ockeghem's chanson] at IMSLP


Josquin wrote two other pieces based on ''D'ung aultre amer'': another ''[[Sanctus D'ung aultre amer - Tu lumen (Josquin des Prez)|Sanctus]]'' (with ''Benedictus'' and Elevation motet ''Tu lumen, tu splendor patris'') and a setting of the Easter sequence ''[[Victimae paschali laudes (Josquin des Prez)|Victimae paschali laudes]]''.}}
{{#ExtWeb:
*[http://imslp.org/wiki/D%27ung_aultre_amer_(Ockeghem,_Johannes) Ockeghem's chanson] at IMSLP}}
==Original text and translations==
==Original text and translations==
{{MassText}}
{{MassText}}

Latest revision as of 21:34, 27 June 2023

See also: Individual score page for Tu solus qui facis mirabilia

Music files

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Complete mass

  • (Posted 2008-01-26)  CPDL #15844:        Source files: Kyrie:   Gloria:   Credo:  Sanctus:   Agnus Dei:  
Editor: John Kelly (submitted 2008-01-26).   Score information: Letter, 18 pages, 1.76 MB   Copyright: CPDL
Edition notes: This is taken from the Petrucci edition of 1505, "Liber Missarum Josquin." It is not transposed; the meter of the original score is interpreted so that measure numbers match up with the New Josquin Edition. Suggested musica ficta alterations have been added following Renaissance practices described in Anthony Newcomb's article "Unnotated Accidentals in the Music of the Post-Josquin Generation," Toft's Aural Images of Lost Traditions, and others.

Individual movements

  • (Posted 2020-09-07)  CPDL #60435:     
Editor: Adrian Wall (submitted 2020-09-07).   Score information: A4, 5 pages, 781 kB   Copyright: Personal
Edition notes: Sanctus and Tu solus qui facis mirabilia. Transposed up a tone, for SATB. Note values halved.

General Information

Title: Missa "D'ung aultre amer"
Composer: Josquin des Prez

Number of voices: 4vv   Voicing: ATTB
Genre: SacredMass

Language: Latin
Instruments: A cappella

First published: 1505 June 30, in Missarum Josquin liber secundus, no. 6
Description: This mass is a parody of the chanson by Johannes Ockeghem, Josquin's teacher. Its attribution to Josquin has been questioned but seems as reliable as we can expect; the New Josquin Edition regards it as Josquin's work, at any rate. It is notable for a couple of things: its brevity – the longest movement takes no more than five minutes, and the whole mass can be performed in fifteen – and the substitution of the motet Tu solus qui facis mirabilium for the Benedictus.

Josquin wrote two other pieces based on D'ung aultre amer: another Sanctus (with Benedictus and Elevation motet Tu lumen, tu splendor patris) and a setting of the Easter sequence Victimae paschali laudes.

External websites:

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

KyrieGloriaCredoSanctus & BenedictusAgnus Dei

Also see the individual page for Tu solus qui facis mirabilia for texts and translations.