Remember David's troubles, Lord (Thomas Ravenscroft): Difference between revisions

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'''Title:''' ''Remember David's troubles, Lord''<br>
'''Title:''' ''Remember David's troubles, Lord''<br>
'''Tune:''' St. Flavian<br>
'''Tune:''' St. Flavian<br>
{{Composer|Anonymous}}
{{Composer|4|Anonymous|Richard Redhead|Giles Farnaby|Thomas Ravenscroft}}
{{Composer|4|Anonymous|Richard Redhead|Giles Farnaby|Thomas Ravenscroft}}
{{Lyricist|John Markant}}
{{Lyricist|John Markant}}

Revision as of 16:05, 31 October 2015

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  • CPDL #11516: 
Redhead's setting (Equalist): Icon_pdf.gif [ Icon_snd.gif]
Giles Farnaby's fauxbourdon: Icon_pdf.gif Icon_snd.gif
Thomas Ravenscroft/'s Fauxbourdon: Icon_pdf.gif Icon_snd.gif
Editor: Noel Stoutenburg (submitted 2006-04-19).   Score information: Letter, 1 page, 8 kB   Copyright: CPDL
Edition notes: St. Flavian tune, music only. The Fauxbourdon settings (melody in the tenor voice) of Farnaby and Ravenscroft here provided are adapted to the equalist rhythm of Redhead.

General Information

Title: Remember David's troubles, Lord
Tune: St. Flavian
Composers: Anonymous, Richard Redhead, Giles Farnaby and Thomas Ravenscroft
Lyricist: John Markant

Number of voices: 4vv   Voicing: SATB

Genre: SacredHymn setting   Meter: 86. 86 (C.M.)

Instruments: Keyboard

Published: 1562

Description: Hymn Tune Index No. 178. This tune first appeared in The Residue of All Davids Psalmes in Metre published by John Daye, London, 1562, where it was used for Psalm 132, which begins Remember David's troubles, Lord. The tune is by an anonymous composer; words are by John Markant, 1560, in eighteen stanzas. The Giles Farnaby harmonization first appeared in The Whole Booke of Psalmes (Thomas Este), 1592, with the same text as in 1562 (Psalm 132). The Thomas Ravenscroft harmonization first appeared in The Whole Booke of Psalmes (Thomas Ravenscroft), 1621, pp. 230-231, with the first stanza of William Kethe's 1560 paraphrase of Psalm 132. Unsure when the tune name St. Flavian was first applied to this tune; it doesn't appear in any of the Psalters cited above. Both Daye's Psalter, Farnaby and Ravenscroft all use the first two stanzas in the composition.

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