Missa Octava (Hans Leo Hassler): Difference between revisions
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==Music files== | ==Music files== | ||
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*{{CPDLno|26681}} [[Media:Missa_octo_vocum_G.pdf|{{pdf}}]] [[Media:Missa_octo_vocum_G. | *{{CPDLno|26681}} [[Media:Missa_octo_vocum_G.pdf|{{pdf}}]] [[Media:Missa_octo_vocum_G.mxl|{{XML}}]] [[Media:Missa_octo_vocum_G.mus|{{mus}}]] (Finale 2011) | ||
{{Editor|Kurt Pages|2012-07-04}}{{ScoreInfo|A4|43|503}}{{Copy|Personal}} | {{Editor|Kurt Pages|2012-07-04}}{{ScoreInfo|A4|43|503}}{{Copy|Personal}} | ||
:'''Edition notes:''' The values of the notes (4/2 and 3/1) of the original printing were kept; the notes are transposed down a <b>fourth</b> according to rules of chiavette transposition. Because the pitch at Hassler's time was a semitone probably a whole tone higher than the modern pitch (a' = 440 Hz), the mass should be sung a cappella a whole tone higher. This edition is above all for an accompaniment with e. g. historic brass instruments (cornett for the Cantus, trombones for Altus, Tenor and Bassus). An edition down a third appears simultaneously to this edition (CPDL #26683). – Last corrections: 2012-08-17. {{MXL}} | :'''Edition notes:''' The values of the notes (4/2 and 3/1) of the original printing were kept; the notes are transposed down a <b>fourth</b> according to rules of chiavette transposition. Because the pitch at Hassler's time was a semitone probably a whole tone higher than the modern pitch (a' = 440 Hz), the mass should be sung a cappella a whole tone higher. This edition is above all for an accompaniment with e. g. historic brass instruments (cornett for the Cantus, trombones for Altus, Tenor and Bassus). An edition down a third appears simultaneously to this edition (CPDL #26683). – Last corrections: 2012-08-17. {{MXL}} |
Revision as of 16:41, 1 May 2017
Music files
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MusicXML | |
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- Editor: Kurt Pages (submitted 2012-07-04). Score information: A4, 43 pages, 503 kB Copyright: Personal
- Edition notes: The values of the notes (4/2 and 3/1) of the original printing were kept; the notes are transposed down a fourth according to rules of chiavette transposition. Because the pitch at Hassler's time was a semitone probably a whole tone higher than the modern pitch (a' = 440 Hz), the mass should be sung a cappella a whole tone higher. This edition is above all for an accompaniment with e. g. historic brass instruments (cornett for the Cantus, trombones for Altus, Tenor and Bassus). An edition down a third appears simultaneously to this edition (CPDL #26683). – Last corrections: 2012-08-17. MusicXML source file(s) in compressed .mxl format.
- Editor: Kurt Pages (submitted 2012-07-04). Score information: A4, 43 pages, 503 kB Copyright: Personal
- Edition notes: The values of the notes (4/2 and 3/1) of the original printing were kept; the notes are transposed down a third. – An edition in correct transposition down a fourth appears simultaneously to this edition (CPDL #26681). – Last corrections: 2012-07-22. MusicXML source file(s) in compressed .mxl format.
- Editor: Diana Thompson (submitted 2010-04-02). Score information: A4, 36 pages, 243 kB Copyright: CPDL
- Edition notes: Transposed down a tone.
General Information
Title: Missa Octava
Composer: Hans Leo Hassler
Number of voices: 8vv Voicing: SATB.SATB
Genre: Sacred, Mass
Language: Latin
Instruments: A cappella
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description:
External websites:
Original text and translations
For information, refer to the Mass page. For texts and translations, see the individual pages: