Moravia (William Billings): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2015-03-02}} {{CPDLno|34695}} [[Media:MoraviaBillings1786bpr.pdf|{{pdf}}]] [[Media:MoraviaBillings1786bpr.mid|{{mid}}]]  
*{{PostedDate|2015-03-02}} {{CPDLno|34695}} [[Media:MoraviaBillings1786bpr.pdf|{{pdf}}]] [[Media:MoraviaBillings1786bpr.mid|{{mid}}]] [[Media:MoraviaBillings1786bpr.mxl|{{XML}}]]
{{Editor|Barry Johnston|2015-03-02}}{{ScoreInfo|Letter|1|64}}{{Copy|Public Domain}}
{{Editor|Barry Johnston|2015-03-02}}{{ScoreInfo|Letter|1|64}}{{Copy|Public Domain}}
:'''Edition notes:''' Oval note edition. Published in 1786 with the first stanza of Relly's hymn; another stanza added below.
:{{EdNotes|Oval note edition. Published in 1786 with the first stanza of Relly's hymn; another stanza added below.}}


*{{PostedDate|2015-03-02}} {{CPDLno|34696}} [[Media:MoraviaBillings1786a.pdf|{{pdf}}]]  
*{{PostedDate|2015-03-02}} {{CPDLno|34696}} [[Media:MoraviaBillings1786a.pdf|{{pdf}}]] [[Media:MoraviaBillings1786a.mxl|{{XML}}]]
{{Editor|Barry Johnston|2015-03-02}}{{ScoreInfo|7 x 10 in (landscape)|1|65}}{{Copy|Public Domain}}
{{Editor|Barry Johnston|2015-03-02}}{{ScoreInfo|7 x 10 in (landscape)|1|65}}{{Copy|Public Domain}}
:'''Edition notes:''' Note shapes added (4-shape). Published in 1786 with the first stanza of Relly's hymn; another stanza added below.
:{{EdNotes|Note shapes added (4-shape). Published in 1786 with the first stanza of Relly's hymn; another stanza added below.}}


==General Information==
==General Information==
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{{Lyricist|James Relly}}
{{Lyricist|James Relly}}


{{Voicing|4|SATB}}<br>
{{Voicing|4|SATB}}
{{Genre|Sacred|}} &nbsp; {{Meter|11 11. 10 11. 11 11}}
{{Genre|Sacred|}} &nbsp; {{Meter|11 11. 10 11. 11 11}}
{{Language|English}}
{{Language|English}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1786|in ''[[The Suffolk Harmony (William Billings)|The Suffolk Harmony]]''}}  
{{Pub|1|1786|in ''[[The Suffolk Harmony (William Billings)|The Suffolk Harmony]]''|pg=50|no=30}}
 
{{Descr|Published in ''The Suffolk Harmony'', 1786, pp. 50-51. Words by James Relly, 1776, his Hymn 16.}}
'''Description:''' Published in ''The Suffolk Harmony'', 1786, pp. 50-51. Words by James Relly, 1776, his Hymn 16.
{{#ExtWeb:}}
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{Text|English|
{{Text|English|

Latest revision as of 01:30, 17 September 2023

Music files

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  • (Posted 2015-03-02)  CPDL #34695:       
Editor: Barry Johnston (submitted 2015-03-02).   Score information: Letter, 1 page, 64 kB   Copyright: Public Domain
Edition notes: Oval note edition. Published in 1786 with the first stanza of Relly's hymn; another stanza added below.
  • (Posted 2015-03-02)  CPDL #34696:     
Editor: Barry Johnston (submitted 2015-03-02).   Score information: 7 x 10 in (landscape), 1 page, 65 kB   Copyright: Public Domain
Edition notes: Note shapes added (4-shape). Published in 1786 with the first stanza of Relly's hymn; another stanza added below.

General Information

Title: Moravia
First Line: O love! What a secret to mortals thou art
Composer: William Billings
Lyricist: James Relly

Number of voices: 4vv   Voicing: SATB
Genre: Sacred   Meter: 11 11. 10 11. 11 11

Language: English
Instruments: A cappella

First published: 1786 in The Suffolk Harmony, no. 30, p. 50
Description: Published in The Suffolk Harmony, 1786, pp. 50-51. Words by James Relly, 1776, his Hymn 16.

External websites:

Original text and translations

English.png English text

O love! What a secret to mortals thou art
'Tis God's deep eternity, nature and heart:
The witnessing dove confirms this high plan,
And likewise His word and His dealings with man;
The sorrows of Jesus, his torment and pain,
Has left no foundation for doubting again.

O love! How mysterious and boundless art thou!
Thy date and thy measure unlimited flow:
This Jesus reveals with evidence strong;
It gladdens my heart, also inspires my song
With praise to my Savior, my Lord and my God,
Whose love is my Glory, as viewed in his blood.