Missa Octava (Hans Leo Hassler): Difference between revisions
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:'''Edition notes:''' Transposed down a tone. | :'''Edition notes:''' Transposed down a tone. | ||
*{{NewWork|2012-07-04}} {{CPDLno|26681}} [{{filepath:Missa_octo_vocum_G.pdf}} {{pdf}}] [ Finale 2011] | *{{NewWork|2012-07-04}} {{CPDLno|26681}} [{{filepath:Missa_octo_vocum_G.pdf}} {{pdf}}] [{{filepath:Missa_octo_vocum_G.mus}} Finale 2011] | ||
{{Editor|Kurt Pages|2012-07-04}}{{ScoreInfo|A4|43|503}}{{Copy|Personal}} | {{Editor|Kurt Pages|2012-07-04}}{{ScoreInfo|A4|43|503}}{{Copy|Personal}} | ||
:'''Edition notes:''' Down a fourth according to rules of chiavette transposition. Because the pitch at Hassler's time was a semitone (a'=465 Hz) probably a whole tone (a'=493 Hz) higher than the modern pitch, the mass should be sung a cappella a whole tone higher. This edition is above all for an accompaniment with e. g. historic brass instruments (cornett for the Cantus, trombones for Altus, Tenor and Bassus). An edition down a third appears simultaneously to this edition. | :'''Edition notes:''' Down a fourth according to rules of chiavette transposition. Because the pitch at Hassler's time was a semitone (a'=465 Hz) probably a whole tone (a'=493 Hz) higher than the modern pitch, the mass should be sung a cappella a whole tone higher. This edition is above all for an accompaniment with e. g. historic brass instruments (cornett for the Cantus, trombones for Altus, Tenor and Bassus). An edition down a third appears simultaneously to this edition. | ||
Revision as of 20:39, 4 July 2012
Music files
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- CPDL #21327:
- Editor: Diana Thompson (submitted 2010-04-02). Score information: A4, 36 pages, 243 kB Copyright: CPDL
- Edition notes: Transposed down a tone.
CPDL #26681:
- Editor: Kurt Pages (submitted 2012-07-04). Score information: A4, 43 pages, 503 kB Copyright: Personal
- Edition notes: Down a fourth according to rules of chiavette transposition. Because the pitch at Hassler's time was a semitone (a'=465 Hz) probably a whole tone (a'=493 Hz) higher than the modern pitch, the mass should be sung a cappella a whole tone higher. This edition is above all for an accompaniment with e. g. historic brass instruments (cornett for the Cantus, trombones for Altus, Tenor and Bassus). An edition down a third appears simultaneously to this edition.
General Information
Title: Missa Octava
Composer: Hans Leo Hassler
Number of voices: 8vv Voicing: SATB.SATB
Genre: Sacred, Mass
Language: Latin
Instruments: a cappella
Published:
Description:
External websites:
Original text and translations
For information, refer to the Mass page. For texts and translations, see the individual pages: