Missa cum quatuor vocibus (Pierre Colin): Difference between revisions
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*{{PostedDate|2012-02-20}} {{CPDLno|25610}} [[Media:Col-mis1.pdf|{{pdf}}]] [[Media:Col-mis1.mid|{{mid}}]] [[Media:Col-mis1.mxl|{{XML}}]] [[Media:Col-mis1.sib|{{sib}}]] (Sibelius 5) | *{{PostedDate|2012-02-20}} {{CPDLno|25610}} [[Media:Col-mis1.pdf|{{pdf}}]] [[Media:Col-mis1.mid|{{mid}}]] [[Media:Col-mis1.mxl|{{XML}}]] [[Media:Col-mis1.sib|{{sib}}]] (Sibelius 5) | ||
{{Editor|Jonathan Goodliffe|2012-02-20}}{{ScoreInfo|A4|2|26}}{{Copy|CPDL}} | {{Editor|Jonathan Goodliffe|2012-02-20}}{{ScoreInfo|A4|2|26}}{{Copy|CPDL}} | ||
: | :{{EdNotes|}} | ||
===2. Gloria=== | ===2. Gloria=== | ||
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*{{PostedDate|2012-02-20}} {{CPDLno|25611}} [[Media:Col-mis2.pdf|{{pdf}}]] [[Media:Col-mis2.mid|{{mid}}]] [[Media:Col-mis2.mxl|{{XML}}]] [[Media:Col-mis2.sib|{{sib}}]] (Sibelius 5) | *{{PostedDate|2012-02-20}} {{CPDLno|25611}} [[Media:Col-mis2.pdf|{{pdf}}]] [[Media:Col-mis2.mid|{{mid}}]] [[Media:Col-mis2.mxl|{{XML}}]] [[Media:Col-mis2.sib|{{sib}}]] (Sibelius 5) | ||
{{Editor|Jonathan Goodliffe|2012-02-20}}{{ScoreInfo|A4|4|49}}{{Copy|CPDL}} | {{Editor|Jonathan Goodliffe|2012-02-20}}{{ScoreInfo|A4|4|49}}{{Copy|CPDL}} | ||
: | :{{EdNotes|}} | ||
===3. Credo=== | ===3. Credo=== | ||
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*{{PostedDate|2012-02-21}} {{CPDLno|25612}} [[Media:Col-mis3.pdf|{{pdf}}]] [[Media:Col-mis3.mid|{{mid}}]] [[Media:Col-mis3.mxl|{{XML}}]] [[Media:Col-mis3.sib|{{sib}}]] (Sibelius 5) | *{{PostedDate|2012-02-21}} {{CPDLno|25612}} [[Media:Col-mis3.pdf|{{pdf}}]] [[Media:Col-mis3.mid|{{mid}}]] [[Media:Col-mis3.mxl|{{XML}}]] [[Media:Col-mis3.sib|{{sib}}]] (Sibelius 5) | ||
{{Editor|Jonathan Goodliffe|2012-02-21}}{{ScoreInfo|A4|8|75}}{{Copy|CPDL}} | {{Editor|Jonathan Goodliffe|2012-02-21}}{{ScoreInfo|A4|8|75}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Emendations by Mick Swithinbank.}} | ||
===4. Sanctus=== | ===4. Sanctus=== | ||
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*{{PostedDate|2012-02-21}} {{CPDLno|25614}} [[Media:Col-mis4.pdf|{{pdf}}]] [[Media:Col-mis4.mid|{{mid}}]] [[Media:Col-mis4.mxl|{{XML}}]] [[Media:Col-mis4.sib|{{sib}}]] (Sibelius 5) | *{{PostedDate|2012-02-21}} {{CPDLno|25614}} [[Media:Col-mis4.pdf|{{pdf}}]] [[Media:Col-mis4.mid|{{mid}}]] [[Media:Col-mis4.mxl|{{XML}}]] [[Media:Col-mis4.sib|{{sib}}]] (Sibelius 5) | ||
{{Editor|Jonathan Goodliffe|2012-02-21}}{{ScoreInfo|A4|2|29}}{{Copy|CPDL}} | {{Editor|Jonathan Goodliffe|2012-02-21}}{{ScoreInfo|A4|2|29}}{{Copy|CPDL}} | ||
: | :{{EdNotes|}} | ||
===Benedictus=== | ===Benedictus=== | ||
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*{{PostedDate|2012-02-21}} {{CPDLno|25615}} [[Media:Col-mis5.pdf|{{pdf}}]] [[Media:Col-mis5.mid|{{mid}}]] [[Media:Col-mis5.mxl|{{XML}}]] [[Media:Col-mis5.sib|{{sib}}]] (Sibelius 5) | *{{PostedDate|2012-02-21}} {{CPDLno|25615}} [[Media:Col-mis5.pdf|{{pdf}}]] [[Media:Col-mis5.mid|{{mid}}]] [[Media:Col-mis5.mxl|{{XML}}]] [[Media:Col-mis5.sib|{{sib}}]] (Sibelius 5) | ||
{{Editor|Jonathan Goodliffe|2012-02-21}}{{ScoreInfo|A4|2|25}}{{Copy|CPDL}} | {{Editor|Jonathan Goodliffe|2012-02-21}}{{ScoreInfo|A4|2|25}}{{Copy|CPDL}} | ||
: | :{{EdNotes|}} | ||
==General Information== | ==General Information== | ||
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{{Composer|Pierre Colin}} | {{Composer|Pierre Colin}} | ||
{{Voicing|4|STTB}} | {{Voicing|4|STTB}} | ||
{{Genre|Sacred|Masses|9=Colin, Pierre}} | {{Genre|Sacred|Masses|9=Colin, Pierre}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
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{{Pub|1|}} | {{Pub|1|}} | ||
{{Descr|From the [[Música Colonial Archive]]. A four part mass. Attributed in the late 17th/early 18th Century source to "Petrus Colineus". There may have been a setting of the Benedictus, which was not included in the source, because by that time in Spain and Latin America the Benedictus was usually sung to a simple 3 part setting. Robert Stevenson's [http://conan.lib.muohio.edu/musica/catalog.pdf Catalogue] of the Música Colonial Archive states: "According to a kind reply from A. Hyatt King dated July 28, 1969, none of the Masses in British Museum K.2.i.30 concords with the present Mass".}} | {{Descr|From the [[Música Colonial Archive]]. A four part mass. Attributed in the late 17th/early 18th Century source to "Petrus Colineus". There may have been a setting of the Benedictus, which was not included in the source, because by that time in Spain and Latin America the Benedictus was usually sung to a simple 3 part setting. Robert Stevenson's [http://conan.lib.muohio.edu/musica/catalog.pdf Catalogue] of the Música Colonial Archive states: "According to a kind reply from A. Hyatt King dated July 28, 1969, none of the Masses in British Museum K.2.i.30 concords with the present Mass".}} | ||
{{#ExtWeb: | |||
[http://conan.lib.muohio.edu/musica/frame.html?filename=9-0005.djvu copy of the manuscript], the original of which is in Guatemala Cathedral.}} | |||
==Original text | ==Original text and translations== | ||
{{MassText}} | {{MassText}} | ||
Latest revision as of 13:42, 27 October 2021
Music files
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Midi | |
MusicXML | |
Sibelius | |
File details | |
Help |
1. Kyrie
- Editor: Jonathan Goodliffe (submitted 2012-02-20). Score information: A4, 2 pages, 26 kB Copyright: CPDL
- Edition notes:
2. Gloria
- Editor: Jonathan Goodliffe (submitted 2012-02-20). Score information: A4, 4 pages, 49 kB Copyright: CPDL
- Edition notes:
3. Credo
- Editor: Jonathan Goodliffe (submitted 2012-02-21). Score information: A4, 8 pages, 75 kB Copyright: CPDL
- Edition notes: Emendations by Mick Swithinbank.
4. Sanctus
- Editor: Jonathan Goodliffe (submitted 2012-02-21). Score information: A4, 2 pages, 29 kB Copyright: CPDL
- Edition notes:
Benedictus
Not included in source, probably lost
5. Agnus dei
- Editor: Jonathan Goodliffe (submitted 2012-02-21). Score information: A4, 2 pages, 25 kB Copyright: CPDL
- Edition notes:
General Information
Title: Missa cum quatuor vocibus
Composer: Pierre Colin
Number of voices: 4vv Voicing: STTB
Genre: Sacred, Mass
Language: Latin
Instruments: A cappella
First published:
Description: From the Música Colonial Archive. A four part mass. Attributed in the late 17th/early 18th Century source to "Petrus Colineus". There may have been a setting of the Benedictus, which was not included in the source, because by that time in Spain and Latin America the Benedictus was usually sung to a simple 3 part setting. Robert Stevenson's Catalogue of the Música Colonial Archive states: "According to a kind reply from A. Hyatt King dated July 28, 1969, none of the Masses in British Museum K.2.i.30 concords with the present Mass".
External websites:
- copy of the manuscript, the original of which is in Guatemala Cathedral.
Original text and translations
For information, refer to the Mass page. For texts and translations, see the individual pages: