Salve Regina II (Francesco Soriano): Difference between revisions

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m (Text replacement - "\'\'\'Edition notes\:\'\'\' (.*) \=\=" to "{{EdNotes|$1}} ==")
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*{{PostedDate|2018-07-06}} {{CPDLno|50421}} [[Media:Salve_Regina_I_-_Soriano.pdf|{{pdf}}]] [[Media:Salve_Regina_I_-_Soriano-CATB.midi|{{mid}}]]
*{{PostedDate|2018-07-06}} {{CPDLno|50421}} [[Media:Salve_Regina_I_-_Soriano.pdf|{{pdf}}]] [[Media:Salve_Regina_I_-_Soriano-CATB.midi|{{mid}}]]
{{Editor|Aristotle Aure Esguerra|2018-07-06}}{{ScoreInfo|Letter|2|193}}{{Copy|Personal}}
{{Editor|Aristotle Aure Esguerra|2018-07-06}}{{ScoreInfo|Letter|2|193}}{{Copy|Personal}}
:'''Edition notes:''' Composite of facsimile of 1619 print and version found in ''Sammlung ausgezeichneter Kompositionem für die Kirche IV'', 1907; title includes bracketed [I] to reflect its appearance before the other setting of the ''Salve Regina'' found in the 1619 print; range indicators added; note values halved; reciting tones in stemless hollow noteheads; editorial accidentals in square brackets; time signatures added; rhythmic marks added.
:{{EdNotes|Composite of facsimile of 1619 print and version found in ''Sammlung ausgezeichneter Kompositionem für die Kirche IV'', 1907; title includes bracketed [I] to reflect its appearance before the other setting of the ''Salve Regina'' found in the 1619 print; range indicators added; note values halved; reciting tones in stemless hollow noteheads; editorial accidentals in square brackets; time signatures added; rhythmic marks added.}}
 
*{{PostedDate|2017-10-21}} {{CPDLno|46892}} [[Media:Salve_Regina_II_Soriano.pdf|{{pdf}}]] [[Media:Salve_Regina_II_Soriano.mid|{{mid}}]] [[Media:Salve_Regina_II_Soriano.mxl|{{XML}}]] [[Media:Salve_Regina_II_Soriano.capx|{{Capx}}]]
*{{PostedDate|2017-10-21}} {{CPDLno|46892}} [[Media:Salve_Regina_II_Soriano.pdf|{{pdf}}]] [[Media:Salve_Regina_II_Soriano.mid|{{mid}}]] [[Media:Salve_Regina_II_Soriano.mxl|{{XML}}]] [[Media:Salve_Regina_II_Soriano.capx|{{Capx}}]]
{{Editor|James Gibb|2017-10-21}}{{ScoreInfo|A4|2|48}}{{Copy|CPDL}}
{{Editor|James Gibb|2017-10-21}}{{ScoreInfo|A4|2|48}}{{Copy|CPDL}}

Revision as of 03:02, 27 April 2021

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  • (Posted 2018-07-06)  CPDL #50421:     
Editor: Aristotle Aure Esguerra (submitted 2018-07-06).   Score information: Letter, 2 pages, 193 kB   Copyright: Personal
Edition notes: Composite of facsimile of 1619 print and version found in Sammlung ausgezeichneter Kompositionem für die Kirche IV, 1907; title includes bracketed [I] to reflect its appearance before the other setting of the Salve Regina found in the 1619 print; range indicators added; note values halved; reciting tones in stemless hollow noteheads; editorial accidentals in square brackets; time signatures added; rhythmic marks added.
  • (Posted 2017-10-21)  CPDL #46892:         
Editor: James Gibb (submitted 2017-10-21).   Score information: A4, 2 pages, 48 kB   Copyright: CPDL
Edition notes: Transcribed from Sammlung ausgezeichneter Kompositionem für die Kirche IV (Stephan Lück, 1907).

General Information

Title: Salve Regina II, an alternatim setting appearing before the through-composed Salve Regina (Francesco Soriano) in the 1619 edition but in 2nd position in Prozske's anthology.
Composer: Francesco Soriano
Lyricist:

Number of voices: 4vv   Voicing: SATB

Genre: SacredMotetVotive antiphon

Language: Latin
Instruments: A cappella

First published: 1859 in Musica Divina Vol. III (Carl Proske), p. 450
    2nd published: 1907 in Sammlung ausgezeichneter Kompositionen für die Kirche, no. 4.47
Description: 

External websites:

Original text and translations

Original text and translations may be found at Salve Regina.