Missa pro defunctis (Antoine Brumel): Difference between revisions
(page formatting) |
(→Complete work: Exported PDF file as MXL one, uploaded and added link) |
||
(18 intermediate revisions by 6 users not shown) | |||
Line 1: | Line 1: | ||
==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
===Complete work=== | |||
*{{CPDLno|21644}} [[Media:Brumel_M_Pro_Defunctis.pdf|{{pdf}}]] [[Media:Brumel_M_Pro_Defunctis.mid|{{mid}}]] [[Media:Brumel_M_Pro_Defunctis.mxl|{{XML}}]] | |||
{{Editor|Tim Risher|2010-05-21}}{{ScoreInfo|Letter|23|756}}{{Copy|CPDL}} | |||
:'''Edition notes:''' | |||
===''Introitus''=== | ===Individual movements=== | ||
*{{ | |||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter| | ====''Introitus''==== | ||
*{{CPDLno|21582}} [[Media:1Introitus.pdf|{{pdf}}]] | |||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|6|165}}{{Copy|CPDL}} | |||
:'''Edition notes:''' Note values are halved. Suggested accidentals are above notes. | :'''Edition notes:''' Note values are halved. Suggested accidentals are above notes. | ||
===''Kyrie''=== | ====''Kyrie''==== | ||
*{{ | *{{CPDLno|21583}} [[Media:2Kyrie.pdf|{{pdf}}]] | ||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|108}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|108}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Original | :'''Edition notes:''' Original key, note values are halved. | ||
===''Sequentia''=== | ====''Sequentia''==== | ||
*{{ | *{{CPDLno|21584}} [[Media:3Sequentia.pdf|{{pdf}}]] | ||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|7|218}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|7|218}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Note values are halved. Brumel used the same music for several verses; and I would think they are to be played in sequential order, therefore, that calls for a lot of jumping around in the score! | :'''Edition notes:''' Note values are halved. Brumel used the same music for several verses; and I would think they are to be played in sequential order, therefore, that calls for a lot of jumping around in the score! | ||
===''Sanctus''=== | ====''Sanctus''==== | ||
*{{ | *{{CPDLno|21585}} [[Media:4Sanctus.pdf|{{pdf}}]] | ||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|2|96}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|2|96}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Note values are halved. | :'''Edition notes:''' Note values are halved. | ||
===''Agnus Dei''=== | ====''Agnus Dei''==== | ||
*{{ | *{{CPDLno|21586}} [[Media:5Agnus_Dei.pdf|{{pdf}}]] | ||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|92}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|92}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Note values are halved. I have written out the repeat of the first Agnus. | :'''Edition notes:''' Note values are halved. I have written out the repeat of the first Agnus. | ||
===''Communio''=== | ====''Communio''==== | ||
*{{ | *{{CPDLno|21587}} [[Media:6Communio.pdf|{{pdf}}]] | ||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|107}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|107}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Note values are halved, but I changed the "cut time" time signature to "C", as the values were already quite short in this movement. I decided, however, to halve them, as I thought it would look odd in contrast to the other movements. This movement is also written at a higher pitch level than the previous movements, perhaps Brumel was employing a bit of word painting! | :'''Edition notes:''' Note values are halved, but I changed the "cut time" time signature to "C", as the values were already quite short in this movement. I decided, however, to halve them, as I thought it would look odd in contrast to the other movements. This movement is also written at a higher pitch level than the previous movements, perhaps Brumel was employing a bit of word painting! | ||
==General Information== | ==General Information== | ||
Line 37: | Line 43: | ||
{{Voicing|4|ATTB}}<br> | {{Voicing|4|ATTB}}<br> | ||
{{Genre|Sacred| | {{Genre|Sacred|Requiems|sort=Brumel, Antoine}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | |||
{{Pub|1|}} | |||
'''Description:''' The ''Missa pro defunctis'' first appeared in a collection of masses released by Andreas de Antiquis in 1519 | '''Description:''' The ''Missa pro defunctis'' first appeared in a collection of masses released by Andreas de Antiquis in 1519. It must have achieved a certain amount of fame, as it appeared again in another collection, put together by Giacomo Junta in 1522. | ||
Brumel's ''Missa pro defunctis'' for four voices, a late work, is notable for being the first Requiem to include a polyphonic setting of the ''Dies Iræ''. Each movement is apparently based on a plainchant, but not all can be identified today. The unknown chants are in the ''Christe'', ''Sanctus'' and ''Agnus Dei''; the others can be found in the Liber Usualis. | Brumel's ''Missa pro defunctis'' for four voices, a late work, is notable for being the first Requiem to include a polyphonic setting of the ''Dies Iræ''. Each movement is apparently based on a plainchant, but not all can be identified today. The unknown chants are in the ''Christe'', ''Sanctus'' and ''Agnus Dei''; the others can be found in the Liber Usualis. | ||
Line 48: | Line 54: | ||
'''External websites:''' | '''External websites:''' | ||
== | ==Original text and translations== | ||
{{MassText|Requiem}} | {{MassText|Requiem}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 21:25, 8 January 2020
Music files
ICON | SOURCE |
---|---|
Midi | |
MusicXML | |
File details | |
Help |
Complete work
- Editor: Tim Risher (submitted 2010-05-21). Score information: Letter, 23 pages, 756 kB Copyright: CPDL
- Edition notes:
Individual movements
Introitus
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 6 pages, 165 kB Copyright: CPDL
- Edition notes: Note values are halved. Suggested accidentals are above notes.
Kyrie
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 3 pages, 108 kB Copyright: CPDL
- Edition notes: Original key, note values are halved.
Sequentia
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 7 pages, 218 kB Copyright: CPDL
- Edition notes: Note values are halved. Brumel used the same music for several verses; and I would think they are to be played in sequential order, therefore, that calls for a lot of jumping around in the score!
Sanctus
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 2 pages, 96 kB Copyright: CPDL
- Edition notes: Note values are halved.
Agnus Dei
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 3 pages, 92 kB Copyright: CPDL
- Edition notes: Note values are halved. I have written out the repeat of the first Agnus.
Communio
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 3 pages, 107 kB Copyright: CPDL
- Edition notes: Note values are halved, but I changed the "cut time" time signature to "C", as the values were already quite short in this movement. I decided, however, to halve them, as I thought it would look odd in contrast to the other movements. This movement is also written at a higher pitch level than the previous movements, perhaps Brumel was employing a bit of word painting!
General Information
Title: Missa Pro Defunctis
Composer: Antoine Brumel
Number of voices: 4vv Voicing: ATTB
Genre: Sacred, Requiem
Language: Latin
Instruments: A cappella
First published:
Description: The Missa pro defunctis first appeared in a collection of masses released by Andreas de Antiquis in 1519. It must have achieved a certain amount of fame, as it appeared again in another collection, put together by Giacomo Junta in 1522.
Brumel's Missa pro defunctis for four voices, a late work, is notable for being the first Requiem to include a polyphonic setting of the Dies Iræ. Each movement is apparently based on a plainchant, but not all can be identified today. The unknown chants are in the Christe, Sanctus and Agnus Dei; the others can be found in the Liber Usualis.
External websites:
Original text and translations
For information, refer to the Requiem page. For texts and translations, see the individual pages:
- Intr: Requiem • Kyrie • Tr: Absolve Domine • Dies irae • Off: Domine Jesu Christe • Sanctus & Benedictus • Agnus Dei • Comm: Lux aeterna