O Lord, my rock, to thee I cry (Joseph Stephenson): Difference between revisions
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*{{CPDLno|32862}} [{{filepath:StepJ-OLordMyRock.pdf}} {{pdf}}] [{{filepath:StepJ-OLordMyRock.mid}} {{mid}}] [{{filepath:StepJ-OLordMyRock.sib}} Sibelius 7 | *{{CPDLno|32862}} [{{filepath:StepJ-OLordMyRock.pdf}} {{pdf}}] [{{filepath:StepJ-OLordMyRock.mid}} {{mid}}] [{{filepath:StepJ-OLordMyRock.sib}} {{sib}}] (Sibelius 7) {{sib}} | ||
{{Editor|Edmund Gooch|2014-09-05}}{{ScoreInfo|A4|2|50}}{{Copy|Public Domain}} | {{Editor|Edmund Gooch|2014-09-05}}{{ScoreInfo|A4|2|50}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' The alto part is printed in the alto clef in the source. With the exception of the B{{Natural}} in the tenor part in the penultimate bar, which is marked with a {{Natural}} sign in the source, a {{Sharp}} sign is consistently used in the source to indicate naturalisation of notes flattened by the key signature (e.g. where B{{Natural}} is given in this edition). The text is indicated in the source by the heading 'Ps. 28th', and fragments of of the first verse are underlaid. This first verse has here been given in full and three other verses selected from the text have been added editorially: it is suggested that basses drop the slur from bar 11 in the third and fourth verses to accommodate the word-fit. | :'''Edition notes:''' The alto part is printed in the alto clef in the source. With the exception of the B{{Natural}} in the tenor part in the penultimate bar, which is marked with a {{Natural}} sign in the source, a {{Sharp}} sign is consistently used in the source to indicate naturalisation of notes flattened by the key signature (e.g. where B{{Natural}} is given in this edition). The text is indicated in the source by the heading 'Ps. 28th', and fragments of of the first verse are underlaid. This first verse has here been given in full and three other verses selected from the text have been added editorially: it is suggested that basses drop the slur from bar 11 in the third and fourth verses to accommodate the word-fit. | ||
Revision as of 20:03, 2 August 2016
Music files
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- CPDL #32862:
(Sibelius 7)
- Editor: Edmund Gooch (submitted 2014-09-05). Score information: A4, 2 pages, 50 kB Copyright: Public Domain
- Edition notes: The alto part is printed in the alto clef in the source. With the exception of the B♮ in the tenor part in the penultimate bar, which is marked with a ♮ sign in the source, a ♯ sign is consistently used in the source to indicate naturalisation of notes flattened by the key signature (e.g. where B♮ is given in this edition). The text is indicated in the source by the heading 'Ps. 28th', and fragments of of the first verse are underlaid. This first verse has here been given in full and three other verses selected from the text have been added editorially: it is suggested that basses drop the slur from bar 11 in the third and fourth verses to accommodate the word-fit.
General Information
Title: O Lord, my rock, to thee I cry
Composer: Joseph Stephenson
Lyricists: Nahum Tate and Nicholas Brady (from A new version of the psalms of David)
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Hymn
Language: English
Instruments: A cappella
Published: 1757
Description: This setting of Psalm 28 in the metrical New Version was published on p42 of Joseph Stephenson's Church Harmony Sacred to Devotion. The first edition of this collection was published in 1757. Hymn Tune Index tune number 2634.
External websites:
Original text and translations
Original text and translations may be found at Psalm 28.