Qual donna attende a gloriosa fama (Cipriano de Rore): Difference between revisions
No edit summary |
m (Text replacement - "*{{PostedDate|2024-01" to "* {{PostedDate|2024-01") |
||
(27 intermediate revisions by 6 users not shown) | |||
Line 1: | Line 1: | ||
==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
* {{PostedDate|2024-01-21}} {{CPDLno|78839}} [[Media:Cipriano_de_Rore_-_Qual_donna_attende.pdf|{{pdf}}]] [[Media:Cipriano_de_Rore_-_Qual_donna_attende.midi.zip|{{zip}}]] (MIDI)) [[Media:Cipriano_de_Rore_-_Qual_donna_attende.mxl|{{XML}}]] [[Media:Cipriano_de_Rore_-_Qual_donna_attende.ly|{{Ly}}]] | |||
{{Editor|Pothárn Imre|2024-01-21}}{{ScoreInfo|A4|6|114}}{{Copy|CPDL}} | |||
:{{EdNotes|Transcribed from ''Musica di Cipriano Rore sopra le stanze del Petrarcha, 1548''. Original key (chiavi naturali) and note values. In Altus in measure 84 we have corrected the last note from C to D.}} | |||
*{{CPDLno|16295}} [ | *{{PostedDate|2008-03-04}} {{CPDLno|16295}} [[Media:De_rore_qual_donna.pdf|{{pdf}}]] [[Media:De_rore_qual_donna.mxl|{{XML}}]] [[Media:De_rore_qual_donna.MUS|{{mus}}]] (Finale 2007) | ||
{{Editor|Paul R. Marchesano|2008-03-04}}{{ScoreInfo|Letter|8|216}}{{Copy|CPDL}} | {{Editor|Paul R. Marchesano|2008-03-04}}{{ScoreInfo|Letter|8|216}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Transposed up minor third for mixed voicing.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Qual donna attende a gloriosa fama''}} | |||
{{Composer|Cipriano de Rore}} | {{Composer|Cipriano de Rore}} | ||
{{Voicing|5|SATTB}} | {{Voicing|5|SATTB}} | ||
{{Genre|Secular|Madrigals}} | {{Genre|Secular|Madrigals}} | ||
{{Language|Italian}} | {{Language|Italian}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1548|in ''{{NoComp|Il terzo libro de madrigali a cinque voci|Cipriano de Rore}}''|vol=Edition 1|no=18}} | |||
{{Descr|Orlando di Lasso composed a [[Missa "Qual Donna" (Orlando di Lasso)|parody mass]] on this madrigal.}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{top}} | |||
{{Text|Italian | {{Text|Italian| | ||
Qual donn’ attende a gloriosa fama | Qual donn’ attende a gloriosa fama | ||
Di seno, di valor, di cortesia, | Di seno, di valor, di cortesia, | ||
Line 29: | Line 29: | ||
Nemica che mia donna il mondo chiama. | Nemica che mia donna il mondo chiama. | ||
Come s’acquist’honor come Dio s’ama, | Come s’acquist’honor come Dio s’ama, | ||
Come giont’honestà con leggiadria, | Come giont’honestà con leggiadria, | ||
Ivi s’impara e qual è dritta via | Ivi s’impara e qual è dritta via | ||
Di gir al ciel, che lei aspett’e brama. | Di gir al ciel, che lei aspett’e brama. | ||
Line 38: | Line 38: | ||
Ch’ingegn’human non può spiegar in carte. | Ch’ingegn’human non può spiegar in carte. | ||
L’infinita bellezza ch’altrui abbaglia | L’infinita bellezza ch’altrui abbaglia | ||
Non vi s’impara che quei dolci lumi, | Non vi s’impara che quei dolci lumi, | ||
S’acquistan per ventura, e non per arte. | S’acquistan per ventura, e non per arte.}} | ||
{{mdl}} | |||
{{Translation|English| | |||
{{Translation|English | |||
Doth any maiden seek the glorious fame | Doth any maiden seek the glorious fame | ||
Of chastity, of strength, of courtesy? | Of chastity, of strength, of courtesy? | ||
Line 61: | Line 59: | ||
But the infinite beauty that all eyes doth fill, | But the infinite beauty that all eyes doth fill, | ||
This none can copy! since its lovely rays | This none can copy! since its lovely rays | ||
Are given by God's pure grace, and not by art. | Are given by God's pure grace, and not by art.}} | ||
{{btm}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Latest revision as of 18:30, 2 February 2024
Music files
ICON | SOURCE |
---|---|
MusicXML | |
Finale | |
LilyPond | |
Zip file | |
File details | |
Help |
- Editor: Pothárn Imre (submitted 2024-01-21). Score information: A4, 6 pages, 114 kB Copyright: CPDL
- Edition notes: Transcribed from Musica di Cipriano Rore sopra le stanze del Petrarcha, 1548. Original key (chiavi naturali) and note values. In Altus in measure 84 we have corrected the last note from C to D.
- Editor: Paul R. Marchesano (submitted 2008-03-04). Score information: Letter, 8 pages, 216 kB Copyright: CPDL
- Edition notes: Transposed up minor third for mixed voicing.
General Information
Title: Qual donna attende a gloriosa fama
Composer: Cipriano de Rore
Number of voices: 5vv Voicing: SATTB
Genre: Secular, Madrigal
Language: Italian
Instruments: A cappella
First published: 1548 in Il terzo libro de madrigali a cinque voci, Edition 1, no. 18
Description: Orlando di Lasso composed a parody mass on this madrigal.
External websites:
Original text and translations
Italian text Qual donn’ attende a gloriosa fama |
English translation Doth any maiden seek the glorious fame |