Sassi, Palae, Sabbion, del Adrian lio (Andrea Gabrieli): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2015-01-05}} {{CPDLno|34138}} [[Media:20-sassi_palae-2p_combined---0-score.pdf|{{pdf}}]] 1p: [[Media:20-sassi_palae-2p_combined---0-score-1p.midi|{{mid}}]] 2p: [[Media:20-sassi_palae-2p_combined---0-score-2p.midi|{{mid}}]] | *{{PostedDate|2015-01-05}} {{CPDLno|34138}} [[Media:20-sassi_palae-2p_combined---0-score.pdf|{{pdf}}]] 1p: [[Media:20-sassi_palae-2p_combined---0-score-1p.midi|{{mid}}]] 2p: [[Media:20-sassi_palae-2p_combined---0-score-2p.midi|{{mid}}]] [[Media:20-sassi_palae-2p_combined---0-score.mxl|{{XML}}]] | ||
{{Editor|Allen Garvin|2015-01-05}}{{ScoreInfo|Letter|6|122}}{{Copy|Creative Commons Attribution Non-Commercial}} | {{Editor|Allen Garvin|2015-01-05}}{{ScoreInfo|Letter|6|122}}{{Copy|Creative Commons Attribution Non-Commercial}} | ||
: | :{{EdNotes|Parts and source available at IMSLP.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Sassi, Palae, Sabbion, del Adrian lio''}} | |||
{{Composer|Andrea Gabrieli}} | {{Composer|Andrea Gabrieli}} | ||
{{Lyricist|Antonio Molino}} | {{Lyricist|Antonio Molino}} | ||
{{Voicing|5|SAATB}} | {{Voicing|5|SAATB}} | ||
{{Genre|Secular|Madrigals}} | {{Genre|Secular|Madrigals}} | ||
{{Language|Italian}} | {{Language|Italian}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|1|1564|in ''[[Il primo libro delle Greghesche]]''|no=16}} | ||
{{Descr|The text is written in "gregesche", a dialect that mixes Venetian Italian with Greek and Dalmatian influences, perhaps invented by Molino. The work is a humorous lament on the death of Adrian Willaert.}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{Text|Italian|(The text is actually in a mixture of Greek and Venetian dialect, the invention of the poet Antonio Molino, who wrote it.) | {{Text|Italian|(The text is actually in a mixture of Greek and Venetian dialect, the invention of the poet Antonio Molino, who wrote it.) | ||
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Chie no'l porà mie versi plio lustrari | Chie no'l porà mie versi plio lustrari | ||
Cu'l dulce canto chie rumpre ogni scogio. | Cu'l dulce canto chie rumpre ogni scogio. | ||
O megàlas | O megàlas cordogio del mundo tutto, | ||
Chy sarà mo chello | Chy sarà mo chello | ||
Chie in armonia del par vaga cun ello?}} | Chie in armonia del par vaga cun ello?}} | ||
{{Translation|English| | {{Translation|English| | ||
{{Translator|Mick Swithinbank}} | |||
<br>NB: This translation owes a huge debt to the German translation published in an article by Katelijne Schiltz of the University of Regensburg, which supplemented my fragmentary understanding of the original text. Thanks also to Andrew van der Beek for a couple of geological corrections.) | <br>(NB: This translation owes a huge debt to the German translation published in an article by Katelijne Schiltz of the University of Regensburg, which supplemented my fragmentary understanding of the original text. Thanks also to Andrew van der Beek for a couple of geological corrections.) | ||
Stones, piles, sandbanks on the Adriatic coast, | Stones, piles, sandbanks on the Adriatic coast, | ||
| Line 57: | Line 54: | ||
and you, rivers that do tribute to the sea – | and you, rivers that do tribute to the sea – | ||
Piave, Adige, Po, Sil, Brenta and Ogio – | Piave, Adige, Po, Sil, Brenta and Ogio – | ||
come, so that all may lament | come, so that all may lament | ||
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Oh what a great sorrow for the whole world! | Oh what a great sorrow for the whole world! | ||
Who will there be now | Who will there be now | ||
that can rival him for harmony? | that can rival him for harmony?}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] | ||
Latest revision as of 16:37, 29 May 2023
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- (Posted 2015-01-05) CPDL #34138: 1p: 2p:
- Editor: Allen Garvin (submitted 2015-01-05). Score information: Letter, 6 pages, 122 kB Copyright: CC BY NC
- Edition notes: Parts and source available at IMSLP.
General Information
Title: Sassi, Palae, Sabbion, del Adrian lio
Composer: Andrea Gabrieli
Lyricist: Antonio Molino
Number of voices: 5vv Voicing: SAATB
Genre: Secular, Madrigal
Language: Italian
Instruments: A cappella
First published: 1564 in Il primo libro delle Greghesche, no. 16
Description: The text is written in "gregesche", a dialect that mixes Venetian Italian with Greek and Dalmatian influences, perhaps invented by Molino. The work is a humorous lament on the death of Adrian Willaert.
External websites:
Original text and translations
Italian text
(The text is actually in a mixture of Greek and Venetian dialect, the invention of the poet Antonio Molino, who wrote it.)
Sassi, palae, sabbion del Adrian lio,
Alleghe, zoncchi, herbazi chie la stéu,
Velme, barene, chie scundéu
L'ostregha'l cappa, e'l passerin polio
E vui del valle pesci e d'ogni rio,
E del mar grandi e pizuli chie séu,
Scombri, chieppe, sardun, chie drio tiréu,
Le syrene dunzell'e ch'a mario.
E vu fiumi chie dèu tributo al mari,
Piave, Ladese, Po, Sil, Brenta et Ogio,
Vegnì, vegnì cha tutti canti a lagrimari,
La morte d'Adrian, del chal me dogio,
Chie no'l porà mie versi plio lustrari
Cu'l dulce canto chie rumpre ogni scogio.
O megàlas cordogio del mundo tutto,
Chy sarà mo chello
Chie in armonia del par vaga cun ello?
English translation
Translation by Mick Swithinbank
(NB: This translation owes a huge debt to the German translation published in an article by Katelijne Schiltz of the University of Regensburg, which supplemented my fragmentary understanding of the original text. Thanks also to Andrew van der Beek for a couple of geological corrections.)
Stones, piles, sandbanks on the Adriatic coast,
seaweeds, reeds and other plants which live there,
mudflats, saltings that are home to
oysters, cockles and the amiable flatfish,
and you, fish in every stream in the valley
and in the sea, both large and small,
mackerel, cuttlefish, sardines which swim around there,
mermaids, both unattached and married,
and you, rivers that do tribute to the sea –
Piave, Adige, Po, Sil, Brenta and Ogio –
come, so that all may lament
the death of Adrian, which fills me with grief,
who will never again set my verses
to sweet song, breaking apart every rock on the shore.
Oh what a great sorrow for the whole world!
Who will there be now
that can rival him for harmony?