Salve Regina (Francesco Soriano): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2015-11-15}} {{CPDLno|37543}} [{{website|pandolfo}}?attachment_id=1808 {{net}}] | *{{PostedDate|2018-07-06}} {{CPDLno|50422}} [[Media:Salve_Regina_II_-_Soriano.pdf|{{pdf}}]] [[Media:Salve_Regina_II_-_Soriano-CATB.midi|{{mid}}]] [[Media:Salve_Regina_II_-_Soriano.mxl|{{XML}}]] | ||
{{Editor|Aristotle Aure Esguerra|2018-07-06}}{{ScoreInfo|Letter|2|218}}{{Copy|Personal}} | |||
:{{EdNotes|Composite of facsimile of 1619 print and version found in ''Sammlung ausgezeichneter Kompositionem für die Kirche IV'', 1907; title includes bracketed [II] to reflect its appearance after the other setting of the ''Salve Regina'' found in the 1619 print; range indicators added; transposed down m3; note values halved; editorial accidentals in square brackets; ''musica ficta'' above noteheads; vertical square brackets from mm. 55:1.5–57:1 indicate editorial switch of Altus and Tenor lines.}} | |||
*{{PostedDate|2015-11-15}} {{CPDLno|37543}} [{{website|pandolfo}}?attachment_id=1808 {{net}}] | |||
{{Contributor|Paolo Pandolfo|2015-11-15}}{{ScoreInfo|A4|2|200}}{{Copy|CPDL}} | {{Contributor|Paolo Pandolfo|2015-11-15}}{{ScoreInfo|A4|2|200}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Scanned score from IMSLP.}} | ||
* {{CPDLno|28419}} [[Media:Salve_Regina_Soriano_JG.pdf|{{pdf}}]] [[Media:Salve_Regina_Soriano_JG.mid|{{mid}}]] [[Media:Salve_Regina_Soriano_JG.capx|{{Capx}}]] | *{{PostedDate|2013-02-27}} {{CPDLno|28419}} [[Media:Salve_Regina_Soriano_JG.pdf|{{pdf}}]] [[Media:Salve_Regina_Soriano_JG.mid|{{mid}}]] [[Media:Salve_Regina_Soriano_JG.mxl|{{XML}}]] [[Media:Salve_Regina_Soriano_JG.capx|{{Capx}}]] | ||
{{Editor|James Gibb|2013-02-27}}{{ScoreInfo|A4|3|32}}{{Copy|CPDL}} | {{Editor|James Gibb|2013-02-27}}{{ScoreInfo|A4|3|32}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Transcribed from [[Musica Divina Vol. III (Carl Proske)|''Musica Divina'' Vol. III (ed. Karl Proske, 1859)]]. Original key and note values. Revised files uploaded 21/10/17.}} | ||
*{{CPDLno|21814}} [[Media:Salve_Regina_Soriano.pdf|{{pdf}}]] [[Media:Salve_Regina_Soriano.mid|{{mid}}]] [[Media:Salve_Regina_Soriano.sib|{{sib}}]] (Sibelius 4) | *{{PostedDate|2010-06-17}} {{CPDLno|21814}} [[Media:Salve_Regina_Soriano.pdf|{{pdf}}]] [[Media:Salve_Regina_Soriano.mid|{{mid}}]] [[Media:Salve_Regina_Soriano.mxl|{{XML}}]] [[Media:Salve_Regina_Soriano.sib|{{sib}}]] (Sibelius 4) | ||
{{Editor|Brian Marble|2010-06-17}}{{ScoreInfo|Letter|3|68}}{{Copy|CPDL}} | {{Editor|Brian Marble|2010-06-17}}{{ScoreInfo|Letter|3|68}}{{Copy|CPDL}} | ||
: | :{{EdNotes|}} | ||
==General Information== | ==General Information== | ||
'''Title:''' ''Salve Regina''<br> | '''Title:''' ''Salve Regina'', the thru-composed setting appearing 2nd in the 1619 publication but 1st in Proske's anthology. The other, ''alternatim'', setting is at [[Salve Regina II (Francesco Soriano)]].<br> | ||
{{Composer|Francesco Soriano}} | {{Composer|Francesco Soriano}} | ||
{{Voicing|4|SATB}} | {{Voicing|4|SATB}} | ||
{{Genre|Sacred|Motets|Votive antiphons}} | {{Genre|Sacred|Motets|Votive antiphons}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|1|1619|in ''{{NoCo|Passio D.N. Jesu Christe secundum quatuor Evangelistas}}''|no=27}} | ||
{{Pub|0|1854|in ''[[SANT Hs 1218]]''|ms=ms|no=9}} | |||
''' | {{Pub|2|1859|in ''[[Musica Divina Vol. III (Carl Proske)]]''|pg=448}} | ||
{{Descr| }} | |||
'' | {{#ExtWeb:}} | ||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Salve Regina}} | {{LinkText|Salve Regina}} |
Latest revision as of 02:42, 30 September 2023
Music files
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Midi | |
MusicXML | |
Capella | |
Sibelius | |
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Help |
- Editor: Aristotle Aure Esguerra (submitted 2018-07-06). Score information: Letter, 2 pages, 218 kB Copyright: Personal
- Edition notes: Composite of facsimile of 1619 print and version found in Sammlung ausgezeichneter Kompositionem für die Kirche IV, 1907; title includes bracketed [II] to reflect its appearance after the other setting of the Salve Regina found in the 1619 print; range indicators added; transposed down m3; note values halved; editorial accidentals in square brackets; musica ficta above noteheads; vertical square brackets from mm. 55:1.5–57:1 indicate editorial switch of Altus and Tenor lines.
- Contributor: Paolo Pandolfo (submitted 2015-11-15). Score information: A4, 2 pages, 200 kB Copyright: CPDL
- Edition notes: Scanned score from IMSLP.
- Editor: James Gibb (submitted 2013-02-27). Score information: A4, 3 pages, 32 kB Copyright: CPDL
- Edition notes: Transcribed from Musica Divina Vol. III (ed. Karl Proske, 1859). Original key and note values. Revised files uploaded 21/10/17.
- Editor: Brian Marble (submitted 2010-06-17). Score information: Letter, 3 pages, 68 kB Copyright: CPDL
- Edition notes:
General Information
Title: Salve Regina, the thru-composed setting appearing 2nd in the 1619 publication but 1st in Proske's anthology. The other, alternatim, setting is at Salve Regina II (Francesco Soriano).
Composer: Francesco Soriano
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Motet, Votive antiphon
Language: Latin
Instruments: A cappella
First published: 1619 in Passio D.N. Jesu Christe secundum quatuor Evangelistas, no. 27
Manuscript 1854 in SANT Hs 1218, no. 9
2nd published: 1859 in Musica Divina Vol. III (Carl Proske), p. 448
Description:
External websites:
Original text and translations
Original text and translations may be found at Salve Regina.